original character

11
Oct
2013

Portrait of a Character – Jeremiah Logan (Joss) Beckett

Portrait of a Character – Jeremiah Logan (Joss) Beckett

Jeremiah Logan has a great story line.

Origins

Joss originated in Together, as a sweet toddler, very Mommy-centric and very, very bereft when Lili and Doug are kidnapped. For Temper, I saw him as a teenager and then, in Fortune, and in some of the HG Wells stories, such as He Stays a Stranger, I began to see him as an adult.

Portrayal

As an adult, Joss is portrayed by Matthew Perry.

Matthew Perry as Jeremiah Logan (Joss) Beckett - image is for educational purposes only

Matthew Perry as Jeremiah Logan (Joss) Beckett – image is for educational purposes only

I like how Perry comes across as an intelligent person, but also as, at times, quite a bit of a screw-up. Joss is no screw-up, but he’s got a certain kind of vulnerability that I believe Perry also has.

Joss also needs to be the somewhat reluctant leader of the family. Tommy is the military man, Neil is in business, and Declan and Marie Patrice are artistic. Joss has to be the one who, quietly and responsibly, gets things done.

Personality

Affable and kind, Joss is an animal lover from the very beginning. At a precocious age, he already knows that he wants to become a veterinarian. Eventually, he opens up his own clinic on Lafa II, the Beckett Veterinary Hospital.

While in the Mirror Universe, there is no love for animals, so Joss instead channels his considerable talents into playing mirror baseball. This is one way that he can keep from having to become a soldier and a killer.

Relationships

Jia Sulu

Joss’s only true relationship is with Jia, who he meets when they are very small children. They flirt in Saturn Rise, and go to their prom together in Consider the Lilies of the Field.

While in the mirror, because Jia is not there, Joss is alone. As the other children group and regroup, Joss remains on the sidelines. He does not try for Takara (even though she is a little bit interested) or Tripp‘s daughter, Betsy Tucker.

Theme Music

Joss’s Temper theme is the haunting Love Will Tear Us Apart, by Joy Division.

Mirror Universe

Portrait of a Character – Jeremiah Logan (Joss) Beckett

Jeremiah Logan playing baseball in the Mirror Universe

A mirror universe version of Joss is impossible. This is because he is a cross between a prime universe mother and a mirror universe father. However, he did spend time in the mirror.

Because Joss (and his siblings) had nearly no adult supervision, and he was the eldest, he took it upon himself to look out for everyone. This is only partly successful.

With Marie Patrice, she’s fairly well out of control, and he has little influence. The same is true of Tommy. With Declan, however, he is able to exert some influence. Then again, Dec is more or less being abused by the Empress‘s family. If Joss doesn’t watch out for Dec, sensitive Dec could easily become phaser fodder. Joss doesn’t want that.

Quote

“I am so not interested in her, not any more. She was – I mean, I’m a guy. I can’t help but to react to her, how she looks, what she wears and all.”

Upshot

I’ve enjoyed exploring several aspects of Joss’s life. He’ll be back.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Portrait, Times of the HG Wells series, 34 comments
01
Oct
2013

Portrait of a Character – Eleanor Crossman

Portrait of a Character – Eleanor Crossman

Eleanor Crossman serves one purpose really well.

Origins

During Together, I wanted to make Jenny Crossman and Frank Ramirez‘s first dance an occasion for people to feel some true melancholy.

As a result, Malcolm blows his nose to hide the fact that he’s weeping a bit, Lili much more openly cries and Pamela Hudson gives her Malcolm’s handkerchief, Travis and Tripp complain of headaches, Hoshi cries, and Deborah watches Jonathan from afar. Melissa is not there (she isn’t invited to the reception, so she’s with Norri). But what about Doug?

I wanted him (and Jonathan, before him), to be more or less pushed into dancing with the bride’s mother. Enter Eleanor Crossman.

