Star Trek Enterprise

Review – Coveted Commodity

Review – Coveted Commodity

Coveted commodity?

Background

I originally wrote Coveted Commodity as a response to a Trek BBS challenge about a new day dawning. I decided to put a mirror universe spin on it, and so I went with the mirror Travis making a turning point type of decision in his life.

Story Highlights

Mirror Travis Coveted Commodity

Mirror Travis

The tale begins with Travis Mayweather sitting in Sick Bay, waiting for … something. The Derellian bat makes another appearance; its loud shriek causes Travis to unsheathe his sidearm, “ready to shoot that damned bat”. But who or what is Travis waiting for?

The exposition brings it together, that he is waiting on Empress Hoshi. She is pregnant with his child. And there are complications.

For people in the mirror universe, particularly men, signs of weakness are not only degrading, they’re downright dangerous. Hence what is happening to Travis’s son could not only harm the child at that time and later, it could also harm Travis’s own standing.

Plus, this is not the Empress’s first child. That honor is reserved for Jun Daniels Sato. This is, instead, Hoshi’s sixth.

Travis begins the story indifferent as to outcomes. But he becomes mightily interested once it becomes clear that the fetus has issues. Furthermore, Doctor Morgan gives him a choice – allow the surgery (the fetus has a hole in his heart that must be repaired in utero), but also allow the doctor to kill off Hoshi. The doctor’s tempting offer is a corker – end Hoshi’s reign of terror, but also kill off your own son; kill off your son due to inaction on your part; or allow the surgery and allow Hoshi to live.

Travis’s Choice

Travis chooses the latter option. His new day dawning is that he decides he wants to be a father. This is in keeping with the way I have written mirror universe men. The way I write them, they are violent but they are also good fathers. They want their children to survive, and will do anything to assure that (including violence). Hence Travis’s sole option is to permit the surgery but not allow the doctor to kill (or fail to resuscitate) Hoshi on the table.

In Temper, it is revealed that the choice works for the child (Izo) but Travis is not allowed to enjoy the fruits of his choice. Time is somewhat incoherent in Temper, but the events occur after the surgery and, in the alternate timelines and in the restored proper timeline, Travis meets his end.

Story Postings

Rating

Although the story does have some adult elements (Hoshi is a woman with children from multiple fathers), the rating is K.

Upshot

I think execution was pretty good on this one. Once again, much like in First Born, a mirror child’s life hangs in the balance, and the father must make the right choice so that the child may survive.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Review, 11 comments

Portrait of a Character – Susan Cheshire

Portrait of a Character – Susan Cheshire

Susan Cheshire got a bigger role as I wrote more.

Origins

Susan was originally just an ex-girlfriend of Doug‘s. She was meant to be mentioned quickly and then set aside. But she became even more interesting as I wrote more of Reversal.

Portrayal

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Yvonne Nelson as MU Susan Cheshire (image is for educational purposes only)

Yvonne Nelson as MU Susan Cheshire (image is for educational purposes only)

Susan is played by former Miss Ghana, Yvonne Nelson. Beautiful, intelligent and a little naughty, I feel Ms. Nelson evokes that wonderfully well. She is someone who a lot of guys would lament as being “the one that got away”.

Personality

A school teacher, Susan is playful and even rather sexually liberated, according to Jay in the E2 stories and Doug in Together. But all is not right, for in both universes she depends upon synthbeer to get through her days. She has blackouts and, before meeting Lili, it is Doug’s greatest fear and challenge to deal with that. He ends up walking away. Jay, too, cannot take her alcoholism. His departure causes guilt that eats at him at the start of the E2 stories.

Relationships

Doug Beckett

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Yvonne Nelson as Susan Cheshire (image is for educational purposes only)

Yvonne Nelson as Susan Cheshire (image is for educational purposes only)

With Doug, in the Mirror, Susan is a stabilizing influence, at least to start. They meet on Titania, and are together for a few months. But then she begins to experience blackouts. This causes Doug to panic, and he leaves.

But she remembers him, and refers to him as “Soldier Boy”, years later, during the first alternate timeline in Temper.

By the time of Fortune, Doug recognizes that she needed treatment and sympathy, and he feels badly for not doing that for her when he had the chance.

Jay Hayes

Portrait of a Character – Susan Cheshire

Susan when Jay knew her (Yvonne Nelson)

In our universe, a similar situation plays out with Jay. In the E2 stories, he reveals a sexually adventurous side of Susan that I never explore elsewhere.

