For the Interphases Star Trek: EnterpriseConcord story, I needed a wise servant, a former slave. This would be someone for Charlotte to bounce her ideas off. He was also a practical requirement, as she could not possibly run the farm herself. Hence Benjamin was born.
Benjamin is portrayed by Morgan Freeman. He brings, to me, the right mixture of seriousness, humor and intelligence. Benjamin is a former slave but he is no fool.
Beyond the fact that I enjoy this actor (in particular, his speaking voice), I also love the gravitas he seems to bring to every role.
For Charlotte Hayes, he is her rock and her strength during the Revolutionary War, as her husband, Jacob, has gone off to fight. Without Benjamin – who is far closer to a cherished friend than a servant – the farm would fall apart in Jacob’s absence. She has no children to help her, so she is very reliant on Benjamin and his family.
Benjamin is a former slave but it’s unclear just how or why he was freed. The strong implication is that, when Jacob’s parents and sister died of scarlet fever, he may have been freed. Or perhaps he was freed when Charlotte and Jacob wed. Or the Hayes family weren’t slave owners at all, and he had been freed before his association with them. It’s unclear and it is not, as of the writing of this blog post, likely that the confusion will ever be fully cleared up.
Benjamin is married to another servant, Dorcas. Dorcas is a name that is appropriate to the time period. A Dorcas Dunlap is buried in Chester, New Hampshire and her husband, Lieutenant James Dunlap, died in 1803.
This is in keeping with the time period. There is no intention that Dorcas Warren be also Dorcas Dunlap (with, perhaps, a second husband). Rather, this is to illustrate the commonality of this old-style name.
Benjamin and Dorcas initially got together as they both survived the scarlet fever which took all of the Hayes family except for Jacob, who was away at Harvard at the time. Charlotte was also spared then. Benjamin and Dorcas have a grown son at the time of the events depicted in Concord, named Jim. Since Charlotte does not ask about any other children when they are taking tea, it’s clear that Jim is an only child, and likely is not yet married.
“But you heard, Mister Reed. What I don’t get, is that even before I mentioned them to you, they were, I know they are – they are very real. And not just today, but for years! Sir, my wife and me, we’ve been together for over two decades. That was the case even before you showed up.”
Benjamin’s intelligence and patience help Charlotte to survive. Jacob knows that he can go to war with one less thing to worry about with Benjamin around.
Eleanor Daniels gives canon character Crewman Daniels a heart.
Richard Daniels didn’t necessarily need to have too much of a contemporary extended family. But I did need someone who could be a bit of an expository mouthpiece. By making his sister, Eleanor, the docent at the Temporal Museum on Lafa II, she can convincingly explain both history and what happened in between, all while pushing the story line along painlessly.
For Eleanor’s portrayal, I chose English actress Cate Blanchett. I love her intelligence, elegance, and versatility.
Elegant, refined and intelligent, Eleanor is also incredibly lonely at the beginning of the HG Wells stories and, most likely, during Temper as well, which is something of a prequel to that series and serves as one of the bridges from In Between Days.
In Temper, one of the things I did early on was establish her expertise about both our universe and the mirror, and about the Calafans as well. It isn’t until much later in that story that it’s revealed that she wears the Cuff of Lo, which had been worn by Declan and Malcolm Reed long before her, and by Lili O’Day before them and then Yipran before her.
After Temper, Eleanor takes a bit of a break and does not show up again until A Long, Long Time Ago(the prequel for that story is A Lesson). By the time of Ohio, it’s established that she is hoping for a relationship.
Like Richard, a Mirror Universe version of her is impossible.
They meet during Ohio, when the Human Unit at the Temporal Integrity Commission goes out for drinks after work at a dance club called The X Factor. Richard has invited Eleanor along at the insistence of his parents (they mention that they hope she can meet someone, perhaps a friend of his, during A Long, Long Time Ago). While HD Avery is very, very interested, it’s Tom Grant who grabs Eleanor’s attention. They chat and hit it off, and exchange information. But she waits for him to contact her first, as she’s weary of being the instigator.
But things start off a little bumpy between them. In You Mixed-Up Siciliano, Tom asks her out and she accepts, but that’s while the timeline is still wrong. Once team restores the line, his next call confuses her. Terrified that’s she’s forgotten him, and he’s completely blown it, Tom backs off.
A Second Chance
But during Spring Thaw, she gives him another chance, and lets him know that the restoration and resetting of timelines means that there are, more or less, infinite chances to get things right.
When Where the Wind Comes Sweepin’ Down the Plain ends, Tom is distraught over what he’s had to restore and, even though he had planned it for a more beautiful moment, he blurts out that he loves her. For two somewhat controlled characters, Tom’s confession is a much more natural way for him to behave. Eleanor can bring this out of him.
In The Point is Probably Moot, the breach in the timeline briefly wipes Eleanor from existence and Tom, of course, is again distraught. He frets that somehow she knows, and is afraid and alone. In Shake Your Body, Eleanor locates a major clue at the Museum, and Rick brings Tom along to investigate.
