Hoshi

05
Nov
2013

Review – On the Radio

Review – On the Radio

Radio.  It can bring back a memory in a snap.

On the Radio Background

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | On the Radio

On the Radio

A friend passed away earlier in 2013, and I was having some trouble processing it.  I decided to attempt to process it through art.

As a result, I worked in my own feelings by trying to tease out Hoshi and T’Pol‘s feelings about Tripp‘s passing.

And, the reason why I call this canon character Tripp instead of Trip is because of this very man who, in real life, is no more.

Plot

As Tucker has died, the two women who knew him best mourn him in different ways. T’Pol’s canon relationship is well-known. She ends up breaking down in front of Jay Hayes‘s replacement, Major Strong Bear Dawson, who everybody calls Bud. Bud is the sole eyewitness to her breakdown, and he tells her he won’t say anything to anyone. She asks how she can repay his kindness and he tells her to just go and have a good life.

Hoshi’s relationship with Tripp is outlined in Together. But the song that is the title of the piece, and is woven throughout this songfic, was played during the party outlined in More, More, More! Hoshi reveals that she and Tripp danced to it. She comes to the realization that it served as a prelude to their time together, and that Tucker may have liked her before then. For her, the music, and a dance with Travis, are how she feels she can cope.

When she and T’Pol are alone together, she passes the music from the party to the Vulcan, urging her to listen so that she can, in a way, understand another facet of Tripp’s personality, something she may not have already known. It is a final act of generosity between women who were not exactly romantic rivals, but rather were romantic steps or links in the chain that was Tripp’s life.

Music

Apart from the Donna Summer song, the entire playlist from More, More, More! is as follows –

  • Alicia Bridges – I Love the Night Life
  • The Trammps – Disco Inferno
  • The Bee Gees – More Than a Woman
  • Andrea True Connection – More, More, More!
  • Silver Convention – Fly, Robin, Fly
  • Patrick Hernandez – Born To Be Alive
  • Thelma Houston – Don’t Leave Me This Way
  • Lipps Inc. – Funky Town
  • Van McCoy – The Hustle
  • The Bee Gees – Night Fever
  • Kool & the Gang – Celebration
  • Gloria Gaynor – I Will Survive
  • The Weather Girls – It’s Raining Men
  • Michael Jackson – Don’t Stop ‘Til You Get Enough
  • Lobo – Me and You and a Dog named Boo
  • Melanie – Brand New Key
  • The Captain and Tennille – Love Will Keep Us Together
  • Commodores – Brick House
  • Tavares – It Only Takes a Minute
  • Donna Summer – On the Radio
  • La Flavour – Mandolay
  • Earth Wind & Fire – Let’s Groove
  • K.C. & the Sunshine Band – That’s the Way I Like It
  • Village People – YMCA
  • The Bee Gees – Stayin’ Alive
  • Chic – Le Freak
  • Rick James – Super Freak
  • Tavares – Heaven Must Be Missing an Angel
  • Vicki Sue Robinson – Turn the Beat Around
  • Barry White – Can’t Get Enough of Your Love
  • Hues Corporation – Rock the Boat
  • Sister Sledge – We Are Family
  • Diana Ross – Love Hangover
  • Kool & the Gang – Ladies Night
  • A Taste of Honey – Boogie Oogie Oogie
  • Donna Summer – Last Dance

Story Postings

Rating

The story is rated K.

Upshot

As a story, I think it works pretty well. Reactions have been mixed; some critics have said they thought T’Pol would not act as forcefully as she does, but Star Trek: Enterprise canon dictates that this is a former trellium addict and so her emotions are still not fully under control, even years later.

In this story, I am probably more like the Hoshi character. Removed but mournful, and saddened by the wasted potential more than anything else. I have no problem with Tucker being killed off in canon. People die and they should die in space. Space is far from safe, particularly during that era. But I wanted to see a lot more of the aftermath. I hope this aftermath/afterimage type of story can work for readers.

Posted by jespah in In Between Days series, Review, 10 comments
25
Sep
2013

Character Sexuality/Relationship Mixes

Boldly Reading’s Blog Prompt #10 asks about character sexuality in Star Trek Fanfiction. And character sexuality can be a bit of a minefield. Here’s what it asks –

Your Questions, Should You Choose to Accept Them

  • There has been a dearth of even minor characters with, shall we say, less mainstream sexual preferences and relationships. Often, a character would behave in this fashion if in the Mirror universe, or under some sort of duress. How would you change that?
  • What would happen to canon characters if their preferences or their relationships were changed? Beyond the obvious choice of bed partners, how would known characters change?
  • Are there circumstances under which characters would behave differently but still within the fullest context of canon?
  • Have you created any original characters who follow less mainstream preference/relationship models? How do you get across their inner workings without continually announcing in every other paragraph something like, I’m gay! Now, let’s get a pizza. ?
  • Television programs and films naturally cater to worldwide audiences and have investors for which they need to show profits. That can hamper all forms of creativity, including the creation of less mainstream characters of any sort, and not just in the sexual arena (e. g. minorities, obese persons, persons with disabilities, etc.). Throw away the budget! How would you rewrite a canon episode or film to showcase a character (main or not) with a less-mainstream preference?

