T’Pau, a canon character, is a part of the Star Trek: Enterprise Vulcan arc.
As in canon, a young T’Pau is played by actress Kara Zediker.
I liked this portrayal a lot more than the one in the Original Series. This T’Pau has passion and fire, even as an allegedly emotion-free Vulcan.
Ruthless and efficient, T’Pau, in canon, is ready to force Captain Archer to submit to a mindmeld if he won’t go willingly. I see no reason for her to be any different in fanfiction.
Thrown together several times, T’Pau and Kefris bond at least a little bit over their shared fates.
In the Mirror, because Vulcans are an oppressed species, I write T’Pau as a slave.
This is the main place where I write T’Pau. In Temper and in He Stays a Stranger, she is referenced as being someone who performs calculations and looks things up for the Empress. Without being named, she is one of the two Vulcans referenced (Kefris is the other) in Escape, as surviving the shuttle crash that kills the Mirror Melissa Madden and leaves Andy Miller bereft.
As of the writing of this blog post, I don’t have a quote from her!
Mentioned peripherally but barely seen, I should do more with this character.
As in canon, Ian is played by actor Dominic Keating. Keating is the only person I can see in this role.
Ruthless and nasty, Ian has very little to recommend him. In Fortune, Beth Cutler and Tripp Tucker refer to him as “cruel and sadistic”. But there is another side to Ian, at least at the time of his death. In Throwing Rocks at Looking Glass Houses, Ian is partly blinded and knows that he’s got very little time left. His remaining life is pain and misery, as he has been mauled by a Gorn. Plus Hoshi Sato is running wild and has declared herself Empress.
Ian decides that he doesn’t want to be called Malcolm anymore. He decides that he will be Ian and he wants to return to Terra, to live out the remainder of his days. He hopes for some small measure of peace.
But Hoshi can’t allow that.
In a fit of Machiavellian pique, she ruthlessly murders everyone on the senior staff except for Tucker and Mayweather. Cutler is moved over to Sick Bay, and Hoshi hires a new doctor (Cyril Morgan). But before Ian’s death, Cutler is given two lethal syringes and is presented with Ian and Phlox. She has to kill both of them. Which one gets which syringe (one of which will be faster and somewhat painless)? Cutler helps her fellow human, and gives Ian the marginally better death.
Did Ian and Beth have a relationship? I’ve been asked this and, frankly, I’m not sure. The truth is, his best realized relationship is as a guide for Lili. When Ian holds her, comforts her, and otherwise cares for her, without any expectation of return, it allows him to advance in his atonement and move toward a modified state of grace.
“There’s the time, and I am sorry to be so mysterious. But tonight was to tell you who I am. That way, when you are next visited by me, you won’t be quite so alarmed.”
For me, this is a beloved character. I’ll have to figure out a way to bring him back.
For a prompt about famous last words, the idea of Empress Hoshi‘s final words being ridiculous was a hard one to shake.
It is, actually, the canon launch date for the NCC-1701 Enterprise.
The scene is a sumptuous bedroom.
The Empress isn’t doing so well. She is surrounded by her family, and doesn’t always remember who’s who. She grouses about Ubvelwev, the Calafan boyfriend for her son, Takeo. She claims that Takara‘s husband, Charles Tucker IV, is polluting the Sato genome with inferior blood. Arashi is ordered to run the treasury. And she verbally abuses Izo as well.
As she lays dying, Jun and Kira agree, again, to co-rule after her death. She’s trying to say something meaningful, in Latin (the Empress is, of course, a former linguist). But the reality, in the end, is far different.
I really loved giving the Empress her final comeuppance. I’ve used a lot of occasions to make her look ridiculous. From the mice in Brown to the changes that are made at the end of the Times of the HG Wells series, Empress Hoshi has been the butt of some jokes and often does not get what she wants. This is the last of such times.
In order to cover a fuller spectrum of sexuality, I decided to bring in someone who would be on the asexuality end of things. When I first wrote Doug, there was an early victim named Harris. Plus I needed an extra pilot for the E2 timeline, as Melissa isn’t a part of those stories. And so Chris was born.
Chris is played by actor Hunter Parrish. I really liked the idea of a good-looking guy who would be uninterested in anyone.