In part, Rick’s gift is for this assistance. But it’s also because Rick knows that he and Tom will be kept in more. Hence he generously gives them a chance to see each other before the forced separation. Tom tells her that, once they restore the line, he never wants to leave her again. And that it means what she probably thinks it does, an echo of Doug telling Lili that he was committed to her. Essentially, he has proposed to her. Eleanor also has given Tom the Cuff of Lo by now, a symbol of their commitment. As she puts it, she’s supposed to give it to her true love, an echo of Lili giving it to Malcolm.
By the time of He Stays a Stranger, the timeline is so damaged that Eleanor is marrying Troy Scott. Rick runs in, in order to try to stop the wedding. Rick receives protection from a temporal force field, so he is still intact but not known to the regular populace. Otherwise, since Rick is considered wiped from existence, their parents and Eleanor do not recognize him. As a result he is thrown out of the church.
“There are, we believe, an infinite number of universes. What is most intriguing about the mirror is how very close it is to our own. We have a kinship with the mirror that we simply don’t have with any of the others.”
I originally intended this character to mainly be a plot device. However, she has worked overtime – in particular with Tom Grant. And she also works well as a continuing thread in the HG Wells stories, helping to give them more coherence. I like how she turned out.
My thanks again to Joshawott of the Star Trek Photo Manipulation Archive for his terrific photomanipulation of Cate Blanchett.
Originally, I was looking for an evil Mirror Universe doctor, to be Phlox‘s successor. But then I decided to give the man a Prime Universe counterpart, and he got, to me, even more interesting, as the dichotomy grew between the two versions.
I see and hear Michael Caine for this role. I like his gravitas, his gentle-sounding voice and the fact that he can also, at times, seem to be utterly evil. Morgan in our universe is kindly, highly skilled, meticulous, thoughtful and somewhat grandfatherly.
He is far different in the mirror.
A healer, Cyril Morgan brings intelligence but also shrewdness. In our universe, he is a retired orthopedic surgeon (Fortune). But he comes out of retirement and is brought in as a fill-in doctor on Jonathan Archer‘s second ship, the USS Zefram Cochrane, as Phlox has returned to Denobula (We Meet Again). He retires again, afterwards, and Blair Claymore becomes the CMO on the USS Bluebird (Fortune).
In an alternate timeline, he is brought out of retirement a lot longer, and serves as Malcolm‘s CMO, again on the Bluebird, but in a lost cause (Temper).
I haven’t shown any romantic relationships for him yet, but he’s Pamela Hudson‘s uncle, and is Cindy Morgan’s grandfather. Hence he at least has one son.
The Mirror Doctor Morgan fulfills the promise of the Mirror Phlox. Ruthless and ambitious, he has no qualms about getting rid of anyone in his way.
And in Reversal (and in other stories), it’s rumored that he was the one to kill Ian Reed, although that’s somewhat unclear (it’s possible that it was Phlox. It is cleared up in Throwing Rocks at Looking Glass Houses). This is part of the chain of events that makes Doug Hayes‘s rise possible.
In Temper, he ends up caring for Blair, and the implication is that it might be for a reason other than medical treatment.
“This is my granddaughter, Cindy Morgan. And this is her friend, Jia Sulu. Oh, and this is Fenway.”
For a guy who started out as a vile denizen of the Mirror Universe, he got a bit of a soul as I went along. The kindly old grandfather here is a ruthless killer over there.
This Star Trek: Enterprise canon character is a MACO, seen in the third season only. She was mentioned in the canon E2 episode as having become Travis Mayweather‘s wife. Major Jay Hayes also mentioned her on his deathbed, and asked that she be placed in charge of the MACOs. She held a Corporal‘s rank. She only has a first initial in canon; I have named her Julie.
As in the show, she is played by actress Julia Rose.
There was virtually nothing on her in canon, so I have had to fill in the blanks. She’s mainly enthusiastic about the mission. In the E2 stories I am writing, she and Travis begin their romance with fun, although it quickly turns serious. While she is an eager mother, she is also career-driven and goes back to working full-time in the MACOs after their son, Paul, is born.
In Shell Shock, she is expecting a promotion and is disappointed, but rises to the occasion when asked to help out. The possibility of conflict with Hayes’s replacement, Strong Bear Dawson, is deflected when she realizes that her fellow crew members need her.
The only relationship I have for her is with Travis. With Travis, things are fun but also playfully affectionate. They enjoy each other’s company a great deal.
So far, I have not written a Mirror Universe counterpart for her.
“Our people are pouring off the ship, and they’re scattering. They want to see their families while we’re here, that sort of thing. I can’t make anyone – not even my MACOs – stay in San Francisco without pulling rank. Some of them are probably gone already and can only be brought back by communicator.”
A mostly quiet character, Julie probably needs more depth than I have given her so far.
The character is, of course, Star Trek canon. In canon, Archer is the first captain of a Warp Five star ship, the NX-01 Enterprise. He gets the nod over his friend, A. G. Robinson (they are both test pilots).
