I like this lovely actress who has aged well on screen – a good choice, I feel, for a species that dies young.
Smart and kind, Preece Ti might be a little too clever by half. By the time the storyline advances to Everybody Knows This is Nowhere, it is revealed that a powerful source of fuel and the means to capture, refine, and utilize it, were kept from Captain Archer during the first kick back in time. While he rightfully blames Ebrona for the deception, at least some of the blame should be shouldered by Preece Ti.
Preece Ti’s only known relationship is with Diana Jones, who works in Science and eventually becomes a kind of nurse. In Infinite Diversity, it’s revealed that Preece Ti isn’t really Diana’s first choice (Diana feels she is settling), but Preece Ti is definitely attracted to Diana.
There are no impediments to Preece Ti existing in the Mirror Universe. As someone who is already deceptive in our universe, she would likely kick it up several notches, and become truly ruthless.
“We do not know your dances. Are they man-woman only?”
Like a lot of the characters in the E2 timeline, Preece Ti was glossed over at the end there. I’m not sure when I can pick her up again, but I might at some point write that Ikaaran ship’s history before encountering the NX-01.
I liked the idea of having another super light-colored woman on the NX-01, someone who would very superficially resemble Lili. Because Lili is selected by the Calafans in the Prime Timeline, there is some reason or another why Ingrid, who looks even more like I think Calafans should, is not selected.
The easiest explanations are either that she is gone from the ship after the return from the Delphic Expanse (which is what happens to Quartermaster Sekar Khan), or she is not psionically gifted and, therefore, is not seen as suitable by the Calafans. I think I prefer the latter explanation although I haven’t had an occasion to test or explain either hypothesis in my Star Trek fan fiction.
Because Malcolm seems to prefer blondes, I hard-wire that as a preference for him, particularly for the stories based on the E2 episode. As he and Lili circle each other (and she also circles Jay), Malcolm does consider Ingrid as a possible mate, except he really doesn’t know her at all.
Mainly withdrawn and private, Ingrid isn’t well-known. I don’t cover her life too closely, like I do with tertiary characters like Meredith Porter. Instead, Ingrid’s main event happens during The Three of Us.
Going after Lucas Donnelly initially, Ingrid is a bit disappointed to learn that he’s gay. However, in order to help out his roommate, Mark Reilly, Luke tells a fib, and claims that Mark is unusually well-endowed. The hype gets Ingrid interested, but also Sandra and other women like them, like Kate Shelton and Colleen Romanov. With sexual tension running high in the ship, the women physically attack each other, thereby starting a small riot in the Observation Lounge. Beyond the obvious disciplinary issue, this also gives the single men an opportunity to intervene. Sometimes this is to try to break things up, but it’s also an excuse to grope the women a bit.
In the first kick back in time, after the riot, they end up together. Despite the fact that Mark cannot live up to the hype, she still selects him.
In the second kick back in time, Ingrid and Victoria Dietrich switch, and she instead marries Robert. This is somewhat to her advantage, as Mark dies young in the second temporal displacement.
There are no impediments to Ingrid existing in the Mirror.
I write Mirror Universe women as mainly being suppressed, so Ingrid probably would be, as well. A gentle discipline such as stellar cartography would only be useful in the context of preparations for conquest and war, but the Empress Hoshi Sato would likely not want such an attractive potential rival on board. But it’s unlikely that the ISS Defiant, the technologically advanced flagship of the Terran fleet, would be used for mapping missions. Hence perhaps Ingrid would be on a different ship, working the same job, but for the greater glory of the Empire.
“I saw him first!”
The character is admittedly a bit of a cipher. The idea of a second Terran Empire ship, working as a means of clearing the way for the Empress, is a decent idea, and perhaps I will explore it in the future.
As in canon, Ian is played by actor Dominic Keating. Keating is the only person I can see in this role.
Ruthless and nasty, Ian has very little to recommend him. In Fortune, Beth Cutler and Tripp Tucker refer to him as “cruel and sadistic”. But there is another side to Ian, at least at the time of his death. In Throwing Rocks at Looking Glass Houses, Ian is partly blinded and knows that he’s got very little time left. His remaining life is pain and misery, as he has been mauled by a Gorn. Plus Hoshi Sato is running wild and has declared herself Empress.
Ian decides that he doesn’t want to be called Malcolm anymore. He decides that he will be Ian and he wants to return to Terra, to live out the remainder of his days. He hopes for some small measure of peace.
But Hoshi can’t allow that.
In a fit of Machiavellian pique, she ruthlessly murders everyone on the senior staff except for Tucker and Mayweather. Cutler is moved over to Sick Bay, and Hoshi hires a new doctor (Cyril Morgan). But before Ian’s death, Cutler is given two lethal syringes and is presented with Ian and Phlox. She has to kill both of them. Which one gets which syringe (one of which will be faster and somewhat painless)? Cutler helps her fellow human, and gives Ian the marginally better death.