But he, too, was blindsided by her alcoholism, and unable to cope. Just like Doug, he leaves abruptly. And just like Doug, he is consumed by guilt over that, but more so. Doug is able to get past it and be with Lili. But it takes a lot more for Jay to get past things and, in the prime time period (aligning with canon), he barely does so and, by then, it’s a bit too late.

Aidan MacKenzie

In both universes, Susan eventually ends up with, and marries, Aidan. For Susan, in our universe, she gets acceptance from someone who can handle her episodes and, perhaps, help her to heal.

In the mirror, Aidan protects her, and they team up well, to parent his son with Empress Hoshi, Kira. With Aidan, her life improves dramatically in both universes. With Aidan, it feels like she just might make it.

Mirror Universe

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Yvonne Nelson as MU Susan Cheshire (image is for educational purposes only)

Yvonne Nelson as MU Susan Cheshire (image is for educational purposes only)

Susan exists in both universes, and is mainly defined by her relationships. In Temper, she is past her prime and the effects of years of alcoholism have taken their toll. But in later stories, such as He Stays a Stranger, she is in better control.

Quote

“I’m going to assume you don’t want me dead.”

Upshot

This character seems to have all sorts of strikes against her. But she’s a survivor. And there is a reason why she was important to both Jay and Doug and, eventually, to Aidan.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Interphases series, Portrait, Times of the HG Wells series, 9 comments

Review – And the Livin’ is Easy

Review – And the Livin’ is Easy

And the livin’ is easy? That can only mean one thing: summertime.

Background

So I originally wrote this story as a response to a prompt about the seasons. I had already written a story about winter, called A Hazy Shade. That one was somewhat depressing. I wanted something cheerier, so I thought of the summertime, and so And the Livin’ is Easy was born.

Plot Elements

As a missing scene from the canon Star Trek: Enterprise episode Two Days and Two Nights, I wanted to obliquely introduce the Calafans without beating the reader over the head with that. Hence, in this little ficlet, Jonathan Archer is engaging in a little girl watching.

There are two women in his sights. They are chatting together, but are not on Risa together on vacation. Rather, it’s more like they met there and got along so they are doing a little quick touring together.

Canon-ish

Review – And the Livin' is Easy

Archer IV fish

In the canon Star Trek: Enterprise episode, Archer refers to a boat ride where fish are caught and cooked for you right there. Since that boat ride is never seen, I seized the opportunity to show it. So he is on a bench and the two women are nearby, chatting. One is a Trill, but not named. I never meant it to be a first contact or canon-busting story at all. The other is a Calafan, recognizable from my Star Trek fanfiction as she has silvery scrollwork on her arms and speaks with an Irish brogue.

Jonathan speaks with them and asks them to show him around, but unfortunately they tell him they are leaving the following day.

Story Postings

Rating

The story has a K rating.

Upshot

I just wrote the story as a gentle summery kind of scene. I think it makes a sweet little prequel tale.

Posted by jespah in Fan fiction, In Between Days series, Review, 4 comments

Portrait of a Character – Hoshi Sato

Portrait of a Character – Hoshi Sato

Origins

Portrait of a Character – Hoshi Sato

Hoshi Sato

This is a canon character, of course. Hoshi Sato (her name, literally, means “at home in the stars”) is the Communications Officer on the NX-01, with the rank of Ensign, which she retains throughout the entire run of the series. Also according to canon, she eventually  rises to the rank of Lieutenant Commander. This is a rank that I, semi-incorrectly, use interchangeably with the rank of Lieutenant. She also marries a man named Takashi Kimura. In the canon E2 story, she names her two children Toru and Yoshiko. I go with those as being the names of her prime timeline children as well.

Hoshi is also, in canon, extremely intelligent (probably a linguistic genius) but, at least in the first two seasons in particular, is a bit insecure. She is the most likely to jump if the ship is under attack or bumped. She is also likely to doubt her own obvious abilities.

Portrayal

As in canon, this character is portrayed by actress Linda Park.

Personality

In addition to her canon quirks, I tend to write her as still being a bit more tentative, even after the Xindi War. In There’s Something About Hoshi, she is encouraged by the captain to stretch a bit. However, the reaction there proves to be far too much for her, and she balks a bit.

In Together, she reveals a playful and sexy side but, in the end, chooses career over romance, failing to realize that Tripp is truly passionate about her.

