I wrote Brown in response to a weekly free write challenge on Ad Astra where the subject was pests.
I had established a rodent infestation on the Defiant in Reversal, and had originally intended for the mice to be a bit of comic relief (after all, the Star Trek Mirror Universe can, at least in my fanfiction, be overwhelmingly negative and dark), but they took on lives of their own and became more of a symbol for the chaos and inattention to detail that I’ve laced the MU with.
The Empress Hoshi Sato‘s sleeping around is partly, canon, partly my own doing. I envision her as a bit like Livia in Suetonius, who has unparalleled ambition for her offspring. But for Hoshi, it’s also a matter of survival. She seduces the upper-level men on the Defiant, has a child with them and, if they have even a shred of decency, they will work to at least ensure the survival of their own child.
Brown put the two concepts together as Hoshi is followed not too long after the end of the events depicted in Reversal, and she is pregnant by Aidan. But she’s not the only pregnant female aboard, as she has found.
I have experienced mice infestations, and they can get rather bold. There’s also a feeling of invasion, where it seems a bit like your home is no longer your own. For Hoshi, the mice also symbolize a breakdown in authority. All she wants is for the mice to be gone, and they just seem to be multiplying. For Aidan and Chip, shown here a little bit like two partners in crime – which is a role they often fall into in the Prime Universe – the presence of the mice symbolizes a bit of subversion. It’s a small victory for them to see Hoshi squirm.
Portrait of a Character – Leonora (Norri) Digiorno
All characters are me, and I am all characters.
At least, that is, when it comes to the originals. And when it comes to Star Trek canon, there are plenty of things that I add, so those additions are me, too.
Norri was kicking around for a few years, even before I started writing Star Trek: Enterprise fanfiction, which was back in April of 2005. Actually, it was just her first name. She was originally, actually, a kind of foundling, a girl from medieval times who was orphaned by the Black Death and saved (from a bear – hey, I like Shakespeare) by being plucked out for a time travel purpose. I modified the time travel series quite a bit in order to create a series of stories called Times of the HG Wells, but I brought Norri in earlier, for the In Between Days series, although she is seen a little during the Wells series. Confused yet?
I hadn’t originally written her as a lesbian, either, but the idea presented itself because I was looking for a parallel to a day/night concept that I had going on. The In Between Days series gives its main characters active nighttime lives (through the dream state) which are almost as important as their daylight lives. To really bring the point home, I created a bi character, Melissa Madden. But Melissa needed a lesbian lover in order to pull it all off, so Norri emerged.
Norri is the most literary of the main characters in the In Between Days series, starting off as a book editor, eventually getting her PhD and writing a book of her own. At the time I was shaping her, I was working for a book publisher, so she partly evolved from that. Her last name, of course, means “of the day”, so she is not only an embodiment of daytime, she also parallels main character Lili O’Day (who is also “of the day”). Furthermore, five of the six main characters (everyone but Pamela Hudson) are associated with elements. Norri is outside of what we might think of as the four traditional “elements”, and so hers is the Hindu fifth element – communications (sometimes called the ether or the void, which makes sense in space).
It was important for me to see Norri as being “played” by an actress who has played at least one gay character already. I also wanted her to be young but wise beyond her years, and to be redheaded. This brought me to the idea of Alyson Hannigan.
I also liked the idea of Norri being someone who is somewhat remote. Of all of the main characters in the In Between Days series, you learn the least about her, and that’s by design. Of the five big books in that series, Temper and Fortune have the most information about her, and even then she’s really just a sketch.
She even gets a second nickname which is a misnomer. Malcolm refers to her as “Lioness” or “the Lioness”, when the truth is that her name means “light”. So she’s a kind of double light/daytime character.
As a person, she is forced to rise to the occasion and commit some forms of self-sacrifice several times, whether it’s to become Neil’s sole caregiver in Temper, or to shepherd children away so that various couples can have their privacy. But she gets her due, and is the final commenter and recordkeeper when it comes to the lives of the principal characters in the In Between Days series.
Her sexuality is rarely at issue. She acknowledges that she was very aware of it certainly by the time she graduated from college, but that her parents were wary of it, and her father hoped she would grow out of it (this is explored in An Announcement). Of course, that doesn’t happen. Her scenes with Melissa are meant to be as intimate as those between the straight couples. Norri also begins her romance more conventionally than most of the others do – she meets Melissa in a bar.
“It’s not necessarily unfair. You’d be sleeping. Everybody sleeps. I can’t get into your dreams. All that’s changing now, really, is that I know, more or less, what those dreams are. But you and I, we have the big thing, the big love.”
Book smart and funny, Norri is the essence of communication, holding everyone together, and making everything spin.