star trek fan fic

13
Apr
2012

Review – The Light

Review – The Light

Light shines throughout the galaxy.

The Elevator Pitch

I have been working in the corporate world, in some capacity or another since 1986. Frankly, it was even before that, as I would temp as a college and Law School student in order to make some summer spending money.

Barking Up the Muse Tree | jespah | Janet Gershen-Siegel | The Light

The Light

One of the things I have perfected over the years is what’s called an Elevator Pitch. The gist of an elevator pitch is that you have the time of an elevator ride (e. g. thirty seconds to two minutes, tops) to make your pitch to a prospect employer who you, presumably, meet serendipitously in an elevator.

This means  that you need to strip your resumé and work history down to bare bones. A doctor, for example, can’t go into the details of some operation she performed last year. Instead, she says something like, “I’m an orthopedic surgeon specializing in sports medicine. The Boston Celtics call on me when their medical staff is stumped.” In a very short amount of time, you get a very good idea of what this woman can do, and how trusted she is in the medical establishment.

For Star Trek fanfiction writing, I think there is a need for what is essentially the equivalent of an elevator pitch. That is, it should be a short piece which accurately gives the reader a taste of your universe, your ideas and what you can do. The Light is one such story.

History of the Story

This Star Trek:Enterprise fanfiction story did not set out to be that way. Instead, I was in the middle of spinning out Reversal (pretty close to the end) when in late 2010 I was asked to provide a story for a project called the Trek Twelve Days of Christmas. The only catch was that the story had to be fairly short – that is, it could not be a full-fledged book like Reversal.

I hit upon an idea. There would be some characters from Reversal, but really only minor ones, and the story would revolve around them. It ended up being just one of the minor characters from that story. And, the kicker, because you can find scads of Star Trek holiday stories about Christmas, this one would, instead, be about Chanukah.

Spirituality

Review – The Light

Position in which a Jewish kohen places his ha…

I am, as they say, a nice Jewish gal. And people like William Shatner and Leonard Nimoy, but also Armin Shimerman, connect to Star Trek and are Jewish. Plus there are things like the Vulcan salute, and various space episodes centering around World War II, such as TOS’s Patterns of Force. Judaism is a part of Star Trek. But how to add it in, particularly without being overly preachy?

I hit upon the idea of Jews who are somewhat religious but not so much that they cannot function on a starship. That is, they have to, for example, be able to travel on the Sabbath. This means Orthodox Jews are out of the question. But Conservative Jews (which is my background; this references a sect and not a political affiliation) would work just fine for my purposes.

Chanukah was a natural introduction as a lot of people are familiar with it. The celebration, a festival of lights, also includes foods made with oil, such as potato latkes (pancakes), spinning a top called a dreidel and exchanging presents. The candelabra is called a menorah.

Bereavement

In order to add a little emotional heft to the story, and to explain why Captain Archer and the senior staff would be interested in the Jewish contingent on the ship, the story begins with a death. This link to the past also links us, the people of the present day, to the people on the NX-01.

The Plot

The story begins with an Admiral telling Captain Archer than Crewman Ethan Shapiro‘s great-aunt, Rachel Orenstein, has died. Jonathan wonders why the crewman’s family wouldn’t just tell him and the Admiral says they won’t communicate during the Sabbath. Jonathan presses the matter, still not convinced that he’s the best man for the job when the Admiral tells him to act quickly, as this is a major news story. Why? Because Rachel lived for one hundred and twenty-seven years (which places her birth in 2029). She broke all previous records and, therefore, the press has an interest in her family.

As Jonathan informs Ethan of the death, Ethan asks for leave for the unveiling of the head stone, explaining that the funeral will be too quick for him to ever get back to Earth in time. He also asks to be connected to the Starfleet Rabbi, Leah Benson.

Support

He returns to his quarters and waits for his friends. Lieutenant Reed comes by briefly, in order to offer his condolences as he is Ethan’s boss. The other three Jewish crew members arrive – Josh Rosen, who is in Engineering; Karin Bernstein, who works with Ethan in the Tactical Department; and Andrew Miller, who works in the Biology Lab and is half-Jewish. Andy is perhaps a year older than the others.