Bonus questions!

  • Have you read others’ non-mainstream characters? Which are your favorites? And which relationships are the most believable? Which scenarios, outside of relationships, are most believable for these characters?
  • Again, throwing away the budget, what would you do if you could make your own new Star Trek series from scratch, where at least one or two characters would be out of the mainstream? How would you handle showing the differences for HBO, or PBS, or ABC Family, if any of those networks deigned to carry your show?
  • Do you read slash (male-male relationships) or femme slash (female-female relationships), either on Ad Astra or elsewhere? Aside from PWP, how did the authors bring home ideas about their characters’ sexuality? Was it clichéd? Did it succeed? Was it hit or miss?

Bringing True IDIC to Canon

What happens when we alter canon characters?

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Nurse Chapel and a female crew member | Character Sexuality

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Nurse Chapel and a female crew member

Is it as simple as having, say, Nurse Chapel from The Original Series mooning over Uhura or another female crew member, rather than Spock?

Does the character lose anything? Does the storyline?

Do we, as the members of the audience (or the readers, as the case may be) lose sympathy for her if her object of affection is of the same sex as she?

Chapel and Spock

Chapel and Spock

And this scene, from Plato’s Stepchildren, would have a far different subtext.

Or flip it again. What if, in that episode, Parmen had the two kissing couples (Kirk and Uhura are the others, in what was one of the first interracial kisses broadcast on American television) switch partners in a few different ways?

When Chapel and Uhura are forced to kiss, or Kirk and Spock, how do we react as an audience? Do we cheer? Or does it repulse us? Do we shrug as if we’ve seen it all before? Do we react cynically, figuring this type of character sexuality is just a ploy to bring in more ratings?

I hope this sort of change would not elicit revulsion. And I certainly hope it would intelligently amp up the drama. Truthfully, if the episode were being aired today, it would likely be far more than kissing. Or at least such that would be the implication. It would be Platonian porn. And that porn would not have to be male-female.

IDIC Original Characters – Character Sexuality Matters

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Luke MacFarlane as Frank Todd (image is for educational purposes only) | Character Sexuality

Luke MacFarlane as Frank Todd (image is for educational purposes only)

I’ve enjoyed adding different character sexuality.

Diana Jones, Preece Ti, Leonora Digiorno and Leah Benson are all lesbians. Melissa Madden is bi. Preston Jennings, Dave Constantine, and Luke Donnelly are all gay men.

And then there’s Frank Todd.

Frank started off as a protest against various homophobic slurs I was seeing on Trek United several years ago. I wanted a tough but kind character, and so I wrote him into There’s Something About Hoshi and gave him a prominent role. He is so friendly to Hoshi, and so protective of her, that the Arisians even think they are a couple.

Boy, are they ever wrong.

Stability

Truth be told, Frank and Dave’s relationship in that story was far more stable and assured than Hoshi and Ted’s. Ted Stone comes across as kind of wimpy, and certainly shy and anything but an Alpha Male, worshiping Hoshi, more or less from afar.

Frank and Dave, in contrast, have an easygoing affection. Understated, yes, but they look at each other lovingly and there is a great deal of feeling behind Frank saying, “I’ll see you later.” The subtext should be – I can’t wait to see you later.

It was particularly satisfying to add more depth to them, in the E2 stories and also in Detached Curiosity and Idle Speculation and its sequel, The Way to a Man’s Heart. The latter is in the context of a celebration of Turing/Stonewall Week, meant to be a week in June devoted to gay rights and accomplishments.

I love this character so much that I am hunting around for more places to feature him. After all, Frank does more than date.

Favorite IDIC Characters from Others’ Works

Give it up for Andy in SLWalker’s One Minute!

What I like about Andy is that he’s a fully realized character. He has body parts that aren’t genitalia. He has a storyline that isn’t wholly about sex.

For Andy, who wants to reach the shadow, it only starts off as being about sex. It very quickly becomes more about human contact. Why is the shadow shunning it? What could possibly hurt that much? Is there any way for the shadow to be healed?

Throwing out the Budget: A New Show with IDIC

If I had full control over a Star Trek series, I would love to be able to add at least one or two IDIC characters, and not necessarily in the context of being a couple. Surely there is room for a character like Jake Sisko, or Chakotay or Chapel, who has a same-sex preference?

Or let’s go for broke.

Maybe that person is the captain.

HBO

For a channel which showed naked men before and more frequently than most others, this possible series can show a lot more flesh. I think the trick would be to keep it from being almost a bodice-ripper.

Excuse me, codpiece-ripper.

