T’Pau, a canon character, is a part of the Star Trek: Enterprise Vulcan arc.
As in canon, a young T’Pau is played by actress Kara Zediker.
I liked this portrayal a lot more than the one in the Original Series. This T’Pau has passion and fire, even as an allegedly emotion-free Vulcan.
Ruthless and efficient, T’Pau, in canon, is ready to force Captain Archer to submit to a mindmeld if he won’t go willingly. I see no reason for her to be any different in fanfiction.
Thrown together several times, T’Pau and Kefris bond at least a little bit over their shared fates.
In the Mirror, because Vulcans are an oppressed species, I write T’Pau as a slave.
This is the main place where I write T’Pau. In Temper and in He Stays a Stranger, she is referenced as being someone who performs calculations and looks things up for the Empress. Without being named, she is one of the two Vulcans referenced (Kefris is the other) in Escape, as surviving the shuttle crash that kills the Mirror Melissa Madden and leaves Andy Miller bereft.
As of the writing of this blog post, I don’t have a quote from her!
Mentioned peripherally but barely seen, I should do more with this character.
Emily was originally kind of a reference character. During Intolerance, she’s really just referred to as an important mother of one of the medical students, Mark Stone. It wasn’t until I added her into the Achieving Peace story that she started to have any definition.
Instead of just being a character’s mother, Emily, a lawyer, became a part of the negotiation of the peace terms to end the Earth-Romulan War. In this endeavor, she worked with Soval and a Tellarite ambassador (canon character Gral), and a representative of the Xindi, Chara Sika. Sharp-eyed readers will recall that Chara Sika, another character who originated as an offscreen mother, was first mentioned in The Puzzle).
Also accompanying Emily is another lawyer, Laura Hayes, who works under the Andorian ambassador, T’Therin. By this time, Emily is an ambassador herself.
Later, when I wrote Everybody Knows This is Nowhere, I wanted someone to probate and read Jay‘s will. Laura was not an option (it would have been a legal conflict of interest). Hence I revisited Emily and gave the two of them something of a friendship. The friendship is also briefly mentioned in Together.
Emily is played by actress Melissa George. I don’t know too much about this actress; I mainly just liked the look of her. Emily is not exactly a bit part, but she’s not major, either.
Formal and conservative, but fair, Emily is the quintessential ambassador. Much like Laura (who becomes a judge), Emily takes her work for justice seriously.
Mark has a father, so there had to have been someone. I suspect I’ll make her a widow.
Because Emily’s son, Mark, is in the Mirror Universe, Emily is there by definition.
I kind of like the idea of her being a little sexy and vain and quirky. She could be rather different, and not the sober lawyer she is in the prime universe. Perhaps she’d almost be a court jester (although not in the main court. Empress Hoshi wouldn’t allow that).
“My niece is in Science and is in on the NX-01. My son is practicing medicine and is looking to get onto, maybe, a smaller ship as the Enterprise and the Columbia are already staffed. But they’re just going to be warriors if this continues. I just want to see young people have their dreams. Constant conflict will derail those dreams, I fear.”
For a character who was first intended to be a brief mentioning, Emily has a bit of a storyline to her. She might see some action later, particularly if I write any more legal or diplomatic works.
For a prompt about embarrassment, I went with not only the red in your face but the red in Norri Digiorno‘s hair.
I had hinted at the first meeting between her and Melissa Madden in Fortune, but had not written it. The opportunity presented itself on a silver platter, so I went ahead with this sweet little story about love at first sight.
As Norri vacations on Ceres just after graduating from Oklahoma State with a BA in English Literature, pilot Melissa hangs out at a hotel bar with her pilot friends.
Norri is checking out Melissa, big time. Melissa is playing it a little cooler. Finally, when Melissa’s friends leave, she crooks her finger just once, and Norri comes running. And, as Norri herself says on her deathbed in Fortune, she (Norri) never left.
A dispute and a small prank pushes one of False Bill’s characters to send unauthorized cookbooks to Empress Hoshi’s time period. But the temporal transporters are only working to send people forward in time but not back! What to do?