When they speak with the Rabbi, they ask how they are ever going to get a minyan together. In order to say Kaddish (the prayer over the dead), ten Jews must be present. Karin’s presence counts (that wasn’t the case when I was a child), but then what? There are only four Jews on the ship. The Rabbi tells them that they can temporarily deputize some non-Jewish friends.

When the time comes for mourning, Captain Archer brings along some friends to help. These include Hoshi who, when asked if she can read Hebrew jokes, “I’ll muddle through”, Malcolm, Phlox, T’Pol and a Security Crewman, Azar Hamidi. Azar notes that Hebrew can’t be too far off from Arabic. They say the prayers.

Celebration

Barking up the muse tree | jespah | Janet Gershen-Siegel | Dreidel | Chanukah | The Light

Dreidel

Ethan’s mother – who tells him to talk to that nice girl Karin a bit – insists that he celebrate Chanukah. So he invites all of the attendees at the service to a little party  on the next night. The party is in the Observation Lounge. Like all good parties, there’s a little dancing, a gift, good food to eat, and there’s a little bit of romance.

Story Postings

Review – The Light

 

Rating

The story is rated K.

Upshot

For the most part, I like it. There is a bit of shtick, though, particularly when Ethan and his mother talk. I could have probably trimmed that a bit, as Linda Shapiro comes across as a bit of a stereotype. But I do like using this story – which only contains a little over 3200 words – as one possible elevator pitch when people ask me how they can get an inkling of how I write. For a positive, K-rated peek at my world, read The Light.

And what happens to Ethan, Karin, Andy, Josh and Azar? To find out about them, and even about their Mirror Universe counterparts, there’s more in the In Between Days series, and even a little bit in the Times of the HG Wells series.

Posted by jespah in Fan fiction, In Between Days series, Review, 19 comments
06
Apr
2012

Inspiration – Education

Education

Education matters.

Background

I actually have a bit of training in creative writing, and I like to call upon it as I write, in particular when I write longer pieces.

My two sources of creative writing education were my 12th grade AP English teacher, Kitty Lindsay and the poet George Starbuck, who I studied under while I was a student at

education

Myles Standish Hall at Boston University in Boston, MA (Photo credit: Wikipedia)

Boston University. My undergraduate degree is in Philosophy. I did not take more than the one creative writing class although I do wish I had.

But let’s get down to brass tacks, shall we?

I’ll start with Kitty’s biggest and best mantra for writing, which was, simply, characters-conflict-crisis-change.

What does it all mean?

Characters

I don’t think you’ll find anyone who disputes the need for good, solid, memorable characters. However, there are those who would rather see (mainly) Star Trek canon characters in fanfiction stories. I disagree but do not begrudge these people their opinions.

Don’t get me wrong. I like the canon characters in pretty much all of the series (I am even okay with Wesley). But this does not mean that other characters and other situations don’t appeal.

For example, the Reversal storyline hinges, to a large extent, upon the fact that Lili and Doug are pretty much down to their last chances. I needed for Lili to be an original character, as there was no one else aboard the NX-01 who would have fit the bill. The character had to be human (so T’Pol was out), had to be older (so Hoshi was out) and had to be someone who would normally be underestimated (so Erika Hernandez and Amanda Cole were out).

Making People

Character creation is an ongoing process. Generally, for me, a character springs up but then changes as more back story is added. Shelby Pike, for example, arose as a former ballerina but she didn’t originally have some issues with confidence. Declan Reed wasn’t originally an artist. And Aidan MacKenzie was originally just a pretty face. He didn’t get any depth until later.

education

Travis Mayweather (Photo credit: Wikipedia)

For canon characters, I don’t change anything that’s already been defined. Hence Captain Archer is still Scott Bakula, Charles Tucker still has a Florida accent and Travis Mayweather remains a space boomer. But there are all sorts of other things that I was able to add and define and then refine.

