Recurrent Themes – Femmes Fatales

Femme fatales can really make a story take off.

A lot of my Star Trek fanfiction writing contains recurrent themes, characters and situations. Here is an effort to put some of that together and make some sense of it all.

Background for Femmes Fatales

Femme fatales are a fairly classic archetype. It’s the bad girl, the sexy girl and, often, the dangerous one.

Appearances

Empress Hoshi Sato

The Empress is, of course, canon. But the second mirror universe Enterprise story ends with the beginning of her power grab. It doesn’t tell you whether she was successful and, if she was, what happened next.

Empress Hoshi

In Reversal, the Empress’s power is well-established and has been consolidated. Doug offhandedly tells Lili that the Empress took about a year or so to get it all together and, in the meantime, had a child as well. That child turns out to be Jun Daniels Sato.

But the Empress is dissatisfied (and sexually voracious). She is looking for younger siblings for Jun. She understands Machiavelli enough to know that she needs a multitude of potential successors in order to keep herself in power (and healthy) as long as possible. Plus she needs to keep producing heirs as long as possible for, if a faction prefers her youngest child, that faction might just wait until the youngest one’s age of majority before becoming a physical threat to her. It’s a chance, but she’s got to take it.

Pamela Hudson

The second femme fatale I wrote was Pamela.

Pamela Hudson

Pamela is as intelligent as Hoshi (if not more so) but, ultimately, she turns out to not be ruthless. Instead, her motivations are her own damaged past and her hopes for the future. For Pamela, finding love brings her full circle and gives her what she truly needs. She is able to hang up the femme fatale act and enjoy life.

Marisol Castillo

Marisol, on the other hand, is not motivated by anything positive whatsoever. As a much more classic femme fatale, Marisol is downright hazardous.

Marisol Castillo

She is an assassin and a blackmailer, and treats Borin Yarin badly enough that she pays the ultimate price for her ruthlessness.

Upshot

Two of my main femme fatales are doctors. Perhaps there is something to that, the feeling that, when other characters are vulnerable, a femme fatale can do the most damage. The trick, I feel, is to write the archetype without writing a cliché.