Hoshi Sato

Portrait of a Character – Susie Money

Portrait of a Character – Susie Money

Susie Money rocks!

Origins

This character is Star Trek: Enterprise canon, although she only had a first initial in canon.

Portrayal

As in canon, Susie is played by stunt performer Dorenda Moore.

Portrait of a Character – Susie Money

Dorenda Moore as Susie Money

I’m not even so sure that Susie said more than two words during the entire run of Star Trek: Enterprise. This incredibly tough MACO more or less shot first, but it’s debatable whether she asked questions later, if at all.

Personality

I’ve given Susie a bit more sexual aggression, but during the E2 scenario, she’s still one of the last women paired up.  As I write Susie, she’s more interested in making friends with the Starfleeters than the other MACOs are, at least to start. She volunteers to assist Hoshi Sato with a Morale Committee.

Relationships

Mario Lattimer

In both kicks back in time, Susie ends up with Mario. The relationship is more playfully aggressive in the first kick back, and is sweeter in the second. They also hook up during Shell Shock, and she serves as his alibi.

Mirror Universe

Mirror Susie

Mirror Susie

There are no impediments to Susie existing in the Mirror Universe.  However, she was not shown in either canon Star Trek: Enterprise Mirror Universe episode. But that does not mean she doesn’t exist in that particular universe.

I write most Mirror Universe women as being rather beholden to men, and downtrodden. Susie wouldn’t be. That tough a woman would be in a position of some personal power. She probably wouldn’t be on a star ship or the like. Empress Hoshi would never want such confident competition.

Quote

“Yanno, you’re not supposed to dance to Christmas carols.”

Upshot

I enjoyed giving this taciturn character a lot more to say and do. In one capacity or another, she will return.


You can find me on .

Posted by jespah in Fan fiction, In Between Days series, Interphases series, Portrait, 3 comments

Portrait of a Character – Phillip Green

Portrait of a Character – Phillip Green

Phillip Green is fun to write.

Origins

This a canon character, who has actually been played by two separate men, depending upon whether it’s The Original Series (Phillip Pine) or Star Trek: Enterprise (Steven Rankin). In either iteration, Colonel Green is a nasty villain and a killer of millions.

Portrayal

I prefer Rankin for this; I just see a guy who’s a little bit younger.

Portrait of a Character – Phillip Green

John Frederick Paxton watches an old image of Colonel Green

This has more to do with how I write his successor in Multiverse II than anything else.

Keep in mind, the canon character is Philip (one L) and lives during the earlier part of the Third World War. The character I’m talking about is Phillip (two L’s) and is from a bit later. But the idea that funngunner and I had was that the concept of a Colonel Green would continue as several men fill the role over time.

Personality

Ruthless and rapacious, Green has an appetite for the remaining luxuries in the ravaged Earth, power, and women, at least as funngunner and I write him. If absolute power corrupts absolutely, Green is the poster child for that.

Relationships

Liesl Green

In Multiverse II, Liesl is eventually revealed to be the kingmaker, that there have been several versions of Green and Phillip is only one of many.  There are even three children, but they aren’t Phillip’s or Liesl’s, so the far-future descendant, Phillipa, who Richard Daniels meets and seduces, as is mentioned in Ohio, has someone else’s genetics.

The relationship with Liesl is more businesslike than anything else. There is no marriage – although they call her his wife. It is just an arrangement, and the two of them continue to do whatever they like. Donald Janeway eventually reveals that he kept a database of eco-warrior ‘volunteers’ and it was split up by gender, with obviously male names for Liesl, obviously female names for the Colonel, and anyone unknown to be determined. And, once they were known for sure, they would be set aside for either party. Then images would be scoured for imperfections and anyone imperfect would be eliminated from consideration. Anyone unlucky enough to be physically perfect would be ripe for sexual usage.

Otra D’Angelo

When Otra arrives, the Colonel only has eyes for her, and kicks Liesl to the curb. Liesl wouldn’t care, except she wants power. Plus Otra is an alien, and that bothers Liesl quite a bit. And then Otra plunges a knife into Green’s chest, just after he proposes marriage. It’s a nasty business, Chilo possession.

Mirror Universe

Portrait of a Character – Phillip Green

Phillip Pine as the Mirror Phillip Green

For the Mirror Universe, I go back to Phillip Pine for the portrayal.

In my Star Trek: Enteprise fanfiction, I see him as the Emperor of the Terran Empire, Phillip I. His true descendant, Phillip IV, is Emperor when Hoshi Sato, in canon and in Throwing Rocks at Looking Glass Houses, declares herself Empress. Hoshi herself assassinates Phillip IV.

Quote

“The fool’s paralyzed, and he’s unconscious. He doesn’t need guards or medics; he needs pallbearers.”

Upshot

It is great fun and more than a little satisfying to write a person who is more or less pure evil. It’s even more satisfying to try to find a way to make him even remotely sympathetic. Green is a trip to write, and there’s talk of there eventually being a Multiverse III. If there is, I want to write him again.


You can find me on .

Posted by jespah in Interphases series, Portrait, 2 comments

Portrait of a Character – Empress Hoshi Sato

Portrait of a Character – Empress Hoshi Sato

The Empress Hoshi Sato is a linchpin character.

Origins

The character, of course, is Star Trek: Enterprise canon, and is the Mirror Universe counterpart to Hoshi Sato.

