star trek fanfiction

Canon Species

Canon species are kind of why we are here in the first place. Hence Boldly Reading brings forth another interesting prompt!

Writing Canon Species

Some Questions

Do you use canon species in your writing? Do you select a species for any particular purpose? E. g. do you add a Klingon during the TOS time period because of the inherent conflict, or a Trill into a DS9-era story because of respect for the character of Dax? When putting together your cast of characters, is species diversity at issue?

For canon alien species that are not well-known, how have you given more detail to their back stories and characteristics? For those that are better-known,  how have you made them your own?

Is there a canon species that you have not added to your fan fiction, but you are considering adding? How will you do that?

Bonus Questions!

Whose canon alien species characters do you like the most? Do you think the character is true to the species? If the character differs from established species canon, is the difference reasonable? If the character is of a species with only a sketchy background, does the author’s vision work within the limited framework established by canon? Can the author’s changes and coloring within the lines fit with how the species was originally drawn? Would you have taken that mysterious though canon species in a different direction? If so, how?

Canon Favorites

I will use canon species when I feel they serve a particular purpose. Sometimes the purpose is to keep canon characters in canon-extension stories (e. g. the E2 stories). And so I include characters like T’Pol  or Soval. The number of canon species hitting the ENT era has limits. I do enjoy the Xindi in all of their forms but usually the image is fleeting, like that of the dead Insectoid, She Who Almost Didn’t Breed in Time.

One area that I truly enjoy is to bring together canon species in a manner that is different from usual, or to bring more minor canon species to the fore.

Suliban, Vulcans, and Enolians

Only seen in ENT, the Suliban have a somewhat stratified society.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Suliban

Suliban

On the one side, you’ve got the cabal, which was a part of the less than successfully portrayed Temporal Cold War.

On the other, you’ve got prisoners, such as in the Detained episode. That episode, which was relatively similar to the following season’s Canamar episode, was some of the fodder for the Eriecho stories.

Eriecho would be a Vulcan, born on the way to Canamar, and the only other female in the entire prison would be a Suliban, H’Shema. H’Shema would be the only mother that Eriecho would ever know, And Eriecho would mourn her for a long time afterwards. Enough so that Eriecho would seek H’Shema’s family rather than her own Vulcan roots. H’Shema, a former addict and a thief, is only present in the haze of Eriecho and Saddik’s memories. But she was clearly loved, and she equally clearly rose up from her difficult and messy past to become a wonderful mother to a lonely, frightened and isolated child. Eriecho never forgets this.

And, because this is Canamar, the Commandant of the prison is an Enolian.

Ikaarans and Imvari

With nearly nothing to go on,  Ikaarans could be nearly anything. All that was in canon was the look and personality of Karyn Archer. However, she’s a hybrid with humans, and possibly with others. For the E2 stories, it was great fun to be able to give them something of a culture. They would have a click language. Their planet would be grossly overpopulated, but they wouldn’t believe in birth control.

Much like Carthaginian child sacrifices, their youth would be subject to selection. But instead of being chosen for a fire pit, they would be chosen to serve for a few years off the planet. Young Ikaarans would go out to mine or grow crops or otherwise contribute to obtaining resources for their overextended world. Their ships would be single-sex, so as to crudely prevent conception. They were able to fulfill tons of purposes within that set of stories.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Horned Alien | Dennis Ott | Imvari

Horned Alien (Dennis Ott
as an Imvari image is for educational purposes only)

The Imvari were never named, and were only shown once, in Star Trek VI – The Undiscovered Country.

All we know about this alien is that he’s huge and his genitalia are in the vicinity of his knees.

Being able to give the Imvari a background as a mercenary species, with an athlete in the upcoming Barnstorming series, gave them the opportunity to fill some niches and get some love. Hell, I even name them!

Cardassians, Gorn and Xindi Reptilians

Sometimes character species would come together in the context of a romance. For the Bron and Sophra romance, I liked the idea of giving a Gorn feelings and behaviors that no one would unexpect. The Gorn would love the Cardassian. But his friends, including Xindi Reptilian Tr’Dorna, would scorn his selection of a ‘warmie‘, and would instead push him to not date outside of a reptile-like species.

Andorians and Aenar

Turning the idea of a delicate Aenar to a different purpose, Jhasi Tantharis was always intended as a tragic figure. And before her, the infant Andorian Erell is another tragic figure, destined to never see the end of her first day, as an act of defiance and possibly a bit of perverse love by her enslaved parents.

Klingons and Breen

For both of these rather hostile species, I was looking to have them play against type. Hence the most stable relationship in Intolerance is a Klingon marriage. And teenage Breen actor, Desh, is a sensitive leading man – forget that you can’t see his face. This is a Phantom of the Opera if you must.

Xyrillians, Tellarites and Trill

Often seen in passing, all three species get a little extra exposure, including the sight of a female Tellarite, Cympia Triff.

Xindi

In addition to Reptilians, above, Xindi hit most of my series. And they get some extra detail. This includes the Insectoids being referred to in a genderless fashion until they breed, and then being referred to as female (e. g. The One Who Fires a Weapon Very Fast versus She Who Listens Well). The sloth (primates) get a matronymic naming convention. Hence Aranda Chara is daughter to her mother, Chara Sika.

The humanoids get certain jobs and highlights, including working in Food Service in the Mirror Universe. There’s even an Aquatic, working for Section 31, in Day of the Dead.