It might even be a struggle with the network suits to show exploration, and get the characters out of their bedrooms. I can see it working as almost a modern-day version of Hill Street Blues, a show that had rather gritty police realism but then, at the end, it was often an image of Furillo and Davenport in bed together. It was network television and it was the 1980s and so they were talking with a kiss or two and not much else. But they were still there.

Archer and Daniels in the deep future

Archer and Daniels in the deep future

I can see the time period for this series as possibly being in the deep future, much like Times of the HG Wells.

The extreme future could also allow for showing more interspecies relationships, including bedroom scenes and all sorts of character sexuality.

PBS

With this more factually-based network, I can see storylines becoming more documentary-like in look and feel. Because I love the earlier years of Trek, I can see it in a pre-ENT time period.

Lily Sloane and Zefram Cochrane in 2063

Lily Sloane and Zefram Cochrane in 2063

For a grittier time, maybe even pre-First Contact (e. g. before April of 2063), the Earth would be a post-nuclear horror. Bedroom time would be more urgent and a lot tougher to come by. People would be scratching out their survival. Hence a shaky camera-type realistic story line could work. And what could be more real than a team or a family or a crew or a group or a movement that wasn’t a monolith?

There is also no reason why some of the people involved in building the first warp ship couldn’t be gay, lesbian or intergender. Or trans.

ABC Family

With a far more restrictive network, it used to be that intimations of less-mainstream sexuality had to be a lot more metaphoric. And the same was more or less true of heterosexuality. While a kiss between a man and a woman could be perfectly acceptable, having them wake up in bed together in anything other than pajamas after a good night’s sleep was just plain not going to fly. For a gay or lesbian couple, even a kiss could have been going too far. Would so much as hand-holding be a problem?

Actually, no.

Setting the Pace

During the 2010 – 2011 season, GLAAD cited ABC Family as being one of the more inclusive networks, with the lesbian character, Emily, in Pretty Little Liars. Their praise for ABC Family continued into the 2012 season, in GLAAD’s Network Responsibility Index report. Even for a network with the word ‘family’ in its very name, times have changed. Hence all sorts of character sexuality are embraced and welcomed, and aren’t just cast as victims, self-loathing suicides or criminals.

Scheduled fun for students on Voyager

Scheduled fun for students on Voyager

For ABC Family, I feel that a Starfleet Academy scenario could work the best. This would provide storylines surrounding coming of age, and that can mean discovering and communicating to others about character sexuality.

This might work best in a post-Nemesis time period, where the technology could be bigger and brighter but not wholly unfamiliar and, if not set too deeply into the future, guest characters could believably interact with the new series’s characters.

Slash

Perhaps the hardest sell for a lot of people is slash, and the problem is that it is often misunderstood as to what slash truly is. In its original form, it was TOS-based, and it showed a sexual relationship between Kirk and Spock, essentially pulling their friendship to the extreme.

Slash takes tons of forms, e. g. m/m (two men), f/f (two women), chanslash (underage children), original slash (both characters are original ones), etc. It also does not, necessarily, contain overt sexual situations or behaviors (reverse slash). Then there’s also PWP (porn without plot; or plot, what plot?), which is pretty overt porn with little to recommend it beyond basic titillation.

While I have read slash, and I enjoy excitement as much as the next person, I’ve found straightforward PWP to get unintentionally amusing after a while. Hence I personally tend to stay away from it, but that’s for all forms of character sexuality that it may showcase. I kinda like plot with my sexy stories. But hey, that might just be me.

Plot and Ponn Farr

Contamination by Odon is a femmeslash story about Hoshi and T’Pol that brings together Pon Farr and bi-curiosity in a way that is safe for teens (the story is, to my mind properly, rated T) but gets across the characters’ sexuality immediately. Could this even work on a more conservative network?

Hoshi and T'Pol

Hoshi and T’Pol

I don’t see any reason why not. Hell, it’s actually a bit less sexy than what the UPN network was really showing when ENT was in first-run.

Upshot

Character sexuality is as much a part of a person as their eye color or their height, and it’s just as mutable, particularly after maturation. To create a ship or a series with absolutely no one with an alternative view is downright unrealistic. The percentage of out-and-out 100% homosexual persons is rather small, but the percentage of people who are bi, bi-curious and/or sympathetic to gay rights is considerably higher.

There is a lot of room under the umbrella called Star Trek, and fan fiction proves that anyway, by bringing poetry, different pairings, horror stories, alternative timelines, expanded universes, original characters, and extremely long story arcs which can work side by side with what happened on screen and in the officially sanctioned books.

To keep non-mainstream sexuality out of Star Trek is a misplaced notion.

IDIC for the win!

Posted by jespah in Boldly Reading, Fan fiction, Meta, 4 comments
19
Sep
2013

Original Characters and Settings

Original Characters and Settings

Original characters are a lot of fun.

So Boldly Reading asked, in Blog Prompt #9, about original characters and original settings.

