Karin was brought in, for The Light, in order to be a part of a more substantial plot than just celebrating Chanukah.
Because the name Karin means pure, Karin starts off as something of an unattainable character for someone like Ethan Shapiro. In fact, he defers to Andy Miller when Andrew comments that he’s going to ask her out. However, this is not Ethan’s true desire, as is noted in Waiting.
In the E2 stories I am currently writing, Karin’s behavior is even less pure, and she is much more of an aggressor, not only in her relationship but also in her career. She sits in the captain’s chair several times. This suggests that this pure maiden could potentially even lead people into battle.
For Karin, I had to have a Jewish actress. so I decided on Natalie Portman. Portman is lovely without being wholly unapproachable, for Karin has to be somewhat down to earth. But she also has to be pretty enough that Ethan is nervous around her and maybe even blows some of his chances with her.
She is, in many ways, the quintessential ‘nice Jewish girl’.
Kind and friendly, Karin is probably less career-driven than others. Although, in the E2 stories, she steps up a lot more. As a Tactical crewman, she works under Lieutenant Reed, and is responsible for working with, maintaining and learning targeting and strategy. Presumably, she is not at the Tactical Bridge station too often or without supervision. It’s not until the E2 stories that she has a chance to take the Bridge station and, eventually at times, the captain’s chair.
It depends on which story you’re reading, actually. In The Light, Andy Miller successfully romances her. That relationship continues in Waiting. Lili even asks about it during Temper when she’s asking Malcolm about the gossip from the ship. Malcolm informs Lili that things have changed, and Karin is going out with Ethan Shapiro. The culmination of their relationship is shown in Fortune andThe Rite.
In the E2 stories, by way of contrast, both times she ends up with Josh Rosen, the third of the three male Jewish crew members in The Light.
By the time of Temper, MU Karin Bernstein is in a very bad situation. She, Blair Claymore, and Pamela Hudson are no more than playthings for José Torres. By the end of Temper, she ends up with the mirror Josh Rosen. However, since that’s an alternate timeline, they are not together in He Stays a Stranger, and her whereabouts are not known.
“Best girl? You mean there are others?”
As originally not much more than a plot device, Karin has evolved to become a much more three-dimensional character. I’m sure she’ll take me somewhere else at some later date.
Aside from canon characters, Jennifer was the first character specifically written for Star Trek fan fiction who I could truly visualize.
In Reversal, Lili needed a roommate for a few purposes. One of these was to bounce ideas off. The other was to be an ear-witness to Lili talking in her sleep. Plus roommates are canon in Star Trek: Enterprise for lower-level personnel. I wanted Jennifer and Lili to have little in common, too.
Jenny has any number of symbolic elements to her. Her name has two derivations. The full surname is actually the name of a street near where I grew up. But the Cross part was also to pay homage to Marcia Cross. Both have fiery red hair, too.
I immediately saw Bryce Dallas Howard when I first thought up Jennifer. There is a look of youth and vitality but also some mystery – I suppose it’s a bit of the overall mystique that some redheads seem to possess.
Jenny also needs to be believable in the Mirror Universe as a lot of the portrayal, in particular in Reversal, is on the other side of the pond as well. Unlike other characters who might just have a one-shot bit in the mirror, Jenn is shown there almost as much as she is shown here.
Jenny is the second-in-command engineer on both the USS Enterpriseand theISS Defiant when Reversal begins. In our universe, she is somewhat unaware or is perhaps in denial about her own obvious beauty. She doesn’t even know that the men refer to her as the Redheaded Bombshell until Travis tells her in Together.
In our universe, this long-distance relationship with a planetary geologist has been going on for a while during Reversal. She tells Travis that she and Frank met on a blind date, a fact that Travis barely believes. Why would someone so gorgeous need a blind date? Yet that was what happened. Frank proposes when, one morning, he sees Saturn’s rings in the sky (he’s on Enceladus) and realizes he wants to give her a ring, too. Their relationship (like other relationships) is put to the test in Together, where her theme is The Cult’s Fire Woman.
In the E2 stories, Frank isn’t on board (and she has not yet met him), so she ends up going in a different direction, and marries Aidan during both kick backs in time.