Portrait of a Character – Hoshi Sato

Hoshi on the Bluebird

She’s also caring. As Malcolm‘s First Officer on the Bluebird, she’s comforting when he receives the news in Equinox. She also defiantly says she will take the fall if there’s any real flak from the diverting of the ship to Lafa II instead of heading straight to the Klingon Neutral Zone, as planned. However, she plans her retirement at a young age, as she is seeing her children grow up without her, and fears she is missing out.

Relationships

As I write her, she has four main relationships, including her canon marriage, which I acknowledge in Equinox, Flight of the BluebirdA Hazy Shade and There’s Something Else About Hoshi.

Sekar Khan

In the E2 scenario, she ends up, in both iterations, with the Quartermaster, Chandrasekar Khan. In canon, there is no name for her husband, so there is room to be creative in this area. Sekar is gentle and giving, but also keeps her from some of the worst of what’s out there. While he is no warrior, he intercepts problems and does his best to make her life easier.

Takashi Kimura

Hoshi’s canon husband is never on screen. I have really only written them as long-term marrieds, and never at the start of their courting.  That could potentially develop into a later project.

Ted Stone

In There’s Something About Hoshi, she laments about having settled during the E2 situation. For her, Ted seems to be another form of settling. This is because she sees him as being almost, but not quite, romantic. It’s as if he keeps missing his marks. When she is injected with a compound intended to make her irresistible, he is one of the few men who does not bother her, and is the only one of those who is heterosexual. He explains that the compound didn’t seem to work on him, as he was already there.

Tripp Tucker

Portrait of a Character – Hoshi Sato

Later Hoshi

They are forcibly paired up in Together, but they are the only couple who, truly, start off  in a non-hostile manner. Instead, they vow to “make the most of it”. The dance – literally – between them moves from fooling around to, eventually, a declaration of love on Tripp’s part, which Hoshi does not reciprocate. Unknowingly and unintentionally, she breaks his heart in her efforts to stay on the ship and remain able to work with everyone, including him and, presumably, T’Pol, his ex.

She is thoroughly unaware that he is still interested, even as they are heading into the time of the canon These Are the Voyages episode. Instead, she agrees to a date with José Torres. However, she might have a little residual jealousy, as I depict in Broken Seal. An anomaly hit briefly impairs her judgment, and she stages an elaborate prank against Commander Tucker. But it’s possible that some of that stems from Tucker’s attempt to reconcile with T’Pol, an attempt that, in keeping with canon, fails.

Theme Music

In Together, she has a theme of her own, Bette Midler’s Do You Wanna Dance? and one which she shares with Tripp,  Joe Jackson’s Kinda Kute.

Mirror Universe

Because I write so much about the Empress Hoshi Sato, her mirror counterpart gets a separate blog post.

Quote

“Well, I suppose if I had a dinosaur, I’d sleep better, too.”

Upshot

The quintessential young career woman, Hoshi Sato, in some ways, was not taken far enough in the series, I feel. In part this is because this character lost screen time, in favor of Tucker and T’Pol. But there were ways that the character could have stretched more. I hope to get a chance to write some more about Hoshi, and stretch her in my own way.

Posted by jespah in Fan fiction, In Between Days series, Portrait, Times of the HG Wells series, 50 comments
Portrait of a Character – Malcolm Reed

Portrait of a Character – Malcolm Reed

Portrait of a Character – Malcolm Reed

Malcolm Reed is, by far, one of my all-time favorite Star Trek characters.

Origins

Portrait of a Character – Malcolm Reed

Malcolm Reed (Dominic Keating)

This character is, of course, Star Trek: Enterprise canon. The actor, Dominic Keating, is British (he’s from Leicester), but the character is from Malaysia. Repressed, uptight and a lover of big guns and even bigger explosions, Reed was rumored to be the first regular gay character. However, according to Keating, the rumors were Internet hype more than anything else, and homosexuality was never intended to be a part of the portrayal. This has not stopped a lot of fan fiction writers from giving him a slash angle. I do not. Instead, since all of his relationships and possible relationships are straight, I write him as completely heterosexual.

Portrayal

As in canon, Reed is played by actor Dominic Keating.

Personality

Canon states that Reed is repressed and shy around women. He’s also very competent at his job, possibly the most competent person behind T’Pol. Self-sacrificing to a fault, Reed is uncomfortable fraternizing with his captain, and feels that the relationship should remain at arm’s-length. Furthermore, Malcolm is afraid of water and is the ship’s chess champion.

So much for canon.

As I have written him, he also has a fondness for Scrabble and various word games and puzzles, enjoying competition but also working to improve his mind. He’s an avid reader (some of that reading is canon), and is particularly fond of Jane Eyre. Whether he sees himself as Rochester is yet to be determined.