  • What’s the best setting for an original character? Is it as a lone figure, thrust into a canon ship or situation? In a group of original characters but still in a canon ship, situation or series? Or as a stand-alone crew, group, political party or other agglomeration of individuals?
  • When do original characters and scenarios tip the scale from new spins on familiar works to out and out non-Trek? Is there a bright line between Star Trek and not-Star Trek?
  • How can original character love interests be integrated into a more canon scenario? What about original character leaders?

Plus

  • For canon characters who have very little back story or screen (or authorized book) time, what’s the tipping point between when canon converts into what is, for all intents and purposes, an original character?
  • Also, for representations of canon characters in fan fiction that are not well-portrayed (e. g. the author misses the mark and does not accurately represent the canon character’s language, ideals, vision, etc.), can the situation be salvaged by rewriting the story with an original character?
  • For original settings, what makes them unique? Can an original setting be so extraordinary that it, in a way, almost becomes a nonliving type of Mary Sue?

Bonus questions!

  • Who are some of your favorite original characters that you have created? Do you feel they fulfill their purposes?
  • What happens when you take a Mary Sue test?
  • What are some of your favorite original settings that you have created? Did they work?
  • Who else’s original characters do you enjoy reading the most, and why?
  • Are there others’ original settings that you like reading the most? What makes those original settings your favorites?

A Cast of Hundreds

When I last checked, I had created over 300 original characters to encompass various scenarios. These included figures from as far back as 1775 (including Benjamin Warren)

The Lone Original Character

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Yvonne Nelson as Susan Cheshire (image is for educational purposes only)

Yvonne Nelson as Susan Cheshire (image is for educational purposes only)

I’ve found that I rarely do this, as I love making original characters so much that I just can’t resist tossing in several as points and then counterpoints and then even more.

A Hazy Shade is one example of, truly, there only being one original character. In that story, the sole original character is Jonathan Archer‘s wife, a Calafan named Miva. Other single-OC stories include Atlas, with its very brief glimpse of Susan Cheshire, and Penicillin, which is an interplay between canon character Jay Hayes and Lili O’Day. For all of those stories, they are short and the OC (except for in Atlas) acts as a sounding board and a counter to the canon character.

A Small Bouquet of Original Characters

Perhaps the best example of this is in The Light, where Jewish crew members get together to remember a lost life and to celebrate Chanukah. Because none of the canon ENT characters are known to be Jewish, the story would have rung hollow if I had tried to shoehorn someone in, such as deciding that Hoshi Sato is suddenly Jewish. While that is not an impossible situation, it was unlikely. Further, I wanted the Jewish characters to be young people, more or less fresh out of school. Hoshi would not fit into that fairly limited scenario.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Seth Green as Josh Rosen (image is for educational purposes only) | Original Characters

Seth Green as Josh Rosen (image is for educational purposes only)

Therefore, The Light centers around Ethan Shapiro, Karin Bernstein, Andrew Miller and Josh Rosen, with a quick appearance by Muslim crew member Azar Hamidi. The seven main canon characters all make appearances, though.

A Larger Bevy of Original Characters

In order to best accommodate the E2 scenario, I needed to fill the NX-01 with people. This meant making sure that all of the women were accounted for, along with a lot of the men. People would flit in and out as the story line is somewhat episodic and the chapters can often read like vignettes.

I could use several characters I had already created, such as Deborah Haddon.  And that not only saved me ramp-up time but also dovetailed rather nicely into my preexisting fanfiction. After all, if I said that Deborah was on the ship in 2157, in Reversal, then it made sense for her to have also been on the ship in 2154, when the ship was kicked back in time, in Reflections Down a Corridor and Everybody Knows This is Nowhere.

Message Characters

I also made characters to make specific points, such as Mara Brodsky and Robert Slater, as I wanted someone to be cuckolded. When Slater was cuckolded by a canon character, Walter Woods, that worked well with marrying canon and original characters – and eventually quite literally marrying them. Original characters were also created in order to fulfill certain roles on the ship, as Communications would have to be handled on second shift and night shift. Maryam Haroun and Chip Masterson, respectively, fulfilled those roles.

Lone or Few Canon Characters

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Henry Rollins as Boris Yarin, MD (image is for educational purposes only)

Henry Rollins as Boris Yarin, MD (image is for educational purposes only)

The best example of this is in the HG Wells stories. As Temper makes clear, the sole canon character is Richard Daniels. Richard needs a support team, which includes people like Boris Yarin and Crystal Sherwood. By giving Rick occasional missions to the NX-01 or elsewhere in canon, and having him eventually need to confer with ancestor Malcolm Reed, I was able to provide more canon credibility to these stories.

In the upcoming Barnstorming series, the few main canon characters are Martin Madden and Wesley Crusher, but the crew of the Enterprise-E is seen, as Madden lives and works there. Keeping a few canon characters on hand, I feel, can make a story a lot more Trek.

Canon Characters Begone!