For example, as I write Malcolm Reed, he has a knack for giving exceptionally good presents, for children and adults. The Travis I write is not interested in parenthood, although his Mirror Universe counterpart is. The Phlox that I write tells bad jokes that often backfire.

Without characters, stories aren’t worth reading.

Conflict

For longer works, conflict is key (for very short slices of life, a writer can skip this). Otherwise, stories meander and seem to have little point. In Reversal, the conflict between the Enterprise (in our universe) and the Defiant (in the Mirror) with the Calafans is a big driver of the piece. Without these conflicts, the story is mainly a bunch of dreams, and so is (I hope) interesting but, ultimately, somewhat soulless.

Crisis

Also known as climax, this is what the story is moving toward. In Reversal, I actually played on the synonym and then that led me (because my mind is in the gutter) to the idea of physical climax. And so I decided that, instead of one large climax (which would be male), I would go with a number of small climaxes, which is more female in nature. The smaller climaxes included the rescue, the movement of personnel off the Defiant and the aftermath of getting to the Enterprise.

Change

Characters and situations that do not change a unsatisfactory. They leave a reader, when a work is finished, with a feeling of “what was the point of all that?” I agree – and I despise when that happens. In Reversal, Lili ends up with a boatload of changes, but one of the biggest ones is that she begins the story essentially alone in the dark and ends it, again in the dark or at least semi-darkness, but she is no longer alone.

Edit It. Cut that story until it bleeds!

That is the other education mantra that Kitty had for me (and my fellow classmates). What it means, simply, is – don’t waste the readers’ time and good faith.

I have seen plenty of stories out there that seem to have extra stuffing in them. And one of the issues with Reversal is that, toward the end, I had some trouble letting it go. It wasn’t until I began to seriously think of a sequel that I was able to finally wrap things up. But if I were writing the story today, I would likely trim some of the chapters. As it is, between its initial posting on Trek United, then its addition to Issuu and then to its archiving on Ad Astra, the story has undergone some changes. Most are fairly cosmetic in nature. But I have attempted to tighten up the prose, which I feel makes for a better story.

Whimsy

Professor Starbuck was a different teacher and so he had different ideas of what made for good creative writing education. I well recall a number of exercises – one was to write about a far older relative and then to write about that person as a fourteen-year-old. Plus we wrote quite a bit of poetry.

One of the main things I learned from him was an appreciation for whimsy. There are plenty of ways to not take things quite so seriously, even when they are incredibly serious.

In the Times of the HG Wells series, I made it a point to give the time ships silly names. They are all named after something to do with time travel pop culture, such as the Flux Capacitor and the Audrey Niffenegger (she wrote The Time Traveler’s Wife). There is even whimsy on top of whimsy, as there is one outlier. One of the time ships is a successor vessel to the original Audrey Niffenegger. Its name is simply Audrey II, after the man-eating plant in Little Shop of Horrors.

Sports are another occasion for whimsy. A MACO is named Rex Ryan, after the current coach of the New York Jets. Gina Nolan‘s maiden name is Righetti, and she confirms to Kittris (who was named after Kitty Lindsay) that she is a descendant of 1981 American League Rookie of the Year Dave Righetti. Baseball player Ty Janeway has a fairly obvious origin, as do Mirror Universe baseball announcers Ted Trinneer and Jeff Blalock. Mirror Universe baseball is one big joke, with twelve team members instead of nine, twin pitchers and catchers and four bases. Even in a highly charged romantic moment, Doug dons one of Lili’s baseball caps and says, “Hey, I could play fourth base.”

