Chip, in my fanfiction, is sometimes level-headed, but also willingly joins in with the silliness, often as a partner in crime with Aidan MacKenzie. Chip definitely has a silly side and, in Together, he even dreams of doing stand-up in a little club on Risa.
On the NX-01
Chip starts off in Tactical, which is where he gets to know Aidan. However, by the time of Together, he has transferred over to Communications, acknowledging that he is a natural gabber and better suited at connecting people as opposed to blowing stuff up. Like Aidan, he’s an Ensign.
As the person with probably the best appreciation of the arts on the Enterprise, Chip picks the movies. He has eclectic taste, serving up everything from Stalag 17toDirty Dancing. In Broken Seal, he and Aidan, who acts as the projectionist, are even blamed for the problems with The Seventh Seal.
He also conducts a little discussion afterwards. Attendance is spotty at best. In Intolerance, for Dirty Dancing, he talks about the soundtrack, which is a mix of 1960s and 1980s music, and has the attendees try to guess which decade a particular song came from.
Chip and Aidan are not only friends, they are also roommates. Chip also appreciates Hoshi Sato as his boss. In the E2 stories I am currently writing, he also helps to train and accommodate the newest member of the Communications team, Crewman Maryam Haroun. Because Maryam is a Muslim and needs to pray several times per day, Chip’s night shift sometimes starts early or can end late, so that he can cover when Maryam is praying.
In Together, he helps Deborah Haddon pick up the pieces and they begin dating. By the time of Temper, she’s proposed to him, and they are married by the time of Fortune. During the initial celebration of the first child born to a crew member becoming a parent, he begins to thank the captain who corrects him and instead tells him that the celebration is for Malcolm.
“So this Klingon, an Andorian and a Vulcan walk into a bar. And the Klingon’s a male, super-tall. And he’s completely buck naked, except for a strategically placed piece of string to which there’s attached this note. So the bartender gets curiousand he reads the note, which says …”
I’ve never finished the joke. Have at it in the Comments section if you’d like to write a punch line for Chip’s joke.
Chip in the MU has a lot more on his mind, and has no time for antics. He never switches over to Communications, and instead is promoted to run Tactical at the end of Reversal (his start in Tactical is shown in Paving Stones Made From Good Intentions). He also runs Game Night, intended to be the counterpart to Movie Night. He takes bets like a bookie (betting in the MU is canon) and collects like a loan shark.
Because Deborah is taken away from him, he ends up, eventually, as one of the Empress’s conquests, fathering her twins, Takara (the only girl) and Takeo. All of the Empress’s children have meaningful names. Takara means treasure while Takeo means warrior. These are her fourth and fifth eldest of the six total children, and are being raised to be as bratty as the others, as is shown in Coveted Commodity. In Temper, with its three separate alternative timelines, Chip’s fate differs. The only constants are Science Officer Lucy Stone, and his two children with the Empress. Fortune follows Chip to his later life, and He Stays a Stranger to a much later time in his life. As one of the only halfway decent people in the Mirror Universe, Chip represents a bit of hope in that wasted landscape.
Traveling the stars is serious business, and the Xindi and Romulan Wars were no laughing matter, but the crew always needed a release from unrelenting problems. Without someone like Chip, life on the NX-01 would be so much tougher. Even the crew of the Enterprise needs a little whimsy in their lives, and for that, Chip’s your man.
Music is almost a constant in my writing. Characters might have individual or couple or group themes, or a story might have a theme, or even a series. Music can be used in order to evoke a particular mood or time period, and lyrics in particular might steer a plot.
For the Wells series, it’s all about time, so music is not only used to set moods, it’s also used to orient the reader as to time and place. Lyrics are displayed, at the beginning and end of each chapter, to continue to bring home the idea of a soundtrack to go along with the set pieces. In addition, character HD Avery is the “music guy” – he can sight-read music and can play piano, guitar and drums. He’s sent on all sorts of musical missions and even, at one point, refers to them as being like Rock ‘n Roll Heaven.
The first mission is about the day the music died, that is, it’s about the deaths of Holly, Valens and Richardson on February 3rd of 1959 in a plane crash in Clear Lake, Iowa.