The Kitchen Sink

Denobulans mainly show up in the context of Phlox. Caitians, on the other hand, show up as a part of the ramping up of the Federation.

Ferengi and Betazoids currently only show up in the deep future, as a part of HG Wells. Q, Tau Alphans and Orions are pretty much only in cameos, but an Orion-Betazoid hybrid will show up in the Barnstorming series.

Who to Add?

I don’t honestly know. I’ve added most of the main species that I know of, and to add others would be either for the sake of novelty or to branch out into another area entirely, e. g. Voyager.  Adding Ocampan characters is all well and good, but if I don’t really know how the character should behave, it’s difficult to draw a convincing portrait. And this is so even when the individual is apparently playing against type.

Others’ Canon Species Work

I particularly like how Jean-Luc Picard handles Vorta. From their devotion to the Founders, to their loyalty to the Dominion, to their sometimes wondering if things are as rosy as the Founders say, Eris and Liska pursue and promote Vorta ideals. But it’s in their personal lives that these characters shine, particularly as they often play against type.

Upshot

One of the ways you know it’s Star Trek is in the presence of canon species. Even an OC-rich environment like the HG Wells stories is loaded with canon species and hybrid canon species.

Otherwise, it’s just another time travel montage. But with Ferengi and the like, it becomes Star Trek.

Posted by jespah in Boldly Reading, Fan fiction, Meta, 21 comments

Portrait of a Character – Marie Patrice (Empy) Beckett

Portrait of a Character – Marie Patrice (Empy) Beckett

Marie Patrice is a bit of a brat.

Origins

At the end of Together, I wanted the very, very ending to be a bit of a surprise. Lili is pregnant throughout, with a kicking machine of a child. Everybody thinks she’s having a boy, and she and Doug have selected the name Peter Matthew. Lili refers to the baby as Petey.

But the baby turns out to be a girl. Enter Marie Patrice Beckett.

Portrayal

Marie Patrice is portrayed by Cameron Diaz.

Portrait of a Character – Marie Patrice (Empy) Beckett

Cameron Diaz as Empy Beckett

I like how Diaz can be goofy in one film, and serious in another.

Marie Patrice is beautiful, but also rather susceptible to ambition and suggestion. She’s a little spoiled, and is not always so nice to either her full brother, Joss, or her half-brothers, Tommy, Neil and Declan. A bit of a tomboy at first, she plays soccer and calls herself Empy (MP).

Sibling rivalry is alive, well and living in the BeckettO’DayReedDigiornoMadden family, and Marie Patrice is one of its biggest proponents and practitioners.

Personality

A bit overly concerned with her appearance, Marie Patrice is perhaps overindulged by her parents. Doug, in particular, seems a bit at a loss as to what to do with her.

Relationships

Kenneth Masterson

The son of Chip and Deb, Ken is a divorced man who seems to have a great deal of patience with Marie Patrice. In Fortune, he is identified as her long-term boyfriend, but they never wed.

Kira Sato

The Empress’s second-born, Kira, fights for her, but loses out to his half-brother, Jun. Marie Patrice is not too upset about this. She figures that being with Jun will give her more and better opportunities than Kira ever could. She cares about Kira, but not as much as she cares about her position.

Theme Music

To reflect her languid attitude toward sex and companionship in the mirror, her theme is Sinead O’Connor‘s I Want Your Hands on Me.

Mirror Universe

Portrait of a Character – Marie Patrice (Empy) Beckett

Marie Patrice in the Mirror Universe (Cameron Diaz)

Like her siblings, Marie Patrice spends some time in the Mirror Universe, during Temper. But an actual counterpart is impossible.

While in the mirror, she gets along well with Takara Sato, and together they compare the boys and generally look to make the best possible matches for themselves, with little thought for love or other such messy considerations. Two boys fight a duel for her, using swords. She is a bit disappointed in the outcome.

Quote

“My mother was a ghost. I only remember a light grey shadow.”

Upshot

A little spoiled, a little flighty and rather artistic, Empy is symbolic of all of the non-Mary Sue ensuing generation characters. Not everyone’s kids will be perfect. Will she be back? Maybe, but I will admit it. She annoys me, too.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Portrait, 25 comments

Recurrent Themes – Derellian Bats

Recurrent Themes – Derellian Bats

Derellian bats really get around. This fun little made-up creature, it seems, has been just about everywhere.

Background

Barking up the Muse Tree | Janet Gershen-Siegel | jespah | DNA | Derellian Bats

When I first began to write Reversal, I did not perform too much detailed or careful research (oops). I knew that Dr. Phlox had kept a bat. However, I could not recall the real name of it (it is the Pyrithian Bat, by the way).

This bit of negligence resulted in my naming the creature. I went with the made-up term, Derellian Bat. I mainly just like the euphony. The name ‘Derellian’ is not meant to have a meaning. I am not even so sure any sentient species come from its planet. It could very  well be the smartest species on its world.

Appearances

Recurrent Themes – Derellian Bats

Pyrithian Bat

The Derellian Bat has been in a number of places, and this little creature is known in both the prime universe and the mirror. In Temper, the bat is a part of Cyril Morgan‘s Sick Bay. The bat also makes appearances in Fortune, Day of the Dead, Entanglements, Together, Reflections Down a Corridor, The Further Adventures of Porthos – The Stilton Fulfillment, Coveted Commodity and The Puzzle, a Tale Told in Pieces.