Word Choice

Another thing I learned from George was the importance of word choice. For the story Paving Stones Made From Good Intentions, the title was changed twice. And it really was about education! It evolved as follows:

  • The first title was Paving Stones Made of Bad Intentions, as it is a Mirror Universe story. However, I didn’t like the idea of going with a straightforward opposite. Instead, I wanted for it to be a lot clearer that the centerpiece scene was an act of love. But it would be somewhat misguided love.
  • The second iteration was Paving Stones Made of Good Intentions. This corrected the idiom and better evoked the undercurrent of it being the road to hell. But I didn’t love how it flowed.
  • So the final title was Paving Stones Made From Good Intentions. This title brings together not only the fact that the centerpiece scene is happening because people mean well but also because this is the road to hell. Furthermore, I wanted the title to effectively denote that the road to hell is actually deliberately and actively fashioned from these good intentions. This is rather than somewhat more passively being made of them. A subtle difference, to be sure, but the idea was that the intentions are in a somewhat more refined form. It is – there are good intentions but they are perverted and shaped into the paving stones, as opposed to just laid down in the roadbed.

Upshot

When stories appear to be winding around a bit too much, or seem to be getting too wordy, I try to remember my education. I hope I’m doing my two teachers proud.

Thanks, Kitty and George.

Posted by jespah in Inspiration-Mechanics, 0 comments
27
Mar
2012

Portrait of a Character – Tr’Dorna

Portrait of a Character – Tr’Dorna

Tr’Dorna is fun to write.

Oh, it’s so difficult to be a teenager, even one as popular and lovely as Tr’Dorna.

There’s the grooming – for after all, you’ve got to have nice teeth and beautiful eyes! And there’s showing just enough to your boyfriend without revealing your tail too quickly. There’s being sympathetic to your roommate, who might not get a date even to the Sadie Hawkins Dance. There’s being kind to your boyfriend’s roommate, who is fraught with insecurities. And this doesn’t even take schoolwork into account.

And then, of course, there’s the matter of keeping your scales looking good.

I Was a Teenaged Xindi Reptilian

There are no female Xindi Reptilians shown in canon. And there are no young Reptilians shown, either, unless you count the occasional nameless aide who has no lines.

What are their teenaged kids like? What about young girls?

I figured they would be a bit like our own teenaged girls. Sometimes impulsive. And sometimes a little wicked. Sometimes very kind. Flighty, maybe. Overly concerned with appearance, possibly. In short, much like us.

Personality

Tr’Dorna is originally introduced in The Reptile Speaks, as being Skrol the Gorn‘s girlfriend. Since there are no female teenaged Gorn at Picard High School, Skrol goes after Tr’Dorna, and urges his roommate, Bron (he is also a Gorn), to hook up with Tr’Dorna’s roommate, Etrina, another female Xindi Reptilian.

Tr’Dorna is portrayed in that story as a little bawdy, teasing and flirting and weighing her options as to whether she will show Skrol her tail, which is a prelude to serious foreplay and possibly sex. She also encourages Etrina to find someone for the dance, particularly when it looks like it isn’t going to work out between Etrina and Bron, and even pumps up Etrina by referring to her friend as the “picture of health”.

When Skrol talks about getting her a tiger lily wrist corsage, he mentions that it will bring out her eyes. In canon, Reptilian eyes are yellow, so hers would be a more orangey-yellow in color.

In Insecurity, it is she who Skrol turns to in order to comfort a lonely and lovesick Bron. Here she is sympathetic and kind, telling Bron that his girl is probably missing him as much as he is missing her. Bron refers to her as “a really sweet and smart lady”.

Portrayal

Portrait of a Character – Tr’Dorna

Hayden Panettiere

It’s tough to envision humans “playing” alien characters, particularly when so much makeup and such an enormous amount of prosthetics would clearly be needed. But I see Hayden Panettiere  as Tr’Dorna, just kind of a fun-loving young girl with a mischievous smile.

Quote

“All I’m saying, Bron, is that you can only go on the facts you’ve got, and what’s, well, what’s logical, whether we’re talking about how Sophra is spending break, or how Etrina is. Don’t look at me like I’m a scaly Vulcan or anything! Just, you’re jumping to conclusions and assuming a lot of things. Have a little faith, okay? We girls usually aren’t so different from you guys. We’re not out to actively try to hurt you. I think that’s even true of a warmie like Sophra.”