Portrayal

Eleanor is portrayed by Barbara Rhoades.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Barbara Rhodes as Eleanor Crossman (image is for educational purposes only)

Barbara Rhodes as Eleanor Crossman (image is for educational purposes only)

I liked the idea of an actress who has done comedy (Rhoades was on Soap) and, believably, would call out, “Next victim!” when changing partners.

Personality

Pleasant and amusing, the widow Crossman likely manages the Crossman Pharmaceuticals fortune.

Mirror Universe

Portrait of a Character – Eleanor Crossman

Mirror Eleanor (Barbara Rhoades)

More of a floozy, this version of Eleanor is still running Crossman Pharma, but is more likely to be beholden to men.

I have never written her here, but since Jennifer exists (although her twin sister, Claire, might not), therefore, by definition, Eleanor must exist.

Quote

“Next victim!”

Upshot

Mainly a plot device, I think she does the job well. Will we see her again, or in the Mirror Universe? I don’t honestly know. However, if I ever write an early version of Jennifer Crossman’s life, then Eleanor can never be far behind (and neither can Claire, at least in the prime universe).

Finally, I have no idea about Mr. Crossman. Who the hell was he? And when did he die? Once again, these important questions have no answers!

Posted by jespah in Fan fiction, In Between Days series, Portrait, Times of the HG Wells series, 3 comments
25
Sep
2013

Character Sexuality/Relationship Mixes

Boldly Reading’s Blog Prompt #10 asks about character sexuality in Star Trek Fanfiction. And character sexuality can be a bit of a minefield. Here’s what it asks –

Your Questions, Should You Choose to Accept Them

  • There has been a dearth of even minor characters with, shall we say, less mainstream sexual preferences and relationships. Often, a character would behave in this fashion if in the Mirror universe, or under some sort of duress. How would you change that?
  • What would happen to canon characters if their preferences or their relationships were changed? Beyond the obvious choice of bed partners, how would known characters change?
  • Are there circumstances under which characters would behave differently but still within the fullest context of canon?
  • Have you created any original characters who follow less mainstream preference/relationship models? How do you get across their inner workings without continually announcing in every other paragraph something like, I’m gay! Now, let’s get a pizza. ?
  • Television programs and films naturally cater to worldwide audiences and have investors for which they need to show profits. That can hamper all forms of creativity, including the creation of less mainstream characters of any sort, and not just in the sexual arena (e. g. minorities, obese persons, persons with disabilities, etc.). Throw away the budget! How would you rewrite a canon episode or film to showcase a character (main or not) with a less-mainstream preference?

Bonus questions!

  • Have you read others’ non-mainstream characters? Which are your favorites? And which relationships are the most believable? Which scenarios, outside of relationships, are most believable for these characters?
  • Again, throwing away the budget, what would you do if you could make your own new Star Trek series from scratch, where at least one or two characters would be out of the mainstream? How would you handle showing the differences for HBO, or PBS, or ABC Family, if any of those networks deigned to carry your show?
  • Do you read slash (male-male relationships) or femme slash (female-female relationships), either on Ad Astra or elsewhere? Aside from PWP, how did the authors bring home ideas about their characters’ sexuality? Was it clichéd? Did it succeed? Was it hit or miss?

Bringing True IDIC to Canon

What happens when we alter canon characters?

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Nurse Chapel and a female crew member | Character Sexuality

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Nurse Chapel and a female crew member

Is it as simple as having, say, Nurse Chapel from The Original Series mooning over Uhura or another female crew member, rather than Spock?

Does the character lose anything? Does the storyline?

Do we, as the members of the audience (or the readers, as the case may be) lose sympathy for her if her object of affection is of the same sex as she?

Chapel and Spock

Chapel and Spock

And this scene, from Plato’s Stepchildren, would have a far different subtext.

Or flip it again. What if, in that episode, Parmen had the two kissing couples (Kirk and Uhura are the others, in what was one of the first interracial kisses broadcast on American television) switch partners in a few different ways?