Barking up the muse tree | jespah | Janet Gershen-Siegel | The truth about Bron | Original Characters

The truth about Bron

The Eriecho series is 100% fanfiction characters, and it will likely stay that way, as are Gina Nolan‘s universe and the Bron-Sophra-Skrol-Tr’Dorna group. Even without canon characters, the situations or the history or the species can bring back the Trek part.

For example, Eriecho’s story arises from the events in the JJ Abrams timeline. Whereas Gina’s world comes from the Dominion War. Bron and Skrol are Gorn, Tr’Dorna is a Xindi Reptilian and Sophra is a Cardassian. These three canon species bring that story line squarely into Trek, I feel.

Full Originality

Will I ever write a story with 100% original characters, 100% original species and completely outside of any sort of canon scenarios? At that point, I feel it starts to tip perilously close to not-Trek. But there are a ton of canon scenarios, and those can include very non-canon people being off their ships. After all, characters are born, have relationships and possibly marriages, have families, have jobs and retirements, and they also die. Just because a kiss between a Gorn and a Cardassian has not been shown on screen – or between two completely original species, such as a Calafan and a Daranaean – does not mean it’s wholly not-Trek.

But I do recognize that it can be a far harder sell to the reader. For such a scenario, the reader, I feel, should read earlier work in preparation. That can bring these original species into the Trek-like fold.

Adding Original Details to Canon Characters

In many ways, this is the very purpose of fan fiction. It is to fill in the blanks where canon left off. Or a show was subject to cancellation too soon, etc. The three canon characters I have done this the most with have been Malcolm Reed, Jay Hayes and Richard Daniels. Have I done well by them? I like to think so, but it’s hard to say (and it is particularly difficult as all come from ENT).

Malcolm Reed

During ENT, this character was the tantalizing fourth or fifth of seven. He was sometimes the sixth, but rarely in the top three and virtually never first. This is when it came to storyline development, writer affection or plot twists. Even when the storyline centered around Malcolm, he never seemed to get his due.

Fan fiction has allowed me to give him a wife and a child, and it has allowed me to give him quirks like lactose intolerance and personal interests like crossword puzzles. Stay tuned, as there is a lot more Malcolm to come!

Jay Hayes

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Steven Culp as Major Hayes

Steven Culp as Major Hayes

For a character seen in five episodes and who only had a first initial, I have given him ex-girlfriends, an earlier posting on Titania, and an alternate timeline wife and two children. Along the way, Jay also got a love of blueberries and was also not too adventurous in his diet, never having tried either figs or parsnips until prompted to do so.

Will there be more Jay? I adore this character and so I’ll find a way, but right now I don’t have anything specific planned.

Richard Daniels

For a character with no first name, he’s gotten a reputation as a ladies’ man, a pair of somewhat more serious ex-girlfriends, and a great love. His off-hand canon statement of being mostly human led to not only working out how he was put together, but it also led to a thought experiment about unlikely hybrids, resulting in characters like Boris Yarin and Kevin O’Connor.

Richard flits in and out of my fiction and he may or may not turn up again. Because of Multiverse II, I’ve seen more interest in the HG Wells universe, so it’s very possible that he and his group will get new adventures, much like Another Piece of the Action.

Original Settings

From the start of In Between Days, I decided humans would have, even by 2151, colonized all available surfaces within the Solar System. This means the planet Mars but also a ton of moons, such as Titan, Titania and Ganymede. To give these locations some spice, I decided on some set characteristics. For example Titaniais a Southerner’s paradise. Plus Martian cities are all named after metals.

The E2 stories allowed for more original settings, including writing Phnom Penh during the Third World War and three new planets, Paradise, Amity and Speakeasy. In order to give the latter three believability, they got certain problems. Paradise is often too hot, and there are no natural pollinators. Amity has poisonous malostrea. And Speakeasy isn’t supposed to exist at all, and is only dimly lit.

Favorites and Mary Sues

Of course I love Lili O’Day, and I strive to keep her out of Mary Sue territory. She burns things. And she often avoids people. She gets jumpy and nervous and it is not necessarily endearing.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Naomi Watts as Lili O'Day (image is for educational purposes)

Naomi Watts as Lili O’Day (image is for educational purposes)

In Everybody Knows This is Nowhere, she is particularly unfair to José Torres. She does, at times, fail the Mary Sue test, I admit. But I believe that her overall arc comes down rather favorably on the believable end of things. She does have a lot of adventures. Plus I do spend a lot of time on her. But that’s also because I love the character so much.

The Raw Deal Characters

Pamela Hudson, another favorite, more or less stays out of Mary Sue territory due to her often sour disposition and her many screw-ups in life. Things turn out for the best for her, but she has a tougher row to hoe than Lili does.

Eriecho stays out of the world of Mary Sue due to her poor upbringing and her violent past. I’ve barely scratched her surface; time in Canamar is not fun. As I unwrap more layers of this character, I think she will leave Mary Sue far, far behind.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Edward Norton as Levi Cavendish (image is for educational purposes only) | Original Characters

Edward Norton as Levi Cavendish (image is for educational purposes only)

Levi Cavendish stays well away from Mary Sue, even though he’s a genius, because he’s so damned messed up.