I like that this is a young actor trying to take some risks with his career. Being a part of a show about dope dealing is bound to offend someone, but it does not seem to have affected Parrish’s career or his appeal.
Pleasant but kind of aloof, Chris is more of a background player than almost anything else. He fills in when others, such as Travis Mayweather, are ill.
He is somewhat self-sacrificing, and is well-aware, particularly during the E2 timeline, that a guy like him is somewhat valuable. After all, as a guy not interested in any of the limited women on board, he’s not a threat. As a skilled pilot, he’s in some demand. When suicide missions are required (in both timelines), he’s selected to go. He doesn’t object to this.
Chris has no known relationships, in any timeline or universe.
The Mirror version of Chris, also asexual, is Doug’s second victim, killed by an illegal below the belt hit during an impromptu boxing match. He is barely seen, and does not speak.
“Next wannabe pilot!”
I really haven’t gotten a chance to give Chris a lot of depth, although I’d like to. He’s one of those characters that hides from the writer.
See the Stats page for individual read and review counts.
I continued preparing The Enigman Cave for this years’ NaNoWriMo in November. I also kept perfecting the last two books in the Obolonk series, The Polymer Beat and The Badge of Humanity. I finished the first draft of the Barnstorming book, Time Out, and began the final book in that series, Overtime.
I spent time on Wattpad getting future postings together in draft form.
This Month’s Productivity Killers
I had plenty to do at school. Plus I became a Wattpad Ambassador, and that took up a lot of my time.
Further, I needed a way to complete the time travel series. The title was perfect.
As the previous book, Shake Your Body, ends, Rick Daniels has been wiped from existence. The imperfect state of the Master Time File means that he, personally, survives, but no one knows who he is. Almost stateless, he is thoroughly cut off from everyone else. The most painful moment for Rick is when his own mother doesn’t know him, and his sister, Eleanor, screams for Security.
How it all works out, and what happens to Milena Chelenska, and the rest of the gang at the Temporal Integrity Commission, can be learned by reading the book, of course. But I’ll admit I am not thrilled with the ending for Carmen Calavicci and a few others, like Polly Porter. I essentially just ran out of space.
I like the overall feel of it, particularly as it disperses the darkness of the series and brings it back to light. In particular, with the incredible longevity of Branch Borodin, it feels like my characters, in a way, will never die.
As a successor character in Star Trekfanfiction, I needed someone who would have a head for business. That led directly to Neil, although he started off as a somewhat troubled teen, within the alternate timeline as played out in Temper.
I think I like him even better, now that he’s a bit heavier. He just seems more like a normal, regular person, which is more or less how I see Neil, who even refers to himself as the hippopotamus among the gazelles (his siblings).
Neil’s the guy with the head for business. He is also the only one of the Beckett–O’Day–Reed–Digiorno–Madden offspring who cooks. Although he has no biological relationship with Lili whatsoever, he is her heir in this regard, and she sells him Reversal when she retires. Neil is also the only one who runs 5Ks and, while he’s slow and he finishes last, he does finish. After Melissa and Leonora’s death, Neil retains their Fep City apartment.
He is the only one of the five children who does not cross over to the Mirror Universe during Temper. Instead, bereft and lonely, he becomes troubled.
Unlike his siblings, Neil embraces the Calafan ideal of both a day and a night relationship. He never marries, but he loves his two women deeply.
The daughter of Jenny and Francisco is Neil’s daytime woman and is as close to a wife as he ever has. They have two children together, Jennifer Leonora, known as Jenny Lee, and Martin Kevin, who is named after the prematurely deceased Kevin Madden-Beckett and is also a direct ancestor of canon character Martin Madden.
The daughter of Yimar, she is married to Fepwev, with whom she has three children. Yinora and Neil, who are both named for Norri Digiorno, mainly meet in their dreams. However, Yinora and Ines are cordial with each other and live the Calafan ideal of a harmonious day and night in perfect alignment.
In Temper, he’s the only one of the principal characters who doesn’t get a theme!
A mirror counterpart is impossible for Neil. Instead, he has a mirror analogue, Arashi Sato, as they both have heads for business.
“Ha, the next time you eat at Reversal, I’ll be sending you a bill.”