When Chapel and Uhura are forced to kiss, or Kirk and Spock, how do we react as an audience? Do we cheer? Or does it repulse us? Do we shrug as if we’ve seen it all before? Do we react cynically, figuring this type of character sexuality is just a ploy to bring in more ratings?

I hope this sort of change would not elicit revulsion. And I certainly hope it would intelligently amp up the drama. Truthfully, if the episode were being aired today, it would likely be far more than kissing. Or at least such that would be the implication. It would be Platonian porn. And that porn would not have to be male-female.

IDIC Original Characters – Character Sexuality Matters

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Luke MacFarlane as Frank Todd (image is for educational purposes only) | Character Sexuality

Luke MacFarlane as Frank Todd (image is for educational purposes only)

I’ve enjoyed adding different character sexuality.

Diana Jones, Preece Ti, Leonora Digiorno and Leah Benson are all lesbians. Melissa Madden is bi. Preston Jennings, Dave Constantine, and Luke Donnelly are all gay men.

And then there’s Frank Todd.

Frank started off as a protest against various homophobic slurs I was seeing on Trek United several years ago. I wanted a tough but kind character, and so I wrote him into There’s Something About Hoshi and gave him a prominent role. He is so friendly to Hoshi, and so protective of her, that the Arisians even think they are a couple.

Boy, are they ever wrong.

Stability

Truth be told, Frank and Dave’s relationship in that story was far more stable and assured than Hoshi and Ted’s. Ted Stone comes across as kind of wimpy, and certainly shy and anything but an Alpha Male, worshiping Hoshi, more or less from afar.

Frank and Dave, in contrast, have an easygoing affection. Understated, yes, but they look at each other lovingly and there is a great deal of feeling behind Frank saying, “I’ll see you later.” The subtext should be – I can’t wait to see you later.

It was particularly satisfying to add more depth to them, in the E2 stories and also in Detached Curiosity and Idle Speculation and its sequel, The Way to a Man’s Heart. The latter is in the context of a celebration of Turing/Stonewall Week, meant to be a week in June devoted to gay rights and accomplishments.

I love this character so much that I am hunting around for more places to feature him. After all, Frank does more than date.

Favorite IDIC Characters from Others’ Works

Give it up for Andy in SLWalker’s One Minute!

What I like about Andy is that he’s a fully realized character. He has body parts that aren’t genitalia. He has a storyline that isn’t wholly about sex.

For Andy, who wants to reach the shadow, it only starts off as being about sex. It very quickly becomes more about human contact. Why is the shadow shunning it? What could possibly hurt that much? Is there any way for the shadow to be healed?

Throwing out the Budget: A New Show with IDIC

If I had full control over a Star Trek series, I would love to be able to add at least one or two IDIC characters, and not necessarily in the context of being a couple. Surely there is room for a character like Jake Sisko, or Chakotay or Chapel, who has a same-sex preference?

Or let’s go for broke.

Maybe that person is the captain.

HBO

For a channel which showed naked men before and more frequently than most others, this possible series can show a lot more flesh. I think the trick would be to keep it from being almost a bodice-ripper.

Excuse me, codpiece-ripper.

It might even be a struggle with the network suits to show exploration, and get the characters out of their bedrooms. I can see it working as almost a modern-day version of Hill Street Blues, a show that had rather gritty police realism but then, at the end, it was often an image of Furillo and Davenport in bed together. It was network television and it was the 1980s and so they were talking with a kiss or two and not much else. But they were still there.

Archer and Daniels in the deep future

Archer and Daniels in the deep future

I can see the time period for this series as possibly being in the deep future, much like Times of the HG Wells.

The extreme future could also allow for showing more interspecies relationships, including bedroom scenes and all sorts of character sexuality.

PBS

With this more factually-based network, I can see storylines becoming more documentary-like in look and feel. Because I love the earlier years of Trek, I can see it in a pre-ENT time period.

