As in canon, Lorian is dutiful to a fault, and works hard to assure that the prime timeline’s Enterprise can get through and complete its mission in the Delphic Expanse.
Lorian marries the daughter of Mario Lattimer and Susie Money. Their daughter is Jolene Tucker. Their grandchildren are Stephanie and Steven Hodgkins. Their great-grandson is Jay Hodgkins.
Because Vulcan hybrids live longer than humans, Lorian is widowed and remarries. He and Hanna (the daughter of Joshua Rosen and Karin Bernstein) do not have children. It is her second marriage, too.
By definition, Lorian cannot exist in the Mirror Universe.
“We were hoping to reveal some of these in a more private manner. There were some men who never wed, and died young. You were one. So were Daniel Chang, Christian Harris, Jay Hayes, Brooks Haynem and Malcolm Reed.”
Portrait of a Character – Charles IV (Charlie) Tucker
Because, in canon, Tripp Tucker has somewhat odd experiences with offspring and, in the prime timeline and prime universe, dies childless, a lot of people like to give him offspring. As a result, I gave him both a prime universe and a Mirror Universe version of Charles IV, although they are not counterparts.
In the prime universe, Charlie is a part of the first kick back in time during the E2 timeline, and his mother is T’Pol. He has a twin named T’Les Elizabeth (that name has been used by other fanfiction writers). In the MU, Charlie’s mother is Beth Cutler, and his sister, Betsy, is younger and is not his twin.
As a teenager, Charlie is played by actor Noel Fisher. As an adult, in keeping with the canon portrayal of Charles Tucker III, he is played by Connor Trinneer.
I like the teen’s look. He seems to be a reasonable mix of Tripp and T’Pol for the E2 storyline, and a mix of Tucker and Cutler for the MU storyline.
Both fellows are pretty easy-going, although the interphased Charlie ends up as the captain of the Enterprise after Jonathan Archer‘s death.
In the first kick back in time, Charlie marries Ethan‘s daughter with the Ikaaran, Bithara. Their daughter is Daphne Tucker, and their granddaughters are T’Mir Ryan and Yoshiko Tucker. Their great-grandsons are Aidan and Steven Khan (sons of Yoshiko).
Takara Masterson Sato
In the MU timeline, with few options, Charlie and Takara end up being thrown together, and they end up becoming the grandparents of the heir to the Terran Empire, Charles VI, AKA The Emperor Charles I.
In the Mirror, Charlie’s theme song is Warren Zevon’s Trouble Waiting to Happen.
Charlie exists in the Mirror Universe in the prime timeline, and in the prime universe in the E2 timeline (first kick back in time only). However, the two men are not counterparts to each other.
“Captain, we didn’t make this. And neither did you. Or, rather, the other version of you. But it happened all the same. We did not think you would believe us. So we put together the notes that Charlotte has just sent you. Please, please, just open them and read them. And you will see that we are sincere.”
For a guy who isn’t supposed to exist at all, I like that Charlie gets some screen time. But I doubt I’ll write him much more unless it’s in the MU.
Movie Night, of course, is canon. In November of 2159, Malcolm takes Melissa to Movie Night.
In response to a Star Trek fan fiction prompt about fraternizing, I decided to go with a date that would not really be a date at all. Instead, it is a bit of a cover. Melissa is pregnant with Tommy, but has not yet been ordered off the Enterprise. But that time is drawing nearer. Melissa’s plan is to go home to Ceres and Norri and await Tommy’s birth there.
The story opens with Malcolm carefully getting ready for the evening. But he then smacks his own forehead – he’s forgotten the flowers.
So he visits Shelby Pike in Botany and she makes him a colorful bouquet with the understanding that the flowers and the ribbon can be any color except for blue. Hence it should be obvious to sharp-eyed readers that this is a reference to Lili. I also spell out that the date is not with his true beloved.
While in the lift with Tripp, Tucker asks if he and Melissa are getting serious. Therefore, Malcolm confides that it is all for show, and he is taking care of her as a friend (and as a part of the Doug/Lili open marriage arrangement), but he does not have romantic feelings for Melissa.
However, he arrives to find the door to her quarters locked, but he can hear Melissa retching. He uses (rather, he oversteps, really) his authority and bypasses the lock. He holds back the flowers, unsure if they will set her off again. Then he also scolds her, and then realizes that that is not his place. Not his child, not his girl. A bit tentative, she insists on going out, and the story ends with them going to see Stalag 17 together.
I liked the little touches in this one, as Malcolm seems like he is suiting up for a date, to Melissa’s complaining about being sick all the time, to the colors in the bouquet and then the film, which is also referenced in Day of the Dead.
A friend passed away earlier in 2013, and I was having some trouble processing it. I decided to attempt to process it through art.
As a result, I worked in my own feelings by trying to tease out Hoshi and T’Pol‘s feelings about Tripp‘s passing.
And, the reason why I call this canon character Tripp instead of Trip is because of this very man who, in real life, is no more.
As Tucker has died, the two women who knew him best mourn him in different ways. T’Pol’s canon relationship is well-known. She ends up breaking down in front of Jay Hayes‘s replacement, Major Strong Bear Dawson, who everybody calls Bud. Bud is the sole eyewitness to her breakdown, and he tells her he won’t say anything to anyone. She asks how she can repay his kindness and he tells her to just go and have a good life.