Portrait of a Character – Empress Hoshi Sato

Declaring power

However, the Enterprise series only showed her declaring her power, and never actually consolidating or wielding it, as the show was cancelled far too soon. I have tried to rectify that, and I recognize that the official books have done so as well. But I think Star Trek is a big tent, and there’s room for all sorts of fanfiction interpretations of what happens next.

Portrayal

As in the series, the Empress Hoshi Sato is played by Linda Park.

Personality

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Empress Hoshi Sato on the Bridge

Empress Hoshi Sato on the Bridge

Suspicious, nasty and ruthless, Hoshi makes a perfect Mirror Universe Empress and all-around villain because she will stop at nothing.

She’s just a bit campy in canon, but I make her truly dangerous. In Throwing Rocks at Looking Glass Houses, she violently takes charge, beginning a bloody reign by first killing off Phlox and Ian (Malcolm‘s counterpart), and then moving onto the Emperor Philip IV (counterpart to Colonel Philip Green) and, eventually, T’Pol.

Machiavellian

As a true Machiavellian, she eliminates the Emperor’s entire family, in order to prevent the people from perhaps, in the future, rallying around a successor. This includes the Emperor’s infant daughter, Anastasia, a reference to Princess Anastasia of Russia, killed when the Bolsheviks came to power. This also establishes Hoshi’s reign as having the potential to become totalitarian, which is confirmed with later stories. But that’s nothing new. In The High Cost of Dissidence, her predecessor has proven to be just as immoral.

Characters Cyril MorganAndrew Miller, José Torres, and Brian Delacroix join her current followers, who include Doug Hayes, Chip Masterson and Aidan MacKenzie, along with her lover, Travis Mayweather.

Doug Gets Out

In Paving Stones Made From Good Intentions, Hoshi pits Doug, Aidan and Chip against each other, in order to get someone new to run Tactical, as she has had Ian killed. However, rather than eliminate or emasculate his rivals, the victorious Doug decides to have them work under him, in a more cooperative type of venture. This continues to the time of Reversal. Aidan repays Doug’s kindness by cuckolding him and trying to take his girl, Jenn Crossman.

By the time of First Born, Hoshi has decided that she wants an heir. When Rick Daniels goes to the Defiant on a mission, they hook up, and she becomes pregnant. She proves to be a horrible mother, having Beth Cutler care for her son with Rick. By the time of Coveted Commodity, her childbearing years are coming to an end.

And by the time of Shake Your Body, Milton Walker seizes an opportunity and comes calling.

Relationships

Maximilian Forrest

This canon relationship is shown in the two ENT Mirror Universe episodes.

Portrait of a Character – Empress Hoshi Sato

Forrest’s Captain’s Woman

Both actors have said they believe she loved him. However, he may or may not have loved her. I go with this, that his love for her is ambiguous, if it exists at all.

Further, she is ambitious. Even if Forrest had survived, it would not have been enough. She would have left him, at some point, unless he could go a lot further, a lot faster, in their careers.

Even then, I’m pretty sure she wouldn’t have stayed for long.

Jonathan Archer

Another canon relationship, Hoshi cheats on Forrest with Archer. But when Archer proves to be too slow to get ahead, she offs him.

Travis Mayweather

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | MU Hoshi and Travis | Empress Hoshi Sato

MU Hoshi and Travis

The final canon relationship, Hoshi turns to Travis for help in dispatching Archer.

The way I write them, they stay together, but she is dominant in every single way. In Coveted Commodity, this becomes all-too clear, as he reminisces about how, every time she’s had a child from someone else, she’s told him that it’s for her security.

Travis is mainly interested in his own security, so he goes along with it. And, in Commodity, he comes to understand that he’s better off where he is, rather than to try to usurp her.

Richard Daniels

In January of 2156, Rick goes on a temporal mission to the Mirror, to fix the Defiant. With poor cash flow and no money to pay him, plus an urge to make it with a time traveler (he foolishly reveals that detail about himself to her), they hook up. Nine months later, Jun is born, and the Temporal Integrity Commission has to scramble. Because Rick wants his temporally paradoxical son to live, Jun has to be sterilized, and Rick is forbidden from returning to the Mirror at any time during Jun or Hoshi’s lives, not even long before conception or after her menopause or even after her death.

Rick’s boss, Carmen Calavicci, fakes Rick’s death by arranging for wreckage to be left on Daranaea. She also applies delta radiation in utero and Jun is thereby sterilized.

Aidan MacKenzie

Aidan, her second baby daddy, is seduced at the end of Reversal, an act that Doug wisely resisted. Hoshi makes it very clear that she does not care at all for Aidan, but he’s got good genes. By the time of the alternate timelines in Temper, Aidan is the designated babysitter for the royal brats.

José Torres

By the time of Brown, José is already trying to make time with the Empress, following up some small flirtation during Throwing Rocks.

Francisco Ramirez

At the same time that she is involved with Torres, Hoshi is also involved with Ramirez.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | The Perks of Being in the Inner Circle | Empress Hoshi Sato

The Perks of Being in the Inner Circle

Chandler Masterson

Chip is next in the passing parade, and is thrown over when Hoshi has his children.

Andrew Miller

After Travis’s death, Hoshi goes after Andrew, who is stuck with her until he leaves via suicide. He is, in this instance, cheating on her, with Melissa Madden, who dies, pregnant by him, in a shuttle crash. When he refers to MM in his suicide note, Hoshi changes the note in order to favor herself and gratify her ego.

Milton Walker

After Andrew’s death, Milton shows up, as he is on the run from the authorities. This former Eligian Order monk hasn’t been with a woman in decades, but Hoshi is older and less attractive, so she grabs onto him anyway.