Lily Sloane and Zefram Cochrane in 2063

Lily Sloane and Zefram Cochrane in 2063

For a grittier time, maybe even pre-First Contact (e. g. before April of 2063), the Earth would be a post-nuclear horror. Bedroom time would be more urgent and a lot tougher to come by. People would be scratching out their survival. Hence a shaky camera-type realistic story line could work. And what could be more real than a team or a family or a crew or a group or a movement that wasn’t a monolith?

There is also no reason why some of the people involved in building the first warp ship couldn’t be gay, lesbian or intergender. Or trans.

ABC Family

With a far more restrictive network, it used to be that intimations of less-mainstream sexuality had to be a lot more metaphoric. And the same was more or less true of heterosexuality. While a kiss between a man and a woman could be perfectly acceptable, having them wake up in bed together in anything other than pajamas after a good night’s sleep was just plain not going to fly. For a gay or lesbian couple, even a kiss could have been going too far. Would so much as hand-holding be a problem?

Actually, no.

Setting the Pace

During the 2010 – 2011 season, GLAAD cited ABC Family as being one of the more inclusive networks, with the lesbian character, Emily, in Pretty Little Liars. Their praise for ABC Family continued into the 2012 season, in GLAAD’s Network Responsibility Index report. Even for a network with the word ‘family’ in its very name, times have changed. Hence all sorts of character sexuality are embraced and welcomed, and aren’t just cast as victims, self-loathing suicides or criminals.

Scheduled fun for students on Voyager

Scheduled fun for students on Voyager

For ABC Family, I feel that a Starfleet Academy scenario could work the best. This would provide storylines surrounding coming of age, and that can mean discovering and communicating to others about character sexuality.

This might work best in a post-Nemesis time period, where the technology could be bigger and brighter but not wholly unfamiliar and, if not set too deeply into the future, guest characters could believably interact with the new series’s characters.

Slash

Perhaps the hardest sell for a lot of people is slash, and the problem is that it is often misunderstood as to what slash truly is. In its original form, it was TOS-based, and it showed a sexual relationship between Kirk and Spock, essentially pulling their friendship to the extreme.

Slash takes tons of forms, e. g. m/m (two men), f/f (two women), chanslash (underage children), original slash (both characters are original ones), etc. It also does not, necessarily, contain overt sexual situations or behaviors (reverse slash). Then there’s also PWP (porn without plot; or plot, what plot?), which is pretty overt porn with little to recommend it beyond basic titillation.

While I have read slash, and I enjoy excitement as much as the next person, I’ve found straightforward PWP to get unintentionally amusing after a while. Hence I personally tend to stay away from it, but that’s for all forms of character sexuality that it may showcase. I kinda like plot with my sexy stories. But hey, that might just be me.

Plot and Ponn Farr

Contamination by Odon is a femmeslash story about Hoshi and T’Pol that brings together Pon Farr and bi-curiosity in a way that is safe for teens (the story is, to my mind properly, rated T) but gets across the characters’ sexuality immediately. Could this even work on a more conservative network?

Hoshi and T'Pol

Hoshi and T’Pol

I don’t see any reason why not. Hell, it’s actually a bit less sexy than what the UPN network was really showing when ENT was in first-run.

Upshot

Character sexuality is as much a part of a person as their eye color or their height, and it’s just as mutable, particularly after maturation. To create a ship or a series with absolutely no one with an alternative view is downright unrealistic. The percentage of out-and-out 100% homosexual persons is rather small, but the percentage of people who are bi, bi-curious and/or sympathetic to gay rights is considerably higher.

There is a lot of room under the umbrella called Star Trek, and fan fiction proves that anyway, by bringing poetry, different pairings, horror stories, alternative timelines, expanded universes, original characters, and extremely long story arcs which can work side by side with what happened on screen and in the officially sanctioned books.

To keep non-mainstream sexuality out of Star Trek is a misplaced notion.

IDIC for the win!