He becomes, eventually, a Federation Representative and then President of the Federation. He also becomes an Admiral. Some of the order of these events is a bit unclear. And that’s canon.
Affable, intelligent and eager to get out there, Archer is in for a surprise when he meets any number of new species who are less than happy about meeting him, eating meat, smelling his dog, shaking his hand, eating in front of him, letting him walk on their grass or do any number of what we would consider to be easy and nonconfrontational acts. It’s not easy being first.
By the time of the Xindi War, Jonathan is obsessed with finding the Xindi ultimate weapon. He is as tense as anyone was in the United States a few months after 9/11. He’s been charged with a serious mission, and needs to see it through. And that means torture, piracy and other ruthless tactics. It’s not easy to lose one’s innocence, either.
When the serious concludes, he has been through a great deal, including the death of a close friend. Space has changed him but, ultimately, he has grown as a person.
As I write him, I add a second ship assignment, the USS Zefram Cochrane (DC-1500), in Fortune. The Cochrane is better-equipped than the Enterprise and can hold more people. It has more advanced weaponry but it isn’t any faster. Because Tripp is gone, and T’Pol has returned to Vulcan, Jonathan selects Malcolm to be his First Officer. Malcolm is on paternity leave when Archer asks him to come along. Therefore, Hoshi fills in temporarily. Travis continues as pilot. Phlox has also departed, returning to his home world. Hence the role of Chief Medical Officer is filled by Blair Claymore. The Science Officer position goes to Ensign Lucy Stone.
In Equinox, Malcolm reveals that Jonathan is elected as a Representative and the Cochrane instead falls to Malcolm. Jonathan’s tenure as a Representative is also shown in Flight of the Bluebird, and his later career and years are in Bread and A Hazy Shade. Being an eligible bachelor means the tabloid press is also very interested.
During the events of Together, Jonathan is paired up with Security Crewman Deb Haddon. The relationship is unequal, as he ranks so much higher than she does. Complicating matters is the fact that she has a crush on him.
Her crush is also revealed during the alternative timeline story, The Black Widow.
By the time of Fortune, he realizes that he misses, if not her (she is already married to Chip Masterson by that time), then he at least misses the idea of having someone in his life.
In Fortune, they meet. They initially cannot get married because she is wed to another. But that doesn’t stop a relationship from developing, for Miva has as open a marriage as all Calafans do. For Jonathan, though, things are more complicated and difficult. He feels he can be with her during dreams, but not in reality until she becomes available. They are still unwed as of the events depicted in Flight of the Bluebird. She is eventually widowed, and they wed about a year after that.
Their marriage is a long-term one, shown in A Hazy Shade. I currently have an even later portrait of their marriage on the drawing board. That story is tentatively entitled These Are the Destinations.
A I write the E2 stories, there are actually two kick backs in time. In the first one, Jonathan takes up with an Ikaaran woman named Ebrona. He loves her very deeply, but her life is cut short, due to a genetic disease that the Ikaarans call the decline. Together, they have a son, Henry. Jonathan’s feelings for Ebrona are depicted in If I Could Do it All Over Again.
While this is a canon E2 relationship, she is never seen, and neither are any full-blooded Ikaarans. Therefore, I have had to conjecture about her looks and their relationship. As with Ebrona, the feelings are very deep. However, by the time he weds Esilia, a treatment is found for the decline. Hence Jonathan is not widowed as early as before. In addition, during the second kick back in time, Jonathan learns that Ebrona kept some things from him. He doesn’t have those issues with Esilia.
Jonathan’s mirror universe counterpart is canon, and his death, at the hands of Hoshi, is also canon. I don’t mess with that. Hence, at the time of Reversal, the mirror universe Archer is long dead, and Doug and Tripp do not have to deal with him. Since he was poisoned by Hoshi, it’s entirely possible that that was via tricoulamine.
As of the writing of this blog post, I do not have many mirror universe Reversal prequels in mind. But that may change, as I may be writing more of a back story for Ian Reed. Hence Jonathan might get some air time.
“Smile just a tiny bit. It’s been a helluva day. I just want to see a little something good.”
Handsome and heroic, Jonathan is a quintessential leader. But he’s also torn and doubtful at times, and is far from perfect. I hope the way I write him dovetails sufficiently with canon.
I needed a character who would be a bit of a galoot. He would be super-tall, almost seven feet. He would be balding at an early age. In short, he would not be one of the super-beautiful people we often see on television, and not just on Star Trek. Enter José Torres.
Although he isn’t tall enough, I like the idea of Ian Gomez for this role.
I wanted someone who would not be traditionally good-looking. Oftentimes, it seems that star ships (and fanfiction stories) are larded up with an enormous number of ultra-beautiful people. Well, real life just isn’t like that. And I think that Star Trek does a bit of a disservice to its fan base (although they do try to, when appropriate, include people with different abilities). The future is not going to be chock full of 100% gorgeous folks! Someone is going to look different.