As a part of In Between Days continuity, the bat even goes all the way back to A Single Step, making the species, and its mild empathic healing properties, known to the Caitians.  Hence the creature is a part of the entire In Between Days timeline. However, it does not (yet) seem to be a part of the Times of the HG Wells. In addition, it does not seem to be a part of the Eriecho continuity, which includes the Kelvin timeline.

Upshot

Almost like Alfred Hitchcock in his own films, I like to see where I can slip the Derellian Bat into my fiction. This little Swiss Army knife of a creature will be back. I guarantee it.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Interphases series, Themes, Times of the HG Wells series, 4 comments

Portrait of a Character – Jeremiah Logan (Joss) Beckett

Portrait of a Character – Jeremiah Logan (Joss) Beckett

Jeremiah Logan has a great story line.

Origins

Joss originated in Together, as a sweet toddler, very Mommy-centric and very, very bereft when Lili and Doug are kidnapped. For Temper, I saw him as a teenager and then, in Fortune, and in some of the HG Wells stories, such as He Stays a Stranger, I began to see him as an adult.

Portrayal

As an adult, Joss is portrayed by Matthew Perry.

Matthew Perry as Jeremiah Logan (Joss) Beckett - image is for educational purposes only

Matthew Perry as Jeremiah Logan (Joss) Beckett – image is for educational purposes only

I like how Perry comes across as an intelligent person, but also as, at times, quite a bit of a screw-up. Joss is no screw-up, but he’s got a certain kind of vulnerability that I believe Perry also has.

Joss also needs to be the somewhat reluctant leader of the family. Tommy is the military man, Neil is in business, and Declan and Marie Patrice are artistic. Joss has to be the one who, quietly and responsibly, gets things done.

Personality

Affable and kind, Joss is an animal lover from the very beginning. At a precocious age, he already knows that he wants to become a veterinarian. Eventually, he opens up his own clinic on Lafa II, the Beckett Veterinary Hospital.

While in the Mirror Universe, there is no love for animals, so Joss instead channels his considerable talents into playing mirror baseball. This is one way that he can keep from having to become a soldier and a killer.

Relationships

Jia Sulu

Joss’s only true relationship is with Jia, who he meets when they are very small children. They flirt in Saturn Rise, and go to their prom together in Consider the Lilies of the Field.

While in the mirror, because Jia is not there, Joss is alone. As the other children group and regroup, Joss remains on the sidelines. He does not try for Takara (even though she is a little bit interested) or Tripp‘s daughter, Betsy Tucker.

Theme Music

Joss’s Temper theme is the haunting Love Will Tear Us Apart, by Joy Division.

Mirror Universe

Portrait of a Character – Jeremiah Logan (Joss) Beckett

Jeremiah Logan playing baseball in the Mirror Universe

A mirror universe version of Joss is impossible. This is because he is a cross between a prime universe mother and a mirror universe father. However, he did spend time in the mirror.

Because Joss (and his siblings) had nearly no adult supervision, and he was the eldest, he took it upon himself to look out for everyone. This is only partly successful.

With Marie Patrice, she’s fairly well out of control, and he has little influence. The same is true of Tommy. With Declan, however, he is able to exert some influence. Then again, Dec is more or less being abused by the Empress‘s family. If Joss doesn’t watch out for Dec, sensitive Dec could easily become phaser fodder. Joss doesn’t want that.

Quote

“I am so not interested in her, not any more. She was – I mean, I’m a guy. I can’t help but to react to her, how she looks, what she wears and all.”

Upshot

I’ve enjoyed exploring several aspects of Joss’s life. He’ll be back.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Portrait, Times of the HG Wells series, 34 comments

Alternate Universes

Alternate Universes are neat.

Hence Boldly Reading asks –

To AU, or not to AU?

To AU or not to AU, that is the question!

Do you like writing alternate universes? Branching your characters off and seeing where a different path goes? Where do you start, and how do you go about it?

New Universes

When I got back to writing, after a hiatus of a few years, I found that the strictures of canon made it hard to get some of my points across. I also had a time travel series that had stalled but was, I thought, salvageable. But I had to make changes to it.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | The Persistence of Memory | Alternate Universes

The Persistence of Memory

I hit upon the idea of using Daniels as a kind of anchor character, to give people something to hang onto, when reading the stories.

While I had already written some alternate or expanded types of universes, including Gina Nolan‘s world, things came together a lot better and with a lot more detail and finesse when I began to construct the HG Wells universe.

Origins of Alternate Universes

Beyond the old time travel series, things also began with Temper. After some of the initial reintroduction of the arrangement and the five people in it, the action quickly shifted to 3109. Daniels would be witnessing something that could easily and undoubtedly show that time had been changed. I hit upon the idea of making his sister, Eleanor, the docent at a museum. She holds in her hands a sword, Ironblaze, and explains that it belonged to the Empress Hoshi Sato. Eleanor also performs a few more expository tasks and then the sword begins to disintegrate.

Once that story ended, I felt there was unfinished business there with the deep future characters, and so I wanted to do more with them. Since I also wanted to incorporate a goodly amount of the old time travel series into the mix, I needed a bigger supporting cast for Daniels. He already had an engineer, Kevin O’Connor, and a boss, Carmen Calavicci. But he needed some more of a supporting cast. I already had the character of Otra D’Angelo, so she got some play, along with a Quartermaster, Crystal Sherwood, and others.

