Ethan Shapiro grew out of, in part, a desire to show Jewish crew members on the NX-01. But along the way, he became a lot more. I really like this Star Trek: Enterprise fanfiction character.
For The Light, I wanted a character who was facing a circumstance where he would need a minyan. That is, a quorum of Jews for the express purpose of prayers. Having to say Kaddish, due to a death in the family, was the ideal scenario. Ethan was created to be the bereaved crew member.
As is true with a lot of the more ethnically obvious characters, I wanted an actor who would also be a member of that ethnic group. Therefore, I chose Jesse Eisenberg. Ethan isn’t meant to be the greatest-looking guy ever. He isn’t meant to be nebbishy either. This is not Woody Allen on the NX-01. Rather, the idea was to have someone who is not only convincingly Jewish but also is someone who, to be loved, maybe the girl needs to go beyond looks and see what’s really inside.
A little self-effacing, but extremely loyal to his friends, Ethan even defers to Andy Miller when, during The Light, Andrew comments that he’s going to ask out the only Jewish woman on the ship, Karin Bernstein. However, in Waiting, it’s revealed that Ethan is kicking himself for having done that, for he wants Karin.
In the E2 stories I am writing as of the posting of this blog entry, Ethan is even more lovesick and upset.
Ethan doesn’t, truly, have a mirror universe counterpart. In Fortune, it’s revealed that his parents’ counterparts delayed relations for a night, and, instead, Erin Shapiro was conceived. However, there is an earlier Ethan, an older relative, who is likely the person who Erin was named for. Doug reveals to Lili, in Reversal, that that is the name of the second man he’s killed. Furthermore, it is our universe’s Ethan who brings forth this confession from Doug.
Ethan’s relationship with Karin drives some of his behind the scenes activities in Reversal and then in Fortune. In the E2 stories, things go differently for Ethan, and he attempts suicide when he cannot have Karin. When he recovers, in the first kick back, he weds an Ikaaran woman named Bithara; in the second kick back, his Ikaaran bride is named Timinka.
“My Great-Aunt Rachel saw a lot in her long life. She went from an Earth where people could barely get it together to seeing us go out here into the unknown. She used to tell me it was a little like wandering in the desert for forty years. You know, you’re not sure where you’re going, but you trust that wherever you get is going to be good. And I think it’s been good. And I’m glad she got a chance to see that. She was like a link to the past. And now it’s time to, to say good-bye and look to the new.”
As Azar Hamidi says in Waiting, things might have to run their course. But then you might just see that Ethan, he just might be the one.
Voracious grew out of a Star Trek fanfiction idea to not only give Lili O’Day a little more backstory and fill in a blank in her life, but also as a response to a prompt about making a good impression.
Chef William Slocum has been charged by Captain Archer to replace three people – a sous-chef, a pastry chef and a saucier. Plus, for his own preferences, Will doesn’t want to be fetching and carrying. He’d rather not be cleaning off tables or serving food. His current steward, Preston Jennings (seen in More, More, More!) had been the replacement for Daniels and has been moved over to Navigation. Furthermore, Will can’t just ask Preston to drop everything and serve food all the time, as the Xindi war has just started.
Will has a free evening on Earth and takes a cab to a new fusion place that had received a good review prior to the attack on Earth. Voracious is in San Mateo. The meal begins with Will asking the server what’s good. She recommends two of Lili’s specialties – the Harvest Salad and the Duck Burger. The Harvest Salad is mentioned in both Reversal and Fortune. The Duck Burger gets a shout-out in Together. Will decides to have both, plus a glass of the house Shiraz.
He ends up loving the salad and its orange vinaigrette dressing (a reference to the later importance of oranges in Reversal and Fortune) and asks to meet the chef. The server arranges it and Will heads to the kitchen.
Lili is tasked with not only cooking, chopping and making sauces, but also cleaning up. She barely notices him as he comes in, and has him put a carton of blueberries away (blueberries will become important in the E2 stories). And so already Will is able to check off two of his requirements – saucier and sous-chef, and probably also table-cleaner. When she offers him some of the New York-style cheesecake she’s made that day – and complains about having to also balance the books on top of everything else she’s had to do – he is sold. At the end of the story, all they have to work out are the details.