Theme Music

Offspring

Jun Daniels Sato

The first born ends up running the Empire, with Kira, after Hoshi’s death, in Who Shall Wear the Robe and Crown? Prior to that, Jun runs Communications on the Defiant.

Kira (Kirin) MacKenzie Sato

Kira (sometimes called Kirin, which means giraffe) is the tallest of the children and, by rights, was supposed to be the eldest. He runs the Tactical station before becoming co-Emperor with Jun, but predeceases his elder brother.

Arashi Sato

With a head for business, Arashi is the only of the children of the Empress Hoshi Sato who is born without the Y Chromosome Skew. His parentage is allegedly unknown, but Torres does not have the skew, whereas Ramirez does. Therefore, it’s a lead pipe cinch that the head of the treasury is Torres’s son.

Takara Masterson Sato

Takara, the only girl, is the elder of a pair of twins, and eventually becomes the forebear of the successor to Jun and Kira – Charles Tucker VI, AKA the Emperor Charles I. She is removed from the Empress’s influence at an early age.

Takeo Masterson Sato

The younger twin, Takeo is a gay man, and is rescued from a life with the Empress by his father, Chip, and Chip’s wife, Lucy Stone, taking him away at a young age.

Izo Mayweather Sato

The youngest, son of Travis Mayweather, almost dies in utero, as Izo has a hole in his heart. Travis’s sacrifice suffers Izo to live; he grows up to run the Empress’s (and, later, his brothers’) Secret Police.

Quote

“Get me my ships! Get me my legions!”

Upshot

Empress Hoshi Sato is just the character that goes on and on, the gift that keeps on giving. I love writing her, putting her into difficult and easy circumstances, and generally giving her evil some buffoonish tendencies as she inevitably misses the mark in some areas as she all too accurately hits it in many others. I guarantee her return.

Posted by jespah in Hall of Mirrors, In Between Days series, Portrait, Times of the HG Wells series, 62 comments

Review – There’s Something Else About Hoshi

Review – There’s Something Else About Hoshi

Background

For a Star Trek fanfiction Weekly Free Write about setting a scene, I decided to revisit Aris and an older story, There’s Something About Hoshi.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | In Between Days | Review – There’s Something Else About Hoshi

In Between Days

In the earlier tale, Hoshi becomes irresistible when aliens inject her with a certain substance after removing some of her female hormones.

Frank Todd and T’Pol help to prevent a riot from starting on the NX-01, as all of the straight men (and, presumably, Diana Jones, who is a lesbian), are affected.

The sequel brings the story line over eighteen years into the future.

Plot

As Hoshi and her husband, Takashi, and their children, Toru and Yoshiko arrive on Aris for a visit, the head of the government, Milit, greets them.

And so, apparently, do all 5,999 other Arisian men on the planet.

Hailed as Andaara Trea Hoshi, they explain they are thanking her. They call her the initiator of the 6,000 brand-new ‘mothers of the world’. Every Arisian man is bearing some sort of a gift. Travis, who is with them, jokes that they’ll need a bigger shuttle in order to get all of the gifts back to the ship.

Politely, Hoshi declines their many offerings. These vary in size, scope and expense, but are all offered with grace. The family meets some of the newly-cloned Arisian women, including the first one, Trea Hoshi. The girls are all more or less made in Hoshi’s image. This is except for a detailed forehead pattern that marks them as Arisians.

Matchmaking on a Planetary Scale

Review – There’s Something Else About Hoshi

Alpine ibex Correction: Nubian Ibex Deutsch: A…

The men explain they want to marry all of the newly-cloned girls. Hence they are ready to match them up. It seems the matches will happen through political expedience, rather than any sort of attraction. Travis and Hoshi convince the Arisians to give the gifts to the girls, and to see what happens next. The story ends with Milit announcing his engagement to one of the girls and then Hoshi telling Captain Malcolm Reed that he’d better warn Lili that she’ll need to cater a few thousand Arisian weddings.

Story Postings

Rating

The story is Rated K.

Upshot

I was so happy to go back to this story line. Because I had originally left it with hope but also dangling a bit. I can see that my storytelling abilities have improved since the original tale, too. It’s a study in contrasts for me.


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Posted by jespah in Fan fiction, Review, 15 comments

Review – Equinox

Review – Equinox

Equinox is where I had to kill one of my darlings, an event from Fortune.

Background

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Equinox

Equinox

For a monthly prompt about sacrifice, I wanted (as I often do) to turn it on its head.  This was not to be a story about noble sacrifices for idealistic causes, with Starfleet cheering all the way. Instead, it was to be a story about personal human sacrifices, and how Starfleet can, I suspect, chew people up and spit them out.

Plot

The story begins with Malcolm telling Travis and Hoshi that he’s going to miss them. Review – Equinox Hoshi is looking forward to spending more time with her family. Travis is trying to salvage his marriage. They are both retiring. It’s 2181, and they are the last three left of the original seven senior officers on the NX-01. T’Pol has returned to Vulcan and Phlox is back on Denobula. Tucker is dead, and Archer is pursuing a political career, which dovetails with Star Trek: Enterprise canon. With Hoshi and Travis’s retirements, Malcolm will be the last one standing.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Lafa II Southern Continent

Lafa II Southern Continent

And then he gets a call from Leonora Digiorno, and learns that Doug Beckett has died in the forests of the southern continent of Lafa II, a scene from Fortune.

