Portrait of a Character – Jun Daniels Sato
When I wrote Reversal, one of the things I wanted was for Empress Hoshi to have a child. This was a somewhat quick decision but, the more I thought about it, the more I loved the idea for Star Trek: Enterprise fanfiction. The intention was, essentially, that Empress Hoshi, like Livia from Suetonius, would be a viper of a mother, breeding as much as possible (and with as many different men as possible) so as to assure the succession. For Hoshi, it’s also a matter of personal survival.
Hoshi knows that the way that anyone moves up in the Mirror Universe is via assassination. She’s got an enormous target painted on her back. So she needs protection.
At the same time, she’s one hot little number. And, in my fanfiction, about three-quarters of all of the children born in the MU are male, which is reflected in things like starship crew manifests. Hence it’s a combination of lots of men plus a sexy young Empress looking for protection. So she hits on a plan.
The plan is to have as many kids as possible, but all by different fathers – the members of her senior staff. She knows that there’s been a genetic mutation which not only skews the number of offspring in favor of males, it also skews male behavior in favor of good fatherhood. Therefore, in order to assure the survival of their offspring, these men won’t go after Hoshi (at least not while the kids are small). And then, when the kids are bigger, it’s a lot harder to just kill them off.
But this all comes later. Before the plan is the seduction.
In First Born, we see the aftermath of the first birth. Whether Daniels seduces Hoshi, or it’s the other way around, is tough to say (as of this posting, I haven’t written it yet). In that story, I establish Daniels as already being a womanizer. As for Hoshi, her round heels are canon. So who goes after whom?
Does it really matter?
The product of that first seduction is Jun (pronounced JOON). The problem is, much like John Connor in The Terminator, he’s temporally paradoxical. Because Daniels works for the Temporal Integrity Commission, a lot of fancy footwork must be performed in order for Jun to be able to live. The first requirement is that he not be able to father a child.
Another piece of allowing Jun to live is the condition that Daniels never see his son. By the time of Reversal, Daniels’s death has been faked, and Hoshi is looking for a spare heir – a little brother for Jun. She ends up having a total of five more children. All but one of these are male.
Personality and Personal History
Jun is, like most Mirror persons, a ruthless killer. In First Born, before all of the changes wrought by the Temporal Integrity Commission, it’s revealed that he kills off all of his male siblings in order to consolidate his power. This ends up being another detail that has to be changed in order to assure his survival.
Furthermore, Jun has a bratty and violent streak that all of his half-siblings have. In Coveted Commodity, he’s seen throwing a little knife against a wall – a gift from the Empress that’s referenced in both First Born and Reversal. In Reversal, he won’t come when he’s called and instead is put through conditioning training at an extremely young age.
In Temper (this is an alternate future of 2178), he plays third base on the Empress’s baseball team and battles his next in line brother, Kira, in a sword fight. This fight is over a girl because, in this alternate timeline, Empress Hoshi has skewed the male to female ratio even more. In part this is to oppress women, in part it’s to assure her own survival, and in part it’s to shore up her fading looks.
In The Point is Probably Moot, Jun (in the correct future) is acting as the new Communications Officer, following in his mother’s footsteps in 2192. In Shake Your Body, and then in He Stays a Stranger, Jun is temporarily wiped from existence.
The only person who Jun can, truly, call his “father” is Aidan MacKenzie, the babysitter (Kira’s father), who is not a biological relation at all.
Prime Universe Analogue
While Jun does not have a Prime Universe counterpart, he does have an analogue, in the sense that there is a character who is not a mirror image but is, rather, a similar personality. That person is Joss Beckett, as both of them are the first born children of their respective parents and both have a heightened sense of duty. The pressure is on both of them to take care of things, although Jun is considerably more likely to ignore that duty than Joss is.
“Someone’s got to be the court jester.”
Kwon works, partly because of his overall look as a bit of a toughened guy, but also the beard evokes the classic Mirror Universe image.
I’m also thrilled with the fact that he is Korean (as is the actress playing Hoshi, Linda Park, even though that character is actually Japanese) and is an intelligent guy, a graduate of Stanford University and Yale Law School, even.
Jun’s theme is from an alternate timeline. It’s Edwyn Collins‘s A Girl Like You. I wanted to not only evoke a part of the plot of Temper, but I also feel that the distortion in the song evokes the distortion in the Mirror Universe.
Because Hoshi is a former linguist, all of her children’s names are meaningful. Jun means truthful – an absurdity, considering all of the lies that need to be told in order to ensure his survival.
Angry, evil genius Jun only exists because of a choice that isn’t really much of a choice, and a mistake and a bunch of Temporal Integrity Commission thumbs on the scale of history. But he makes the most of his life, passing on his ideas and his passions if not his genes. In every scenario, he and Kira succeed Hoshi and rule the Terran Empire. Not bad for a guy who wasn’t supposed to exist in the first place.