Jenn is a darker figure in the mirror, as are most people. Spoiled and nasty, and rather sluttish, Jenn is more interested in a good time than in almost anything else – yet she is still intelligent and is still the second engineer.
Her relationship with Doug is strained at best. For her, it’s a power move to be associated with the fourth in command. For him, she’s a hot girl who will live with him as he dislikes living alone. But neither of them are happy and, once Doug meets Lili, he’s done with Jennifer.
She ends up with Treve, a Calafan, and they remain together until his death. Their long-term relationship is shown in, among other stories, He Stays a Stranger.
“I know why you fell so hard, and so fast. It’s ’cause, you just know.”
Initially intended to be dizzy, bratty and a foil for Lili, they become friends. This smart engineer is more than just a pretty face.
In order to “sour the milk”, the energy signatures are changed to a different background radiation band. It is revealed that the band for our prime universe is twenty-one centimeters. This comes from a very real concept known as the Hydrogen Line.
In Parallels, Worf steps through several quantum realities (e. g. several universes), but eventually a quantum signature is matched and he can be returned to his correct universe. I have taken the ideas and combined them.
Here, There and Everywhere
If we are a twenty-one centimeter background radiation band universe, then surely there must be a twenty, a twenty-two, and so on. For my fanfiction, the twenty centimeter band universe is the mirror. The twenty-two, as is revealed by Eleanor Daniels in Where the Wind Comes Sweepin’ Down the Plain, is a place where, on Earth, the dinosaurs never died out. Hence a mirror-type situation could not develop there.
Radiation bands are inherited, and a cross-bred child will split the difference.
Hence the children of Doug and Lili and Doug and Melissa have a twenty and one-half centimeter band, reflecting his twenty and the women’s twenty-one centimeter bands. Per Eleanor, until crossovers became more common, a radiation band of anything below twenty-one was a sure sign that someone was one of Doug’s descendants.
Calafans, who can easily shuttle back and forth, and who have origins that are readily determined by the color of their skin (silver for here, copper for the mirror), are not tested, as there is no need.
Testing is accomplished in a few ways. During Temper, on the mirror side of things, the testers are table-top devices with wands. Eleanor is in possession of one (she is a docent at the Temporal Museum, with a specialty in the Terran Empire) and she demonstrates its use during Where the Wind Comes Sweeping Down the Plain. The image shown is actually a bar code scanner. Imagine it plugged into some sort of a tabletop device, possibly something appearing to be a lot like a personal computer or the like.
For our side of the pond, the scanner is a pendant worn around the neck, but devoid of any charm or decoration. The pendant is worn and then placed against a person, much like the mirror universe’s wand, so that a determination can be made as to which universe is the origination point for a particular person. The image at right is actually a UV tester. Imagine it attached to a longer cord and worn around the neck, although with the shorter cord it could conceivably be worn around the wrist.
While the eventual future of these testers is as a curio, their history is far from pleasant for, during the war between the universes in Temper, anyone with the wrong band, on either side of the pond, is often shot on sight, with no questions asked. This shameful heritage is meant to drive home more of the horror of the Mirror Universe.
Melissa Madden arose out of an idea I had for Lili, actually. Since Lili was going to have a particular arrangement, there had to be what was essentially a counterpart arrangement. Enter Melissa.
In Intolerance, there are four crew members who are worse off than the others. One of them is Melissa. At the time, I was already thinking about Together and so I wanted the name to be out there, perhaps in the back of the minds of readers. Melissa was also intended as homage to canon character Martin Madden, who is Steven Culp‘s character in Star Trek: Nemesis. The character is only a part of additional footage; the actual scene went to the cutting room floor.
I also wanted Melissa to be a direct expression of a day/night dichotomy. Hence, she is bisexual, and the day is devoted to a female lover, Leonora, whereas the night is devoted to a male lover, Doug. Switching up the dichotomy even more is the fact that, when introduced, she is working the night shift.
Due to the connection to Culp, I opted for actress Catherine Bell. I also chose Bell because she has a rather different look from both Lili and Leonora. I also wanted a physical portrayal of someone who would be believable as both a mother and an athlete.
This would be someone with almost a fly-boy (fly-girl, I suppose) swagger, too, reflecting the character’s occupation as a pilot. At the same time, the character needed to be feminine but also not too terribly young. Even though she is a lot younger than Doug, I show enough of her later life that it’s almost more than of her younger years. In fact, I have no writings of her childhood or young adulthood, like I do for the Norri, Lili, and Doug.