I loved giving this guy a bit of a later life, where he runs his race and has his family close. He has all of the solid and dependable qualities of Doug without any of the violence. I like him, and he will return, I am certain of that.
I prefer Rankin for this; I just see a guy who’s a little bit younger.
This has more to do with how I’ve written his successor in Multiverse II than anything else.
Keep in mind, the canon character is Philip (one L) and lives during the earlier part of the Third World War. The character I’m talking about is Phillip (two L’s) and is from a bit later. But the idea that funngunner and I had was that the concept of a Colonel Green would continue as several men fill the role over time.
Ruthless and rapacious, Green has an appetite for the remaining luxuries in the ravaged Earth, power, and women, at least as funngunner and I write him. If absolute power corrupts absolutely, Green is the poster child for that.
In Multiverse II, Liesl is eventually revealed to be the kingmaker, that there have been several versions of Green and Phillip is only one of many. There are even three children, but they aren’t Phillip’s or Liesl’s, so the far-future descendant, Phillipa, who Richard Daniels meets and seduces, as is mentioned in Ohio, has someone else’s genetics.
The relationship with Liesl is more businesslike than anything else. There is no marriage – although she’s referred to as his wife. It is just an arrangement, and the two of them continue to do whatever they like. Donald Janeway eventually reveals that he kept a database of eco-warrior ‘volunteers’ and it was split up by gender, with obviously male names scouted for Liesl, obviously female names for the Colonel, and anyone unknown to be determined. And, once they were determined for sure, they would be set aside for either party. Then images would be scoured for imperfections and anyone imperfect would be eliminated from consideration. Anyone unlucky enough to be physically perfect would be ripe for sexual usage.
When Otra arrives, the Colonel only has eyes for her, and kicks Liesl to the curb. Liesl wouldn’t care, except she wants power. Plus Otra is an alien, and that bothers Liesl quite a bit. And then Otra plunges a knife into Green’s chest, just after he proposes marriage. It’s a nasty business, Chilo possession.
For the Mirror Universe, I go back to Phillip Pine for the portrayal.
In my Star Trek: Enteprise fanfiction, I see him as the Emperor of the Terran Empire, Phillip I. His true descendant, Phillip IV, is Emperor when Hoshi Sato, in canon and in Throwing Rocks at Looking Glass Houses, declares herself Empress. Hoshi herself assassinates Phillip IV.
“The fool’s paralyzed, and he’s unconscious. He doesn’t need guards or medics; he needs pallbearers.”
It is great fun and more than a little satisfying to write a person who is more or less pure evil. It’s even more satisfying to try to find a way to make him even remotely sympathetic. Green is a trip to write, and there’s talk of there eventually being a Multiverse III. If there is, I want to write him again.
After leaving Empress Hoshi far behind, Beth and Tripp (she calls him Charles) want a new life. They’ve already married, and they have a son, Charlie. Their life on Lafa II isn’t an easy one. After all, they’re living in a cave, and are only doing odd jobs in order to survive. When things are really bad, they’re poachers.
Therefore, when they get a chance to attain full citizenship, they take it. Since they owe the Empress absolutely nothing, they want to declare their allegiance to the leader of the government, the new High Priestess, Yimar. In a low-level bureaucrat’s office, their lives are changed, as they swear to defend the Calafan government and its people, and denounce the Terran Empire.
The initial prompt was about a pivotal moment in a character’s life. This got me thinking of a ballerina, pivoting on her toes. And that immediately led me to Shelby Pike, but then I decided I’d rather go with Susan Cheshire.
Shifting between the Star Trek: Enterprise Prime Universe and the Mirror Universe, both Susans weigh the same question – whether to quit drinking. Both are with Aidan MacKenzie.
In the Prime Universe, Aidan is supportive, offering to talk to Captain Reed about taking some time off to help Susan with her struggles.
In the Mirror, Aidan can’t take any time, as he has to be at Empress Hoshi‘s beck and call. Ultimately, the decision that is made differs, depending upon the universe in question.
The decision to quit or continue drinking is, of course, Susan’s alone. But her circumstances certainly define and dictate which was the dice roll.
although I probably could have done more to delineate the differences between the two situations. If this could have been done without having to rely on font formatting, I think it could have, overall, been a stronger piece. As it is now, it’s okay, but I feel it’s got room for improvement.