For Take Back the Night, not only the title should be a tip-off that the Daranaean women are a bit sick of how they’ve been treated, as the first chapter opens with a quote and a link to the Beatles’ Revolution.
For written fiction online, a link to YouTube can provide a missing soundtrack, and a major or minor key cue to the reader about mood.
Funny thing is, I can’t write while listening to music; I end up paying too much attention to it!
I hope I’ve gotten an appealing and appropriate soundtrack into your head as you’ve read. But if anything seems like it might be better, feel free to suggest it.
Daranaeans are a wholly original sentient marsupial canid species. Pronounced: Da-ra-NAY-un.
What’s a Daranaean?
Daraneans are residents of Daranaea, a Minshara-class planet located near Klingon space, hence it has a tactical advantage.
As for the Daranaeans themselves, they are sentient marsupials with foxlike triangular faces and fur on most of their bodies. They are very canid in a lot of ways, including packlike behaviors for their social lives, but also their battle plans and even their ship designs.
I tend to use pointy-faced dogs, foxes or bats for pictures. Naturally, the reader will need to use his or her imagination a bit.
Females divide into three separate castes, depending upon the intensity of their smells. Prime Wives have the most privileges and the most education. Secondaries tend to do most of the reproductive heavy lifting. They also act as primary educators. Third caste females are generally relegated to manual labor, and may be illiterate. All females are sold into marriage, but Prime Wife marriages are generally from private arrangements without the need for a public auction. Wealthy Daranaean males, including members of the Beta Council and most higher-ranking military men, have a wife from each caste.
Pregnancy and Pouches
For Daranaean females, pregnancy has two parts, versus our three trimester configuration. There are about six months of a conventional-type pregnancy, and then another six with the infant in the mother’s abdominal pouch. Much like marsupials on Earth, the infant (called a pouchling at birth) is born very small and helpless. Unlike Earth’s marsupials, a Daranaean mother places the baby right inside the pouch, as opposed to requiring that it crawl there on its own.
Pouchlings nurse and sleep most of the time, and it’s important for the mother to keep the top of the pouch clear of obstructions. Therefore the tops that the women wear can be tied. This allows for air passage. The mother also sleeps on her back or her side while pouch feeding. When the pouchling is a good five months old or so, the mother can lift the top of the pouch to peer at the infant, if she wishes. However, the infant can get cold while doing so. This shouldn’t be done too frequently.
During this time, the mother sleeps with a soft baby blanket in order to pass her scent onto it.
After about six months in the pouch, the pouchling is ready to emerge. First, a hand comes up and holds the top of the pouch. Then, the pouchling generally pushes down so as to get leverage, and may even use the front tied piece of its mother’s top in order to pull up and out.
Once out, the mother cleans the infant and swaddles it, and wraps it in the blanket. Newly-emerged pouchlings can be called infants. They don’t hear or see very well, as a parallel to what newborn puppies are like.
After a few weeks, the infant attempts crawling, and soon will begin cruising and walking, much like a human infant. The baby still nurses, but solid foods can be introduced at a young age, as slightly pointed teeth erupt not too long after emergence. Because Daranaean women have four breasts (two inside the pouch, and two where we would normally see them), the emerged infant can still nurse for a while.
Very young Daranaean children are kept at home and cared for by the older females. For a very young child, life at home is filled with basic learning such as getting along with others. The family may visit other families or go on trips, which can be educational or just for recreation. Seppa, at right, is only four years old in this picture. A somewhat typical day for Seppa is a part of Some Assembly Required.
Young Daranaean children are home schooled. After several years, the males are sent to a big school, as are the Prime Wife females. This is for more advanced learning, such as is necessary for space travel. The other female children remain at home and can continue to be home schooled.
A Daranaean tween or teenager becomes interested in marriage and all that it entails, but marriages generally don’t occur until about ages eighteen to twenty or so. A young Daranean tween girl such as Cria, right, continues her home schooling and helps with chores and the care of her younger siblings, but also has time for some fun and for learning the household skills she will need as a wife. A fairly typical day for Cria is a part of Temptation.
Young married Daranaeans are much like young marrieds in any culture or species, enjoying their new lives and working toward the future.