I like the way it turned out and I think it provides a decent introduction to In Between Days. For a while there, it was the first story in that series because it fully takes place in 2153, as opposed to Paving Stones, which has a flashback to 2109 but mainly takes place later. I also like how Lili, who is a major character in the series, is barely seen. She’s the ghost of later, seen through the eyes of Chef.
Melissa Madden arose out of an idea I had for Lili, actually. Since Lili was going to have a particular arrangement, there had to be what was essentially a counterpart arrangement. Enter Melissa.
In Intolerance, there are four crew members who are worse off than the others. One of them is Melissa. At the time, I was already thinking about Together and so I wanted the name to be out there, perhaps in the back of the minds of readers. Melissa was also intended as homage to canon character Martin Madden, who is Steven Culp‘s character in Star Trek: Nemesis. The character is only a part of additional footage; the actual scene went to the cutting room floor.
I also wanted Melissa to be a direct expression of a day/night dichotomy. Hence, she is bisexual, and the day is devoted to a female lover, Leonora, whereas the night is devoted to a male lover, Doug. Switching up the dichotomy even more is the fact that, when introduced, she is working the night shift.
Due to the connection to Culp, I opted for actress Catherine Bell. I also chose Bell because she has a rather different look from both Lili and Leonora. I also wanted a physical portrayal of someone who would be believable as both a mother and an athlete.
This would be someone with almost a fly-boy (fly-girl, I suppose) swagger, too, reflecting the character’s occupation as a pilot. At the same time, the character needed to be feminine but also not too terribly young. Even though she is a lot younger than Doug, I show enough of her later life that it’s almost more than of her younger years. In fact, I have no writings of her childhood or young adulthood, like I do for the Norri, Lili, and Doug.
Five of the six main characters (everyone but Pamela Hudson) is associated with an element. Melissa is the earth element, even though she’s a pilot. A part of this is her earthiness, another part is her hunting and back to nature behaviors. She’s a lot more comfortable out of doors than either Norri or Lili are. To me, she symbolizes solidity.
Beyond the day/night, two lovers situation, Melissa is a skilled pilot and devoted to her family. She becomes a mother three times (all boys) and imparts her love of Starfleet to Tommy and her split persona to Neil.
Kevin, though, is tragic – she buries him when he is less than a month old. This changes her, making her more pensive in her later years. In her much later years, she develops the canon disease Irumodic Syndrome, which is an analogue to Alzheimer’s. In Fortune, the reader witnesses some of her decline. I follow up on this snippet with The Decision.
For Melissa, relationships follow the day and the night. She is a kind of split personality character. Her whole romantic persona has two sides to it.
They meet cute, when both are on vacation on Ceres. Melissa essentially crooks her finger, and Norri comes running. They originally settle on Ceres.
Melissa and Doug are paired up during Together, and she is a direct reason why Lili and Doug open up their marriage. It’s not just due to her pregnancy; it is also because they truly love each other.
In the Mirror Universe, Andy is the Empress Hoshi Sato‘s boy toy, and Melissa knows that. But she goes after him anyway.
This is never confirmed (I may write it at some point), but at minimum, Melissa and Shelby tease the hell out of the Mirror Travis.
The Mirror Melissa’s life is defined by poor choices and tragedy. Her death is one of the scenes in Fortune, and she is also remembered by her lover, Andrew, in Escape.
Kind and sometimes a little silly, the perceptive peacemaker is a part of the glue holding the main characters in the In Between Days series together. And as a foundational member of the family, her descendants are just as important as Lili’s are.
Inspiration comes from all sorts of places. Because my first exposure to Star Trek was watching the original series in its first run, naturally some inspiration comes from the big flashing box in the living room.
Star Trek itself is, of course, an inspiration. And there are a lot of cross-references among the various series, plus the films. I’ll explore that in another blog entry.
QL shows up in all sorts of places. Richard Daniels’s boss is the feminine version of Al – Admiral Carmen Calavicci. The premise of the Times of the HG Wells series is to put back what a faction has meddled with – the reverse of Quantum Leap. Reversal‘s reference to the Defiant‘s database as being so full of holes that it’s like Swiss cheese is a direct reference. Richard’s original girlfriend, Tina, is another reference. So is him being called “Future Man”, a play on the “Future Boy” episode. Even a calla lily in a groom’s lapel is a shout-out to the series.