A cautious lover and a natural pessimist, Malcolm is a bit afraid of rejection and has a bit of dysfunction at times. He keeps to himself, which tends to make relationships problematic at best. But when he meets someone and he likes her, he latches on rather quickly. However, at the beginning of much of my fanfiction (and in keeping with canon), he tends to fall for women who are either thoroughly inappropriate for him or are utterly unattainable, a fact that he acknowledges in Concord and Together, in particular.

Relationships

As I write Malcolm, he has two major relationships which define him.

Portrait of a Character – Malcolm Reed

 

 

 

Pamela Hudson

With Pamela, Malcolm feels he may be falling in love, but she pulls him back and tells him, no, you’re mistaken. He finds it freeing when he realizes that she’s right.

But Pamela also stretches his limits, and loosens him up. A part of that is due to her prowess and her proclivities. He finds himself enjoying a bit of naughty bedroom play, and participates in some, but not all of it. At the end of Intolerance they part, assuring each other that they will become, essentially, Friends with Benefits.

Lili O’Day

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Dominic Keating as Malcolm Reed

Dominic Keating as Malcolm Reed

With Lili, the relationship is considerably stronger and more loving. Malcolm finds that he can be a lot freer with her than he has ever been with anyone before, even Pamela. He fulfills the destiny that was denied him in the original, canon E2 episode, and becomes a family man when Lili gives birth to Declan (Temper, Fortune). Initially, in Reversal, Lili is denied him, as she goes with Doug.

In later life, he and Lili marry, an event prepared for in Equinox and then shown in Fortune. Their later married life is briefly shown in The Rite.

Lili also pairs with him in the E2 stories I am currently writing. In one scenario, they have a daughter who they name Pamela Morgan. In another, in keeping with canon, they do not have children.

Charlotte Hayes

In Concord, Malcolm pines for Charlotte but never truly attempts to win her. Instead, seeing a picture of Lili after his encounter with Charlotte, Malcolm experiences an eerie sense of déja vu.

Theme Music

Malcolm’s behaviors work well with music. In Intolerance, his relationship with Pamela is covered by Love is Strange but also Be My Baby. In Together, his initial theme is The Style Council‘s Wanted, with its message of unattainable longing. The reader is told – Malcolm has been holding back, and there is someone he is pining for. When he and Lili hook up, the musical theme, shared by them, is A Flock of SeagullsWishing (If I Had a Photograph of You). His disastrous reunion with Pamela is evoked with Lady Gaga’s Bad Romance. By the time the action shifts to Temper, the music changes, too, to Paul Young’s Every Time You Go Away. His final theme, in Fortune, is evocative of their wedding. It’s Bruce Springsteen’s Prove It All Night.

Poetry

In Intolerance, it’s revealed that Malcolm is a gifted poet, so long as he has motivation. And Pamela provides that in spades. Malcolm’s medium of choice is Shakespearean sonnets. I have written him three for her, two for Declan (in Fortune) and one for Lili in the E2 stories. Here is my favorite, the second sonnet for Pamela –

Portrait of a Character – Malcolm Reed

Reed the Knave (Dominic Keating)

 

A burning ember, burst to flame
as kindred souls entwine and merge
the knave, he could not be the same
falling, ever falling over precipice and verge

Portrait of a Character – Malcolm Reed

Reed, still the Knave (Dominic Keating)

Her face was fair, her mind was keen
her body offered untold pleasure
And yet her heart remained unseen —
could the knave unlock this treasure?

The Queen, she came down from above
She changed the knave, who did it all for love

Mirror Universe

Portrait of a Character – Malcolm Reed

Ian Reed (Dominic Keating)

Malcolm Reed has a canon counterpart, who I name Ian and kill off before Reversal. But Ian has a rather rich afterlife, particularly in Equinox and the E2 stories. I’ll cover him in a separate entry.

Quote

“It’s the stuff that makes up your life. You have allowed me to be a part of it. That’s almost as intimate as holding your body to mine, touching and kissing and looking at all of your, your secret places.”

Upshot

For a canon character with a comparatively sketchy background, I’ve been happy to fill in the blanks. And I hear his voice better than any of the other canon characters, except perhaps for Jay Hayes. I could tell a thousand stories about Malcolm Reed. I feel I have merely scratched the surface. 

Posted by jespah in Emergence series, Hall of Mirrors, In Between Days series, Interphases series, Portrait, Times of the HG Wells series, 111 comments