Methodology

These days, I get an idea for a story or a series and put it into a file called, not so imaginatively, Writing Ideas. I update it as I think of new things. Sometimes, the idea is a rather small one indeed, such as smart kangaroos. That was the germ of an idea for the Daranaean Emergence series. For the Barnstorming series, the idea was sports in space, but it’s evolving. Hence it also includes the idea of trying to tie together a lot of what’s come before. Therefore successor characters for In Between Days and Emergence come together, and prefigure characters in HG Wells. If I can get Eriecho and Gina Nolan and the Mixing it Up alien hybrids in there, then it’ll be so meta I might as well call it a day.

Let it Sit

Once the first idea is out there, I generally let it sit for a while. Often, I’m working on something else, or life has gotten busy or whatever. In the meantime, usually, my subconscious starts to work on things. I might dream about a series, or something like it. I also tend to think about such things while exercising.

As I go along, I start gathering together what I want to do and what I want to comment on in my story/stories. For a series, I usually don’t confine myself to just plot. Often, there is something I want to say, some sort of philosophy I might wish to impart. Hence I’ll also think about what that is (e. g. for HG Wells, it was about how fate is quickly changed by little changes in time, and that you can’t necessarily trust your memory. For Emergence, it was about a quest for equality. Barnstorming is turning into knowing your heritage and embracing your past, warts and all).

Construction

Getting an AU together involves getting organized. I keep a large overall timeline. Currently, it’s on this blog, in two pieces, prehistory to 2099, and 2100 to the end. It will likely be divided into a third and maybe a fourth piece, as the pages are getting rather unwieldy. The virtue of having a timeline is understanding birth and death dates more than anything else. If I know that Lili was born in 2109 and died in 2202, then having her meet Gina Nolan, who is from the 2300s, is impossible unless there’s time travel involved, on either or both ends.

I also create a large Word document, which I refer to as a Wiki but, strictly speaking, isn’t, as I don’t make it available for anyone else to contribute to. These Wikis contain the timeline. And they also contain the names of the characters, both main and bit, and even characters I reference. I even locations. Hence, there are listings (such as in the HG Wells Wiki), like this one –

Colombia

World War III starts here, in 2026 (Ohio).

I’ve got the name and the information and the reference. There is also an overall Excel spreadsheet of characters, with names, genders, species (for hybrids, I just list them once, usually by their predominant species or whatever isn’t human. Kevin O’Connor has a listing as Gorn even though he’s part-Gorn and part-human). This is also where I list who “plays” a character, as that helps me to better understand people, if I can visualize them.

As one might imagine, a lot of this information ends up in blog entries.

Upshot

I love creating original, alternate universes. If I could not, I imagine I would not find Star Trek fan fiction writing anywhere near as compelling.

Posted by jespah in Boldly Reading, Fan fiction, Meta, 2 comments

Portrait of a Character – Eleanor Crossman

Portrait of a Character – Eleanor Crossman

Eleanor Crossman serves one purpose really well.

Origins

During Together, I wanted to make Jenny Crossman and Frank Ramirez‘s first dance an occasion for people to feel some true melancholy.

As a result, Malcolm blows his nose to hide the fact that he’s weeping a bit, Lili much more openly cries and Pamela Hudson gives her Malcolm’s handkerchief, Travis and Tripp complain of headaches, Hoshi cries, and Deborah watches Jonathan from afar. Melissa is not there (she isn’t invited to the reception, so she’s with Norri). But what about Doug?

I wanted him (and Jonathan, before him), to be more or less pushed into dancing with the bride’s mother. Enter Eleanor Crossman.

Portrayal

Eleanor is portrayed by Barbara Rhoades.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Barbara Rhodes as Eleanor Crossman (image is for educational purposes only)

Barbara Rhodes as Eleanor Crossman (image is for educational purposes only)

I liked the idea of an actress who has done comedy (Rhoades was on Soap) and, believably, would call out, “Next victim!” when changing partners.

Personality

Pleasant and amusing, the widow Crossman likely manages the Crossman Pharmaceuticals fortune.

Mirror Universe

Portrait of a Character – Eleanor Crossman

Mirror Eleanor (Barbara Rhoades)

More of a floozy, this version of Eleanor is still running Crossman Pharma, but is more likely to be beholden to men.

I have never written her here, but since Jennifer exists (although her twin sister, Claire, might not), therefore, by definition, Eleanor must exist.

Quote

“Next victim!”

Upshot

Mainly a plot device, I think she does the job well. Will we see her again, or in the Mirror Universe? I don’t honestly know. However, if I ever write an early version of Jennifer Crossman’s life, then Eleanor can never be far behind (and neither can Claire, at least in the prime universe).

Finally, I have no idea about Mr. Crossman. Who the hell was he? And when did he die? Once again, these important questions have no answers!

Posted by jespah in Fan fiction, In Between Days series, Portrait, Times of the HG Wells series, 3 comments

Character Sexuality/Relationship Mixes

Boldly Reading’s Blog Prompt #10 asks about character sexuality in Star Trek Fanfiction. And character sexuality can be a bit of a minefield. Here’s what it asks –

Your Questions, Should You Choose to Accept Them

  • There has been a dearth of even minor characters with, shall we say, less mainstream sexual preferences and relationships. Often, a character would behave in this fashion if in the Mirror universe, or under some sort of duress. How would you change that?
  • What would happen to canon characters if their preferences or their relationships were changed? Beyond the obvious choice of bed partners, how would known characters change?
  • Are there circumstances under which characters would behave differently but still within the fullest context of canon?
  • Have you created any original characters who follow less mainstream preference/relationship models? How do you get across their inner workings without continually announcing in every other paragraph something like, I’m gay! Now, let’s get a pizza. ?
  • Television programs and films naturally cater to worldwide audiences and have investors for which they need to show profits. That can hamper all forms of creativity, including the creation of less mainstream characters of any sort, and not just in the sexual arena (e. g. minorities, obese persons, persons with disabilities, etc.). Throw away the budget! How would you rewrite a canon episode or film to showcase a character (main or not) with a less-mainstream preference?