Otra D’Angelo has her own weaknesses, even though she has what is essentially a psionic-style gift for seeing temporal alternatives. But it gets her a pretty raw deal with the enemy.

People often call canon character Wesley Crusher a Mary Sue. A lot of people love to hate this character. I’ve done my best to try to rehabilitate him, particularly in Crackerjack.

Love for Others’ Babies

Captain Sarine‘s Kalara is perhaps the best-realized female Klingon I have either seen or read. I’ve also enjoyed the interplay of thebluesman‘s Captain Dylan and Dr. West. Miranda Fave‘s wacky Tabatha (don’t call me Tabby!) Chase and her crew get things done with few stuffy conventions and a lot of flair. And Mistral‘s Shand feels very much like a real alien person. Enough like us to be someone we could work with, but enough unlike to keep us a bit … unsettled.

In the scenery department, kes7‘s Tesseract universe puts together a crazy-advanced ship with the right kinds of off-kilter people who can make it run. And trekfan‘s overall Hank and Bethany mythos brings those two original characters from home to the Pearl to marriage and domesticity, and eventually to Hank’s end.

Upshot

I cannot imagine fan fiction without original characters. Plus I confess it often dismays me when people do not try to write them. Even poorly realized Mary Sue are, at least to me, an attempt to go outside oneself. They mean people are stretching those creative muscles. For me, original characters and scenes, I feel, take it all to the next level.

Damn, I’m gonna go out and make myself some more characters!

‘Cause 300+ just aren’t enough.

Posted by jespah in Boldly Reading, Meta, 3 comments
03
Sep
2013

Review – Bread

Review – Bread

Bread is yet another story where the title has multiple meanings.

Background

In February and March of 2013, a challenge came from the Trek BBS – write about independence.

And while I suppose I could have written about a planet or a nation or a people gaining their independence, or of a young person striking out on their own, I decided to zig where others might zag. Hence I wrote about elderly people losing theirs.

The concept and its execution were appreciated well enough that I won that month’s challenge.

Plot

Following both the prime universe and the Mirror Universe, these are two parallel but not quite parallel stories about Leah Benson and Diana Jones.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Bread

Bread

In the mirror, Leah furtively looks around as she begins a meal. It’s made clear, very quickly (and hearkens back to the same conditions in Reveral and Temper in particular), that MU food is bad. So the fact that there is bread is a minor miracle. Quietly, and to herself, she says the Hebrew blessing over the bread, confirming something Josh Rosen mentions in Temper, that faith abides in the mirror, or at least some form of Judaism does. The way I write the Mirror Universe, the practicing of any faith, and not just Judaism, is done mainly in secret, much like the crypto-Jews and conversos of Spain during the Inquisition.

Prime Universe

In our universe, Leah is the official Starfleet Rabbi. So the story begins with her attending a banquet and weeklong set of official meetings regarding admitting three new worlds to the new United Federation of Planets. These are the Caitian home world, Denobula and the Xyrillian home world. This is the culmination of earlier contacts with Caitians, in A Single Step and The Further Adventures of Porthos – The Stilton Fulfillment. Furthermore, it is a natural progression for that species (in canon, there is no first contact date for Caitians, whereas first contact for Xyrillians occurs during ENT and first contact for Denobulans takes place before ENT’s pilot episode) and the two others.

The idea behind the banquet and set of meetings is not only to welcome the new member worlds but to also demonstrate to other worlds that the Federation is tolerant of differences. Religious and spiritual leaders, including Leah, say a few words about religious tolerance and intolerance on Earth throughout history. In addition, all admit they have been on both the giving and the receiving ends of persecution and bigotry. The Daranaeans, in particular, pay attention.

Back to the MU

Back in the mirror, Leah is looking to leave the ISS Defiant. Izo Sato decides he is going to seduce her. And never mind that’s she’s over seventy and a lesbian, to boot. Josh offers a small measure of protection and he, Shelby and Frank start to hatch a plan to get Leah away. For Frank and Shelby, this is a dress rehearsal for what they hope will be their own endgame. The plan is to fake a shuttle crash, and strand Leah on Andoria.

Back to Our Side of the Pond

In our universe, Leah is married to Diana, but things are not right, and Diana’s memory is failing. It’s an early sign of Irumodic Syndrome, the canon malady suffered by Captain Picard at the end of the running of TNG. Diana’s caregiver is an Andorian, and Diana is beginning to not recognize even her.

Leah makes up her mind; she needs to be at home and become Diana’s primary caregiver. She confides this to Jonathan Archer, and he commiserates, telling her a bit about his father’s own battle with Clarke’s Disease. He offers her a part-time solution, and encourages her to try to be able to work at least a little bit, because otherwise she will lose herself in Diana’s incurable illness.