Hence Malcolm knows that, no matter what, he’s got to get home and be with Lili. And he will have to set aside everything and, potentially, jeopardize his standing and his command, things he has worked very, very hard for.

But there is no question.

Review – Equinox

He will go to Lili.

Story Postings

Rating

The story is Rated K.

Upshot

So I like how it turned out, as it wove the themes of sacrifice and familial duty, crossing them with duties to Starfleet. It was a chance to fill in a few gaps left in Fortune, and to bring in the bench characters and give them great roles, people like Aidan, Chip, Deb, José, and Jennifer. The story acts as a bridge to the deeper future and continues the process of tying In Between Days to the Times of the HG Wells. Finally, I think it fulfilled its purpose well.

Posted by jespah in In Between Days series, Review, 19 comments

Review – On the Radio

Review – On the Radio

Radio.  It can bring back a memory in a snap.

On the Radio Background

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | On the Radio

On the Radio

A friend passed away earlier in 2013, and I was having some trouble processing it.  I decided to attempt to process it through art.

As a result, I worked in my own feelings by trying to tease out Hoshi and T’Pol‘s feelings about Tripp‘s passing.

And, the reason why I call this canon character Tripp instead of Trip is because of this very man who, in real life, is no more.

Plot

As Tucker has died, the two women who knew him best mourn him in different ways. T’Pol’s canon relationship is well-known. She ends up breaking down in front of Jay Hayes‘s replacement, Major Strong Bear Dawson, who everybody calls Bud. Bud is the sole eyewitness to her breakdown, and he tells her he won’t say anything to anyone. She asks how she can repay his kindness and he tells her to just go and have a good life.

Hoshi’s relationship with Tripp is outlined in Together. But the song that is the title of the piece, and is woven throughout this songfic, was played during the party outlined in More, More, More! Hoshi reveals that she and Tripp danced to it. She comes to the realization that it served as a prelude to their time together, and that Tucker may have liked her before then. For her, the music, and a dance with Travis, are how she feels she can cope.

When she and T’Pol are alone together, she passes the music from the party to the Vulcan, urging her to listen so that she can, in a way, understand another facet of Tripp’s personality, something she may not have already known. It is a final act of generosity between women who were not exactly romantic rivals, but rather were romantic steps or links in the chain that was Tripp’s life.

Music

Apart from the Donna Summer song, the entire playlist from More, More, More! is as follows –

  • Alicia Bridges – I Love the Night Life
  • The Trammps – Disco Inferno
  • The Bee GeesMore Than a Woman
  • Andrea True Connection – More, More, More!
  • Silver Convention – Fly, Robin, Fly
  • Patrick Hernandez – Born To Be Alive
  • Thelma Houston – Don’t Leave Me This Way
  • Lipps Inc. – Funky Town
  • Van McCoyThe Hustle
  • The Bee Gees – Night Fever
  • Kool & the Gang – Celebration
  • Gloria Gaynor – I Will Survive
  • The Weather GirlsIt’s Raining Men
  • Michael Jackson – Don’t Stop ‘Til You Get Enough
  • Lobo – Me and You and a Dog named Boo
  • Melanie – Brand New Key
  • The Captain and TennilleLove Will Keep Us Together
  • Commodores – Brick House
  • Tavares – It Only Takes a Minute
  • Donna Summer – On the Radio
  • La Flavour – Mandolay
  • Earth Wind & Fire – Let’s Groove
  • K.C. & the Sunshine BandThat’s the Way I Like It
  • Village People – YMCA
  • The Bee Gees – Stayin’ Alive
  • Chic – Le Freak
  • Rick James – Super Freak
  • Tavares – Heaven Must Be Missing an Angel
  • Vicki Sue RobinsonTurn the Beat Around
  • Barry White – Can’t Get Enough of Your Love
  • Hues Corporation – Rock the Boat
  • Sister Sledge – We Are Family
  • Diana Ross – Love Hangover
  • Kool & the Gang – Ladies Night
  • A Taste of Honey – Boogie Oogie Oogie
  • Donna Summer – Last Dance

Story Postings

Rating

The story is rated K.

Upshot

As a story, I think it works pretty well. Reactions have been mixed; some critics have said they thought T’Pol would not act as forcefully as she does, but Star Trek: Enterprise canon dictates that this is a former trellium addict and so her emotions are still not fully under control, even years later.

In this story, I am probably more like the Hoshi character. Removed but mournful, and saddened by the wasted potential more than anything else. I have no problem with Tucker being killed off in canon. People die and they should die in space. Space is far from safe, particularly during that era. But I wanted to see a lot more of the aftermath. I hope this aftermath/afterimage type of story can work for readers.

Posted by jespah in In Between Days series, Review, 10 comments

Alternate Universes

Alternate Universes are neat.

Hence Boldly Reading asks –

To AU, or not to AU?

To AU or not to AU, that is the question!

Do you like writing alternate universes? Branching your characters off and seeing where a different path goes? Where do you start, and how do you go about it?

New Universes

When I got back to writing, after a hiatus of a few years, I found that the strictures of canon made it hard to get some of my points across. I also had a time travel series that had stalled but was, I thought, salvageable. But I had to make changes to it.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | The Persistence of Memory | Alternate Universes

The Persistence of Memory

I hit upon the idea of using Daniels as a kind of anchor character, to give people something to hang onto, when reading the stories.

While I had already written some alternate or expanded types of universes, including Gina Nolan‘s world, things came together a lot better and with a lot more detail and finesse when I began to construct the HG Wells universe.