Upshot

Tr’Dorna may be a little boy-crazy, and she doesn’t exactly make schoolwork a priority. But she’s a good friend, and has a decent head on her scaly shoulders.

Posted by jespah in Fan fiction, Mixing It Up Collection, Portrait, 6 comments
23
Mar
2012

Spotlight on Original Nonsentient Species – Linfep

Spotlight on Original Nonsentient Species – Linfep

People have to eat, and not everyone is a vegan. Therefore, I had to devise some alien food animals. Hence, I created linfep. They are a wholly original species.

So they are essentially hares with tusks or fangs. They are native to Lafa XII and live and scamper in undergrowth. They are one of the chief foods for another nonsentient species, perrazin, but are also hunted or raised for food for the sentient Calafans.

Since they are very rabbit-like, children are somewhat fond of them. In Fortune, a little Calafan girl has a stuffed linfep doll. In Friday Visit, Chelben, who is about four or five years old, shows Doug a picture he has drawn of a linfep.

Spotlight on Original Nonsentient Species – Linfep

Kevin, the Lost Bunny of the Apocalypse

Admittedly, I was thinking a little bit of the comic strip Prickly City and its character of Kevin, the Lost Bunny of the Apocalypse, when I came up with linfep. Essentially I envision – like I do for much of the Lafa System – a place similar to Australia. So this is where interesting or seemingly harmless animals can pack quite a punch.

Hunting

Linfep (the plural does not have an S) are vegetarians. They are the subjects of a hunt with phase bows in Temper. Melissa and Doug – the hunters – have to be quiet when approaching these shy creatures. A rustling in the undergrowth reveals one, which they dispatch with one shot.

Etymology

Like much of the Calafan language I have created, the name of this species is a compound word. Fep is also the name of the second-smallest star in that system, and the word means small. Lin means mouthful, so a linfep is a small mouthful, and a grown human or Calafan will want to eat more than one in order to be satisfied.

Posted by jespah in Fan fiction, In Between Days series, Spotlight, 9 comments
20
Mar
2012

Portrait of a Character – Chandler (Chip) Masterson

Portrait of a Character – Chandler (Chip) Masterson
Actor Jason Bateman

Chandler Masterson’s name was, perhaps, the easiest part of him to come up with. He’s homage to Star Trek Deep Space Nine actress Chase Masterson.

It wasn’t until Together that I established that Chip’s real first name is Chandler and, yes, that’s a connection to the show Friends.

However, I didn’t see Matthew Perry in the role. Instead, I see Jason Bateman, mainly because of his work on Arrested Development, where he is the level-headed person amidst all the crazies.

Chip, in my fanfiction, is sometimes level-headed, but also willingly joins in with the silliness, often as a partner in crime with Aidan MacKenzie. Chip definitely has a silly side and, in Together, he even dreams of doing stand-up in a little club on Risa.

On the NX-01

Chip starts off in Tactical, which is where he gets to know Aidan. However, by the time of Together, he has transferred over to Communications. He acknowledges that he is a natural gabber and better suited at connecting people as opposed to blowing stuff up. Like Aidan, he’s an Ensign.

Movie Night

As the person with probably the best appreciation of the arts on the Enterprise, Chip picks the movies. He has eclectic taste, serving up everything from Stalag 17 to Dirty Dancing. In Broken Seal, he and Aidan, who acts as the projectionist, are even blamed for the problems with The Seventh Seal.

He also conducts a little discussion afterwards. Attendance is spotty at best.  In Intolerance, for Dirty Dancing, he talks about the soundtrack, which is a mix of 1960s and 1980s music, and has the attendees try to guess which decade a particular song came from.

Relationships

Chip and Aidan are not only friends, they are also roommates. Chip also appreciates Hoshi Sato as his boss. In the E2 stories I am currently writing, he also helps to train and accommodate the newest member of the Communications team, Crewman Maryam Haroun. Because Maryam is a Muslim and needs to pray several times per day, Chip’s night shift sometimes starts early or can end late, so that he can cover when Maryam is praying.