For young Daranaean wives, this means pregnancy or preparing for pregnancy, as the species suffers from Thylacine Paramixovirus and, as a result, big familes are needed in order to replenish the population. A young wife such as Seppa, aged eighteen here, might become pregnant very quickly, and be expected to begin raising a household full of children.
Daranean women of wealth do not work outside the home, as the care of children is paramount.
Daranaean men hold jobs, and there is still a monetary system in place. Doctors include Varelle and Trinning, reporters include Craethe, and Beta Councilors include Boestus and Elemus.
Later Adult Life
For Daranaeans, later life changes, depending upon caste. Prime Wives, such as Dratha, pictured here, can live fairly long lives. For wealthy families, the Prime Wife is treated like a queen and is not expected to help with child care, although she can if she wishes.
Secondaries, such as Mistra and Cria, above, have children on a regular basis until menopause. The expectation is they will continue helping the young adult children prepare for life in their own households.
Third caste females, like Seppa, above, have children until menopause, when they are either euthanised or are donated or sold for medical experiments.
Daranaean men live out their lives and have the longest life expectancy of all.
Politics, Government and Justice
Daranaens have a government composed of an elected Alpha who is advised by an elected Beta Council, which meets regularly and is very open to the press. None of the women can vote, not even Prime Wives.
As a member of the Beta Council, Vidam (right) is expected to present bills, debate on them and vote. Voting in the Council Chamber is open and is accomplished by all of the representatives standing. Then the opponents of a bill sit. Anyone left standing is then counted as supporting the bill in question. A simple majority rules, but the Alpha can break ties. Abstentions are rare – much like dogs on Earth, Daranaeans mainly see their issues in black and white. A debate about granting Prime Wives the right to vote is part of Debate.
Trials are public, and the trial of a wealthy Daranaean, even a Secondary, is fodder for the press. There are no juries, rather, an accused is judged by a judicial panel. A trial is part of Take Back the Night.
Aside from the generally fatal Thylacine Paramixovirus, most Daranaeans are usually in good health. Prenatal care is available for Prime Wives only. The other two castes are expected to care for each other. Their infants are delivered at home. Prime Wives deliver in hospitals.
Researchers, such as Trinning, at about age six here, work diligently to try to find a cure for the virus. Research is limited by budgets, training and time. The virus is somewhat similar to canine distemper and Newcastle Disease on Earth.
Daranaean Third Caste wives who are menopausal are sometimes sold for medical experiments, as doctors need them to test vaccines.
First Contact, Friendships and Relationship with The Federation
First Contact was between the NX-02 Columbia and a pleasure craft owned by a wealthy Daranaean man, Elemus. It occurred in February of 2160, and did not go too well. First contact is a part of The Cure is Worse than the Disease.
Second contact went considerably better, and is a part of Take Back the Night. This generated some friendships between Daranaeans and humans, including Jonathan Archer and Seppa, and Malcolm Reed and Mistra.
In 2191, a young Inta went on a blind date with a human, Hank Harrison. While things did not work out romantically, the two became friends. Their date is a part of Hearts in Time.
Daranaeans became allies with the Federation, and called upon them later, and made themselves available as well.
Such a sexist society will need to change in order to continue to grow. Stay tuned. Big things are in store for the galaxy’s only sentient marsupials. I will post more insights!
Charles Tucker III was almost a writers’ football during Enterprise.
Why the heck would I want to talk about a Star Trek: Enterprise canon character? After all, doesn’t Memory Alpha do a better job? For canon, yes. No argument here.
But what I am talking about is my own fanfiction. So I’ve got a different take on him.
Tripp/Trip – What?
First off, I spell it as Tripp, with two P’s. Why? I knew a guy who was a third, and that’s how he spelled it. To me, one P just looks off. And I am well aware that readers may see the two P’s as being off. So be it. I recognize that this is me being quirky and stubborn, and certainly breaching canon. That cannot be any more than the people who, let’s see, make Tucker gay, make him bi or make him essentially a superhero. Not to mention the folks who insist that he didn’t die in These Are the Voyages.
It’s just a letter, folks.
