Portrait of a Character – Pamela Hudson

Portrait of a Character – Pamela Hudson

Pamela was originally a plot device. I was told – get a crew member to loosen up. Really loosen up.

But Pamela had other plans.

Theme Music

Portrait of a Character – Pamela Hudson
Amy Winehouse performing in Berlin in 2007

I was out walking, thinking over Intolerance and how to write it, when Amy Winehouse’s You Know I’m No Good came on the iPod. And that was it.

I listened to the song, over and over again, and Doctor Pamela Hudson was born.

Personality and Personal History

Controlling but out of control, with a healer’s profession but a selfish streak, Pamela was meant to be a femme fatale from the very beginning. In Intolerance, she is first introduced when Travis has figured out that there are female medical students coming to the NX-01 for an Immunology rotation. The assumption is that the women are single, and so he and Tripp Tucker and Malcolm Reed decide to compete for the women. When Pamela walks by, she’s wearing a not-too-revealing outfit, but her lips and nails are painted dark purple, and her hair is back and threatening to tumble down. So she puts her left hand up, and they see that she’s got a leather bracelet on and no rings on that hand. Wordlessly, she has communicated to them – I’m available.

She’s also communicated to them – I might be more than you bargained for.

Pamela is a child of privilege, and brilliant to boot (she went to Harvard Medical School), but her family carries a dark secret – ever since she was five years old, her father sexually abused her, while her mother watched. Her sister, Lisa, was unaffected.

She’s also (in conversations with fellow student Blair Claymore) established as being quite sexually liberated, to the point of worrying Blair. Blair, in contrast, is shown as the good girl. Both are attractive, but it’s Pamela who really turns heads.

In Together, her feelings are hurt when she is rejected – a rather unfamiliar scenario for her. In Temper, her Mirror counterpart is seen. In Fortune, she finds a soulmate in an unexpected place. And in Remembrance, her grand-nephew presents her eulogy.

Mirror Universe Counterpart

The Mirror Pamela has things even tougher than the one in the Prime Universe. In Temper, she is little more than one of José Torres‘s playthings (as are Blair and Karin Bernstein) in one of the alternate timelines. In Fortune and in He Stays a Stranger, she’s shown as a pinup girl. It’s unclear, at least in Temper, whether she’s a lab assistant or a doctor, and in the other Mirror Universe stories, she may be little more than a prostitute, if that.

Portrayal

Portrait of a Character – Pamela Hudson
Kaley Cuoco

I struggled a bit with figuring out who should “play” Pamela. I wanted someone who would be beautiful and sexy and smart, but also could evoke a certain amount of world-weary ennui. To my mind, Kaley Cuoco fit the bill rather well. Not only does she have serious geek cred, she also has some drama cred. I also felt she would be the kind of woman who Tripp would joke about as, “Please, you’re talking about the future Mrs. Tucker.”

Quote

“Never arrive to a party early or on time. No one should. It’s like the old Steady State theory of the universe. No beginning and no end. Or maybe it’s just turtles all the way down.”

Upshot

Portrait of a Character – Pamela Hudson

For a character who was originally supposed to be a one-off, Pamela graduated to In Between Days main character status. However, as something of an outsider, she doesn’t fit the profile of the other In Between Days main characters like Lili O’Day or Doug Beckett.

Pure id, but with a heart underneath all that leather and langor, Pamela is, ultimately, a femme fatale motivated by good.

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