Five of the six main characters (everyone but Pamela Hudson) is associated with an element. Melissa is the earth element, even though she’s a pilot. A part of this is her earthiness, another part is her hunting and back to nature behaviors. She’s a lot more comfortable out of doors than either Norri or Lili are. To me, she symbolizes solidity.
Beyond the day/night, two lovers situation, Melissa is a skilled pilot and devoted to her family. She becomes a mother three times (all boys) and imparts her love of Starfleet to Tommy and her split persona to Neil.
Kevin, though, is tragic – she buries him when he is less than a month old. This changes her, making her more pensive in her later years. In her much later years, she develops the canon disease Irumodic Syndrome, which is an analogue to Alzheimer’s. In Fortune, the reader witnesses some of her decline. I follow up on this snippet with The Decision.
For Melissa, relationships follow the day and the night. She is a kind of split personality character. Her whole romantic persona has two sides to it.
They meet cute, when both are on vacation on Ceres. Melissa essentially crooks her finger, and Norri comes running. They originally settle on Ceres.
Melissa and Doug are paired up during Together, and she is a direct reason why Lili and Doug open up their marriage. It’s not just due to her pregnancy; it is also because they truly love each other.
In the Mirror Universe, Andy is the Empress Hoshi Sato‘s boy toy, and Melissa knows that. But she goes after him anyway.
This is never confirmed (I may write it at some point), but at minimum, Melissa and Shelby tease the hell out of the Mirror Travis.
The Mirror Melissa’s life is defined by poor choices and tragedy. Her death is one of the scenes in Fortune, and she is also remembered by her lover, Andrew, in Escape.
Kind and sometimes a little silly, the perceptive peacemaker is a part of the glue holding the main characters in the In Between Days series together. And as a foundational member of the family, her descendants are just as important as Lili’s are.
Inspiration comes from all sorts of places. Because my first exposure to Star Trek was watching the original series in its first run, naturally some inspiration comes from the big flashing box in the living room.
Star Trek itself is, of course, an inspiration. And there are a lot of cross-references among the various series, plus the films. I’ll explore that in another blog entry.
QL shows up in all sorts of places. Richard Daniels’s boss is the feminine version of Al – Admiral Carmen Calavicci. The premise of the Times of the HG Wells series is to put back what a faction has meddled with – the reverse of Quantum Leap. Reversal‘s reference to the Defiant‘s database as being so full of holes that it’s like Swiss cheese is a direct reference. Richard’s original girlfriend, Tina, is another reference. So is him being called “Future Man”, a play on the “Future Boy” episode. Even a calla lily in a groom’s lapel is a shout-out to the series.
Culp played Major J. Hayes on Enterprise and so a lot of references swirl around him and his various television roles. References to Desperate Housewives come from E2 characters Bree Tanner and Rex Ryan and Reversal characters Jennifer Crossman and Brian Delacroix are references to Marcia Cross, the actress who played his wife on that show.
There are also some references to JAG, including character Aidan MacKenzie, a shout-out to character Sarah MacKenzie. Both are called “Mac”. In addition, character Melissa Madden is “played” by Catherine Bell, who of course played Sarah MacKenzie.
There’s even a throwaway reference to ER – Culp’s character was named Dave Spencer, which is also the name I’ve given to Tina April’s stepfather.
Malcolm is a major character in the In Between Days series. Therefore, there are a lot of references around him as well. In Intolerance, the character names Blair, Claymore, Nguyen, Owen and Will all have something to do with Keating.
The surname Sloane is a quick shout-out to Cheers. That was Diane Chambers’s boyfriend in the pilot. Chip Masterson‘s real first name, Chandler, is a reference to Friends. So is the throwaway reference to one of Melissa Madden’s sisters – Monica. Her sister Meghan is a reference to The Thorn Birds.
There are more references, and undoubtedly there will be more to come. Can you spot them all?
With Andrew Miller, who was originally part of The Light, I wanted a character who was half-Jewish and half-Christian (Presbyterian). Andy is also something of a foil and a romantic rival to Ethan Shapiro for Karin Bernstein‘s affections, and is a part of Waiting. Then later, in Fortune, as the results of that rivalry are finally shown.