Bonus questions!

  • Have you read others’ non-mainstream characters? Which are your favorites? And which relationships are the most believable? Which scenarios, outside of relationships, are most believable for these characters?
  • Again, throwing away the budget, what would you do if you could make your own new Star Trek series from scratch, where at least one or two characters would be out of the mainstream? How would you handle showing the differences for HBO, or PBS, or ABC Family, if any of those networks deigned to carry your show?
  • Do you read slash (male-male relationships) or femme slash (female-female relationships), either on Ad Astra or elsewhere? Aside from PWP, how did the authors bring home ideas about their characters’ sexuality? Was it clichéd? Did it succeed? Was it hit or miss?

Bringing True IDIC to Canon

What happens when we alter canon characters?

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Nurse Chapel and a female crew member | Character Sexuality

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Nurse Chapel and a female crew member

Is it as simple as having, say, Nurse Chapel from The Original Series mooning over Uhura or another female crew member, rather than Spock?

Does the character lose anything? Does the storyline?

Do we, as the members of the audience (or the readers, as the case may be) lose sympathy for her if her object of affection is of the same sex as she?

Chapel and Spock

Chapel and Spock

And this scene, from Plato’s Stepchildren, would have a far different subtext.

Or flip it again. What if, in that episode, Parmen had the two kissing couples (Kirk and Uhura are the others, in what was one of the first interracial kisses broadcast on American television) switch partners in a few different ways?

When Chapel and Uhura are forced to kiss, or Kirk and Spock, how do we react as an audience? Do we cheer? Or does it repulse us? Do we shrug as if we’ve seen it all before? Do we react cynically, figuring this type of character sexuality is just a ploy to bring in more ratings?

I hope this sort of change would not elicit revulsion. And I certainly hope it would intelligently amp up the drama. Truthfully, if the episode were being aired today, it would likely be far more than kissing. Or at least such that would be the implication. It would be Platonian porn. And that porn would not have to be male-female.

IDIC Original Characters – Character Sexuality Matters

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Luke MacFarlane as Frank Todd (image is for educational purposes only) | Character Sexuality

Luke MacFarlane as Frank Todd (image is for educational purposes only)

I’ve enjoyed adding different character sexuality.

Diana Jones, Preece Ti, Leonora Digiorno and Leah Benson are all lesbians. Melissa Madden is bi. Preston Jennings, Dave Constantine, and Luke Donnelly are all gay men.

And then there’s Frank Todd.

Frank started off as a protest against various homophobic slurs I was seeing on Trek United several years ago. I wanted a tough but kind character, and so I wrote him into There’s Something About Hoshi and gave him a prominent role. He is so friendly to Hoshi, and so protective of her, that the Arisians even think they are a couple.

Boy, are they ever wrong.

Stability

Truth be told, Frank and Dave’s relationship in that story was far more stable and assured than Hoshi and Ted’s. Ted Stone comes across as kind of wimpy, and certainly shy and anything but an Alpha Male, worshiping Hoshi, more or less from afar.

Frank and Dave, in contrast, have an easygoing affection. Understated, yes, but they look at each other lovingly and there is a great deal of feeling behind Frank saying, “I’ll see you later.” The subtext should be – I can’t wait to see you later.

It was particularly satisfying to add more depth to them, in the E2 stories and also in Detached Curiosity and Idle Speculation and its sequel, The Way to a Man’s Heart. The latter is in the context of a celebration of Turing/Stonewall Week, meant to be a week in June devoted to gay rights and accomplishments.

I love this character so much that I am hunting around for more places to feature him. After all, Frank does more than date.

Favorite IDIC Characters from Others’ Works

Give it up for Andy in SLWalker’s One Minute!

What I like about Andy is that he’s a fully realized character. He has body parts that aren’t genitalia. He has a storyline that isn’t wholly about sex.

For Andy, who wants to reach the shadow, it only starts off as being about sex. It very quickly becomes more about human contact. Why is the shadow shunning it? What could possibly hurt that much? Is there any way for the shadow to be healed?

Throwing out the Budget: A New Show with IDIC

If I had full control over a Star Trek series, I would love to be able to add at least one or two IDIC characters, and not necessarily in the context of being a couple. Surely there is room for a character like Jake Sisko, or Chakotay or Chapel, who has a same-sex preference?

Or let’s go for broke.

Maybe that person is the captain.

HBO

For a channel which showed naked men before and more frequently than most others, this possible series can show a lot more flesh. I think the trick would be to keep it from being almost a bodice-ripper.

Excuse me, codpiece-ripper.

It might even be a struggle with the network suits to show exploration, and get the characters out of their bedrooms. I can see it working as almost a modern-day version of Hill Street Blues, a show that had rather gritty police realism but then, at the end, it was often an image of Furillo and Davenport in bed together. It was network television and it was the 1980s and so they were talking with a kiss or two and not much else. But they were still there.

Archer and Daniels in the deep future

Archer and Daniels in the deep future

I can see the time period for this series as possibly being in the deep future, much like Times of the HG Wells.