A little clumsy, but with a big heart, I wanted José to, at times, be the nice guy who finishes last. But not always, for women who peer beyond looks will see him for what he is – a kind, thoughtful and gentle soul. As an engineer, he is also an inventor and an improviser. In the E2 stories, he creates an ultrasound machine for Doctor Phlox, making it possible to tell fetal gender without having to subject women in high-risk pregnancies – such as Lili O’Day and Meredith Porter Ryan – to amniocentesis needles.
It’s really not fair to call this hookup a relationship. Instead, after the wedding in Together, he notices Pamela and makes his move. It’s entirely possible that, in the prime timeline, he loses his virginity to her. I haven’t decided yet.
At the end of Fortune, he asks Hoshi out, to Movie Night (Casablanca is playing). It’s unclear whether it goes very far. Rather, the purpose of the acceptance of the date is for Tripp Tucker to overhear it.
In the third E2 story, he marries the youngest of the Ikaaran women. It is unclear what her function is on Ebrona’s ship or what the marriage is like, but her premature death is heartbreaking to José.
In Together, Lili first reveals that, during the canon E2 episode, they wed and had a daughter, Maria Elena, named after Lili’s mother, Marie Helêne Ducasse O’Day. The savvy reader should wonder – why wasn’t Lili with Malcolm or Jay?
But there are reasons for that. And so she takes up with José, who she doesn’t treat, initially, as fairly as she should. In her own defense, though, it should be noted that Lili is bereft and is dealing with an enormous number of changes in her life. But José, while he isn’t flashy, is a rock for her. And while she is settling, he feels that he is not.
In the prime timeline, at the end of Fortune, he asks her out. He also asks her out during the third E2 book, but loses out to Sekar Khan.
José in the mirror universe is a very different animal – and animal is a good word to describe him. In Temper, Empress Hoshi reveals that, in the initial alternate timeline, he was the leader of the first wave of the invasion from the mirror universe into ours. As a result, she rewards him handsomely. First, he is promoted to Ensign. Then, she gives him three playmates – the mirror versions of Karin Bernstein, Blair Claymore, and Pamela Hudson.
By the time the Doug and Lili mission begins, José has gotten a bit tired of his three trained seals and is looking for younger women. But Karin, Blair, and Pamela are still on rather tight leashes. With his death (due to the Empress’s arrogance and his own incompetence), they are freed.
In the second alternate timeline, and then in the prime timeline, he is unsuccessful in his efforts and, as a result, the three women are never bonded to him.
“Are you, um, going to Movie Night? Chip is showing Casablanca. It’s supposed to be really good.”
Most of the engineers I have known has not been like Tripp Tucker. They’ve been like José. Shy, quiet and inventive. Nothing flashy, but very solid and dependable.
Susan was originally just an ex-girlfriend of Doug‘s. She was meant to be mentioned quickly and then set aside. But she became even more interesting as I wrote more of Reversal.
Susan is played by former Miss Ghana, Yvonne Nelson. Beautiful, intelligent and a little naughty, I feel Ms. Nelson evokes that wonderfully well. She is someone who a lot of guys would lament as being “the one that got away”.
A school teacher, Susan is playful and even rather sexually liberated, according to Jay in the E2 stories and Doug in Together. But all is not right, for in both universes she depends upon synthbeer to get through her days. She has blackouts and, before meeting Lili, it is Doug’s greatest fear and challenge to deal with that. He ends up walking away. Jay, too, cannot take her alcoholism. His departure causes guilt that eats at him at the start of the E2 stories.
With Doug, in the Mirror, Susan is a stabilizing influence, at least to start. They meet on Titania, and are together for a few months. But then she begins to experience blackouts. This causes Doug to panic, and he leaves.
But she remembers him, and refers to him as “Soldier Boy”, years later, during the first alternate timeline in Temper.
By the time of Fortune, Doug recognizes that she needed treatment and sympathy, and he feels badly for not doing that for her when he had the chance.
In our universe, a similar situation plays out with Jay. In the E2 stories, he reveals a sexually adventurous side of Susan that I never explore elsewhere.
But he, too, was blindsided by her alcoholism, and unable to cope. Just like Doug, he leaves abruptly. And just like Doug, he is consumed by guilt over that, but more so. Doug is able to get past it and be with Lili. But it takes a lot more for Jay to get past things and, in the prime time period (aligning with canon), he barely does so and, by then, it’s a bit too late.
In both universes, Susan eventually ends up with, and marries, Aidan. For Susan, in our universe, she gets acceptance from someone who can handle her episodes and, perhaps, help her to heal.
In the mirror, Aidan protects her, and they team up well, to parent his son with Empress Hoshi, Kira. With Aidan, her life improves dramatically in both universes. With Aidan, it feels like she just might make it.
Susan exists in both universes, and is mainly defined by her relationships. In Temper, she is past her prime and the effects of years of alcoholism have taken their toll. But in later stories, such as He Stays a Stranger, she is in better control.
“I’m going to assume you don’t want me dead.”