Did Ian and Beth have a relationship? I’ve been asked this and, frankly, I’m not sure. The truth is, his best realized relationship is as a guide for Lili. When Ian holds her, comforts her, and otherwise cares for her, without any expectation of return, it allows him to advance in his atonement and move toward a modified state of grace.
“There’s the time, and I am sorry to be so mysterious. But tonight was to tell you who I am. That way, when you are next visited by me, you won’t be quite so alarmed.”
For me, this is a beloved character. I’ll have to figure out a way to bring him back.
In this instance, I wanted an oppressive villain species, as that story line is a parallel to the rise of the Nazi party here on Earth.
The Olathans would be hidden and mysterious, but nasty. Their purpose in life would be to suppress their overly-peaceful and somewhat simplistically weak neighbors, the Azezans. While the Azezans were purple in color, the Olathans were green. But otherwise they were to look more or less the same, and I never described them any further (my scene setting and world building skills have improved since that story was written several years ago). This allows for the deception in The Adventures of Porthos to be believable at all.
For the Olathans, their weaker peaceful neighbors are only good for one thing – exploitation. Azezans are worked to death and families are broken up. The Olathans are excited to meet with humans, hoping to be able to sell slave labor to them, or at least the fruits of slave labor. Porthos can tell that something is very, very wrong.
At the end of the story, Jonathan Archer has hit upon a fairly foolproof scheme to try to thwart the Olathans and hoist them on their own petard. In order to root out the Olathans hiding on Azezi Prime, he proposes a gift of scent hounds and their handlers. Hopefully the act of outing any Olathans will spur the Azezans to drive them out of their home world, once and for all.
While Porthos got his own pair of sequels, the Azezans and Olathans did not. Perhaps it’s time I visited Azezi Prime, to see what’s up.
In canon, there is virtually nothing shown about anyone’s recovery from Tucker’s untimely demise.
It is as if it never mattered in the first place.
In response to a Star Trek fan fiction prompt about entertainment, I decided to go dark and most decidedly not fluffy.
The story begins with Travis feeling a little lost. Very briefly, it is mentioned that the final movie night has been held on the NX-01 prior to its being decommissioned, and that the film chosen by Chip was the first James Bond movie, Dr. No.
He has little to do or think about, and his family is on the freighter, anyway. With no one to visit and just a little bit doubtful as to whether Captain Archer wants him back for the DC-1500 USS Zefram Cochrane, Travis goes to a nearby station and visits a ticket agent. He gives her an undisclosed amount of cash and just asks, “Where can this take me?” She gives him a few options and he chooses Philadelphia.
I did not choose Philly for any particular reason. I just like the city (I lived outside it for a few years as a child) and it is a readily recognizable place which would still exist during that time period. But Travis has no ties to it whatsoever. For him, it’s just a means of getting away from it all.
For Doug‘s confession to Lili (in the Star Trek fan fiction book, Fortune) to be at all credible, there needed to be a history behind each of the fourteen men he had killed in the Mirror Universe. Furthermore, just like the death of the Mirror Norri, I wanted at least one of those murders to be for the flimsiest of reasons or at least be hard to take because the person would scarcely be remembered.
I wanted an intelligent, versatile actor. It was also important to me that he be of Latino descent.
I also liked the idea of someone who has played both heroes and villains, as Carlos has a place on both sides of the pond.
In the Prime Universe, Carlos the independent documentary filmmaker is essentially looking for an easy paycheck. He is given an assignment to speak with the crew of the NX-01 and get their personal takes on the end of the Xindi War. While he does talk with everyone, he only records the following in the story: Jonathan Archer, Maryam Haroun, Lili, Jennifer, and Malcolm, who talks about Jay. For the first and last chapters of the piece, it is Carlos’s own words about the film and also about the people he interviewed. While he remains somewhat neutral, he is far from unaffected. At the end of the piece, he ends up angrily and frustratedly pitching his coffee cup against a wall.
There are no known relationships, but there had to have been someone for Carlos, as he is Marisol‘s ancestor.
Carlos is barely even known by name in the Mirror. Doug did not know his name until after he was killed. During wartime, Doug grabs the person closest to him and uses that person as a human shield. That unfortunate person turns out to be Carlos, who Doug never knows and never talks to.
“But it’s hard to not be affected, or to see what could have happened if one thing, or another, was different. These people certainly see it that way. And the reality is that this is, for the most part, just a ship full of damaged people. I know that there are those who are happy and excited about the conclusion of this war. I can’t say that I haven’t felt my own sense of relief, for I most certainly have. But I think we, as humans and citizens of Earth, I think we need to keep these people’s thoughts and aspirations and guilt and personal pain in our heads as we wave our flags and sing the United Earth anthem. We need to remember that these heroes come complete with consciences, and miseries and regrets. This victory did not come without a price. Thank you.”
At some point, I would like to find another place to showcase Carlos, as there has got to be a spot for a filmmaker. I will try to bring him back.