Culp played Major J. Hayes on Enterprise and so a lot of references swirl around him and his various television roles. References to Desperate Housewives come from E2 characters Bree Tanner and Rex Ryan and Reversal characters Jennifer Crossman and Brian Delacroix are references to Marcia Cross, the actress who played his wife on that show.
There are also some references to JAG, including character Aidan MacKenzie, a shout-out to character Sarah MacKenzie. Both are called “Mac”. In addition, character Melissa Madden is “played” by Catherine Bell, who of course played Sarah MacKenzie.
There’s even a throwaway reference to ER – Culp’s character was named Dave Spencer, which is also the name I’ve given to Tina April’s stepfather.
Malcolm is a major character in the In Between Days series. Therefore, there are a lot of references around him as well. In Intolerance, the character names Blair, Claymore, Nguyen, Owen and Will all have something to do with Keating.
The surname Sloane is a quick shout-out to Cheers. That was Diane Chambers’s boyfriend in the pilot. Chip Masterson‘s real first name, Chandler, is a reference to Friends. So is the throwaway reference to one of Melissa Madden’s sisters – Monica. Her sister Meghan is a reference to The Thorn Birds.
There are more references, and undoubtedly there will be more to come. Can you spot them all?
With Andrew Miller, who was originally part of The Light, I wanted a character who was half-Jewish and half-Christian (Presbyterian). Andy is also something of a foil and a romantic rival to Ethan Shapiro for Karin Bernstein‘s affections, and is a part of Waiting. Then later, in Fortune, as the results of that rivalry are finally shown.
My vision for Andy was of a somewhat tall, dark-haired Jewish guy, and so I hit upon the idea of Adrien Brody. I also liked the idea of Brody, given the very ethnic nose he’s got. So Andrew, even though he’s half and half, shows his Jewish roots rather plainly in his looks. I also liked the idea of him having something of a hangdog, mournful look to him. Andy, while a generally fun guy and a good friend, is perhaps a bit sad in his life.
While his actions in the The Light and Waiting show him as being the romantic partner of Karin Bernstein, things turn out somewhat differently for Andy. In Take Back the Night, he is dating Lucy Stone, the new Science Officer after T’Pol‘s departure. And in Fortune, he is still with her – and she is more of a true match for him. In the E2 stories I am writing as of the posting of this blog entry, Lucy is not on the ship, so he instead ends up with Shelby Pike.
“You know we’ll stand with you, man.”
Andrew’s life in the mirror is far tougher. In Temper, in both the primary timeline and in one of the alternates, he ends up with the Empress Hoshi Sato, and not necessarily fully willfully. In Fortune, Escape and The Point is Probably Moot, the consequences of a different romantic choice come to the fore. Here, he fathers Melissa Madden‘s son. Andy’s life does not end well in the mirror, but at least it’s on his own terms.
As a mid-level Science Crewman, who eventually becomes an Ensign, Andrew works in the Biology Lab, a position somewhat similar to canon character Ethan Novakovich. In the E2 stories, because they need an additional doctor, Andy trains to be a medic. His duties include delivering babies.
Well-liked and upstanding, but a bit bratty at times, Andrew rises to the occasion when he must and, overall, does the right thing, in both universes.
I continued spinning out Reversal on Star Trek Logs.
I added Broken Seal to Trek United, as I hadn’t put anything out there in a while. Also, I updated There’s Something About Hoshi and posted it to Star Trek Logs. In addition, I started spinning out Together on Trek BBS and Ohio on Ad Astra. I also created The Facts on Ad Astra and The Rite on Star Trek Logs as a response to its first-ever prompt (I am running the prompts there, at least for now). Both of the latter two were ficlets brought about in order to flesh out some of the scenes in Fortune.
I keep writing the E2 stories. And I continue to find points to stress or loose ends to tie up and some of those will end up in the fourth book, rather than the third one in that series. I think this will make it a better and more balanced series overall.
Plus I worked a lot on a Daranaean story called Flight of the Bluebird. I didn’t have as coherent a plan for it as I should have, but Kirok of L’Stok wants to put the Daranaean stories onto Issuu. Hence I had to get cracking, so the E2 stories were set aside in favor of finishing up Bluebird.
At this point, I also have my response to the Ad Astra prompt about sacrifices. The title is Equinox. It covers several scenes left out of Fortune.
I spent a lot of time making the website a lot more coherent and getting more of the In Between Days stories into correct chronological order.