Review – Bread

As the denizens of the mirror plot and plan, Leah remembers there is one person on Andoria who she knows. And it turns out to be the mirror version of Diana. Leah also remembers her own part in the death of Leonora Digiorno, from Fortune. And so that further connects the two halves of the story.

Will the mirror Leah get out? Will either version of Diana remember? Do faith, love and family abide, no matter what they look like, and no matter what the conditions and odds? Find out by reading the story.

Story Postings

Rating

The story is Rated T.

Upshot

I really love this one, as it continues the Reversal not-quite parallelism and the meditations on aging. I also feel it helps to fulfill the promise of femme-slash. E. g. same-sex relationships (and marriages) exist in the future, of course. However, I feel that writing them just as sex and angst isn’t enough. All relationships, particularly longer-term ones, have chambers that aren’t bedrooms. Leah and Diana are dealing with the very real problem of aging and losing independence, and no longer being who you were. This story, I feel, gets across that idea well, and I love how it turned out.

Posted by jespah in Hall of Mirrors, In Between Days series, Review, 16 comments
13
Aug
2013

Review – Throwing Rocks at Looking Glass Houses

Review – Throwing Rocks at Looking Glass Houses

Throwing Rocks at Looking Glass Houses is yet another multi-dimensional title. The rocks would be a shattering of conventions. The looking glass of course is a reference to the Mirror Universe. And the glass houses naturally are exactly where you don’t want to throw any rocks. Furthermore, I decided on rocks rather than stones as they imply irregularity and roughness. This contrasts with Paving Stones as there the action follows set patterns and traditions.

This story upends those traditions and it shows just how Hoshi changes everything.

Background

I wanted a transitional story, a power grab, showing Empress Hoshi getting where she wanted to be.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Throwing Rocks at Looking Glass Houses

This would take place between the end of the canon episodes, In a Mirror, Darkly and In a Mirror, Darkly II and before Paving Stones Made From Good Intentions.

Therefore, it had to be before Doug became a Lieutenant Commander, running Tactical (after defeating Chip Masterson and Aidan MacKenzie in a competition). Ian (Malcolm‘s counterpart) and T’Pol had to still be alive. Phlox would still be the doctor; this would be before Cyril Morgan.

But things would be changing.

Plot

Barking Up the Muse Tree | jespah | Janet Gershen-Siegel | Hall of Mirrors | Throwing Rocks at Looking Glass Houses

Hall of Mirrors

Having declared herself Empress, Hoshi has to consolidate her power. She has to eliminate threats and pick up allies. This means ruthless Machiavellian efficiency.

Furthermore, she has to get rid of the Emperor, who I write as a descendant of canon mass murderer Philip Green. Green brings along only three bodyguards, foolishly underestimating her bloodlust – my original characters, José Torres, Brian Delacroix, and Andrew Miller.

The story is punctuated with quotations from Sun-Tzu‘s The Art of War and Machiavelli’s The Prince.

Story Postings

Rating

The story is rated T.

Upshot

I like how it turned out. In particular, I enjoyed putting together Hoshi’s plan and showing her nastiness. Her impatience with science and with delays, her casual approach to murder and her lust are all on display. I really like the final product.

Posted by jespah in Hall of Mirrors, In Between Days series, Review, 13 comments
06
Aug
2013

Portrait of a Character – Kirin (Kira) Sato

Portrait of a Character – Kirin (Kira) Sato

Kirin has a changing destiny.

Origins

At the end of Reversal, Empress Hoshi is looking for a little brother for her son, Jun. But Jun’s father, Ritchie Daniels, is dead – or, at least, that’s what the Empress believes. Plus she wants a different father for her second-born. Her strategy is to have a lot of children, all from different fathers. This is to cement her partnerships with as many of the men on her senior staff as possible. Aidan MacKenzie is a more logical choice than might seem on the surface. He has just been disgraced and busted to babysitter. But he is someone who is going to harbor growing resentment. Therefore, she needs to shield herself somehow. Because Aidan could become a serious threat. Plus, despite his low status, Aidan is attractive; this justifies Hoshi’s interest in him.

In First Born, I make it clear that the existence of Jun is problematic for several reasons, not the least of which being that Kirin should have been the Empress’s sole successor. However, in order that Jun could be suffered to live, Kira must be subordinate. As a result, they rule jointly upon Hoshi’s death, as is indicated in Who Shall Wear the Robe and Crown?

Portrayal

Kira is played by Korean actor Kang-Ho Song.

Portrait of a Character – Kirin (Kira) Sato

Kang-Ho Song as Kira MacKenzie Sato

I like the actor’s look but admittedly I know very little about him. But I believe that Snow Piercer may be his first English film.

I like that he’s decent-looking but not knock-out handsome.

Personality

Tall, a bit awkward and smart, Kira is possibly the most sympathetic of the royal children in Temper. He cares about Marie Patrice, and is her choice. But she is also a social climber and so she flirts with Jun and also threatens to go to Takeo, not knowing that Takeo is gay. She sometimes mentions Arashi and Izo in that way, too. For her, love takes a back seat to what she can get out of a potential mate. Kira’s father has the lowest status on the ship, but at least he’s known, unlike Arashi’s sire. That status counts for a lot in Empy’s world. And so it matters to Kirin as well.

