Linda Park

Portrait of a Character – Empress Hoshi Sato

Portrait of a Character – Empress Hoshi Sato

The Empress Hoshi Sato is a linchpin character.

Origins

The character, of course, is Star Trek: Enterprise canon, and is the Mirror Universe counterpart to Hoshi Sato.

Portrait of a Character – Empress Hoshi Sato

Declaring power

However, the Enterprise series only showed her declaring her power, and never actually consolidating or wielding it, as the show was cancelled far too soon. I have tried to rectify that, and I recognize that the official books have done so as well. But I think Star Trek is a big tent, and there’s room for all sorts of fanfiction interpretations of what happens next.

Portrayal

As in the series, the Empress Hoshi Sato is played by Linda Park.

Personality

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Empress Hoshi Sato on the Bridge

Empress Hoshi Sato on the Bridge

Suspicious, nasty and ruthless, Hoshi makes a perfect Mirror Universe Empress and all-around villain because she will stop at nothing.

She’s just a bit campy in canon, but I make her truly dangerous. In Throwing Rocks at Looking Glass Houses, she violently takes charge, beginning a bloody reign by first killing off Phlox and Ian (Malcolm‘s counterpart), and then moving onto the Emperor Philip IV (counterpart to Colonel Philip Green) and, eventually, T’Pol.

Machiavellian

As a true Machiavellian, she eliminates the Emperor’s entire family, in order to prevent the people from perhaps, in the future, rallying around a successor. This includes the Emperor’s infant daughter, Anastasia, a reference to Princess Anastasia of Russia, killed when the Bolsheviks came to power. This also establishes Hoshi’s reign as having the potential to become totalitarian, which is confirmed with later stories. But that’s nothing new. In The High Cost of Dissidence, her predecessor has proven to be just as immoral.

Characters Cyril MorganAndrew Miller, José Torres, and Brian Delacroix join her current followers, who include Doug Hayes, Chip Masterson and Aidan MacKenzie, along with her lover, Travis Mayweather.

Doug Gets Out

In Paving Stones Made From Good Intentions, Hoshi pits Doug, Aidan and Chip against each other, in order to get someone new to run Tactical, as she has had Ian killed. However, rather than eliminate or emasculate his rivals, the victorious Doug decides to have them work under him, in a more cooperative type of venture. This continues to the time of Reversal. Aidan repays Doug’s kindness by cuckolding him and trying to take his girl, Jenn Crossman.

By the time of First Born, Hoshi has decided that she wants an heir. When Rick Daniels goes to the Defiant on a mission, they hook up, and she becomes pregnant. She proves to be a horrible mother, having Beth Cutler care for her son with Rick. By the time of Coveted Commodity, her childbearing years are coming to an end.

And by the time of Shake Your Body, Milton Walker seizes an opportunity and comes calling.

Relationships

Maximilian Forrest

This canon relationship is shown in the two ENT Mirror Universe episodes.

Portrait of a Character – Empress Hoshi Sato

Forrest’s Captain’s Woman

Both actors have said they believe she loved him. However, he may or may not have loved her. I go with this, that his love for her is ambiguous, if it exists at all.

Further, she is ambitious. Even if Forrest had survived, it would not have been enough. She would have left him, at some point, unless he could go a lot further, a lot faster, in their careers.

Even then, I’m pretty sure she wouldn’t have stayed for long.

Jonathan Archer

Another canon relationship, Hoshi cheats on Forrest with Archer. But when Archer proves to be too slow to get ahead, she offs him.

Travis Mayweather

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | MU Hoshi and Travis | Empress Hoshi Sato

MU Hoshi and Travis

The final canon relationship, Hoshi turns to Travis for help in dispatching Archer.

The way I write them, they stay together, but she is dominant in every single way. In Coveted Commodity, this becomes all-too clear, as he reminisces about how, every time she’s had a child from someone else, she’s told him that it’s for her security.

Travis is mainly interested in his own security, so he goes along with it. And, in Commodity, he comes to understand that he’s better off where he is, rather than to try to usurp her.

Richard Daniels

In January of 2156, Rick goes on a temporal mission to the Mirror, to fix the Defiant. With poor cash flow and no money to pay him, plus an urge to make it with a time traveler (he foolishly reveals that detail about himself to her), they hook up. Nine months later, Jun is born, and the Temporal Integrity Commission has to scramble. Because Rick wants his temporally paradoxical son to live, Jun has to be sterilized, and Rick is forbidden from returning to the Mirror at any time during Jun or Hoshi’s lives, not even long before conception or after her menopause or even after her death.