This Month’s Productivity Killers
Looking for work continues to cramp my writing style, which I suppose is amusing but is also a tad serious. It can be difficult to get inspiration if you’re worried about continuing income.
Ad Astra’s forums were also down for a bit. That’s generally better for productivity for me, but I do miss the interactions, not to mention the prompts.
Aliens have to eat, and they don’t just eat meat, at least, not my aliens.
The Calafans needed something to chow down on. But what?
History and Use in Plots
I first put olowa – and it didn’t have a name yet – into a dining table scene of Calafans, in Reversal. The idea was not to showcase the food (it was just referred to as a large purple vegetable) but, rather, to showcase that the Calafans were familiar with knives and forks. This is to counter an earlier scene, where Treve and Chawev are asked to dinner on the NX-01. In an earlier scene, Treve expresses an unfamiliarity with forks, so Lili shows him how to use one. Yet in the later scene, his younger sister, Yimar, is shown using a knife and fork to cut up the aforementioned vegetable for her younger brother, Chelben.
It isn’t until Together that olowa is actually tasted by humans and referred to by name. Olowa (pronounced: OH-luh-wah or OH-luh-wuh) grows in the Lafa System. Lili describes it as follows –
“That is an olowa. Or, rather, it’s bits of a bunch of them. It’s a vegetable that grows on Lafa IV. Now, the interesting thing about olowa is, as it matures, it petrifies and turns to stone. It also lightens from deep purple to, eventually, kind of an ash grey. You can’t eat it then; you’ll break a tooth. So what you’ve got here is a salad made from olowa at different stages of maturity. If anything feels too hard, all I can say is, don’t eat it. I won’t be offended.”
The olowa goes through various flavors as it changes in color, from a sweet pear-like flavor, to a spicy flavor, then eventually to a fatty texture and flavor somewhat like peanuts.
In Temper, it’s revealed that perrazin will eat olowa and, while hunting, Melissa climbs an olowa tree in order to escape a herd of charging perrazin. To distract them from going after Doug, she plucks an olowa and throws it as far away from him as possible, and a few of the animals run that way.
In another scene, a very young child, beginning to be introduced to solid foods, gets a little sweet immature olowa mixed in with other soft foods.
In Fortune, olowa are mentioned in a lot of off-handed ways. Olowa paste is sent aboard Malcolm‘s ship as a treat, to be used by the Chef in pies. Declan also paints and draws olowa as a part of still life studies for his art classes. At Lili and Doug’s home, there is a spreading olowa tree, and it’s comfortable to sit under there and nap during a warm afternoon.
Olowa even crossed over to my first story taking place in the JJ Abrams universe. In Release, Eriecho and Saddik are tempted by the Commandant with pieces of olowa, but Saddik notices that it’s been artificially ripened. Still, it’s better than what they’ve been given for years, so he practically swallows his portion whole. Their olowa is going spicy in flavor.
Someday, when we have made friends with other species, we’ll find ourselves eating their local foods. Plants will probably be a lot easier for us to take than meats. A vegetable like olowa would be particularly pleasant – so long as it wasn’t petrified.
Brian Delacroix was born as a foil for Doug, but also to be a friend to Lili.
For most wars, there are often underaged volunteers who somehow sneak in and break the rules. This was the kind of person who I wanted Brian to be. And then, I found, I wanted him to be a bit more than that.
Personality and Personal History
Brian doesn’t have too much of a history. He doesn’t have a planet or country of origin or anything like that. He’s just an underage Security crewman.
Because he’s young and short and babyfaced, he’s got a lot to prove, particularly as a member of Security, so he can be somewhat Napoleonic in his behaviors.
When he gets a chance, in Reversal, to do something else, he rises to the occasion and shows that he has some talent. This eventually becomes his new profession, and he leaves Security. In Together, he helps Yimar and gets a sweet reward for his efforts. In Fortune, the culmination of his education is shown, and we see his granddaughter, Susan, who we learn is attending a High School for the Gifted.
I hit upon the idea of David Faustino as he’s a short guy who has been acting since a rather early age. He also is relatively muscular. And this would be a requirement for someone so small to get Security work.
Within Brian Delacroix, there is a bit of a loose cannon underneath. You should worry a little bit that something might happen if this guy snaps. He goes down a different path, and it ends up being the best thing for him, but the reader should consider that things could have worked out far differently for him.