This character seems to have all sorts of strikes against her. But she’s a survivor. And there is a reason why she was important to both Jay and Doug and, eventually, to Aidan.
This is a canon character, of course. Hoshi Sato (her name, literally, means “at home in the stars”) is the Communications Officer on the NX-01, with the rank of Ensign, which she retains throughout the entire run of the series. Also according to canon, she eventually rises to the rank of Lieutenant Commander (a rank that I, semi-incorrectly, use interchangeably with the rank of Lieutenant), and also marries a man named Takashi Kimura. In the canon E2 story, her two children are named Toru and Yoshiko. I go with those as being the names of her prime timeline children as well.
Hoshi is also, in canon, extremely intelligent (probably a linguistic genius) but, at least in the first two seasons in particular, is a bit insecure. She is the most likely to jump if the ship is attacked or bumped. She is also likely to doubt her own obvious abilities.
As in canon, this character is portrayed by actress Linda Park.
In addition to her canon quirks, I tend to write her as still being a bit more tentative, even after the Xindi War. In There’s Something About Hoshi, she is encouraged by the captain to stretch a bit. However, the reaction there proves to be far too much for her, and she balks a bit.
In Together, she reveals a playful and sexy side but, in the end, chooses career over romance, failing to realize that Tripp is truly passionate about her.
She’s also caring. As Malcolm‘s First Officer on the Bluebird, she’s comforting when he receives the news in Equinox. She also defiantly says she will take the fall if there’s any real flak from the diverting of the ship to Lafa II instead of heading straight to the Klingon Neutral Zone, as planned. However, her retirement is planned, at a young age, as she is seeing her children grow up without her, and fears she is missing out.
In the E2 scenario, she ends up, in both iterations, with the Quartermaster, Chandrasekar Khan. In canon, her husband is not named, so there is room to be creative in this area. Sekar is gentle and giving, but also keeps her from some of the worst of what’s out there. While he is no warrior, he intercepts problems and does his best to make her life easier.
Hoshi’s canon husband is never seen on screen. I have really only written them as long-term marrieds, and never at the start of their courting. That could potentially develop into a later project.
In There’s Something About Hoshi, she laments about having settled during the E2 situation. For her, Ted seems to be another form of settling, as she sees him as being almost, but not quite, romantic. It’s as if he keeps missing his marks. When she is injected with a compound intended to make her irresistible, he is one of the few men who does not bother her, and is the only one who is heterosexual. He explains that the compound didn’t seem to work on him, as he was already there.
They are forcibly paired up in Together, but they are the only couple who, truly, start off in a non-hostile manner. Instead, they vow to “make the most of it”. The dance – literally – between them moves from fooling around to, eventually, a declaration of love on Tripp’s part, which Hoshi does not reciprocate. Unknowingly and unintentionally, she breaks his heart in her efforts to stay on the ship and remain able to work with everyone, including him and, presumably, T’Pol, his ex. She is thoroughly unaware that he is still interested, even as they are heading into the time of the canon These Are the Voyages episode and, instead, agrees to a date with José Torres. However, she might have a little residual jealousy, as is depicted in Broken Seal. An anomaly hit briefly impairs her judgment, and she stages an elaborate prank against Commander Tucker – but it’s possible that some of that stems from Tucker’s attempt to reconcile with T’Pol, an attempt that, in keeping with canon, fails.
Because I write so much about the Empress Hoshi Sato, her mirror counterpart will be written about separately.
“Well, I suppose if I had a dinosaur, I’d sleep better, too.”
The quintessential young career woman, Hoshi, in some ways, was not taken far enough in the series, I feel. In part this is because this character lost screen time, in favor of Tucker and T’Pol. But there were ways that the character could have stretched more. I hope to get a chance to write some more about Hoshi, and stretch her in my own way.
Malcolm Reed is, by far, one of my all-time favorite Star Trek characters.
This character is, of course, Star Trek: Enterprise canon. The actor, Dominic Keating, is British (he’s from Leicester), but the character is from Malaysia. Repressed, uptight and a lover of big guns and even bigger explosions, Reed was rumored to be the first regular gay character. However, according to Keating, the rumors were Internet hype more than anything else, and homosexuality was never intended to be a part of the portrayal. This has not stopped a lot of fan fiction writers from giving him a slash angle. I do not. Instead, since all of his relationships and possible relationships are straight, I write him as completely heterosexual.
As in canon, Reed is played by actor Dominic Keating.
Canon states that Reed is repressed and shy around women. He’s also very competent at his job, possibly the most competent person behind T’Pol. Self-sacrificing to a fault, Reed is uncomfortable fraternizing with his captain, and feels that the relationship should remain at arm’s-length. Furthermore, Malcolm is afraid of water and is the ship’s chess champion.
So much for canon.
As I have written him, he also has a fondness for Scrabble and various word games and puzzles, enjoying competition but also working to improve his mind. He’s an avid reader (some of that reading is canon), and is particularly fond of Jane Eyre. Whether he sees himself as Rochester is yet to be determined.