Origins of Alternate Universes

Beyond the old time travel series, things also began with Temper. After some of the initial reintroduction of the arrangement and the five people in it, the action quickly shifted to 3109. Daniels would be witnessing something that could easily and undoubtedly show that time had been changed. I hit upon the idea of making his sister, Eleanor, the docent at a museum. She holds in her hands a sword, Ironblaze, and explains that it belonged to the Empress Hoshi Sato. Eleanor also performs a few more expository tasks and then the sword begins to disintegrate.

Once that story ended, I felt there was unfinished business there with the deep future characters, and so I wanted to do more with them. Since I also wanted to incorporate a goodly amount of the old time travel series into the mix, I needed a bigger supporting cast for Daniels. He already had an engineer, Kevin O’Connor, and a boss, Carmen Calavicci. But he needed some more of a supporting cast. I already had the character of Otra D’Angelo, so she got some play, along with a Quartermaster, Crystal Sherwood, and others.

Methodology

These days, I get an idea for a story or a series and put it into a file called, not so imaginatively, Writing Ideas. I update it as I think of new things. Sometimes, the idea is a rather small one indeed, such as smart kangaroos. That was the germ of an idea for the Daranaean Emergence series. For the Barnstorming series, the idea was sports in space, but it’s evolving. Hence it also includes the idea of trying to tie together a lot of what’s come before. Therefore successor characters for In Between Days and Emergence come together, and prefigure characters in HG Wells. If I can get Eriecho and Gina Nolan and the Mixing it Up alien hybrids in there, then it’ll be so meta I might as well call it a day.

Let it Sit

Once the first idea is out there, I generally let it sit for a while. Often, I’m working on something else, or life has gotten busy or whatever. In the meantime, usually, my subconscious starts to work on things. I might dream about a series, or something like it. I also tend to think about such things while exercising.

As I go along, I start gathering together what I want to do and what I want to comment on in my story/stories. For a series, I usually don’t confine myself to just plot. Often, there is something I want to say, some sort of philosophy I might wish to impart. Hence I’ll also think about what that is (e. g. for HG Wells, it was about how fate is quickly changed by little changes in time, and that you can’t necessarily trust your memory. For Emergence, it was about a quest for equality. Barnstorming is turning into knowing your heritage and embracing your past, warts and all).

Construction

Getting an AU together involves getting organized. I keep a large overall timeline. Currently, it’s on this blog, in two pieces, prehistory to 2099, and 2100 to the end. It will likely be divided into a third and maybe a fourth piece, as the pages are getting rather unwieldy. The virtue of having a timeline is understanding birth and death dates more than anything else. If I know that Lili was born in 2109 and died in 2202, then having her meet Gina Nolan, who is from the 2300s, is impossible unless there’s time travel involved, on either or both ends.

I also create a large Word document, which I refer to as a Wiki but, strictly speaking, isn’t, as I don’t make it available for anyone else to contribute to. These Wikis contain the timeline. And they also contain the names of the characters, both main and bit, and even characters I reference. I even locations. Hence, there are listings (such as in the HG Wells Wiki), like this one –

Colombia

World War III starts here, in 2026 (Ohio).

I’ve got the name and the information and the reference. There is also an overall Excel spreadsheet of characters, with names, genders, species (for hybrids, I just list them once, usually by their predominant species or whatever isn’t human. Kevin O’Connor has a listing as Gorn even though he’s part-Gorn and part-human). This is also where I list who “plays” a character, as that helps me to better understand people, if I can visualize them.

As one might imagine, a lot of this information ends up in blog entries.

Upshot

I love creating original, alternate universes. If I could not, I imagine I would not find Star Trek fan fiction writing anywhere near as compelling.

Posted by jespah in Boldly Reading, Fan fiction, Meta, 2 comments

Original Characters and Settings

Original Characters and Settings

Original characters are a lot of fun.

So Boldly Reading asked, in Blog Prompt #9, about original characters and original settings.

  • What’s the best setting for an original character? Is it as a lone figure, thrust into a canon ship or situation? In a group of original characters but still in a canon ship, situation or series? Or as a stand-alone crew, group, political party or other agglomeration of individuals?
  • When do original characters and scenarios tip the scale from new spins on familiar works to out and out non-Trek? Is there a bright line between Star Trek and not-Star Trek?
  • How can original character love interests be integrated into a more canon scenario? What about original character leaders?

Plus

  • For canon characters who have very little back story or screen (or authorized book) time, what’s the tipping point between when canon converts into what is, for all intents and purposes, an original character?
  • Also, for representations of canon characters in fan fiction that are not well-portrayed (e. g. the author misses the mark and does not accurately represent the canon character’s language, ideals, vision, etc.), can the situation be salvaged by rewriting the story with an original character?
  • For original settings, what makes them unique? Can an original setting be so extraordinary that it, in a way, almost becomes a nonliving type of Mary Sue?

Bonus questions!

  • Who are some of your favorite original characters that you have created? Do you feel they fulfill their purposes?
  • What happens when you take a Mary Sue test?
  • What are some of your favorite original settings that you have created? Did they work?
  • Who else’s original characters do you enjoy reading the most, and why?
  • Are there others’ original settings that you like reading the most? What makes those original settings your favorites?

A Cast of Hundreds

When I last checked, I had created over 300 original characters to encompass various scenarios. These included figures from as far back as 1775 (including Benjamin Warren)

The Lone Original Character

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Yvonne Nelson as Susan Cheshire (image is for educational purposes only)

Yvonne Nelson as Susan Cheshire (image is for educational purposes only)

I’ve found that I rarely do this, as I love making original characters so much that I just can’t resist tossing in several as points and then counterpoints and then even more.