I like how the threads came together. We also had a lot of comedic fun with the story, adding an invading mouse army and a bit of slapstick humor. Others agreed, and it won the crossover challenge during the 2014 Twelve Trials of Triskelion on Ad Astra.
In canon, there is virtually nothing shown about anyone’s recovery from Tucker’s untimely demise.
It is as if it never mattered in the first place.
In response to a Star Trek fan fiction prompt about entertainment, I decided to go dark and most decidedly not fluffy.
The story begins with Travis feeling a little lost. Very briefly, it is mentioned that the final movie night has been held on the NX-01 prior to its being decommissioned, and that the film chosen by Chip was the first James Bond movie, Dr. No.
He has little to do or think about, and his family is on the freighter, anyway. With no one to visit and just a little bit doubtful as to whether Captain Archer wants him back for the DC-1500 USS Zefram Cochrane, Travis goes to a nearby station and visits a ticket agent. He gives her an undisclosed amount of cash and just asks, “Where can this take me?” She gives him a few options and he chooses Philadelphia.
I did not choose Philly for any particular reason. I just like the city (I lived outside it for a few years as a child) and it is a readily recognizable place which would still exist during that time period. But Travis has no ties to it whatsoever. For him, it’s just a means of getting away from it all.
All You Need is Love is about the aftermath of a very special first birthday party, in October of 2162.
For Malcolm Reed who, in canon, never had a family and was never close to anyone, I wanted to fix that in my Star Trek fan fiction. In Temper, and then again in Fortune, I had already established that Lili O’Day Beckett would have his only child, Declan.
Declan, who is born on Halloween, lives on Lafa II with his mother and her husband, Doug Beckett. But Doug is generous (it is an open marriage) and so Malcolm, when he is on three years of paternity leave (and afterwards, as he purchases the place) lives in a house up a little rise from the Beckett house. There are a lot of visits as such a little baby needs to nurse. The arrangement is such that Doug and Lili will have Declan live with them and their two children together, Joss and Marie Patrice. Malcolm is well aware of just how much he owes them, particularly Doug. Doug is pretty gracious about things, particularly considering the violent and jealous history between the two men. But Malcolm in particular understands he has got to keep the peace as a gesture to Lili.
He is also abundantly aware of how his life has suddenly and irrevocably changed. As a person who had been utterly devoted to duty, the idea of living an emotionally open life starts off as a somewhat foreign concept. But by this time he’s getting used to opening up and showing what’s inside of him.
Of course, the theme music for this little story is the Beatles’ All You Need is Love.
I like the little domestic scene, and I particularly enjoy how Malcolm feels comfortable enough to break down at any time. He knows that Lili will never make fun of him or otherwise belittle or cheapen his emotions. All he has ever needed is love.
On May fifth of 2160, Lili and Doug arrive on Ceres for Tommy’s birth, on May sixth.
As a direct sequel to Together, I wanted to begin to show the Beckett-O’Day-Reed-Digiorno-Madden arrangement and how it would work.
Hence much like with Equilibrium, this story would show some of the adjustments that would need to be made in order to get an open marriage to run smoothly.
Tommy is one of the pieces that holds the whole mad scheme together and got it kicked off in the first place. Because if Melissa had not been pregnant, Doug might not have bonded with her as well or as closely or as quickly. Furthermore, it is not likely that Norri would have been so forgiving of allowing Doug into their lives and sharing Melissa with him.
So the story opens with Lili and Doug on their way to Ceres. And they are taking Joss and Marie Patrice with them, as Tommy will be their half-brother. But Empy is just an infant. When they arrive, Norri comes to greet them and explains that Melissa went into labor earlier than expected. Hence the Digiornos and the Maddens have already arrived.
When Dino and Belinda Digiorno see Doug and Lili with their children, the introductions are made quickly (I never actually named the Maddens). Dino, as a call back to An Announcement, asks to hold Marie Patrice but also asks Lili who is related to whom. He cannot figure it out and it all seems too strange to him. The whole arrangement is hard for him to follow and piece together.