After having written Intolerance (which is kind of an odd story within the original five-book In Between Days series), I wanted to add something considerably lighter that would showcase Captain Archer a bit.
Furthermore, he behaves like a perfect gentleman in that book, whereas some of the other men do not quite measure up as well. But I wanted it to be a case where he would look at Blair and Pamela and bemoan the fact that he absolutely would not be allowed to touch.
The idea humanizes him in a big way, I feel. After all, he is the captain, yes. But he is also a flesh and blood human being and, as such, he has desires.
The story barely has a plot and is really a lot more like a drabble. Essentially, Jonathan Archer, like all of the other single straight men on the NX-01 Enterprise, is a bit taken by both Pamela Hudson and Blair Claymore. As a person who is unattached, there is nothing stopping him from looking. But he knows he will need to hold back, as they are both quite a bit younger than he is, and he is the captain of the ship. For him, it would probably be seen as improper.
At the time that I wrote this story, I did not realize it, but it is truly a foreshadowing (actually, it is more of an afterword or afterthought) with respect to the E2 stories, where I have Captain Archer also looking and not touching, desiring but never actually going through with anything.
For a prompt about seasons, everyone seemed to focus on summer (as did I; I also wrote And the Livin’ is Easy from the same prompt).
But I also wanted to follow Jonathan Archer at the twilight of his life. Married to Miva, Archer is lamenting the departed of the NX-01, both in a formal ceremony to christen a dedication obelisk, and afterwards.
The occasion is fifty years since the last flight of the NX-01. An obelisk is unveiled on Earth (I never specified the city) and on it are inscribed the names of the dead from that ship, no matter how or where or when they died. Malcolm and Lili are already named on it. Although she isn’t named in the story, Melissa would also be on it. Miva points out that Karin and Ethan are still alive, as are Azar Hamidi and his wife, who may or may not be Maryam Haroun in the prime timeline (I have not decided on this yet).
This is a quiet, slow, measured story, where not a lot happens. But I think that makes sense, that two elderly people at what is very much like a funeral would move a slow, measured, deliberate pace as they paused and reflected.
I had wanted to explore the E2 timeline for quite some time.
The first of four Star Trek fan fiction books covering that era was this one. The title refers to not only the subspace corridor where the Enterprise was hit by a Kovaalan particle wake (and thereby thrown back in time over a century); it also refers to personal reflections.
Personal reflections include the mirrors that we hold up to ourselves (this is, for once, not a reference to the Mirror Universe), the relationship a person has with himself or herself, and reflection in the pure sense of thought. As the NX-01 can no longer perform too many exploratory duties, it’s too early to be defensive and go after the Xindi, and going to Earth is out of the question, exploration begins to come from within.
For the crew of the USS Enterprise, the stars are all in the wrong places. The story opens with beginning to understand just what happened. This includes learning just what the date really is, as they can’t just up and ask the Vulcans. Immediately, Captain Archer figures out that there are going to be some uncomfortable restrictions on movement and communications. He enlists the help of not only the regular senior staff (e. g. the other canon characters), but also begins to lean on some heads of the smaller departments, such as Chef Slocum in Food Service, and Shelby Pike in Botany.
In response to a prompt about memory, I wrote a Star Trek fan fiction story about a crew member whose suicide sparks his fellow crew members to wonder if they ever knew him at all. Once again, I got some mileage out of being a bit of a contrarian. In Memory of Kelsey Haber put forth the premise that the only person who knew him at all, albeit just barely, was Deb Haddon.
I like this handsome actor. I particularly wanted a good-looking guy to be playing lonely Kelsey. After all, even handsome and pretty people can sometimes find themselves alone.
This actor also has Star Trek credentials, having played Kirk’ father, George, in the 2009 film.
A little quirky and very, very private, Kelsey’s got a secret. An IDIC-type secret. While he’s probably heterosexual (the truth is, I haven’t decided yet whether he’s actually bi), he is a cross-dresser.
This Ikaaran Science Officer is passed over by a lot of the men, during the events of Everybody Knows This is Nowhere, because she was a part of a plot to steal necessary medications. As the penultimate woman chosen, she and Kelsey are probably both settling, but the details are never provided. However, when that version of the NX-01 meets the people of the prime timeline, no children are mentioned, indicating that they likely never had any.
There are no impediments to Kelsey existing in the Mirror Universe. However, a secret such a his would be less a topic for ridicule and, more likely, a bit of leverage for an ambitious blackmailer.
He might even behave ultra-macho, in order to counteract such an image-breaker. For him to fall in love with anyone, of either gender, it would be a major trust issue. Would he be able to? It’s hard to say. He might just end up as even more of a ruthless killer than Doug is in his early years, as a cover up for his inner life which, in the Mirror, would be a definite Sign of Weakness.
“This is the part where I’m supposed to say that I’m keeping this for a friend. Where there’s this beautiful girl who’s gonna be given this gift and I haven’t wrapped it yet so it’s in the back of my closet.”
Just like the other characters, I barely know Kelsey. And maybe that’s how it should be.