My vision for Andy was of a somewhat tall, dark-haired Jewish guy, and so I hit upon the idea of Adrien Brody. I also liked the idea of Brody, given the very ethnic nose he’s got. So Andrew, even though he’s half and half, shows his Jewish roots rather plainly in his looks. I also liked the idea of him having something of a hangdog, mournful look to him. Andy, while a generally fun guy and a good friend, is perhaps a bit sad in his life.
While his actions in the The Light and Waiting show him as being the romantic partner of Karin Bernstein, things turn out somewhat differently for Andy. In Take Back the Night, he is dating Lucy Stone, the new Science Officer after T’Pol‘s departure. And in Fortune, he is still with her – and she is more of a true match for him. In the E2 stories I am writing as of the posting of this blog entry, Lucy is not on the ship, so he instead ends up with Shelby Pike.
“You know we’ll stand with you, man.”
Andrew’s life in the mirror is far tougher. In Temper, in both the primary timeline and in one of the alternates, he ends up with the Empress Hoshi Sato, and not necessarily fully willfully. In Fortune, Escape and The Point is Probably Moot, the consequences of a different romantic choice come to the fore. Here, he fathers Melissa Madden‘s son. Andy’s life does not end well in the mirror, but at least it’s on his own terms.
As a mid-level Science Crewman, who eventually becomes an Ensign, Andrew works in the Biology Lab, a position somewhat similar to canon character Ethan Novakovich. In the E2 stories, because they need an additional doctor, Andy trains to be a medic. His duties include delivering babies.
Well-liked and upstanding, but a bit bratty at times, Andrew rises to the occasion when he must and, overall, does the right thing, in both universes.
I listened to the song, over and over again, and Doctor Pamela Hudson was born.
Personality and Personal History
Controlling but out of control, with a healer’s profession but a selfish streak, Pamela was meant to be a femme fatale from the very beginning. In Intolerance, she is first introduced when Travis has figured out that there are female medical students coming to the NX-01 for an Immunology rotation. The assumption is that the women are single, and so he and Tripp Tucker and Malcolm Reed decide to compete for the women. When Pamela walks by, she’s wearing a not-too-revealing outfit, but her lips and nails are painted dark purple, and her hair is back and threatening to tumble down. So she puts her left hand up, and they see that she’s got a leather bracelet on and no rings on that hand. Wordlessly, she has communicated to them – I’m available.
She’s also communicated to them – I might be more than you bargained for.
Pamela is a child of privilege, and brilliant to boot (she went to Harvard Medical School), but her family carries a dark secret – ever since she was five years old, her father sexually abused her, while her mother watched. Her sister, Lisa, was unaffected.
She’s also (in conversations with fellow student Blair Claymore) established as being quite sexually liberated, to the point of worrying Blair. Blair, in contrast, is shown as the good girl. Both are attractive, but it’s Pamela who really turns heads.
In Together, her feelings are hurt when she is rejected – a rather unfamiliar scenario for her. In Temper, her Mirror counterpart is seen. In Fortune, she finds a soulmate in an unexpected place. And in Remembrance, her grand-nephew presents her eulogy.
The Mirror Pamela has things even tougher than the one in the Prime Universe. In Temper, she is little more than one of José Torres‘s playthings (as are Blair and Karin Bernstein) in one of the alternate timelines. In Fortune and in He Stays a Stranger, she’s shown as a pinup girl. It’s unclear, at least in Temper, whether she’s a lab assistant or a doctor, and in the other Mirror Universe stories, she may be little more than a prostitute, if that.
I struggled a bit with figuring out who should “play” Pamela. I wanted someone who would be beautiful and sexy and smart, but also could evoke a certain amount of world-weary ennui. To my mind, Kaley Cuoco fit the bill rather well. Not only does she have serious geek cred, she also has some drama cred. I also felt she would be the kind of woman who Tripp would joke about as, “Please, you’re talking about the future Mrs. Tucker.”
“Never arrive to a party early or on time. No one should. It’s like the old Steady State theory of the universe. No beginning and no end. Or maybe it’s just turtles all the way down.”
For a character who was originally supposed to be a one-off, Pamela graduated to In Between Days main character status. However, as something of an outsider, she doesn’t fit the profile of the other In Between Days main characters like Lili O’Day or Doug Beckett.