In 2183, Lili, Malcolm and Declan attend Alia Shapiro’s Bat Mitzvah and there’s a little misbehaving going on.
For a Star Trek fan fiction prompt about misbehaving, I wanted to write about an older yet still frisky Malcolm Reed.
It was also a great occasion to get Declan to meet Rebecca, an event that is foretold in Fortune and holds great significance in the family’s later history.
As the story begins, Malcolm Lili, and Declan are coming in, late, to Alia’s Bat Mitzvah service. They sit in the back and everyone is utterly lost.
Unable to follow what is going on, they whisper amongst themselves. But mostly this consists of Malcolm whispering to Lili about how he would prefer that she leave the service with him. In the meantime, poor Declan is embarrassed at his parents behaving this way. All along, a woman sitting in front of them keeps turning around and shushing them.
Eventually, Lili relents and they leave Declan there (he is over eighteen and can entertain himself). Keep in mind that Lili is over seventy in this story. I just adore the idea that they would still be active and would still be interested, and would behave just like newlyweds. But the truth is, they more or less are at this point in the timeline.
I really love this humorous little story. I particularly love the line that I gave to Malcolm, and I can just imagine actor Dominic Keating saying it in that plummy Leicester accent, “I want to go back to the hotel.”
In the E2 timeline, I wanted to show the first pregnancy as being utterly unplanned. I needed a heterosexual couple for this, so I created Trace and Osh.
Oscar is played by actor Javier Bardem (who I also have playing filmmaker Carlos Castillo).
As is the case with the Carlos Castillo character, I wanted a versatile actor of Latino descent.
Taciturn and maybe a little shy, Oscar is even more of a strong, silent type than Jay Hayes, his commanding officer. He is also a semi-lapsed Catholic, insisting on a full Catholic mass for his wedding on the one hand, but also engaging in premarital sex on the other. So he is a bit conflicted.
In Shell Shock, he is a part of the group that runs after, and eventually apprehends, the perpetrator. This act exonerates Malcolm.
Tracey pursues Oscar rather aggressively, giggling like a schoolgirl over him when discussing his finer points with her roommate, Maryam Haroun. She is an Engineering crewman and so their schedules do not always mesh. Once their daughter, Amanda, is born, Oscar is a bit overwhelmed. Amanda is a rather loud crier and is not, at least at the start, the easiest child to raise.
Oscar could exist in the Mirror Universe; there are no impediments to him doing so.
For a strong and fast MACO, there are opportunities on the other side of the pond. Some are regular work opportunities, but others exist in serving the Empress Hoshi Sato directly. I created the character after I had written the main In Between Days books, so Oscar does not appear there. But there is no reason why I can’t retcon him in.
“It would only be right if we were to marry.”
Whenever I need a fast runner, Oscar will be there.
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Wish. Want. Desire. On January 11, 2162, Treve and Pamela talk about their expectations for a relationship.
In response to a Star Trek fan fiction prompt about wanting, I went with a trio of synonyms, each pushing in what I felt was one rather particular direction. I wanted it to be a thwarted desire, the kind of thing that is temporarily put off in anticipation of a far greater payoff. That led me to the idea of Pamela Hudson and her relationship with Treve.
I had already established, in The Best Things Come in Pairsand Complications that this couple do not have sexual relations until they have been dating for a good year. However, given Pamela’s history, I knew that this character would want to move far more quickly than that. She would have to be put off somehow.
It is just after Fortune, and Treve is driving Pamela to her uncle, Cyril Morgan‘s, home on Lafa II. She begins to hint around – and not too coyly, I might add – that she wants their great first day to turn into an even greater first night. Treve, on his part, has to explain to her that he is a virgin, and that casual sex with a Calafan can sometimes turn into a profound bonding experience. To do so too quickly could be exceptionally awkward for both of them if they find out in the future that they are incompatible.