Rick’s boss, Carmen Calavicci, fakes Rick’s death by arranging for wreckage to be left on Daranaea. She also applies delta radiation in utero and Jun is thereby sterilized.

Aidan MacKenzie

Aidan, her second baby daddy, is seduced at the end of Reversal, an act that Doug wisely resisted. Hoshi makes it very clear that she does not care at all for Aidan, but he’s got good genes. By the time of the alternate timelines in Temper, Aidan is the designated babysitter for the royal brats.

José Torres

By the time of Brown, José is already trying to make time with the Empress, following up some small flirtation during Throwing Rocks.

Francisco Ramirez

At the same time that she is involved with Torres, Hoshi is also involved with Ramirez.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | The Perks of Being in the Inner Circle | Empress Hoshi Sato

The Perks of Being in the Inner Circle

Chandler Masterson

Chip is next in the passing parade, and is thrown over when Hoshi has his children.

Andrew Miller

After Travis’s death, Hoshi goes after Andrew, who is stuck with her until he leaves via suicide. He is, in this instance, cheating on her, with Melissa Madden, who dies, pregnant by him, in a shuttle crash. When he refers to MM in his suicide note, Hoshi changes the note in order to favor herself and gratify her ego.

Milton Walker

After Andrew’s death, Milton shows up, as he is on the run from the authorities. This former Eligian Order monk hasn’t been with a woman in decades, but Hoshi is older and less attractive, so she grabs onto him anyway.

Theme Music

Offspring

Jun Daniels Sato

The first born ends up running the Empire, with Kira, after Hoshi’s death, in Who Shall Wear the Robe and Crown? Prior to that, Jun runs Communications on the Defiant.

Kira (Kirin) MacKenzie Sato

Kira (sometimes called Kirin, which means giraffe) is the tallest of the children and, by rights, was supposed to be the eldest. He runs the Tactical station before becoming co-Emperor with Jun, but predeceases his elder brother.

Arashi Sato

With a head for business, Arashi is the only of the children of the Empress Hoshi Sato who is born without the Y Chromosome Skew. His parentage is allegedly unknown, but Torres does not have the skew, whereas Ramirez does. Therefore, it’s a lead pipe cinch that the head of the treasury is Torres’s son.

Takara Masterson Sato

Takara, the only girl, is the elder of a pair of twins, and eventually becomes the forebear of the successor to Jun and Kira – Charles Tucker VI, AKA the Emperor Charles I. She is removed from the Empress’s influence at an early age.

Takeo Masterson Sato

The younger twin, Takeo is a gay man, and is rescued from a life with the Empress by his father, Chip, and Chip’s wife, Lucy Stone, taking him away at a young age.

Izo Mayweather Sato

The youngest, son of Travis Mayweather, almost dies in utero, as Izo has a hole in his heart. Travis’s sacrifice suffers Izo to live; he grows up to run the Empress’s (and, later, his brothers’) Secret Police.

Quote

“Get me my ships! Get me my legions!”

Upshot

Empress Hoshi Sato is just the character that goes on and on, the gift that keeps on giving. I love writing her, putting her into difficult and easy circumstances, and generally giving her evil some buffoonish tendencies as she inevitably misses the mark in some areas as she all too accurately hits it in many others. I guarantee her return.

Posted by jespah in Hall of Mirrors, In Between Days series, Portrait, Times of the HG Wells series, 62 comments

Portrait of a Character – Hoshi Sato

Portrait of a Character – Hoshi Sato

Origins

Portrait of a Character – Hoshi Sato

Hoshi Sato

This is a canon character, of course. Hoshi Sato (her name, literally, means “at home in the stars”) is the Communications Officer on the NX-01, with the rank of Ensign, which she retains throughout the entire run of the series. Also according to canon, she eventually  rises to the rank of Lieutenant Commander. This is a rank that I, semi-incorrectly, use interchangeably with the rank of Lieutenant. She also marries a man named Takashi Kimura. In the canon E2 story, she names her two children Toru and Yoshiko. I go with those as being the names of her prime timeline children as well.

Hoshi is also, in canon, extremely intelligent (probably a linguistic genius) but, at least in the first two seasons in particular, is a bit insecure. She is the most likely to jump if the ship is under attack or bumped. She is also likely to doubt her own obvious abilities.

Portrayal

As in canon, this character is portrayed by actress Linda Park.

