Cheating on Star Trek???
In response to Blog Prompt #8, my main participation in other fandoms is in reading or in viewing. I know of fan fiction works in any number of other fandoms (they’re all over fanfiction.net), but I don’t find myself participating in them. Rather, I step back and mostly leave it to the professionals.
But not completely, as I’ve recently done some informal beta reading of some Bilbo/Thorin slash in the Hobbit universe.
In all honesty, I’m not so sure how I feel about it. I like my friend’s work, and I think it’s respectful and true to the characters. The voices seem authentic, even if the actions seem less so. Slash doesn’t make me squeamish, but I think this may bug me a tad as these are characters I read about when I was very young (as in, if memory serves, eight years old). Also knowing enough of Tolkein’s motivations – he had wanted to write a boy’s adventure story and he’s not much for female characters. Hence there are a lot of guys.
It makes me wonder if the times had been different, if we wouldn’t see slash arising from classic war pictures. E. g. Stalag 17 or The Great Escape or The Longest Day. Some of this may be why I’m so drawn to developing and realizing historical crossovers, e. g. Concord and Day of the Dead.
Does it inspire me? I’ve been checking out Game of Thrones a bit recently, and that, coupled with listening to Jane Austen’s Emma on podcast, is starting to creep into the language and speech patterns I use for some characters, particularly for Vulcans. I often have major issues with writing Vulcans unless I logically impair them somehow. But giving them Regency speech patterns seems to be assisting with that. I don’t know if that’s inspiration for me. Perhaps a more descriptive term would be a paradigm shift. So maybe I’ll finally get better at writing standard-form Vulcans, and will give them more dialogue than just saying that something is logical or fascinating.
Why Haven’t I Leaped?
The only other fandom where I was actually inspired to write anything (but never finished it, alas), is Quantum Leap.
Beyond enjoying the show, I did start to write a story, about a stockbroker at the time of the 1987 crash. I recall the guy was African-American and his name was Jordan something or other (like Gordon Gekko, huh) and was called Jordo. He was going to find his happy ending by quitting and taking up with the woman who worked at the local coffee shop, if I am remembering it all correctly.
I was never inspired to finish it, although I did create the HG Wells stories as a kind of anti-Quantum Leap. The idea is to be where people (almost like Sam and Al) try to improve the future by ‘fixing’ the past.
I decided that the idea is, ultimately, an arrogant one. What if the fixing screwed everything else up, making it even worse?
But as for the actual fandom story, no, it died a long, long time ago and was never revived. I’m not even so sure why I selected the main A story for it, but I know I was keeping with their canon, which puts Beckett’s leaps into about 1953 to 2010 or so. But truly, the 1987 crash was not that compelling a news flash, at least not for this sort of drama.
I’m a fan of any number of works. I’ll watch James Bond films on a rainy day, or the Planet of the Apes movies, or Star Wars. I don’t run to turn off Doctor Who or Red Dwarf. I still love everything I’ve seen of Peter Jackson’s take on the Hobbit and Lord of the Rings, even though I’ve watched much of it multiple times.
But none of them move me to write, or at least to finish. And none of them have inspired me to such creativity as Trek does.
I guess this is just the universe that speaks to me the most, and the best, and the clearest. This is the one that tells me to write.