Marrying Canon to Fanfiction
The writers did a lot to Tripp throughout the course of the show’s four seasons. He got pregnant, he had a relationship with First Officer T’Pol (a Vulcan), he was cloned, he rescued a princess, he lost his sister in the Xindi attack and he met his end, too. In all honesty, I had seen so much of him on screen that I was a bit sick of him when writing my own fiction. He was a major character on the show, but television shows are of a finite size. Therefore, the more screen time for him, the less for other characters.
For me, obliquely referencing him and his exploits often did the trick. In The Reptile Speaks, he’s mentioned in a teenager’s film about sex, as an example of unconventional relations. For the two teenagers talking about him, he’s a source of some amusement.
In Razor, he’s barely referenced, although his identity should be clear to the reader.
A Regular Guy
For me, one of the fun things about writing him is playing on his being, essentially, a regular Joe. In Letters from Home, a riff on the mail distribution scene in the film Stalag 17, he gets a lot of correspondence, but it’s not necessarily of the welcome kind.
Well, maybe not always heroically romantic. In Intolerance, he eagerly participates in the competition to woo the female medical students, and comments quite a bit on the woman he’s originally assigned to, Pamela Hudson.
In Together, he’s paired with Hoshi who, in the end, realizes that she doesn’t feel about him the way he feels about her.
Then in the E2 stories, I cover his relationship with T’Pol, including the cultural differences between them. For example, what Tripp sees as a symbol of commitment, T’Pol sees as a religious article – and not of her faith.
A Working Stiff
In Reversal, it is he who does most of the heavy calculations necessary, and he ends up risking his life in order to perform a rescue.
In Temper, he gives his all in service to the Federation, in what feels very much like a lost cause.
Not every character has a theme, but Tripp does, in Together. The song is Matthew Sweet’s Sick of Myself. I particularly wanted this song for the line, “When I look at you, something is beautiful and true.” That story also has couples’ songs. His (with his partner) is Joe Jackson’s Kinda Kute. I wanted that one for its opening lyric, “You make a guy feel humble.”
The Mirror Universe
At the end of the second canon MU ENT episode, Tripp is about the only one of the main characters who is likely to survive to see another day. Severely scarred, bitter and angry, he epitomizes the skewed life led there.
I have written the MU Tripp as being just as angry, but it’s later, so he’s sicker, and realizes he’s dying. He becomes gentler than he normally would be, and seeks solace with an old girlfriend, Beth Cutler, who accepts him for who he is. In Reversal, the MU Tripp has a lot at stake, and plays off people against each other in an effort to save himself. It is, ultimately, his wish to save others that redeems him, in a way.
In Temper, the MU Tripp again shows a small degree of selflessness, and by doing so he helps to undo the lost cause which threatens the Prime Universe. As I write the MU, everyone is keenly aware of what they owe others, and Tripp is no exception. Since he owes Doug something, he recognizes the debt, and repays it.
In Fortune, the MU Tripp has come full circle but is still a bit wary about strangers. Fortune tells of a dynasty, which shows a major divergence between his fate and that of the Prime Universe Tripp.
In the Prime Universe, his death is canon, so I don’t mess with that. Characters mourn and remember him, and there’s even a charitable foundation named for him, mentioned in Fortune.
“But we’re here to explore and to, to take risks. And I don’t think this is a foolish one.”
I enjoy the character but, as above, I think he was overused, often to the detriment of other characters. But he’s more than just engineering, an accent and a romance. In many ways, his observations are our observations, as an audience and, I hope, as readers.
I wrote Brown in response to a weekly free write challenge on Ad Astra where the subject was pests.
I had established a rodent infestation on the Defiant in Reversal, and had originally intended for the mice to be a bit of comic relief (after all, the Star Trek Mirror Universe can, at least in my fan fiction, be overwhelmingly negative and dark), but they took on lives of their own and became more of a symbol for the chaos and inattention to detail that I’ve laced the MU with.
The Empress Hoshi Sato‘s sleeping around is partly, canon, partly my own doing. I envision her as a bit like Livia in Suetonius, who has unparalleled ambition for her offspring. But for Hoshi, it’s also a matter of survival. She seduces the upper-level men on the Defiant, has a child with them and, if they have even a shred of decency, they will work to at least ensure the survival of their own child.