A Hazy Shade is one example of, truly, there only being one original character. In that story, the sole original character is Jonathan Archer‘s wife, a Calafan named Miva. Other single-OC stories include Atlas, with its very brief glimpse of Susan Cheshire, and Penicillin, which is an interplay between canon character Jay Hayes and Lili O’Day. For all of those stories, they are short and the OC (except for in Atlas) acts as a sounding board and a counter to the canon character.

A Small Bouquet of Original Characters

Perhaps the best example of this is in The Light, where Jewish crew members get together to remember a lost life and to celebrate Chanukah. Because none of the canon ENT characters are known to be Jewish, the story would have rung hollow if I had tried to shoehorn someone in, such as deciding that Hoshi Sato is suddenly Jewish. While that is not an impossible situation, it was unlikely. Further, I wanted the Jewish characters to be young people, more or less fresh out of school. Hoshi would not fit into that fairly limited scenario.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Seth Green as Josh Rosen (image is for educational purposes only) | Original Characters

Seth Green as Josh Rosen (image is for educational purposes only)

Therefore, The Light centers around Ethan Shapiro, Karin Bernstein, Andrew Miller and Josh Rosen, with a quick appearance by Muslim crew member Azar Hamidi. The seven main canon characters all make appearances, though.

A Larger Bevy of Original Characters

In order to best accommodate the E2 scenario, I needed to fill the NX-01 with people. This meant making sure that all of the women were accounted for, along with a lot of the men. People would flit in and out as the story line is somewhat episodic and the chapters can often read like vignettes.

I could use several characters I had already created, such as Deborah Haddon.  And that not only saved me ramp-up time but also dovetailed rather nicely into my preexisting fanfiction. After all, if I said that Deborah was on the ship in 2157, in Reversal, then it made sense for her to have also been on the ship in 2154, when the ship was kicked back in time, in Reflections Down a Corridor and Everybody Knows This is Nowhere.

Message Characters

I also made characters to make specific points, such as Mara Brodsky and Robert Slater, as I wanted someone to be cuckolded. When Slater was cuckolded by a canon character, Walter Woods, that worked well with marrying canon and original characters – and eventually quite literally marrying them. Original characters were also created in order to fulfill certain roles on the ship, as Communications would have to be handled on second shift and night shift. Maryam Haroun and Chip Masterson, respectively, fulfilled those roles.

Lone or Few Canon Characters

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Henry Rollins as Boris Yarin, MD (image is for educational purposes only)

Henry Rollins as Boris Yarin, MD (image is for educational purposes only)

The best example of this is in the HG Wells stories. As Temper makes clear, the sole canon character is Richard Daniels. Richard needs a support team, which includes people like Boris Yarin and Crystal Sherwood. By giving Rick occasional missions to the NX-01 or elsewhere in canon, and having him eventually need to confer with ancestor Malcolm Reed, I was able to provide more canon credibility to these stories.

In the upcoming Barnstorming series, the few main canon characters are Martin Madden and Wesley Crusher, but the crew of the Enterprise-E is seen, as Madden lives and works there. Keeping a few canon characters on hand, I feel, can make a story a lot more Trek.

Canon Characters Begone!

Barking up the muse tree | jespah | Janet Gershen-Siegel | The truth about Bron | Original Characters

The truth about Bron

The Eriecho series is 100% fanfiction characters, and it will likely stay that way, as are Gina Nolan‘s universe and the Bron-Sophra-Skrol-Tr’Dorna group. Even without canon characters, the situations or the history or the species can bring back the Trek part.

For example, Eriecho’s story arises from the events in the JJ Abrams timeline. Whereas Gina’s world comes from the Dominion War. Bron and Skrol are Gorn, Tr’Dorna is a Xindi Reptilian and Sophra is a Cardassian. These three canon species bring that story line squarely into Trek, I feel.

Full Originality

Will I ever write a story with 100% original characters, 100% original species and completely outside of any sort of canon scenarios? At that point, I feel it starts to tip perilously close to not-Trek. But there are a ton of canon scenarios, and those can include very non-canon people being off their ships. After all, characters are born, have relationships and possibly marriages, have families, have jobs and retirements, and they also die. Just because a kiss between a Gorn and a Cardassian has not been shown on screen – or between two completely original species, such as a Calafan and a Daranaean – does not mean it’s wholly not-Trek.

But I do recognize that it can be a far harder sell to the reader. For such a scenario, the reader, I feel, should read earlier work in preparation. That can bring these original species into the Trek-like fold.

Adding Original Details to Canon Characters

In many ways, this is the very purpose of fan fiction. It is to fill in the blanks where canon left off. Or a show was subject to cancellation too soon, etc. The three canon characters I have done this the most with have been Malcolm Reed, Jay Hayes and Richard Daniels. Have I done well by them? I like to think so, but it’s hard to say (and it is particularly difficult as all come from ENT).

Malcolm Reed

During ENT, this character was the tantalizing fourth or fifth of seven. He was sometimes the sixth, but rarely in the top three and virtually never first. This is when it came to storyline development, writer affection or plot twists. Even when the storyline centered around Malcolm, he never seemed to get his due.

Fan fiction has allowed me to give him a wife and a child, and it has allowed me to give him quirks like lactose intolerance and personal interests like crossword puzzles. Stay tuned, as there is a lot more Malcolm to come!