Posted by jespah in Boldly Reading, Fan fiction, Meta, 4 comments
19
Sep
2013

Original Characters and Settings

Original Characters and Settings

Original characters are a lot of fun.

So Boldly Reading asked, in Blog Prompt #9, about original characters and original settings.

  • What’s the best setting for an original character? Is it as a lone figure, thrust into a canon ship or situation? In a group of original characters but still in a canon ship, situation or series? Or as a stand-alone crew, group, political party or other agglomeration of individuals?
  • When do original characters and scenarios tip the scale from new spins on familiar works to out and out non-Trek? Is there a bright line between Star Trek and not-Star Trek?
  • How can original character love interests be integrated into a more canon scenario? What about original character leaders?

Plus

  • For canon characters who have very little back story or screen (or authorized book) time, what’s the tipping point between when canon converts into what is, for all intents and purposes, an original character?
  • Also, for representations of canon characters in fan fiction that are not well-portrayed (e. g. the author misses the mark and does not accurately represent the canon character’s language, ideals, vision, etc.), can the situation be salvaged by rewriting the story with an original character?
  • For original settings, what makes them unique? Can an original setting be so extraordinary that it, in a way, almost becomes a nonliving type of Mary Sue?

Bonus questions!

  • Who are some of your favorite original characters that you have created? Do you feel they fulfill their purposes?
  • What happens when you take a Mary Sue test?
  • What are some of your favorite original settings that you have created? Did they work?
  • Who else’s original characters do you enjoy reading the most, and why?
  • Are there others’ original settings that you like reading the most? What makes those original settings your favorites?

A Cast of Hundreds

When I last checked, I had created over 300 original characters to encompass various scenarios. These included figures from as far back as 1775 (including Benjamin Warren)

The Lone Original Character

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Yvonne Nelson as Susan Cheshire (image is for educational purposes only)

Yvonne Nelson as Susan Cheshire (image is for educational purposes only)

I’ve found that I rarely do this, as I love making original characters so much that I just can’t resist tossing in several as points and then counterpoints and then even more.

A Hazy Shade is one example of, truly, there only being one original character. In that story, the sole original character is Jonathan Archer‘s wife, a Calafan named Miva. Other single-OC stories include Atlas, with its very brief glimpse of Susan Cheshire, and Penicillin, which is an interplay between canon character Jay Hayes and Lili O’Day. For all of those stories, they are short and the OC (except for in Atlas) acts as a sounding board and a counter to the canon character.

A Small Bouquet of Original Characters

Perhaps the best example of this is in The Light, where Jewish crew members get together to remember a lost life and to celebrate Chanukah. Because none of the canon ENT characters are known to be Jewish, the story would have rung hollow if I had tried to shoehorn someone in, such as deciding that Hoshi Sato is suddenly Jewish. While that is not an impossible situation, it was unlikely. Further, I wanted the Jewish characters to be young people, more or less fresh out of school. Hoshi would not fit into that fairly limited scenario.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Seth Green as Josh Rosen (image is for educational purposes only) | Original Characters

Seth Green as Josh Rosen (image is for educational purposes only)

Therefore, The Light centers around Ethan Shapiro, Karin Bernstein, Andrew Miller and Josh Rosen, with a quick appearance by Muslim crew member Azar Hamidi. The seven main canon characters all make appearances, though.

A Larger Bevy of Original Characters

In order to best accommodate the E2 scenario, I needed to fill the NX-01 with people. This meant making sure that all of the women were accounted for, along with a lot of the men. People would flit in and out as the story line is somewhat episodic and the chapters can often read like vignettes.

I could use several characters I had already created, such as Deborah Haddon.  And that not only saved me ramp-up time but also dovetailed rather nicely into my preexisting fanfiction. After all, if I said that Deborah was on the ship in 2157, in Reversal, then it made sense for her to have also been on the ship in 2154, when the ship was kicked back in time, in Reflections Down a Corridor and Everybody Knows This is Nowhere.