In Together, Chandler helps Deborah Haddon pick up the pieces and they begin dating. By the time of Temper, she’s proposed to him, and they are married by the time of Fortune. During the initial celebration of the first child born to a crew member becoming a parent, he begins to thank the captain who corrects him and instead tells him that the celebration is for Malcolm.

Quote

“So this Klingon, an Andorian and a Vulcan walk into a bar. And the Klingon’s a male, super-tall. And he’s completely buck naked, except for a strategically placed piece of string to which there’s attached this note. So the bartender gets curious and he reads the note, which says …”

I’ve never finished the joke. Have at it in the Comments section if you’d like to write a punch line for Chip’s joke.

Mirror Universe

Chip in the MU has a lot more on his mind, and has no time for antics. He never switches over to Communications, and instead is promoted to run Tactical at the end of Reversal (his start in Tactical is shown in Paving Stones Made From Good Intentions). He also runs Game Night, intended to be the counterpart to Movie Night. Chandler takes bets like a bookie (betting in the MU is canon) and collects like a loan shark.

Because he loses Deborah, he ends up, eventually, as one of the Empress’s conquests. Chandler fathers her twins, Takara (the only girl) and Takeo. All of the Empress’s children have meaningful names. Takara means treasure while Takeo means warrior. These are her fourth and fifth eldest of the six total children, and are being raised to be as bratty as the others, as is shown in Coveted Commodity. In Temper, with its three separate alternative timelines, Chip’s fate differs. The only constants are Science Officer Lucy Stone, and his two children with the Empress. Fortune follows Chip to his later life, and He Stays a Stranger to a much later time in his life. As one of the only halfway decent people in the Mirror Universe, Chip represents a bit of hope in that wasted landscape.

Upshot

Portrait of a Character – Chandler (Chip) Masterson

Jason Bateman (mirror Chip)

Traveling the stars is serious business, and the Xindi and Romulan Wars were no laughing matter. But the crew always needed a release from unrelenting problems.  Without someone like Chip, life on the NX-01 would be so much tougher. Even the crew of the Enterprise needs a little whimsy in their lives, and for that, Chandler is your man.

Posted by jespah in Fan fiction, In Between Days series, Portrait, 45 comments
16
Mar
2012

Review – Crackerjack

Crackerjack Story Origins

Crackerjack was originally a gift for a younger fan who wasn’t really old enough to be reading my racier material. This fan likes Star Trek: The Next Generation, so I set the story in that universe, but I didn’t want to be on the Enterprise, and I didn’t want to be dealing with too many of the characters.

As a story written for a young person, I wanted a young character, so I hit upon the idea of grabbing Wesley Crusher. He has often – completely legitimately – been criticized as being a “Mary Sue” type of character. This is a character who is impossibly good, impossibly smart, impossibly lucky, etc. It’s a parody of a true character. I wanted Wes to be a bit different.

I also wanted Geordi, as the story was to be about prejudging. Partly that was due to racism, and partly due to his obvious infirmity, blindness. As a pair, I felt they could work together, too, and would believably want to help each other. The title refers, not only to the treat served at ballgames, but also to “an exceptionally good person or thing”. The reader is left to determine just who really is crackerjack.

The Plot

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Ted Williams Hits a Home Run | Crackerjack

Ted Williams Hits a Home Run

The story begins with an old man asking his grandchildren if they ever heard of the time he watched Ted Williams hit a homerun. They clamor for a story and he obliges.

His tale begins with the two friends returning from a ceremony on the Kreetassan home world, when they suddenly run into a strange cosmic phenomenon. The phenomenon throws them back in time, to Earth. Because the shuttle they are in is damaged, they are forced to make an emergency landing. Duke Ellington is playing on the radio, and there’s a reference to fighting in the Middle East, and to British residents needing to go to bomb shelters.

They need supplies in order to get back, so they will need to head into civilization.