Hoshi’s relationship with Tripp is outlined in Together. But the song that is the title of the piece, and is woven throughout this songfic, was played during the party outlined in More, More, More! Hoshi reveals that she and Tripp danced to it. She comes to the realization that it served as a prelude to their time together, and that Tucker may have liked her before then. For her, the music, and a dance with Travis, are how she feels she can cope.
When she and T’Pol are alone together, she passes the music from the party to the Vulcan, urging her to listen so that she can, in a way, understand another facet of Tripp’s personality, something she may not have already known. It is a final act of generosity between women who were not exactly romantic rivals, but rather were romantic steps or links in the chain that was Tripp’s life.
Apart from the Donna Summer song, the entire playlist from More, More, More! is as follows –
As a story, I think it works pretty well. Reactions have been mixed; some critics have said they thought T’Pol would not act as forcefully as she does, but Star Trek: Enterprise canon dictates that this is a former trellium addict and so her emotions are still not fully under control, even years later.
In this story, I am probably more like the Hoshi character. Removed but mournful, and saddened by the wasted potential more than anything else. I have no problem with Tucker being killed off in canon. People die and they should die in space. Space is far from safe, particularly during that era. But I wanted to see a lot more of the aftermath. I hope this aftermath/afterimage type of story can work for readers.
Star Trek: Enterprise establishes, in canon, that commerce and trade are still conducted, and money is still used. Furthermore, there are still automobiles (Tripp Tucker refers to driving an old girlfriend to Chatkin Point). Hence I knew I wanted Tucker for this story, which was in response to a prompt about letters from home. The letters, I decided, would be reflective of Harry Shapiro’s own travails with a finance company.
For Tripp, the finance company contacts him after the Xindi attack. Of course, he’s more than a little put out by this. And the exasperating correspondence thereby begins ….
I like how this one turned out. It’s got a bit of comedy as things go more and more over the top. I also think I ended it at the right point. Any more and the reader might’ve started to feel sorry for the finance company.
While watching Star Trek: Enterprise (and The Original Series and the other series, but particularly Enterprise), I was struck by how together and cute and all of that Tripp Tucker is.
And that is just not my experience of most engineers.
This is not an insult and I hope it is not taken that way. Rather, most of the engineers I have known have been shy and withdrawn people, far more comfortable with engines, wrenches, etc. than people. Scotty is much more of the epitome of a true engineer to me, and Geordi is pretty close as well. But Tucker, to my mind, is a bit too well-socialized, as is Miles O’Brien.
Of course Tucker is canon so he’s not totally gone from my writings. But I do try to write him with angst (Together, Temper, and Fortune) or at least a feeling that he’d rather look at an engine than talk or think about something more esoteric, like politics (Intolerance).
As for Geordi and Scotty, I try to give them different degrees of depth. Both of them have gotten romances or at least the promise of romance in my fiction. In Crackerjack, Geordi finds he’s falling for Rosemary Parker, but because of the time difference, it can never be. Scotty has somewhat better luck with M’Ress in Milk. As for Miles, he’s a family man. But he’s got a certain other talent, as demonstrated in You Make Me Want to Scream.
Other engineers and engineering students, because they are wholly created by me, fare somewhat differently.
Judy Kelly and Michael Rostov
These canon characters marry in my E2 stories.
This Gorn character reveals he is an engineering student in Truth. He describes a good career ahead of him as a civil engineer, where he can provide for Sophra and, hopefully, win over her parents.
In Wider Than the Sargasso Sea, this Klingon character is disappointed that a Breen is working in an engineering office where she had hoped to get an internship, and shows some prejudice when she tells Gabrielle Nolan that she has to cross that firm off her list if a Breen is working there. Like Bron, she is studying civil engineering, but she’s further along in her studies than he is.
This character is an engineer in only our universe but not the mirror (Reversal), where he’s a security crewman. In our universe, he starts off as third in Engineering, behind Tucker and Crossman. A lot of his work involves monitoring the warp containment field, plus he often runs the transporter. In the E2 stories, he does all sorts of odd tasks, including building an ultrasound machine.
In both universes, Jennifer starts out as the secondary in engineering, right behind Tucker. On the Defiant, it’s likely that she worked the night shift at least part of the time, which may have been how she at least initially hooked up with Aidan MacKenzie.
As a corollary to the characters who are only engineers in our universe, Frank is only an engineer in the mirror (here, he’s a planetary geologist). Eventually, in The Point is Probably Moot, he rises to the level of First Officer of the Defiant, when Andrew Miller commits suicide (Escape).
Kevin is the Chief Engineer for the Temporal Integrity Commission (Temper, The Point, etc.). He’s a lumbering beast of a man and is part-Gorn, tipping the scales at nearly a quarter of a metric ton.
Deirdre is Kevin’s young protegée and enjoys old time travel fiction, so she names the time ships (HG Wells, Audrey Niffenegger, Jack Finney, etc.). See A Long, Long Time Ago.
This Ferengi engineer works mostly on an older style ship called the Penar (The Point is Probably Moot).
This Calafan engineer is Kevin O’Connor’s love interest and works on Calafan time ships like The Light of Lo.
This engineer works on temporal mechanics for Section 31 in a forerunner to the Temporal Integrity Commission.
They keep it all together, and they keep it running like a top. Without engineers, there really couldn’t be any Star Trek at all.