A cautious lover and a natural pessimist, Malcolm is a bit afraid of rejection and has a bit of dysfunction at times. He keeps to himself, which tends to make relationships problematic at best. But when he meets someone and he likes her, he latches on rather quickly. However, at the beginning of much of my fanfiction (and in keeping with canon), he tends to fall for women who are either thoroughly inappropriate for him or are utterly unattainable, a fact that he acknowledges in Concord and Together, in particular.
As I write Malcolm, he has two major relationships which define him.
With Pamela, Malcolm feels he may be falling in love, but she pulls him back and tells him, no, you’re mistaken. He finds it freeing when he realizes that she’s right.
But Pamela also stretches his limits, and loosens him up. A part of that is due to her prowess and her proclivities. He finds himself enjoying a bit of naughty bedroom play, and participates in some, but not all of it. At the end of Intolerance they part, assuring each other that they will become, essentially, Friends with Benefits.
With Lili, the relationship is considerably stronger and more loving. Malcolm finds that he can be a lot freer with her than he has ever been with anyone before, even Pamela. He fulfills the destiny that was denied him in the original, canon E2 episode, and becomes a family man when Lili gives birth to Declan (Temper, Fortune). Initially, in Reversal, Lili is denied him, as she goes with Doug.
In later life, he and Lili marry, an event prepared for in Equinox and then shown in Fortune. Their later married life is briefly shown in The Rite.
Lili also pairs with him in the E2 stories I am currently writing. In one scenario, they have a daughter who they name Pamela Morgan. In another, in keeping with canon, they do not have children.
In Concord, Malcolm pines for Charlotte but never truly attempts to win her. Instead, seeing a picture of Lili after his encounter with Charlotte, Malcolm experiences an eerie sense of déja vu.
In Intolerance, it’s revealed that Malcolm is a gifted poet, so long as he has motivation. And Pamela provides that in spades. Malcolm’s medium of choice is Shakespearean sonnets. I have written him three for her, two for Declan (in Fortune) and one for Lili in the E2 stories. Here is my favorite, the second sonnet for Pamela –
A burning ember, burst to flame as kindred souls entwine and merge the knave, he could not be the same falling, ever falling over precipice and verge
Her face was fair, her mind was keen her body offered untold pleasure And yet her heart remained unseen — could the knave unlock this treasure? The Queen, she came down from above
She changed the knave, who did it all for love
Malcolm Reed has a canon counterpart, who I name Ian and kill off before Reversal. But Ian has a rather rich afterlife, particularly in Equinox and the E2 stories. I’ll cover him in a separate entry.
“It’s the stuff that makes up your life. You have allowed me to be a part of it. That’s almost as intimate as holding your body to mine, touching and kissing and looking at all of your, your secret places.”
For a canon character with a comparatively sketchy background, I’ve been happy to fill in the blanks. And I hear his voice better than any of the other canon characters, except perhaps for Jay Hayes. I could tell a thousand stories about Malcolm Reed. I feel I have merely scratched the surface.
Portrait of a Character – Charlotte Lilienne O’Day
Charlotte Lilienne O’Day is a fantastic creation.
Every author needs a character surrogate. I have a few – Sheilagh Bernstein, Eriecho, Gina Nolan, Ethan Shapiro, Seppa, and HD Avery come to mind. But none are as attuned to me, or as similar to me, as Charlotte Lilienne O’Day. Lili.
I was thinking about writing Reversal for a while before I started, and I needed a name for my heroine. So I decided on her full name for a few reasons. First, the name flows and is pretty. But – bringing her down to earth – her initials are CLO’D. Did her parents really mean to refer to her as a clod? Perhaps, but not in a negative manner. Lili reveals, in Fortune, that her mother was a potter, so perhaps the backhanded reference to clod refers to a moldable clod of earth.
I also liked the short name, Lili, as it’s casual yet feminine, but also feels more youthful than Lili really is. Lili started off, in Reversal, as being 48 years old, just like I was at the time.
It took me several months to come up with a real face for Lili, who I describe as having eyes that are the lightest blue – nearly white in appearance, although she is not blind – and hair that is straight and platinum blonde. Her body is a little chunky although not too much, with a decent albeit not a knockout figure. Her lower teeth are a little crooked. She is self-conscious about her belly.
After kicking around and, ultimately, rejecting the idea of the actress Jessica Tuck, I went with actress Naomi Watts.
Watts is lovely, to be sure, but is also fighting some signs of aging like parentheses lines around her mouth, much like Lili is. Her eyes aren’t light enough; contact lenses would have to fix that. But she also, to my mind, carries some emotional heft. I like it that she’s not an Angelina Jolie.
Personality and Background
Smart yet not overly so, Lili’s talent is in cooking. But she never would have known that if not for some seemingly unrelated events, plus sheer determination. At age nine, her parents die in a house fire at their home on Titan, in New France. Lili, at the time, was visiting her mother’s parents, the Ducasses.