Pure id, but with a heart underneath all that leather and langor, Pamela is, ultimately, a femme fatale motivated by good.
When I wrote Reversal, one of the things I wanted was for Empress Hoshi to have a child. This was a somewhat quick decision but, the more I thought about it, the more I loved the idea for Star Trek: Enterprise fanfiction. The intention was, essentially, that Empress Hoshi, like Livia from Suetonius, would be a viper of a mother, breeding as much as possible (and with as many different men as possible) so as to assure the succession. For Hoshi, it’s also a matter of personal survival.
Hoshi knows that the way that anyone moves up in the Mirror Universe is via assassination. She’s got an enormous target painted on her back. So she needs protection.
At the same time, she’s one hot little number. And, in my fanfiction, about three-quarters of all of the children born in the MU are male, which is reflected in things like starship crew manifests. Hence it’s a combination of lots of men plus a sexy young Empress looking for protection. So she hits on a plan.
The plan is to have as many kids as possible, but all by different fathers – the members of her senior staff. She knows that there’s been a genetic mutation which not only skews the number of offspring in favor of males, it also skews male behavior in favor of good fatherhood. Therefore, in order to assure the survival of their offspring, these men won’t go after Hoshi (at least not while the kids are small). And then, when the kids are bigger, it’s a lot harder to just kill them off.
But this all comes later. Before the plan is the seduction.
In First Born, we see the aftermath of the first birth. Whether Daniels seduces Hoshi, or it’s the other way around, is tough to say (as of this posting, I haven’t written it yet). In that story, I establish Daniels as already being a womanizer. As for Hoshi, her round heels are canon. So who goes after whom?
Does it really matter?
The product of that first seduction is Jun (pronounced JOON). The problem is, much like John Connor in The Terminator, he’s temporally paradoxical. Because Daniels works for the Temporal Integrity Commission, a lot of fancy footwork must be performed in order for Jun to be able to live. The first requirement is that he not be able to father a child.
Another piece of allowing Jun to live is the condition that Daniels never see his son. By the time of Reversal, Daniels’s death has been faked, and Hoshi is looking for a spare heir – a little brother for Jun. She ends up having a total of five more children. All but one of these are male.
Personality and Personal History
Jun is, like most Mirror persons, a ruthless killer. In First Born, before all of the changes wrought by the Temporal Integrity Commission, it’s revealed that he kills off all of his male siblings in order to consolidate his power. This ends up being another detail that has to be changed in order to assure his survival.
Furthermore, Jun has a bratty and violent streak that all of his half-siblings have. In Coveted Commodity, he’s seen throwing a little knife against a wall – a gift from the Empress that’s referenced in both First Born and Reversal. In Reversal, he won’t come when he’s called and instead is put through conditioning training at an extremely young age.
In Temper (this is an alternate future of 2178), he plays third base on the Empress’s baseball team and battles his next in line brother, Kira, in a sword fight. This fight is over a girl because, in this alternate timeline, Empress Hoshi has skewed the male to female ratio even more. In part this is to oppress women, in part it’s to assure her own survival, and in part it’s to shore up her fading looks.
The only person who Jun can, truly, call his “father” is Aidan MacKenzie, the babysitter (Kira’s father), who is not a biological relation at all.
Prime Universe Analogue
While Jun does not have a Prime Universe counterpart, he does have an analogue, in the sense that there is a character who is not a mirror image but is, rather, a similar personality. That person is Joss Beckett, as both of them are the first born children of their respective parents and both have a heightened sense of duty. The pressure is on both of them to take care of things, although Jun is considerably more likely to ignore that duty than Joss is.
“Someone’s got to be the court jester.”
When I think of Jun, I think of a part-Asian, part-Caucasian man with a bit of a nasty streak. I hit upon the idea of Survivor winner Yul Kwon.
Kwon works, partly because of his overall look as a bit of a toughened guy, but also the beard evokes the classic Mirror Universe image.
I’m also thrilled with the fact that he is Korean (as is the actress playing Hoshi, Linda Park, even though that character is actually Japanese) and is an intelligent guy, a graduate of Stanford University and Yale Law School, even.
