Whither Trek? And whither me? AKA where am I going, and why am I in this handbasket?

Whither Trek? And whither me? AKA where am I going, and why am I in this handbasket?

Where Do We Come From? What Are We? Where Are We Going?

Whither Trek? And whither me? AKA where am I going, and why am I in this handbasket?
Gaguin – Where Do We Come From? What Are We? Where Are We Going?
Gaguin – Where Do We Come From? What Are We? Where Are We Going?

When I set out to first write this little trilogy of blog posts about Star Trek fanfiction, I thought about this particular painting quite a bit. I have told you who I am, and where I (and, to some extent, Trek) come from. But where are we going?

The Cloudy Crystal Ball

Of course I have little to no idea of what’s going to happen next.

Whither Trek? And whither me? AKA where am I going, and why am I in this handbasket?
Cloudy crystal ball

And that has never, ever stopped me from speculating.

After all, Star Trek itself is dreams and visions of the future. Some, like communicators and desktop computers, have been scarily accurate.

Others, like tricorders and bio beds, are close to accurate, or are within reach.

And then others, like warp drive, the Third World War, the Augments, etc.?

Not so much.

What’s Next?

For Star Trek, there is likely to be a third film in the JJ Abrams universe, and it will likely come on or around 2016 as that is the 50th anniversary of the TV series. Abrams will not be directing it. It will be interesting to see who gets it. For me, the JJ Abrams universe means more Eriecho.

As for a new series, I imagine there will be one, and it will likely be in the post-Nemesis future, but closer to the JJ Abrams style. It will depend on budgets and audience tastes. Enterprise was given a fairly large budget, but it was still difficult to get across everything that needs to be done and shown within financial restrictions.  At the time, their ratings were not considered to be good. Now, they would be perfectly acceptable.

Any future television series will likely have an even bigger budget than ENT did, and will likely depend more upon green screen technology in order to cut some special effects corners. What is troubling about that is that large budgets mean that ever larger audiences are needed in order for a show to make money. But television audiences are becoming more and more splintered all the time.

Unless this speculative future show has a lot of network brass (and money) backing it, it could very well be set up for failure, much as ENT seems to have been. Science fiction on TV these days is generally not big, beautiful ships. Even Firefly (which is a decade old, by the way) had a lot of set pieces that took place on the ground. It saves money.

So I would expect to see, and would actually hope to see, a series more character-driven and more plot-driven. A series where makeup and costumes and sets matter. A series where acting and writing are top-notch, not only because they are beloved and respected and say something meaningful and win awards but also because, for real, they save network money. A series where the effects exist but don’t overpower the story line and are not the engines that drive character and plot arc decisions.

A girl can dream, can’t she?

Leave a Reply

Your email address will not be published. Required fields are marked *