The extreme future could also allow for showing more interspecies relationships, including bedroom scenes and all sorts of character sexuality.

PBS

With this more factually-based network, I can see storylines becoming more documentary-like in look and feel. Because I love the earlier years of Trek, I can see it in a pre-ENT time period.

Lily Sloane and Zefram Cochrane in 2063

Lily Sloane and Zefram Cochrane in 2063

For a grittier time, maybe even pre-First Contact (e. g. before April of 2063), the Earth would be a post-nuclear horror. Bedroom time would be more urgent and a lot tougher to come by. People would be scratching out their survival. Hence a shaky camera-type realistic story line could work. And what could be more real than a team or a family or a crew or a group or a movement that wasn’t a monolith?

There is also no reason why some of the people involved in building the first warp ship couldn’t be gay, lesbian or intergender. Or trans.

ABC Family

With a far more restrictive network, it used to be that intimations of less-mainstream sexuality had to be a lot more metaphoric. And the same was more or less true of heterosexuality. While a kiss between a man and a woman could be perfectly acceptable, having them wake up in bed together in anything other than pajamas after a good night’s sleep was just plain not going to fly. For a gay or lesbian couple, even a kiss could have been going too far. Would so much as hand-holding be a problem?

Actually, no.

Setting the Pace

During the 2010 – 2011 season, GLAAD cited ABC Family as being one of the more inclusive networks, with the lesbian character, Emily, in Pretty Little Liars. Their praise for ABC Family continued into the 2012 season, in GLAAD’s Network Responsibility Index report. Even for a network with the word ‘family’ in its very name, times have changed. Hence all sorts of character sexuality are embraced and welcomed, and aren’t just cast as victims, self-loathing suicides or criminals.

Scheduled fun for students on Voyager

Scheduled fun for students on Voyager

For ABC Family, I feel that a Starfleet Academy scenario could work the best. This would provide storylines surrounding coming of age, and that can mean discovering and communicating to others about character sexuality.

This might work best in a post-Nemesis time period, where the technology could be bigger and brighter but not wholly unfamiliar and, if not set too deeply into the future, guest characters could believably interact with the new series’s characters.

Slash

Perhaps the hardest sell for a lot of people is slash, and the problem is that it is often misunderstood as to what slash truly is. In its original form, it was TOS-based, and it showed a sexual relationship between Kirk and Spock, essentially pulling their friendship to the extreme.

Slash takes tons of forms, e. g. m/m (two men), f/f (two women), chanslash (underage children), original slash (both characters are original ones), etc. It also does not, necessarily, contain overt sexual situations or behaviors (reverse slash). Then there’s also PWP (porn without plot; or plot, what plot?), which is pretty overt porn with little to recommend it beyond basic titillation.

While I have read slash, and I enjoy excitement as much as the next person, I’ve found straightforward PWP to get unintentionally amusing after a while. Hence I personally tend to stay away from it, but that’s for all forms of character sexuality that it may showcase. I kinda like plot with my sexy stories. But hey, that might just be me.

Plot and Ponn Farr

Contamination by Odon is a femmeslash story about Hoshi and T’Pol that brings together Pon Farr and bi-curiosity in a way that is safe for teens (the story is, to my mind properly, rated T) but gets across the characters’ sexuality immediately. Could this even work on a more conservative network?

Hoshi and T'Pol

Hoshi and T’Pol

I don’t see any reason why not. Hell, it’s actually a bit less sexy than what the UPN network was really showing when ENT was in first-run.

Upshot

Character sexuality is as much a part of a person as their eye color or their height, and it’s just as mutable, particularly after maturation. To create a ship or a series with absolutely no one with an alternative view is downright unrealistic. The percentage of out-and-out 100% homosexual persons is rather small, but the percentage of people who are bi, bi-curious and/or sympathetic to gay rights is considerably higher.

There is a lot of room under the umbrella called Star Trek, and fan fiction proves that anyway, by bringing poetry, different pairings, horror stories, alternative timelines, expanded universes, original characters, and extremely long story arcs which can work side by side with what happened on screen and in the officially sanctioned books.

To keep non-mainstream sexuality out of Star Trek is a misplaced notion.

IDIC for the win!

Posted by jespah in Boldly Reading, Fan fiction, Meta, 4 comments

Portrait of a Character – Levi Cavendish

Portrait of a Character – Levi Cavendish

Levi Cavendish has a wacky history.

Origins

Before I began writing Star Trek fan fiction, I had a time travel series in a kind of embryonic state. The inventor of the technology, who would be the director and also a bit of a difficult person, but also the lover to Otra D’Angelo, was to have the name Levi Cavendish. But then I started writing Trek fan fiction, and Levi turned out quite differently. I like him a lot better these days. He’s really gotten a lot more character development in Multiverse II, including becoming temporally paradoxical, and vanishing from existence.

He is also, along with Otra, the developer of Otric Theory. Levi named it after her, an act that he does not recognize was out of affection. But at least Otra knows.

Portrayal

Levi is played by Edward Norton. I particularly love him from the Fight Club era.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Edward Norton as Levi Cavendish (image is for educational purposes only)

Edward Norton as Levi Cavendish (image is for educational purposes only)

He just looks as itchy and twitchy as I think of Levi.

An actor playing Levi has got to be someone who is smart and creative. However, ultimately, he must also be hamstrung by a bunch of different tics, quirks and downright disabilities. I believe Norton can really do that.

Levi’s got major issues.