Personality

In addition to her canon quirks, I tend to write her as still being a bit more tentative, even after the Xindi War. In There’s Something About Hoshi, she is encouraged by the captain to stretch a bit. However, the reaction there proves to be far too much for her, and she balks a bit.

In Together, she reveals a playful and sexy side but, in the end, chooses career over romance, failing to realize that Tripp is truly passionate about her.

Portrait of a Character – Hoshi Sato

Hoshi on the Bluebird

She’s also caring. As Malcolm‘s First Officer on the Bluebird, she’s comforting when he receives the news in Equinox. She also defiantly says she will take the fall if there’s any real flak from the diverting of the ship to Lafa II instead of heading straight to the Klingon Neutral Zone, as planned. However, she plans her retirement at a young age, as she is seeing her children grow up without her, and fears she is missing out.

Relationships

As I write her, she has four main relationships, including her canon marriage, which I acknowledge in Equinox, Flight of the BluebirdA Hazy Shade and There’s Something Else About Hoshi.

Sekar Khan

In the E2 scenario, she ends up, in both iterations, with the Quartermaster, Chandrasekar Khan. In canon, there is no name for her husband, so there is room to be creative in this area. Sekar is gentle and giving, but also keeps her from some of the worst of what’s out there. While he is no warrior, he intercepts problems and does his best to make her life easier.

Takashi Kimura

Hoshi’s canon husband is never on screen. I have really only written them as long-term marrieds, and never at the start of their courting.  That could potentially develop into a later project.

Ted Stone

In There’s Something About Hoshi, she laments about having settled during the E2 situation. For her, Ted seems to be another form of settling. This is because she sees him as being almost, but not quite, romantic. It’s as if he keeps missing his marks. When she is injected with a compound intended to make her irresistible, he is one of the few men who does not bother her, and is the only one of those who is heterosexual. He explains that the compound didn’t seem to work on him, as he was already there.

Tripp Tucker

Portrait of a Character – Hoshi Sato

Later Hoshi

They are forcibly paired up in Together, but they are the only couple who, truly, start off  in a non-hostile manner. Instead, they vow to “make the most of it”. The dance – literally – between them moves from fooling around to, eventually, a declaration of love on Tripp’s part, which Hoshi does not reciprocate. Unknowingly and unintentionally, she breaks his heart in her efforts to stay on the ship and remain able to work with everyone, including him and, presumably, T’Pol, his ex.

She is thoroughly unaware that he is still interested, even as they are heading into the time of the canon These Are the Voyages episode. Instead, she agrees to a date with José Torres. However, she might have a little residual jealousy, as I depict in Broken Seal. An anomaly hit briefly impairs her judgment, and she stages an elaborate prank against Commander Tucker. But it’s possible that some of that stems from Tucker’s attempt to reconcile with T’Pol, an attempt that, in keeping with canon, fails.

Theme Music

In Together, she has a theme of her own, Bette Midler’s Do You Wanna Dance? and one which she shares with Tripp,  Joe Jackson’s Kinda Kute.

Mirror Universe

Because I write so much about the Empress Hoshi Sato, her mirror counterpart gets a separate blog post.

Quote

“Well, I suppose if I had a dinosaur, I’d sleep better, too.”

Upshot

The quintessential young career woman, Hoshi Sato, in some ways, was not taken far enough in the series, I feel. In part this is because this character lost screen time, in favor of Tucker and T’Pol. But there were ways that the character could have stretched more. I hope to get a chance to write some more about Hoshi, and stretch her in my own way.

Posted by jespah in Fan fiction, In Between Days series, Portrait, Times of the HG Wells series, 50 comments

Portrait of a Character – Jun Daniels Sato

Portrait of a Character – Jun Daniels Sato

When I wrote Reversal, one of the things I wanted was for Empress Hoshi to have a child. This was a somewhat quick decision but, the more I thought about it, the more I loved the idea for Star Trek: Enterprise fanfiction. The intention was, essentially, that Empress Hoshi, like Livia from Suetonius, would be a viper of a mother, breeding as much as possible (and with as many different men as possible) so as to assure the succession. For Hoshi, it’s also a matter of personal survival.

The Plan

Hoshi knows that the way that anyone moves up in the Mirror Universe is via assassination. She’s got an enormous target painted on her back. So she needs protection.

At the same time, she’s one hot little number. And, in my fanfiction, about three-quarters of all of the children born in the MU are male, which is reflected in things like starship crew manifests. Hence it’s a combination of lots of men plus a sexy young Empress looking for protection. So she hits on a plan.