The story put the two concepts together as Hoshi is followed not too long after the end of the events depicted in Reversal, and she is pregnant by Aidan. But she’s not the only pregnant female aboard, as she has found.
I have experienced mice infestations, and they can get rather bold. There’s also a feeling of invasion, where it seems a bit like your home is no longer your own. For Hoshi, the mice also symbolize a breakdown in authority. All she wants is for the mice to be gone, and they just seem to be multiplying. For Aidan and Chip, shown here a little bit like two partners in crime – which is a role they often fall into in the Prime Universe – the presence of the mice symbolizes a bit of subversion. It’s a small victory for them to see Hoshi squirm.
Portrait of a Character – Leonora (Norri) Digiorno
Leonora has a history from before my start writing Star Trek fan fiction.
All characters are me, and I am all characters.
At least, that is, when it comes to the originals. And when it comes to Star Trek canon, there are plenty of things that I add, so those additions are me, too.
Leonora was kicking around for a few years, even before I started writing Star Trek: Enterprise fanfiction, which was back in April of 2005. Actually, it was just her first name. She was originally a kind of foundling. The character was a girl from medieval times who was orphaned by the Black Death and saved (from a bear – hey, I like Shakespeare) by being plucked out for a time travel purpose. I modified the time travel series quite a bit in order to create a series of stories called Times of the HG Wells, but I brought Norri in earlier, for the In Between Days series, although she is seen a little during the Wells series. Confused yet?
I hadn’t originally written her as a lesbian, either, but the idea presented itself because I was looking for a parallel to a day/night concept that I had going on. The In Between Days series gives its main characters active nighttime lives (through the dream state) which are almost as important as their daylight lives. To really bring the point home, I created a bi character, Melissa Madden. But Melissa needed a lesbian lover in order to pull it all off, so Norri emerged.
Norri is the most literary of the main characters in the In Between Days series, starting off as a book editor, eventually getting her PhD and writing a book of her own. At the time I was shaping her, I was working for a book publisher, so she partly evolved from that. Her last name, of course, means “of the day”, so she is not only an embodiment of daytime, she also parallels main character Lili O’Day (who is also “of the day”). Furthermore, five of the six main characters (everyone but Pamela Hudson) are associated with elements. Norri is outside of what we might think of as the four traditional “elements”, and so hers is the Hindu fifth element – communications (sometimes called the ether or the void, which makes sense in space).
It was important for me to see Norri as being “played” by an actress who has played at least one gay character already. She would be young but wise beyond her years, and to be a redhead. Hence, Alyson Hannigan.
I also like the idea of Norri being someone who is somewhat remote. Of all of the main characters in the In Between Days series, you learn the least about her. And that’s by design. Of the five big books in that series, Temper and Fortune have the most information about her, and even then she’s really just a sketch.
She even gets a second nickname which is a misnomer. Malcolm refers to her as “Lioness” or “the Lioness”, when the truth is that her name means “light”. So she’s a kind of double light and daytime character.
As a person, she is forced to rise to the occasion. She must commit some forms of self-sacrifice several times. This is whether it’s to become Neil’s sole caregiver in Temper, or to shepherd children away so that various couples can have their privacy. But she gets her due. And so she is the final commenter and recordkeeper when it comes to the lives of the principal characters in the In Between Days series.
In fact, in his last moments, Tommy thinks of her and also recalls her book, The Human Pioneers of Lafa II.
Her sexuality is rarely at issue. She acknowledges that she was very aware of it certainly by the time she graduated from college. However, her parents were wary of it, and her father hoped she would grow out of it (I explore this in An Announcement). Of course, that doesn’t happen. Her scenes with Melissa are as intimate as those between the straight couples. Norri also begins her romance more conventionally than most of the others do – she meets Melissa in a bar.
Norri barely makes an appearance in the MU, save for her death, which is particularly senseless.
Her murder is recalled, somewhat remorsefully, in Bread.
“It’s not necessarily unfair. You’d be sleeping. Everybody sleeps. I can’t get into your dreams. All that’s changing now, really, is that I know, more or less, what those dreams are. But you and I, we have the big thing, the big love.”
Book smart and funny, Norri is the essence of communication, holding everyone together, and making everything spin.