Personality

Portrait of a Character – Levi Cavendish

Yes, Levi is this weird (Edward Norton)

Squirrely, nervous and suffering from a number of personality disorders, Levi is a misunderstood and underestimated genius. Nobody seems to get him, except for Otra D’Angelo. And even she doesn’t always.

His home is decorated in stills from the Twilight Zone and other bits of classic science fiction memorabilia. His wardrobe is mainly uniforms for the Temporal Integrity Commission, or functional things. Beauty, aesthetics, and form don’t really hold much meaning for him, except as they serve function.

With Adult ADHD, high-level autism, hyperactivity, occasional stuttering and an inability to look most people in the eye, it’s a wonder that Levi can get anything done at all. He has a wacky fundamentalist mother who changes her religion as often as many people change their socks. Plus there’s a father who abandoned the family years ago. And he now has a court order to spend time with Levi (and can’t wait until Levi’s thirtieth birthday, to be freed of his obligations), it’s a wonder that Levi is even on the same planet as sanity.

Relationships

Otra D’Angelo

Levi is odd enough that he knows that he will do lots of things for Otra. However, he does not truly comprehend that his actions are out of love. Even in his dreams, when he can get the girl, his romantic line to her is, “My foot hurts.”

So yeah, he’s pretty messed up.

Theme Music

Levi’s crazy antics spell sped-up rap-type patter to me.

But this one really speaks to me about Levi, from the fast talking to the weird-looking lead singer to the hard to hear Spanish chatter, Wall of VoodooMexican Radio.

Mirror Universe

Portrait of a Character – Levi Cavendish

Mirror Levi (Edward Norton)

There’s no reason why Levi can’t have a Mirror Universe counterpart. However, it’s likely that someone as messed up as all that would not survive for very long on the other side of the pond.

Hence, I can see a Mirror Levi as not being autistic or hyperactive at all, or not for long, if he was ever to have a prayer of surviving past about his tenth birthday. Instead, his genius would be ruthless. Plus he would be cruelly efficient and perhaps even sadistic. He would probably be an extremely scary individual.

Quote

“Can’t hear chatter on the comm anymore. Throw the pies at the Chilo, Maren. Please.”

Upshot

This character was not truly, fully realized until Multiverse II. But now he’s a much better and more deeply three-dimensional character than ever before. I like him, no matter how much he might annoy or at least baffle the other characters.

Posted by jespah in Fan fiction, Portrait, Times of the HG Wells series, 15 comments

Spotlight on Alien Hybrids

Background

Alien hybrids are 100% Star Trek canon. Spock is one, Worf’s lover, K’Ehleyr, is one, their son Alexander is one, etc.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Alexander | Alien Hybrids

Alexander, an alien hybrid (his parents are both human-Klingon)

For hybrids, I imagine that life is not easy. Even Worf, who is not a hybrid, but was raised by human adoptive parents, could not fail to get into what we would call trouble. Which is what most Klingon families would simply refer to as defending honor.

Fitting In

I write most hybrids as having some adjustment issues. Adolescence, in particular, has got to be difficult. But adults, particularly talented ones, are going to be a bit better situated.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Spock | Alien Hybrids

Spock

Consider Spock, the best-known hybrid of them all.

His backstory is loaded with teasing and other evidence of not being accepted. The vaunted tolerant Vulcans aren’t so tolerant when their race is mixed with another’s. This attitude is reflected by a lot of the Vulcans in the earlier seasons of Star Trek: Enterprise.  T’Pol, Soval, and others often look down their noses at humans. And in the fourth season, we humans do it right back to them, as John Paxton has a human-Vulcan hybrid created, Elizabeth Tucker, and the intention is to repulse everyone. But the opposite occurs, and Elizabeth’s death is haunting to not only her parents, Tripp and T’Pol, but also to others who will eventually form the Federation.

Overcompensation

Like we can see happen in the real world, people who don’t easily fit in can often overcompensate, and try to be better than everyone. Is that what happens with the canon character, K’Ehleyr? Possibly. But she’s also immensely talented.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | K'Ehleyr

K’Ehleyr | Alien Hybrids

It’s not overcompensation if you really are that good.

But I can’t help feeling that, sometimes, the writers may have overdone it with her. She can sometimes feel a little bit like the John Prentice character in Guess Who’s Coming to Dinner? and can be a little too good to be true.

Add in a tragic ending and then there’s no way to tarnish her halo, eh?

My Own Hybrid Characters

They run the gamut. And the deeper future should, I feel, have a lot more alien hybrids, and in all manner of different combinations. IDIC means embracing a lot that we, today, would find more than a little peculiar. Here are some stand-out examples.

Interphases

The earliest timeline appearances of alien hybrids fit rather snugly with the canon ENT episode, E2. Since it’s canon that Archer married an Ikaaran, the idea is that there would be other alien brides. For my own sanity, I went with Ikaarans as being the brides in both iterations, although women of different species could very well have been brought aboard.

Aaron Gregory Archer

In the second kick-back in time, he’s the son of Jonathan and Esilia, and weds Lili and José‘s daughter, Maria Elena Torres.

Henry Archer

In the first kick-back in time, he’s the son of Jonathan and Ebrona, and weds Lili and Jay‘s daughter, Madeline Suzette Reed-Hayes.

John Phlox

In the first kick-back in time, he is the first hybrid child born, the eldest of Dr. Phlox and Amanda Cole.

Charles Tucker IV

In the first kick-back in time, he is one of the twin children of T’Pol and Tripp, and becomes the captain after Jonathan dies.