The plan is to have as many kids as possible, but all by different fathers – the members of her senior staff. She knows that there’s been a genetic mutation which not only skews the number of offspring in favor of males, it also skews male behavior in favor of good fatherhood. Therefore, in order to assure the survival of their offspring, these men won’t go after Hoshi (at least not while the kids are small). And then, when the kids are bigger, it’s a lot harder to just kill them off.

But this all comes later. Before the plan is the seduction.

The Seduction

In First Born, we see the aftermath of the first birth. Whether Daniels seduces Hoshi, or it’s the other way around, is tough to say. As of this posting, I haven’t written it yet. In that story, I establish Daniels as already being a womanizer. As for Hoshi, her round heels are canon. So who goes after whom?

Does it really matter?

The product of that first seduction is Jun (pronounced JOON). The problem is, much like John Connor in The Terminator, he’s temporally paradoxical. Because Daniels works for the Temporal Integrity Commission, a lot of fancy footwork has to happen in order for Jun Daniels Sato to be able to live. The first requirement is that he not be able to father a child.

Another piece of allowing Jun to live is the condition that Daniels never see his son. By the time of Reversal, Daniels’s death has been faked, and Hoshi is looking for a spare heir – a little brother for Jun. She ends up having a total of five more children. All but one of these are male.

Personality and Personal History

Jun is, like most Mirror persons, a ruthless killer. In First Born, before all of the changes wrought by the Temporal Integrity Commission, I reveal that he kills off all of his male siblings. This is in order to consolidate his power. It ends up being another detail that must change in order to assure his survival.

Furthermore, Jun has a bratty and violent streak that all of his half-siblings have. In Coveted Commodity, he’s seen throwing a little knife against a wall – a gift from the Empress that’s referenced in both First Born and Reversal. In Reversal, he won’t come when you call him. So  instead he goes through conditioning training at an extremely young age.

In Temper (this is an alternate future of 2178), he plays third base on the Empress’s baseball team and battles his next in line brother, Kira, in a sword fight. This fight is over a girl. This is because, in this alternate timeline, Empress Hoshi has skewed the male to female ratio even more. So in part this is to oppress women, in part it’s to assure her own survival, and in part it’s to shore up her fading looks.

In The Point is Probably Moot, Jun (in the correct future) is acting as the new Communications Officer, following in his mother’s footsteps in 2192. In Shake Your Body, and then in He Stays a Stranger, Jun is temporarily wiped from existence.

The only person who Jun can, truly, call his “father” is Aidan MacKenzie, the babysitter (Kira’s father), who is not a biological relation at all.

Prime Universe Analogue

While Jun does not have a Prime Universe counterpart, he does have an analogue. This is in the sense that there is a character who is not a mirror image. That character is, rather, a similar personality. That person is Joss Beckett, as both of them are the first born children of their respective parents and both have a heightened sense of duty. The pressure is on both of them to take care of things. Although Jun is considerably more likely to ignore that duty than Joss is.

Quote

“Someone’s got to be the court jester.”

Portrayal

When I think of Jun,  I think of a part-Asian, part-Caucasian man with a bit of a nasty streak. I hit upon the idea of Survivor winner Yul Kwon.

Portrait of a Character – Jun Daniels Sato

Yul Kwon

Kwon works, partly because of his overall look as a bit of a toughened guy, but also the beard evokes the classic Mirror Universe image.

I’m also thrilled with the fact that he is Korean (as is the actress playing Hoshi, Linda Park, even though that character is actually Japanese) and is an intelligent guy, a graduate of Stanford University and Yale Law School, even.

Theme Music

Jun’s theme is from an alternate timeline. It’s Edwyn Collins‘s A Girl Like You. I wanted to not only evoke a part of the plot of Temper, but I also feel that the distortion in the song evokes the distortion in the Mirror Universe.

Upshot

Because Hoshi is a former linguist, all of her children’s names have meanings. Jun means truthful – an absurdity, considering all of the lies everyone needs to tell in order to ensure his survival.

Angry, evil genius Jun Daniels Sato only exists because of a choice that isn’t really much of a choice. Plus there’s a mistake and a bunch of Temporal Integrity Commission thumbs on the scale of history. But he makes the most of his life. Jun passes on his ideas and his passions if not his genes. In every scenario, he and Kira succeed Hoshi and rule the Terran Empire. Not bad for a guy who wasn’t supposed to exist in the first place.

Posted by jespah in Fan fiction, In Between Days series, Portrait, Times of the HG Wells series, 22 comments