Things go differently – that is to say, horribly wrong – for Brian’s counterpart. In the Mirror, of course, you only move up when you assassinate your superior officer(s). And in Throwing Rocks at Looking Glass Houses, he guards the Emperor and then, after the Emperor is assassinated, is about to lose his virginity to Empress Hoshi.
However, by the time we get to Reversal, Brian has become little more than a mindless drone of a soldier. His gambit to move up goes horribly wrong.
“Well, whose morality applies to us? I mean, aren’t there species that still have child brides? Do we go by their rules, or ours?”
For every underaged soldier, a hope for a better future or a highly developed sense of patriotism can cause them to leave home early. They might lie to their Recruitment Office and hurl themselves at enemy fire. Brian Delacroix is one such soldier. But, at least on our side of the pond, he makes it through to the other side. And he gets more out of life than just learning how to wield a weapon.
I have been working in the corporate world, in some capacity or another since 1986. Frankly, it was even before that, as I would temp as a college and Law School student in order to make some summer spending money.
One of the things I have perfected over the years is what’s called an Elevator Pitch. The gist of an elevator pitch is that you have the time of an elevator ride (e. g. thirty seconds to two minutes, tops) to make your pitch to a prospect employer who you, presumably, meet serendipitously in an elevator.
This means that you need to strip your resumé and work history down to bare bones. A doctor, for example, can’t go into the details of some operation she performed last year. Instead, she says something like, “I’m an orthopedic surgeon specializing in sports medicine. The Boston Celtics call on me when their medical staff is stumped.” In a very short amount of time, you get a very good idea of what this woman can do, and how trusted she is in the medical establishment.
For Star Trek fanfiction writing, I think there is a need for what is essentially the equivalent of an elevator pitch. That is, it should be a short piece which accurately gives the reader a taste of your universe, your ideas and what you can do. The Light is one such story.
History of the Story
This Star Trek:Enterprise fanfiction story did not set out to be that way. Instead, I was in the middle of spinning out Reversal (pretty close to the end) when in late 2010 I was asked to provide a story for a project called the Trek Twelve Days of Christmas. The only catch was that the story had to be fairly short – that is, it could not be a full-fledged book like Reversal.
I hit upon an idea. There would be some characters from Reversal, but really only minor ones, and the story would revolve around them. It ended up being just one of the minor characters from that story. And, the kicker, because you can find scads of Star Trek holiday stories about Christmas, this one would, instead, be about Chanukah.
I am, as they say, a nice Jewish gal. And people like William Shatner and Leonard Nimoy, but also Armin Shimerman, connect to Star Trek and are Jewish. Plus there are things like the Vulcan salute, and various space episodes centering around World War II, such as TOS’s Patterns of Force. Judaism is a part of Star Trek. But how to add it in, particularly without being overly preachy?
I hit upon the idea of Jews who are somewhat religious but not so much that they cannot function on a starship. That is, they have to, for example, be able to travel on the Sabbath. This means Orthodox Jews are out of the question. But Conservative Jews (which is my background; this references a sect and not a political affiliation) would work just fine for my purposes.
Chanukah was a natural introduction as a lot of people are familiar with it. The celebration, a festival of lights, also includes foods made with oil, such as potato latkes (pancakes), spinning a top called a dreidel and exchanging presents. The candelabra is called a menorah.
In order to add a little emotional heft to the story, and to explain why Captain Archer and the senior staff would be interested in the Jewish contingent on the ship, the story begins with a death. This link to the past also links us, the people of the present day, to the people on the NX-01.
The story begins with an Admiral telling Captain Archer than Crewman Ethan Shapiro‘s great-aunt, Rachel Orenstein, has died. Jonathan wonders why the crewman’s family wouldn’t just tell him and the Admiral says they won’t communicate during the Sabbath. Jonathan presses the matter, still not convinced that he’s the best man for the job when the Admiral tells him to act quickly, as this is a major news story. Why? Because Rachel lived for one hundred and twenty-seven years (which places her birth in 2029). She broke all previous records and, therefore, the press has an interest in her family.
As Jonathan informs Ethan of the death, Ethan asks for leave for the unveiling of the head stone, explaining that the funeral will be too quick for him to ever get back to Earth in time. He also asks to be connected to the Starfleet Rabbi, Leah Benson.