Message Characters

I also made characters to make specific points, such as Mara Brodsky and Robert Slater, as I wanted someone to be cuckolded. When Slater was cuckolded by a canon character, Walter Woods, that worked well with marrying canon and original characters – and eventually quite literally marrying them. Original characters were also created in order to fulfill certain roles on the ship, as Communications would have to be handled on second shift and night shift. Maryam Haroun and Chip Masterson, respectively, fulfilled those roles.

Lone or Few Canon Characters

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Henry Rollins as Boris Yarin, MD (image is for educational purposes only)

Henry Rollins as Boris Yarin, MD (image is for educational purposes only)

The best example of this is in the HG Wells stories. As Temper makes clear, the sole canon character is Richard Daniels. Richard needs a support team, which includes people like Boris Yarin and Crystal Sherwood. By giving Rick occasional missions to the NX-01 or elsewhere in canon, and having him eventually need to confer with ancestor Malcolm Reed, I was able to provide more canon credibility to these stories.

In the upcoming Barnstorming series, the few main canon characters are Martin Madden and Wesley Crusher, but the crew of the Enterprise-E is seen, as Madden lives and works there. Keeping a few canon characters on hand, I feel, can make a story a lot more Trek.

Canon Characters Begone!

Barking up the muse tree | jespah | Janet Gershen-Siegel | The truth about Bron | Original Characters

The truth about Bron

The Eriecho series is 100% fanfiction characters, and it will likely stay that way, as are Gina Nolan‘s universe and the Bron-Sophra-Skrol-Tr’Dorna group. Even without canon characters, the situations or the history or the species can bring back the Trek part.

For example, Eriecho’s story arises from the events in the JJ Abrams timeline. Whereas Gina’s world comes from the Dominion War. Bron and Skrol are Gorn, Tr’Dorna is a Xindi Reptilian and Sophra is a Cardassian. These three canon species bring that story line squarely into Trek, I feel.

Full Originality

Will I ever write a story with 100% original characters, 100% original species and completely outside of any sort of canon scenarios? At that point, I feel it starts to tip perilously close to not-Trek. But there are a ton of canon scenarios, and those can include very non-canon people being off their ships. After all, characters are born, have relationships and possibly marriages, have families, have jobs and retirements, and they also die. Just because a kiss between a Gorn and a Cardassian has not been shown on screen – or between two completely original species, such as a Calafan and a Daranaean – does not mean it’s wholly not-Trek.

But I do recognize that it can be a far harder sell to the reader. For such a scenario, the reader, I feel, should read earlier work in preparation. That can bring these original species into the Trek-like fold.

Adding Original Details to Canon Characters

In many ways, this is the very purpose of fan fiction. It is to fill in the blanks where canon left off. Or a show was subject to cancellation too soon, etc. The three canon characters I have done this the most with have been Malcolm Reed, Jay Hayes and Richard Daniels. Have I done well by them? I like to think so, but it’s hard to say (and it is particularly difficult as all come from ENT).

Malcolm Reed

During ENT, this character was the tantalizing fourth or fifth of seven. He was sometimes the sixth, but rarely in the top three and virtually never first. This is when it came to storyline development, writer affection or plot twists. Even when the storyline centered around Malcolm, he never seemed to get his due.

Fan fiction has allowed me to give him a wife and a child, and it has allowed me to give him quirks like lactose intolerance and personal interests like crossword puzzles. Stay tuned, as there is a lot more Malcolm to come!

Jay Hayes

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Steven Culp as Major Hayes

Steven Culp as Major Hayes

For a character seen in five episodes and who only had a first initial, I have given him ex-girlfriends, an earlier posting on Titania, and an alternate timeline wife and two children. Along the way, Jay also got a love of blueberries and was also not too adventurous in his diet, never having tried either figs or parsnips until prompted to do so.

Will there be more Jay? I adore this character and so I’ll find a way, but right now I don’t have anything specific planned.