Jun’s theme is from an alternate timeline. It’s Edwyn Collins‘s A Girl Like You. I wanted to not only evoke a part of the plot of Temper, but I also feel that the distortion in the song evokes the distortion in the Mirror Universe.
Because Hoshi is a former linguist, all of her children’s names are meaningful. Jun means truthful – an absurdity, considering all of the lies that need to be told in order to ensure his survival.
Angry, evil genius Jun only exists because of a choice that isn’t really much of a choice, and a mistake and a bunch of Temporal Integrity Commission thumbs on the scale of history. But he makes the most of his life, passing on his ideas and his passions if not his genes. In every scenario, he and Kira succeed Hoshi and rule the Terran Empire. Not bad for a guy who wasn’t supposed to exist in the first place.
Music is almost a constant in my writing. Characters might have individual or couple or group themes, or a story might have a theme, or even a series. Music can be used in order to evoke a particular mood or time period, and lyrics in particular might steer a plot.
For the Wells series, it’s all about time, so music is not only used to set moods, it’s also used to orient the reader as to time and place. Lyrics are displayed, at the beginning and end of each chapter, to continue to bring home the idea of a soundtrack to go along with the set pieces. In addition, character HD Avery is the “music guy” – he can sight-read music and can play piano, guitar and drums. He’s sent on all sorts of musical missions and even, at one point, refers to them as being like Rock ‘n Roll Heaven.
The first mission is about the day the music died, that is, it’s about the deaths of Holly, Valens and Richardson on February 3rd of 1959 in a plane crash in Clear Lake, Iowa.
For Take Back the Night, not only the title should be a tip-off that the Daranaean women are a bit sick of how they’ve been treated, as the first chapter opens with a quote and a link to the Beatles’ Revolution.
For written fiction online, a link to YouTube can provide a missing soundtrack, and a major or minor key cue to the reader about mood.
Funny thing is, I can’t write while listening to music; I end up paying too much attention to it!
I hope I’ve gotten an appealing and appropriate soundtrack into your head as you’ve read. But if anything seems like it might be better, feel free to suggest it.
Crystal is the kind of person who is often underestimated in the world. Her education is fairly limited, but she knows more than a lot of people probably think.
First introduced in A Long, Long Time Ago, Crystal is busy cutting Temporal Agent Richard Daniels‘s hair when he asks her if she knows anything about historical fashions and haircuts. Her reply indicates not only knowledge, but interest in the subject matter, so Rick presents her as a candidate for the Quartermaster job opening at the Temporal Integrity Commission.
I wanted Crystal to be a bit petite and young, but also very attractive and stylish. I hit upon the idea of Marnette Patterson after seeing her in Charmed. The look, to me, is a good fit for a woman who is secure in her looks but not necessarily in her training or her intelligence. This is not a slam on the actress; this is just the look that I was seeking.
While a computer could, conceivably, put together a look that would be consistent with a particular time period, I wanted for there to still be some room for error. For Crystal, the job is less about matching the obvious to a time period than it is to also match it to a particular effect needed. When Rick goes to a 1970 college campus in Ohio, she doesn’t just give him sideburns, she also makes sure that he looks young enough to be a graduate student, but old enough to be able to exert a little authority if necessary. She makes Sheilagh Bernstein (who also goes on that trip) look more like a typical coed, as Sheilagh is a trainee.
In Spring Thaw, she outfits Rick in a more old-fashioned style, despite the fact that it’s only a few years before the scenario in Ohio, as Rick is going to a Soviet bloc country.
Other Talents and Ideas
In Spring Thaw, she spends time helping with the decryption. It’s a particularly frustrating task for her, but her confidence is buoyed by Deirdre Katzman encouraging her.
There are no impediments to Crystal existing in the Mirror Universe.
But as I write Star Trek: Enterprise fan fiction, Mirror Universe women are mainly chewed up and spat out. Unfortunately, I see that as her fate on the other side of the pond.
“After the Second World War ended, people didn’t have a lotta money, so it’s reflected in the fashions. They just didn’t have a lot of details. Look at the fifties – just a decade later – and it’s more youth-oriented, and then fast-forward another decade and it’s even more youth-oriented. There’s suddenly all these patterns.”
Behind that pretty face, there’s a keen mind and a sensitivity and kindness. Book learning isn’t the only thing valued in the thirty-second century.