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel | Brownstones | Crackerjack

Brownstones

They change their clothes so as to mimic period garb, but the visor sticks out like a sore thumb. A decision is made to outfit Geordi with sunglasses and carry the visor along in a duffle, if needed. They replicate some money and follow a river toward what they figure is the nearest town.

While in town, they sleep out in the open. In the morning, they realize they’ve been sleeping in a familiar place, at the foot of the statue of Lincoln, at the Lincoln Memorial. They’re in Washington, DC.

Charity and Loathing

As Geordi waits, Wesley runs out to look for a place to get breakfast. It rains a bit, but then the rain stops. When Geordi puts his palm up to check if the rain has really stopped, someone presses coins into his hand, thinking he’s a panhandler. Wesley finds a lunch counter and leads Geordi there. When they enter, the proprietor refuses them service and they are directed to a sign on the wall that says, Whites Only.

A newspaper then reveals the date – September 1st, 1941.

How do they get to the ballgame? How do they get back? All can be revealed by reading, of course.

Racism

Star Trek often covers socially difficult subjects such as racism, so I wanted to confront it head-on. The time period, I feel, is a great one, as it is pre-war and pre-Jackie Robinson, but attitudes are starting, slowly, to change. Plus the presence of a Whites Only sign was very logical for the time and place in question.

Geordi, of course, was a logical subject for racism, in particular because his infirmity makes it impossible for him to actually see why people are prejudging him. Wesley works, not only as Geordi’s companion, but also as a wide-eyed observer who doesn’t understand why the people of the time are acting like they are – and why some are kind or even overly protective. The people of the time aren’t just one big mass. Some care, some act but are inept (such as an anonymous person giving Geordi charity), while others are pettily cruel.

Time and Place

One of the ways I set the scenes was with music of the time. Take the A Train shows up, but so do The Boogie-Woogie Bugle Boy of Company B, Stardust and Frenesi. Each chapter begins with a link to a YouTube video. The music is mostly horn-driven and tends to be from big bands.

The chapters also each begin with a picture. There’s Ted Williams, another is of a streetcar, another is of a row of brownstones, etc. The pictures are all in black and white, not only to evoke the sense of an old black and white film, but also to bring home the idea of racists seeing the world in terms of only black and white.

Furthermore, I wanted to evoke a bit of the old TOS episode, The City on the Edge of Forever, although that one takes place in 1930. One of the backdrops to the story is the prospect of imminent war, where bullets aren’t going to care one whit about the race of the person they strike. In Crackerjack, the bullets are going to be flying at Americans in only a little over three months’ time.

Interphasing

An interphase is a canon construction, and refers to a kind of temporal, spatial or somatic displacement, often without intention. While I handle interphases in other stories, I wanted this one to be more of an engineering problem, rather than a philosophical musing. For Wesley and Geordi, it’s a problem to solve, rather than a reason to question existence.

Framing

Another aspect of the story is framing it as a tale told by an elder. The elder is Wesley, who you never otherwise see as an extreme elder. I wanted it to be his perspective and his long-term hindsight that would shape the narrative. Also, as Wesley learns about racism, he also taught his grandchildren the same lessons, that there are some people who don’t get along with others, and sometimes that’s for the most unfair reasons.

Barking up the muse tree | jespah | Janet Gershen-Siegel | Camera | Crackerjack

Camera

Memory is also key to this story, as it is about Wesley’s memories. But it also covers the memories of the people they meet. Plus there’s the memory of the reader about that time, or about what they’ve learned of that time. Or it’s what they, personally, have experienced of racism, and also of human decency.

But don’t worry about forgetting. Your memory has enough film in it.

Music

The music was great fun to put together.

Story Postings

Rating

The story is rated K.

Upshot

I like this one, but the problems go away rather neatly and easily. If I were writing for an adult, I probably would have thrown in more obstacles. And I might have made the racism harsher than it was. But I like that it’s not quite as hard-edged. I don’t think I needed to really hit people over the head with it.

Posted by jespah in Fan fiction, Interphases series, Review, 28 comments