He returns to his quarters and waits for his friends. Lieutenant Reed comes by briefly, in order to offer his condolences as he is Ethan’s boss. The other three Jewish crew members arrive – Josh Rosen, who is in Engineering; Karin Bernstein, who works with Ethan in the Tactical Department; and Andrew Miller, who works in the Biology Lab and is half-Jewish. Andy is perhaps a year older than the others.
When they speak with the Rabbi, they ask how they are ever going to get a minyan together. In order to say Kaddish (the prayer over the dead), ten Jews must be present. Karin’s presence counts (that wasn’t the case when I was a child), but then what? There are only four Jews on the ship. The Rabbi tells them that they can temporarily deputize some non-Jewish friends.
When the time comes for mourning, Captain Archer brings along some friends to help. These include Hoshi who, when asked if she can read Hebrew jokes, “I’ll muddle through”, Malcolm, Phlox, T’Pol and a Security Crewman, Azar Hamidi. Azar notes that Hebrew can’t be too far off from Arabic. They say the prayers.
Ethan’s mother – who tells him to talk to that nice girl Karin a bit – insists that he celebrate Chanukah. So he invites all of the attendees at the service to a little party on the next night. The party is in the Observation Lounge. Like all good parties, there’s a little dancing, a gift, good food to eat, and there’s a little bit of romance.
For the most part, I like it. There is a bit of shtick, though, particularly when Ethan and his mother talk. I could have probably trimmed that a bit, as Linda Shapiro comes across as a bit of a stereotype. But I do like using this story – which only contains a little over 3200 words – as one possible elevator pitch when people ask me how they can get an inkling of how I write. For a positive, K-rated peek at my world, read The Light.
I listened to the song, over and over again, and Doctor Pamela Hudson was born.
Personality and Personal History
Controlling but out of control, with a healer’s profession but a selfish streak, Pamela was meant to be a femme fatale from the very beginning. In Intolerance, she is first introduced when Travis has figured out that there are female medical students coming to the NX-01 for an Immunology rotation. The assumption is that the women are single, and so he and Tripp Tucker and Malcolm Reed decide to compete for the women. When Pamela walks by, she’s wearing a not-too-revealing outfit, but her lips and nails are painted dark purple, and her hair is back and threatening to tumble down. So she puts her left hand up, and they see that she’s got a leather bracelet on and no rings on that hand. Wordlessly, she has communicated to them – I’m available.
She’s also communicated to them – I might be more than you bargained for.
Pamela is a child of privilege, and brilliant to boot (she went to Harvard Medical School), but her family carries a dark secret – ever since she was five years old, her father sexually abused her, while her mother watched. Her sister, Lisa, was unaffected.
She’s also (in conversations with fellow student Blair Claymore) established as being quite sexually liberated, to the point of worrying Blair. Blair, in contrast, is shown as the good girl. Both are attractive, but it’s Pamela who really turns heads.
In Together, her feelings are hurt when she is rejected – a rather unfamiliar scenario for her. In Temper, her Mirror counterpart is seen. In Fortune, she finds a soulmate in an unexpected place. And in Remembrance, her grand-nephew presents her eulogy.
The Mirror Pamela has things even tougher than the one in the Prime Universe. In Temper, she is little more than one of José Torres‘s playthings (as are Blair and Karin Bernstein) in one of the alternate timelines. In Fortune and in He Stays a Stranger, she’s shown as a pinup girl. It’s unclear, at least in Temper, whether she’s a lab assistant or a doctor, and in the other Mirror Universe stories, she may be little more than a prostitute, if that.
I struggled a bit with figuring out who should “play” Pamela. I wanted someone who would be beautiful and sexy and smart, but also could evoke a certain amount of world-weary ennui. To my mind, Kaley Cuoco fit the bill rather well. Not only does she have serious geek cred, she also has some drama cred. I also felt she would be the kind of woman who Tripp would joke about as, “Please, you’re talking about the future Mrs. Tucker.”
“Never arrive to a party early or on time. No one should. It’s like the old Steady State theory of the universe. No beginning and no end. Or maybe it’s just turtles all the way down.”
For a character who was originally supposed to be a one-off, Pamela graduated to In Between Days main character status. However, as something of an outsider, she doesn’t fit the profile of the other In Between Days main characters like Lili O’Day or Doug Beckett.
Pure id, but with a heart underneath all that leather and langor, Pamela is, ultimately, a femme fatale motivated by good.