A prompt about gift giving took me to a dark place. I had only recently drafted this scene, and knew it would be a while before it would be posted. Therefore, I lifted the scene, nearly intact, and presented it as the answer to the prompt.
An endgame is reached for two characters. The scene takes place during Shake Your Body.
It is the last few moments of Boris Yarin and Marisol Castillo‘s lives. She is putting the screws to him, threatening to tell his wife, Darragh Stratton, everything about their affair. He is about to lose his job, his one security. He is part-Klingon, and the anticipated dishonor is far too much to bear. And so he quite literally takes matters into his own hands.
The Perfectionists needed a henchman, particularly after Anthony Parker was killed by them as being insubordinate. Plus Helen couldn’t possibly sully her hands with blood. That’s a job for not only Donald and Anthony, and Daniel Beauchaine, but also for Marisol Castillo. Donald was designed to be their male traveling, murderous agent.
Donald is played by actor Ben Whishaw. He seems to be a rather versatile actor (I don’t know too much about him; he was in a recent James Bond film, and played Q) and I bet he would enjoy playing a science fiction villain if the opportunity arose.
Whiny and irritating, Donald will do what Milton Walker wants him to, but he often won’t go there without a complaint. He is an utterly disagreeable person at the best of times.
Donald has no known relationships. I had originally thought about pairing him up with Helen Walker, but the storyline was already becoming rather large and unwieldy. Rather than sowing more confusion, I decided to put them at least partly at odds. See, Donald bores her.
There are no impediments to Donald existing in the Mirror Universe, although the chances of a perfect counterpart existing go down as time marches on.
There is always room for a henchman in the Mirror, so the counterpart could end up being rather similar to our universe’s version. There’s little to no room for whining in the Mirror Universe, so this version, in order to survive to adulthood, has to have learned to keep his trap shut.
“Milton said I was gonna be in charge when he left.”
At the end of He Stays a Stranger, this character was being arrested. Perhaps I’ll write his trial; it’ll be interesting to see how the Temporal Integrity Commission maintains its high levels of secrecy while trying to present evidence of temporal tampering (and keeping Rick and Carmen‘s actions during First Born a secret).
For Doug‘s confession to Lili (in the Star Trek fan fiction book, Fortune) to be at all credible, there needed to be a history behind each of the fourteen men he had killed in the Mirror Universe. Furthermore, just like the death of the Mirror Norri, I wanted at least one of those murders to be for the flimsiest of reasons or at least be hard to take because the person would scarcely be remembered.
I wanted an intelligent, versatile actor. It was also important to me that he be of Latino descent.
I also liked the idea of someone who has played both heroes and villains, as Carlos has a place on both sides of the pond.
In the Prime Universe, Carlos the independent documentary filmmaker is essentially looking for an easy paycheck. He is given an assignment to speak with the crew of the NX-01 and get their personal takes on the end of the Xindi War. While he does talk with everyone, he only records the following in the story: Jonathan Archer, Maryam Haroun, Lili, Jennifer, and Malcolm, who talks about Jay. For the first and last chapters of the piece, it is Carlos’s own words about the film and also about the people he interviewed. While he remains somewhat neutral, he is far from unaffected. At the end of the piece, he ends up angrily and frustratedly pitching his coffee cup against a wall.
There are no known relationships, but there had to have been someone for Carlos, as he is Marisol‘s ancestor.
Carlos is barely even known by name in the Mirror. Doug did not know his name until after he was killed. During wartime, Doug grabs the person closest to him and uses that person as a human shield. That unfortunate person turns out to be Carlos, who Doug never knows and never talks to.
“But it’s hard to not be affected, or to see what could have happened if one thing, or another, was different. These people certainly see it that way. And the reality is that this is, for the most part, just a ship full of damaged people. I know that there are those who are happy and excited about the conclusion of this war. I can’t say that I haven’t felt my own sense of relief, for I most certainly have. But I think we, as humans and citizens of Earth, I think we need to keep these people’s thoughts and aspirations and guilt and personal pain in our heads as we wave our flags and sing the United Earth anthem. We need to remember that these heroes come complete with consciences, and miseries and regrets. This victory did not come without a price. Thank you.”
At some point, I would like to find another place to showcase Carlos, as there has got to be a spot for a filmmaker. I will try to bring him back.
For the HG Wells stories, there had to be a few central villains. And so Helen and Milton Walker were born. He’s her father.
In the older time travel series that I had created, Helen was actually Tom Grant‘s ex, and she was mighty bossy and ruthless there, eventually joining their enemies. Hence Helen remained an enemy but some of the details were changed.
I wanted someone who would be pretty but could, behind a lovely smile and a sweet visage, be ruthless.
Spoiled and amoral, Helen is the face that launched a thousand time ships. But she hardly deserves the attention or the accolades. Instead, she’s tasked with “putting right what once went wrong” in history, as a nod to the television series, Quantum Leap. But Helen doesn’t do it out of altruism or a desire to get home or anything of the sort. Instead, she’s a (fairly) obedient soldier of her father’s. His dream is to save people and to be the one who prevents wars and the like. But he can’t get anything done without destroying other details of history, much like a bull in a china shop. He’s often cleaning up after Helen’s messes, too.
But at least she’s not their assassin. That dubious honor goes to double agent Marisol Castillo.
There are no real impediments to Helen existing in the Mirror Universe, but deeper future characters have several more chances to not have a perfect duplicate on the other side of the proverbial pond.
I think she’d be more careful and sensitive. I write MU women as often being beholden to, and subservient to, men. In earlier times, that would make a Mirror Universe woman slavelike. But Helen belongs to a time period where it might snag her a better husband instead. She could potentially have a better future than a lot of other MU women.
“If they like time travel so much, I bet we could work a bit together. They do their conquering – whatever they like, actually. All we need to do is keep a step ahead, and go back, either to make changes for our own purposes or, if necessary, to undo whatever they may damage. And not only will the Temporal Integrity Commission have their hands full, but so will Section 31, and the Federation, and anyone else who might have any issues with all that we are attempting to accomplish.”
When I created the character, I had no idea that there really had been a Helen Walker who was an actress.
At the end of the series, Helen is carted off to jail. I’m not sure how to bring her back, except in prequels or flashbacks.