Jay Hayes

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Steven Culp as Major Hayes

Steven Culp as Major Hayes

For a character seen in five episodes and who only had a first initial, I have given him ex-girlfriends, an earlier posting on Titania, and an alternate timeline wife and two children. Along the way, Jay also got a love of blueberries and was also not too adventurous in his diet, never having tried either figs or parsnips until prompted to do so.

Will there be more Jay? I adore this character and so I’ll find a way, but right now I don’t have anything specific planned.

Richard Daniels

For a character with no first name, he’s gotten a reputation as a ladies’ man, a pair of somewhat more serious ex-girlfriends, and a great love. His off-hand canon statement of being mostly human led to not only working out how he was put together, but it also led to a thought experiment about unlikely hybrids, resulting in characters like Boris Yarin and Kevin O’Connor.

Richard flits in and out of my fiction and he may or may not turn up again. Because of Multiverse II, I’ve seen more interest in the HG Wells universe, so it’s very possible that he and his group will get new adventures, much like Another Piece of the Action.

Original Settings

From the start of In Between Days, I decided humans would have, even by 2151, colonized all available surfaces within the Solar System. This means the planet Mars but also a ton of moons, such as Titan, Titania and Ganymede. To give these locations some spice, I decided on some set characteristics. For example Titaniais a Southerner’s paradise. Plus Martian cities are all named after metals.

The E2 stories allowed for more original settings, including writing Phnom Penh during the Third World War and three new planets, Paradise, Amity and Speakeasy. In order to give the latter three believability, they got certain problems. Paradise is often too hot, and there are no natural pollinators. Amity has poisonous malostrea. And Speakeasy isn’t supposed to exist at all, and is only dimly lit.

Favorites and Mary Sues

Of course I love Lili O’Day, and I strive to keep her out of Mary Sue territory. She burns things. And she often avoids people. She gets jumpy and nervous and it is not necessarily endearing.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Naomi Watts as Lili O'Day (image is for educational purposes)

Naomi Watts as Lili O’Day (image is for educational purposes)

In Everybody Knows This is Nowhere, she is particularly unfair to José Torres. She does, at times, fail the Mary Sue test, I admit. But I believe that her overall arc comes down rather favorably on the believable end of things. She does have a lot of adventures. Plus I do spend a lot of time on her. But that’s also because I love the character so much.

The Raw Deal Characters

Pamela Hudson, another favorite, more or less stays out of Mary Sue territory due to her often sour disposition and her many screw-ups in life. Things turn out for the best for her, but she has a tougher row to hoe than Lili does.

Eriecho stays out of the world of Mary Sue due to her poor upbringing and her violent past. I’ve barely scratched her surface; time in Canamar is not fun. As I unwrap more layers of this character, I think she will leave Mary Sue far, far behind.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Edward Norton as Levi Cavendish (image is for educational purposes only) | Original Characters

Edward Norton as Levi Cavendish (image is for educational purposes only)

Levi Cavendish stays well away from Mary Sue, even though he’s a genius, because he’s so damned messed up.

Otra D’Angelo has her own weaknesses, even though she has what is essentially a psionic-style gift for seeing temporal alternatives. But it gets her a pretty raw deal with the enemy.

People often call canon character Wesley Crusher a Mary Sue. A lot of people love to hate this character. I’ve done my best to try to rehabilitate him, particularly in Crackerjack.

Love for Others’ Babies

Captain Sarine‘s Kalara is perhaps the best-realized female Klingon I have either seen or read. I’ve also enjoyed the interplay of thebluesman‘s Captain Dylan and Dr. West. Miranda Fave‘s wacky Tabatha (don’t call me Tabby!) Chase and her crew get things done with few stuffy conventions and a lot of flair. And Mistral‘s Shand feels very much like a real alien person. Enough like us to be someone we could work with, but enough unlike to keep us a bit … unsettled.

In the scenery department, kes7‘s Tesseract universe puts together a crazy-advanced ship with the right kinds of off-kilter people who can make it run. And trekfan‘s overall Hank and Bethany mythos brings those two original characters from home to the Pearl to marriage and domesticity, and eventually to Hank’s end.

Upshot

I cannot imagine fan fiction without original characters. Plus I confess it often dismays me when people do not try to write them. Even poorly realized Mary Sue are, at least to me, an attempt to go outside oneself. They mean people are stretching those creative muscles. For me, original characters and scenes, I feel, take it all to the next level.

Damn, I’m gonna go out and make myself some more characters!

‘Cause 300+ just aren’t enough.

Posted by jespah in Boldly Reading, Meta, 3 comments

Review – Bread

Review – Bread

Bread is yet another story where the title has multiple meanings.

Background

In February and March of 2013, a challenge came from the Trek BBS – write about independence.

And while I suppose I could have written about a planet or a nation or a people gaining their independence, or of a young person striking out on their own, I decided to zig where others might zag. Hence I wrote about elderly people losing theirs.

The concept and its execution were appreciated well enough that I won that month’s challenge.

Plot

Following both the prime universe and the Mirror Universe, these are two parallel but not quite parallel stories about Leah Benson and Diana Jones.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Bread

Bread

In the mirror, Leah furtively looks around as she begins a meal. It’s made clear, very quickly (and hearkens back to the same conditions in Reveral and Temper in particular), that MU food is bad. So the fact that there is bread is a minor miracle. Quietly, and to herself, she says the Hebrew blessing over the bread, confirming something Josh Rosen mentions in Temper, that faith abides in the mirror, or at least some form of Judaism does. The way I write the Mirror Universe, the practicing of any faith, and not just Judaism, is done mainly in secret, much like the crypto-Jews and conversos of Spain during the Inquisition.