Lorian Cyrus Tucker

During the second kick-back in time, this canon character (his middle name is my own invention) becomes captain upon the death of Jonathan Archer. He is the only child of Tripp and T’Pol.

T’Les Elizabeth Tucker

During the first kick-back in time, she is the other twin child of Tripp and T’Pol.

Times of the HG Wells

Otra D’Angelo

This human-Witannen cross can see temporal alternatives.

Richard Daniels

It is canon for Daniels to say that he is human, more or less. According to the scan that his sister, Eleanor, demonstrates during Where the Wind Comes Sweepin’ Down the Plain, the siblings’ heritage breaks down as follows – 18% Calafan, 4% mirror Calafan, 13% descendant of Neil Digiorno-Madden, 41% descendant of Joss Beckett, 11% human, 5% other mirror human, 8% Vulcan. 

Kevin O’Connor

Kevin is half-human and half-Gorn, and weighs almost a quarter of a metric ton, but he’s the sweetest person you’d ever want to know.

Polly Porter

Polly is partly-Betazoid, but is mostly human and is missing most of the qualities of Betazoids.

Boris Yarin, MD

Boris is a dangerous combination of human, Xindi sloth and Klingon.

Alien Hybrids in Other Stories

D’Storlin

D’Storlin, a human-Xindi Reptilian hybrid has a lot of trouble and takes his frustrations out violently.

Rayna Montgomery

Rayna, a human-Klingon hybrid, gets kicked out of her regular school because she can’t get along with her classmates. Yet her school is full of alien hybrids.

Upshot

Hybrid characters should be a large part of most Star Trek fan fiction, unless the time period is ENT or earlier. And even the ENT era can readily accommodate them. After all, not every hybrid is partially human.

These characters can break and bend the molds of characterizations and species types. What about Vulcans with emotions, or Klingons without honor? Hybrids, it is likely, can change the paradigm in all sorts of ways.

Posted by jespah in Fan fiction, Spotlight, 3 comments

Branching to other fandoms

Cheating on Star Trek???

Branching?

In response to Blog Prompt #8,  my main participation in other fandoms is in reading or in viewing. I know of fan fiction works in any number of other fandoms (they’re all over fanfiction.net), but I don’t find myself participating in them. Rather, I step back and mostly leave it to the professionals.

Hobbit/LOTR

But not completely, as I’ve recently done some informal beta reading of some Bilbo/Thorin slash in the Hobbit universe.

Thorin meets Bilbo branching

Thorin meets Bilbo

In all honesty, I’m not so sure how I feel about it. I like my friend’s work, and I think it’s respectful and true to the characters. The voices seem authentic, even if the actions seem less so. Slash doesn’t make me squeamish, but I think this may bug me a tad as these are characters I read about when I was very young (as in, if memory serves, eight years old). Also knowing enough of Tolkein’s motivations – he had wanted to write a boy’s adventure story and he’s not much for female characters. Hence there are a lot of guys.

Slash branching?

It makes me wonder if the times had been different, if we wouldn’t see slash arising from classic war pictures. E. g. Stalag 17 or The Great Escape or The Longest Day. Some of this may be why I’m so drawn to developing and realizing historical crossovers, e. g. Concord and Day of the Dead.

Does it inspire me? I’ve been checking out Game of Thrones a bit recently, and that, coupled with listening to Jane Austen’s Emma on podcast, is starting to creep into the language and speech patterns I use for some characters, particularly for Vulcans. I often have major issues with writing Vulcans unless I logically impair them somehow. But giving them Regency speech patterns seems to be assisting with that. I don’t know if that’s inspiration for me. Perhaps a more descriptive term would be a paradigm shift. So maybe I’ll finally get better at writing standard-form Vulcans, and will give them more dialogue than just saying that something is logical or fascinating.

Why Haven’t I Leaped?

The only other fandom where I was actually inspired to write anything (but never finished it, alas), is Quantum Leap. So, a little branching.

Beyond enjoying the show, I did start to write a story, about a stockbroker at the time of the 1987 crash. I recall the guy was African-American and his name was Jordan something or other (like Gordon Gekko, huh) and was called Jordo. He was going to find his happy ending by quitting and taking up with the woman who worked at the local coffee shop, if I am remembering it all correctly.

I was never inspired to finish it, although I did create the HG Wells stories as a kind of anti-Quantum Leap. The idea is to be where people (almost like Sam and Al) try to improve the future by ‘fixing’ the past.

I decided that the idea is, ultimately, an arrogant one. What if the fixing screws everything else up, making it even worse?

But as for the actual fandom story, no, it died a long, long time ago and I never revived it. I’m not even so sure why I selected the main A story for it. But I know I was keeping with their canon, which puts Beckett’s leaps into about 1953 to 2010 or so. But truly, the 1987 crash was not that compelling a news flash, at least not for this sort of drama.

Upshot

I’m a fan of any number of works. I’ll watch James Bond films on a rainy day, or the Planet of the Apes movies, or Star Wars. I don’t run to turn off Doctor Who or Red Dwarf. I still love everything I’ve seen of Peter Jackson’s take on the Hobbit and Lord of the Rings, even though I’ve watched much of it multiple times.

But none of them move me to write, or at least to finish. And none of them have inspired me to such creativity as Trek does.

I guess this is just the universe that speaks to me the most, and the best, and the clearest. This is the one that tells me to write. So I don’t really do a lot of branching.

Posted by jespah in Boldly Reading, Fan fiction, Meta, 14 comments