Richard Daniels

For a character with no first name, he’s gotten a reputation as a ladies’ man, a pair of somewhat more serious ex-girlfriends, and a great love. His off-hand canon statement of being mostly human led to not only working out how he was put together, but it also led to a thought experiment about unlikely hybrids, resulting in characters like Boris Yarin and Kevin O’Connor.

Richard flits in and out of my fiction and he may or may not turn up again. Because of Multiverse II, I’ve seen more interest in the HG Wells universe, so it’s very possible that he and his group will get new adventures, much like Another Piece of the Action.

Original Settings

From the start of In Between Days, I decided humans would have, even by 2151, colonized all available surfaces within the Solar System. This means the planet Mars but also a ton of moons, such as Titan, Titania and Ganymede. To give these locations some spice, I decided on some set characteristics. For example Titaniais a Southerner’s paradise. Plus Martian cities are all named after metals.

The E2 stories allowed for more original settings, including writing Phnom Penh during the Third World War and three new planets, Paradise, Amity and Speakeasy. In order to give the latter three believability, they got certain problems. Paradise is often too hot, and there are no natural pollinators. Amity has poisonous malostrea. And Speakeasy isn’t supposed to exist at all, and is only dimly lit.

Favorites and Mary Sues

Of course I love Lili O’Day, and I strive to keep her out of Mary Sue territory. She burns things. And she often avoids people. She gets jumpy and nervous and it is not necessarily endearing.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Naomi Watts as Lili O'Day (image is for educational purposes)

Naomi Watts as Lili O’Day (image is for educational purposes)

In Everybody Knows This is Nowhere, she is particularly unfair to José Torres. She does, at times, fail the Mary Sue test, I admit. But I believe that her overall arc comes down rather favorably on the believable end of things. She does have a lot of adventures. Plus I do spend a lot of time on her. But that’s also because I love the character so much.

The Raw Deal Characters

Pamela Hudson, another favorite, more or less stays out of Mary Sue territory due to her often sour disposition and her many screw-ups in life. Things turn out for the best for her, but she has a tougher row to hoe than Lili does.

Eriecho stays out of the world of Mary Sue due to her poor upbringing and her violent past. I’ve barely scratched her surface; time in Canamar is not fun. As I unwrap more layers of this character, I think she will leave Mary Sue far, far behind.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Edward Norton as Levi Cavendish (image is for educational purposes only) | Original Characters

Edward Norton as Levi Cavendish (image is for educational purposes only)

Levi Cavendish stays well away from Mary Sue, even though he’s a genius, because he’s so damned messed up.

Otra D’Angelo has her own weaknesses, even though she has what is essentially a psionic-style gift for seeing temporal alternatives. But it gets her a pretty raw deal with the enemy.

People often call canon character Wesley Crusher a Mary Sue. A lot of people love to hate this character. I’ve done my best to try to rehabilitate him, particularly in Crackerjack.

Love for Others’ Babies

Captain Sarine‘s Kalara is perhaps the best-realized female Klingon I have either seen or read. I’ve also enjoyed the interplay of thebluesman‘s Captain Dylan and Dr. West. Miranda Fave‘s wacky Tabatha (don’t call me Tabby!) Chase and her crew get things done with few stuffy conventions and a lot of flair. And Mistral‘s Shand feels very much like a real alien person. Enough like us to be someone we could work with, but enough unlike to keep us a bit … unsettled.

In the scenery department, kes7‘s Tesseract universe puts together a crazy-advanced ship with the right kinds of off-kilter people who can make it run. And trekfan‘s overall Hank and Bethany mythos brings those two original characters from home to the Pearl to marriage and domesticity, and eventually to Hank’s end.

Upshot

I cannot imagine fan fiction without original characters. Plus I confess it often dismays me when people do not try to write them. Even poorly realized Mary Sue are, at least to me, an attempt to go outside oneself. They mean people are stretching those creative muscles. For me, original characters and scenes, I feel, take it all to the next level.