Prime Universe

In our universe, Leah is the official Starfleet Rabbi. So the story begins with her attending a banquet and weeklong set of official meetings regarding admitting three new worlds to the new United Federation of Planets. These are the Caitian home world, Denobula and the Xyrillian home world. This is the culmination of earlier contacts with Caitians, in A Single Step and The Further Adventures of Porthos – The Stilton Fulfillment. Furthermore, it is a natural progression for that species (in canon, there is no first contact date for Caitians, whereas first contact for Xyrillians occurs during ENT and first contact for Denobulans takes place before ENT’s pilot episode) and the two others.

The idea behind the banquet and set of meetings is not only to welcome the new member worlds but to also demonstrate to other worlds that the Federation is tolerant of differences. Religious and spiritual leaders, including Leah, say a few words about religious tolerance and intolerance on Earth throughout history. In addition, all admit they have been on both the giving and the receiving ends of persecution and bigotry. The Daranaeans, in particular, pay attention.

Back to the MU

Back in the mirror, Leah is looking to leave the ISS Defiant. Izo Sato decides he is going to seduce her. And never mind that’s she’s over seventy and a lesbian, to boot. Josh offers a small measure of protection and he, Shelby and Frank start to hatch a plan to get Leah away. For Frank and Shelby, this is a dress rehearsal for what they hope will be their own endgame. The plan is to fake a shuttle crash, and strand Leah on Andoria.

Back to Our Side of the Pond

In our universe, Leah is married to Diana, but things are not right, and Diana’s memory is failing. It’s an early sign of Irumodic Syndrome, the canon malady suffered by Captain Picard at the end of the running of TNG. Diana’s caregiver is an Andorian, and Diana is beginning to not recognize even her.

Leah makes up her mind; she needs to be at home and become Diana’s primary caregiver. She confides this to Jonathan Archer, and he commiserates, telling her a bit about his father’s own battle with Clarke’s Disease. He offers her a part-time solution, and encourages her to try to be able to work at least a little bit, because otherwise she will lose herself in Diana’s incurable illness.

Review – Bread

As the denizens of the mirror plot and plan, Leah remembers there is one person on Andoria who she knows. And it turns out to be the mirror version of Diana. Leah also remembers her own part in the death of Leonora Digiorno, from Fortune. And so that further connects the two halves of the story.

Will the mirror Leah get out? Will either version of Diana remember? Do faith, love and family abide, no matter what they look like, and no matter what the conditions and odds? Find out by reading the story.

Story Postings

Rating

The story is Rated T.

Upshot

I really love this one, as it continues the Reversal not-quite parallelism and the meditations on aging. I also feel it helps to fulfill the promise of femme-slash. E. g. same-sex relationships (and marriages) exist in the future, of course. However, I feel that writing them just as sex and angst isn’t enough. All relationships, particularly longer-term ones, have chambers that aren’t bedrooms. Leah and Diana are dealing with the very real problem of aging and losing independence, and no longer being who you were. This story, I feel, gets across that idea well, and I love how it turned out.

Posted by jespah in Hall of Mirrors, In Between Days series, Review, 16 comments

Review – Throwing Rocks at Looking Glass Houses

Review – Throwing Rocks at Looking Glass Houses

Throwing Rocks at Looking Glass Houses is yet another multi-dimensional title. The rocks would be a shattering of conventions. The looking glass of course is a reference to the Mirror Universe. And the glass houses naturally are exactly where you don’t want to throw any rocks. Furthermore, I decided on rocks rather than stones as they imply irregularity and roughness. This contrasts with Paving Stones as there the action follows set patterns and traditions.

This story upends those traditions and it shows just how Hoshi changes everything.

Background

I wanted a transitional story, a power grab, showing Empress Hoshi getting where she wanted to be.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Throwing Rocks at Looking Glass Houses

This would take place between the end of the canon episodes, In a Mirror, Darkly and In a Mirror, Darkly II and before Paving Stones Made From Good Intentions.

Therefore, it had to be before Doug became a Lieutenant Commander, running Tactical (after defeating Chip Masterson and Aidan MacKenzie in a competition). Ian (Malcolm‘s counterpart) and T’Pol had to still be alive. Phlox would still be the doctor; this would be before Cyril Morgan.

But things would be changing.

Plot

Barking Up the Muse Tree | jespah | Janet Gershen-Siegel | Hall of Mirrors | Throwing Rocks at Looking Glass Houses

Hall of Mirrors

Having declared herself Empress, Hoshi has to consolidate her power. She has to eliminate threats and pick up allies. This means ruthless Machiavellian efficiency.

Furthermore, she has to get rid of the Emperor, who I write as a descendant of canon mass murderer Philip Green. Green brings along only three bodyguards, foolishly underestimating her bloodlust – my original characters, José Torres, Brian Delacroix, and Andrew Miller.

The story is punctuated with quotations from Sun-Tzu‘s The Art of War and Machiavelli’s The Prince.

Story Postings

Rating

The story is rated T.

Upshot

I like how it turned out. In particular, I enjoyed putting together Hoshi’s plan and showing her nastiness. Her impatience with science and with delays, her casual approach to murder and her lust are all on display. I really like the final product.

Posted by jespah in Hall of Mirrors, In Between Days series, Review, 13 comments