As a teenager, his name embarrasses him. It means dark, but he feels the -a ending sounds feminine. He wants everyone to call him Kirin instead, which means giraffe. In Temper, I reveal that giraffes are extinct in the Mirror Universe.

Relationships

Marie Patrice Beckett

Throughout Temper, Kira chases Empy, but Empy (mainly) resists. They have some moments together, and some heat. But when it comes time for her to consider losing her virginity, she tells him that she’d rather give it to Jun. For Marie Patrice, that’s a way to raise her status. However, by the time the first alternative timeline in the story ends, Kira is the only one who she says good-bye to, and they kiss their farewell.

According to Rick Daniels, Kira marries an unknown woman, but they never have children. Furthermore, Kira predeceases Jun. And so for a while Jun is the sole Emperor once the tandem relationship dissolves with Kira’s demise.

Theme Music

Kira’s own theme is the Fine Young Cannibals’ She Drives Me Crazy.

Prime Universe

It is impossible for Kira to have a Prime Universe counterpart, but his analogue is Declan Reed, as they are both essentially outsiders.

Quote

“Something’s happening. Not just this – but you – something’s happening with you.”

Upshot

This somewhat put-upon character is the most positive portrayal of all of the royal children in the alternate timelines in Temper.  And in the prime timeline, even though he remains on the ship (rather than escaping, like Takara and Takeo do). And he is somewhat under the Empress’s influence. Yet he still turns out to be a fairly decent human being. In Bread, crew members say he’s a bit of a wimp, but in He Stays a Stranger, he is shown to have something of a heart. It’s possibly to have some sympathy for Kirin, a dark giraffe of a man.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Portrait, 14 comments
19
Apr
2013

Spotlight on an Original Sentient Species – Arisians

Spotlight on an Original Sentient Species – Arisians

Arisians have a funky history.

Background

When I first started writing Star Trek fanfiction, I was big on one-offs and “Alien of the Week” plots. At the same time, I was also learning how to plot, so I used the five senses as inspiration. For touch (and, by extension, feelings), I decided to write a lighthearted romance about Hoshi and a below-decks crewman who couldn’t quite hit his marks.

Further, I wanted to begin to explore sexism as an inspiration. Therefore, I created a society that had scapegoated women so thoroughly that there were no more women anywhere in their species. As a bonus, I had been seeing some rather nasty homophobic rants. People would not so subtly joke about gay characters being too sissified to ever make it to Starfleet. The story that grew out of these ideas was There’s Something About Hoshi.

Characteristics

As standard humanoid aliens, the only physical description of the Arisians is a beautifully detailed pattern on their foreheads. This is somewhat akin to what later evolved into the Calafans.

History

As the aliens themselves explain, women got the blame for all sorts of issues. Also, much like in ancient Rome, they could not leaving their homes without an escort, a fact that also figures in with Daranaean third caste females in Take Back the Night. Arisian scientists took it to an extreme, though, and began to research how to reduce pregnancy terms. Once the term could be reduced down to nothing, they genetically engineered only male children. So while they didn’t out and out kill the remaining women, they didn’t replace them.

Reproduction occurs via cloning and the use of artificial wombs. These are much like an incubator or a bassinet, but with more scientific sophistication. The groups of genetically identical males are referred to as Accordancies. As an Accordant explains, the relationship among the members of an Accordancy is fraternal. This is even though often the age difference can be very great.

Present Day

But things are changing on Aris. Its inhabitants now understand the absence of women did not prevent wars or other disasters or hard feelings. As a result, their ruling council decides to obtain female hormones. And, as Sandra Sloane annoyedly points out (thereby prefiguring her sharp tongue and short temper in Reflections Down a Corridor), they did not ask for help and simply took whatever they wanted, without permission.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | There's Something About Hoshi | Arisians

There’s Something About Hoshi – the first place we see Arisians

In addition (and in exchange), they inject Hoshi and her MACO escort, Frank Todd, with a certain kind of chemical stimulant. The Arisians think Frank and Hoshi are a couple. But they aren’t. Frank is the toughest guy in the room, and he is gay (as are, presumably, all of the Arisians).

For Frank, perhaps, Aris would almost be a kind of paradise. But he’s got a boyfriend, and he’s loyal. There’s no hookup for Frank on the planet.

As for Hoshi, the chemical has a far different effect on her and the straight men on the Enterprise. She’s become irresistible. And that’s kind of scary.

Future

In the sequel, There’s Something Else About Hoshi, the Arisians are finding that women – although, perhaps, exasperating – turn their society around. But maybe later they’ll just go back to treating women like doormats again. I don’t know.

Stay tuned.

Posted by jespah in Fan fiction, In Between Days series, Spotlight, 1 comment