This photograph is from a few weeks before. Lili describes it as one of her best and most enduring memories of her mother. Ironically, this picture first shows up in the Mirror Universe. Lili remembers the events leading up to the fire in her dreams, in the E2 stories, and then her subconscious supplies additional, unseen information, such as her father, Peter, shoving her mother to the floor and laying on top of her, one last act of protection.
Master of Fire
Initially afraid of fire, her maternal grandmother, Lilienne, makes her cook. Lili explains to Malcolm, in Together, that she was a difficult teenager, getting into minor trouble such as joyriding. She loses her virginity to her High School boyfriend, Paul Mayer – that act is also recalled in a dream. She is close to leading a dull life when she gets a chance to cook for the head of the Mars Culinary Institute. Lili makes lobster en croute, which is a kind of strained bisque in puff pastry. On the strength of that dish, she is admitted to the MCI and graduates. Her first job out of school is at the Tethys Tavern, where she not only cooks, but also tends bar on occasion.
Eventually, Lili becomes skilled enough, and is in enough demand, that she opens her own restaurant, Voracious, in San Mateo. She describes the restaurant during Reversal (again, this is a memory seen through the prism of dreaming). It also shows up in Voracious, where the NX-01‘s Chef, William Slocum, goes to dinner. He enjoys her Harvest Salad so much that he talks to her about joining up. The Xindi war is raging, and Lili remembers the attack.
The city is still in aftershock mode. Slocum brings in Archer (I have not written that part yet) and Lili sells Voracious and comes aboard the NX-01. Her first day is chronicled in Harvest. She has been hired to act as sous-chef, pastry chef and saucier. Her duties include making desserts and birthday cakes, such as is shown in Protocols, plus she cleans up quite a bit. It isn’t until the E2 stories that she gets any help.
Depending upon the story or the series, Lili experiences deep and abiding love, in a way that most of us can only dream of. While she has had boyfriends and lovers, at least twelve before the start of Reversal, she doesn’t really begin to have love until then.
Charlotte Lilienne meets Doug as a part of shared dreaming with the Mirror Universe, as is shown in Reversal. Her relationship with Doug is earthy and very physical, but she essentially tames him. When it comes time to exchange I love yous, they are both indirect. He tells her, “It would be really stupid if we were to fall in love.” And she replies, “It’s too late.”
With Doug, her life settles into a domestic routine quickly. In A Kind of Blue, she finds out she’s pregnant, and they quickly wed. Then in Pacing, andThe Gift, she receives a truly meaningful gift from Doug, meant to sustain her for their life together. InLocal Flavor andFriday Visit, their relationships with friends are shown.
Then in Together, their relationship is challenged, and it finally comes to an understanding in Temper and then in Fortune. Doug and Lili have two children, Jeremiah Logan (known as Joss) and Marie Patrice (often called Empy).
With Malcolm, Charlotte Lilienne is different. Their relationship is somewhat freer, but that’s at least partly because, not until much later in life, they don’t live together.
Their meeting in Harvest is meant to be a foreshadowing of things to come, as they shake hands for too long, he looks her squarely in the eye and she drops a teacup. Because they are not together (Malcolm is her other fellow in her open marriage with Doug; Melissa Madden is Doug’s side girl in that same arrangement), there are a lot of good-byes and hellos.
So the homecoming in Temper is meant to be particularly sweet, and their time together at a hotel for a few days after that is meant to almost feel like a honeymoon, as is a shared dream during Fortune. With Malcolm, who is also a factor in the E2 stories, she can trade intellectual quips and insights. They read and talk about Jane Eyre. They play Scrabble and chess together. There is more highbrow business going on than with Doug, who often has trouble expressing himself.
Jay is only a factor in the E2 stories, but the events of Harvest, Penicillin and Demotion foreshadow some of that.
In Harvest, she notices Jay’s eyes when they are introduced, and he tells her that he likes blueberries when she asks about a favorite.
Then in Penicillin, he is coughing and so she makes him (and the rest of the crew) a little Jewish Penicillin, chicken soup with matzoh balls. In Demotion, Hayes disciplines Daniel Chang in front of Lili and her roommate, Jennifer Crossman. He looks and nods at them but doesn’t address them, a prelude to the E2 stories.
In the E2 stories, Jay and Lili circle each other warily (she also circles Malcolm) and do not get together for a few years. He needs to get over Susan Cheshire, she needs to see him as a potential mate. Things are good between them. He is a bit better at expressing himself than Doug, and develops a meaningful pet name for her – Sparrow. In Equinox, after his death, he accidentally refers to her that way, which alarms her. This is because, in Equinox, she doesn’t know about the first iteration in the E2 stories. She only knows about the second E2 iteration.
In Together, Lili reveals to Malcolm that, when they met an NX-01 manned by their descendants, she learned that she had married José Torres. Malcolm reveals that he had not had anyone. His revelation is canon, so this, the second E2 iteration, is the one currently being written so as to dovetail with Star Trek: Enterprise canon.