Damn, I’m gonna go out and make myself some more characters!

‘Cause 300+ just aren’t enough.

Posted by jespah in Boldly Reading, Meta, 3 comments
17
Sep
2013

Portrait of a Character – Levi Cavendish

Portrait of a Character – Levi Cavendish

Levi Cavendish has a wacky history.

Origins

Before I began writing Star Trek fan fiction, I had a time travel series in a kind of embryonic state. The inventor of the technology, who would be the director and also a bit of a difficult person, but also the lover to Otra D’Angelo, was to have the name Levi Cavendish. But then I started writing Trek fan fiction, and Levi turned out quite differently. I like him a lot better these days. He’s really gotten a lot more character development in Multiverse II, including becoming temporally paradoxical, and vanishing from existence.

He is also, along with Otra, the developer of Otric Theory. Levi named it after her, an act that he does not recognize was out of affection. But at least Otra knows.

Portrayal

Levi is played by Edward Norton. I particularly love him from the Fight Club era.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Edward Norton as Levi Cavendish (image is for educational purposes only)

Edward Norton as Levi Cavendish (image is for educational purposes only)

He just looks as itchy and twitchy as I think of Levi.

An actor playing Levi has got to be someone who is smart and creative. However, ultimately, he must also be hamstrung by a bunch of different tics, quirks and downright disabilities. I believe Norton can really do that.

Levi’s got major issues.

Personality

Portrait of a Character – Levi Cavendish

Yes, Levi is this weird (Edward Norton)

Squirrely, nervous and suffering from a number of personality disorders, Levi is a misunderstood and underestimated genius. Nobody seems to get him, except for Otra D’Angelo. And even she doesn’t always.

His home is decorated in stills from the Twilight Zone and other bits of classic science fiction memorabilia. His wardrobe is mainly uniforms for the Temporal Integrity Commission, or functional things. Beauty, aesthetics, and form don’t really hold much meaning for him, except as they serve function.

With Adult ADHD, high-level autism, hyperactivity, occasional stuttering and an inability to look most people in the eye, it’s a wonder that Levi can get anything done at all. He has a wacky fundamentalist mother who changes her religion as often as many people change their socks. Plus there’s a father who abandoned the family years ago. And he now has a court order to spend time with Levi (and can’t wait until Levi’s thirtieth birthday, to be freed of his obligations), it’s a wonder that Levi is even on the same planet as sanity.

Relationships

Otra D’Angelo

Levi is odd enough that he knows that he will do lots of things for Otra. However, he does not truly comprehend that his actions are out of love. Even in his dreams, when he can get the girl, his romantic line to her is, “My foot hurts.”

So yeah, he’s pretty messed up.

Theme Music

Levi’s crazy antics spell sped-up rap-type patter to me.

But this one really speaks to me about Levi, from the fast talking to the weird-looking lead singer to the hard to hear Spanish chatter, Wall of Voodoo – Mexican Radio.

Mirror Universe

Portrait of a Character – Levi Cavendish

Mirror Levi (Edward Norton)

There’s no reason why Levi can’t have a Mirror Universe counterpart. However, it’s likely that someone as messed up as all that would not survive for very long on the other side of the pond.

Hence, I can see a Mirror Levi as not being autistic or hyperactive at all, or not for long, if he was ever to have a prayer of surviving past about his tenth birthday. Instead, his genius would be ruthless. Plus he would be cruelly efficient and perhaps even sadistic. He would probably be an extremely scary individual.

Quote

“Can’t hear chatter on the comm anymore. Throw the pies at the Chilo, Maren. Please.”

Upshot

This character was not truly, fully realized until Multiverse II. But now he’s a much better and more deeply three-dimensional character than ever before. I like him, no matter how much he might annoy or at least baffle the other characters.

Posted by jespah in Fan fiction, Portrait, Times of the HG Wells series, 15 comments