As an Engineering crewman, José is far from being a romantic guy, which is what Lili craves. But he’s practical, and he cares for her a great deal. Her feelings about him are a lot more mixed, and there is less of the deep and abiding love as is seen with the others. Lili is settling, and she and the reader know it, but there is no one else.
They never actually meet in life. But, as he explains in a dream in Equinox, counterpart to counterpart, he cannot help but be taken by her. In the third of the E2 stories, he meets her on the last night of her life, in a dream, and they dance. And in the fourth, Ian reveals that he has been tasked with guiding her and keeping her company, comforting her in her darkest hours.
She Who Almost Didn’t Breed in Time
This is not only the name of the Xindi Insectoid that Lili kills during an episode of Fortune and feels the aftermath of in The Mess. It is also, in a way, what you could call Lili herself. But she has a total of (as of the time of this writing) seven children, depending upon which stories and series you read.
Joss Beckett and Joss Reed-Hayes
These sons are meant to be nearly identical, with Beckett as the son of the Mirror Universe husband and Reed-Hayes the son of the Prime Universe E2 first iteration husband. Joss is the one she depends upon to keep things together.
Marie Patrice Beckett and Madeline Reed-Hayes
Much like the two versions of Joss, these daughters are, respectively, children of the Mirror or the Prime Universe. However, their personalities diverge more. Marie Patrice is a bit of a materialistic person whereas Madeline grows up to become a Tactical Officer.
Declan Reed and Pamela Reed-Hayes
Both the children of Malcolm Reed, they are in the Prime Universe timeline and the E2 first iteration timeline, respectively. These children diverge the most. Declan is one of my visual artist characters whereas Pamela becomes a doctor, much like Pamela Hudson, who she is meant to evoke but not be named after, as the E2 denizens could not possibly have known about Dr. Hudson.
Maria Elena Torres
As Lili’s only child during the E2 second iteration, Maria Elena (named for Marie Helêne) is a bit of a wild card. As of the writing of this post, I have not yet determined how I want her to be. But the second iteration is more somber. Maria Elena will be one of the few bright spots in that version of Lili’s life.
Lili is more defined by her subconscious than any of my characters, even the Calafans.
When I first wrote her, that first moment, she is in the middle of a dream, and it turns out to be a dream she shares with Doug, in Reversal. Her ability to share dreams gets enhancements from being in Calafan space. Eventually, she gets dream amplifier alloy to put on her person, in the form of her wedding ring from Doug (A Kind of Blue) and the key charm from Malcolm (Temper). In addition, the Calafans paint her with calloo-like tattoos made from the same material, callidium (Reversal). She is a dream collector and a dream projector in a lot of ways. Lili interacts in her dreams and utterly believes them.
In the E2 stories, she has no such amplifications. But Ian explains to her that she has some psionic abilities. She’s just not able to really focus them well. Hence, when he is with her in her dreams, she can hear him, and can feel him to hold her while they dance, but she generally can’t see him.
The main characters in In Between Days, except for Pamela Hudson, are all related to some sort of ancient element. Doug is air, Malcolm is water, Melissa is the earth, and Leonora is communication. Lili, because of how her parents died, and because of her skills at cooking, is fire. Doug and Malcolm both refer to her, at various times, as “the white-hot flame”. Jay even mentions that, while on his deathbed.
The Mirror Lili (called Charlotte) is at home during the house fire at the O’Day home on June 12th, 2118. She and her younger brother, Declan, die along with their parents. Jay does refer to seeing her in the afterlife during a dream in Equinox, just after Doug’s death. He reports one of the pleasant things about heaven is you can be any age you like, even ones you never were in life. It comforts the grieving Lili to know her counterpart can be old enough for real love, and can experience it. Since Ian says the counterparts are also taken with each other, he could very well be a part of the love that Charlotte might be finally experiencing.
“I figured I didn’t deserve to have survived, like I wasn’t good enough and I hadn’t done anything to be allowed to be the sole repository of my family’s memories and their love and their talents and everything else. [and] I got into trouble and I didn’t face it much. I know now what a difficult child I must have been. It wasn’t until I became a master of fire that I began to process it. I began to have a handle on what had destroyed my family, and I could turn it to something that was almost good. And I began to slowly realize that my hopelessly old-fashioned, ancient and unhip grandparents were doing the very best they could for me, and that I should try and, and make it so that things wouldn’t be so hard for them.”
I love this character. I cannot describe quite how much I do. But that makes sense, as so much of me is in her. Of course I know where the lines are. I have no children; I have a conventional marriage.
And I am not a professional chef; my parents (as of the writing of this post) are alive and well. But there is something about Lili. From her vulnerability to her superficial fretting about her less than perfect stomach to her sass to her whacking the hell out of She Who Almost Didn’t Breed In Time to how she sings to Joss to how she brings Jay out of his shell and gets Malcolm to loosen up and feel that even he can cry sometimes. All of this, and more, make her, to me, an utterly irresistible character who I cannot stop writing about. I am all characters, and all characters are me, but Charlotte Lilienne hits the most marks.