As in canon, Lorian is dutiful to a fault, and works hard to assure that the prime timeline’s Enterprise can get through and complete its mission in the Delphic Expanse.
Lorian marries the daughter of Mario Lattimer and Susie Money. Their daughter is Jolene Tucker. Their grandchildren are Stephanie and Steven Hodgkins. Their great-grandson is Jay Hodgkins.
Because Vulcan hybrids live longer than humans, Lorian is widowed and remarries. He and Hanna (the daughter of Joshua Rosen and Karin Bernstein) do not have children. It is her second marriage, too.
By definition, Lorian cannot exist in the Mirror Universe.
“We were hoping to reveal some of these in a more private manner. There were some men who never wed, and died young. You were one. So were Daniel Chang, Christian Harris, Jay Hayes, Brooks Haynem and Malcolm Reed.”
I was asked several times, “When are you going to show Travis and Julie?” Well, here they are.
Taking place wholly within The Three of Us and the E2 timeline, the story covers the very beginning of their relationship.
Travis is ready to ask the lovely MACO out. But Julie is skeptical. She knows that being asked out is practically a marriage proposal in that generational ship. With so many limitations, she wonders if she is compromising.
Well, she is, and so is he. But that is the nature of that particular beast. The timeline does not permit the picking up of too many passengers.
I’m not so sure that I fully captured Julie’s reticence as well as I had liked. Travis is basically the happiest canon character on the ship, and I wanted Julie to share in his enthusiasm and optimism. But I also wanted her, at the start, to be cautious. However, I wanted her abundance of caution to spring from doubts as to who would be the best possible mate for her. They do not come from the characters’ differing races.
I do hope that fans liked what I wrote. I always hope that, but I particularly do here, as the story was written in order to satisfy an ongoing request.
Portrait of a Character – Charles IV (Charlie) Tucker
Because, in canon, Tripp Tucker has somewhat odd experiences with offspring and, in the prime timeline and prime universe, dies childless, a lot of people like to give him offspring. As a result, I gave him both a prime universe and a Mirror Universe version of Charles IV, although they are not counterparts.
In the prime universe, Charlie is a part of the first kick back in time during the E2 timeline, and his mother is T’Pol. He has a twin named T’Les Elizabeth (that name has been used by other fanfiction writers). In the MU, Charlie’s mother is Beth Cutler, and his sister, Betsy, is younger and is not his twin.
As a teenager, Charlie is played by actor Noel Fisher. As an adult, in keeping with the canon portrayal of Charles Tucker III, he is played by Connor Trinneer.
I like the teen’s look. He seems to be a reasonable mix of Tripp and T’Pol for the E2 storyline, and a mix of Tucker and Cutler for the MU storyline.
Both fellows are pretty easy-going, although the interphased Charlie ends up as the captain of the Enterprise after Jonathan Archer‘s death.
In the first kick back in time, Charlie marries Ethan‘s daughter with the Ikaaran, Bithara. Their daughter is Daphne Tucker, and their granddaughters are T’Mir Ryan and Yoshiko Tucker. Their great-grandsons are Aidan and Steven Khan (sons of Yoshiko).
Takara Masterson Sato
In the MU timeline, with few options, Charlie and Takara end up being thrown together, and they end up becoming the grandparents of the heir to the Terran Empire, Charles VI, AKA The Emperor Charles I.
In the Mirror, Charlie’s theme song is Warren Zevon’s Trouble Waiting to Happen.
Charlie exists in the Mirror Universe in the prime timeline, and in the prime universe in the E2 timeline (first kick back in time only). However, the two men are not counterparts to each other.
“Captain, we didn’t make this. And neither did you. Or, rather, the other version of you. But it happened all the same. We did not think you would believe us. So we put together the notes that Charlotte has just sent you. Please, please, just open them and read them. And you will see that we are sincere.”
For a guy who isn’t supposed to exist at all, I like that Charlie gets some screen time. But I doubt I’ll write him much more unless it’s in the MU.
I wanted to cover a small and rather distasteful piece of The Three of Us that was hinted at, but not actually shown.
During the E2 timeline, because the male to female ratio was skewed so heavily in favor of about two to three men per every woman (the ratio is canon), I decided that someone would take advantage of the situation and, to put it euphemistically, put out for some privileges. Enter Sandra and her business.
Because of the skewed ratio, and because she is alternately bored and depressed (and is overly horny and aggressive due to her poorly treated depression), Sandra hits upon an idea that, to her, is irresistible. She will put out, yes, and to anyone in the lower level crew who is interested. There is just one catch: it’ll cost ya.
As for the senior staff (which I sometimes write Chef and Shelby Pike the Botanist as being, sometimes not), no one is allowed to tell them. And, for several months, no one does.
I really loved the idea of someone taking advantage of the horribly skewed ratio, and doing something particularly nasty with it. The Sandra Sloane character works particularly well for this, as she taunts Chef and makes him really pay for wanting to spend time with her.
This actress has been in a number of different productions on television and seems to be rather versatile.
A bit of a cypher, Mara seems to be the kind of person who acts first and thinks later. Her husband’s own description of her is that she is in denial. She is an engineering crewman and is never promoted during the E2 timeline. I haven’t decided if she does any better during the prime timeline.
During Entanglements, they marry, but she strays. In The Three of Us, when she has what they both believe to be their child, the baby’s skin is darker than expected and so it is obvious that the child is not Robert’s.
The man who Mara has been sleeping with is Walter. Because of the cuckolding, their child, Jeffrey Woods, has his blood tested in order to assure paternity with 100% accuracy. This leads Shelby to suggest that all of the children be tested, so that paternity can be perfectly known. Phlox agrees with her, as the gene pool is so small that the only way it can all work out genetically is if the parties who have children together are as distantly related as possible.
As the third piece of the E2 series, I wanted to pursue a Star Trek fan fiction story that I had had in mind for quite a while.
This was an idea about a love triangle/threesome among Lili, Jay, and Malcolm. Of all four stories set during that time period, this one was the most fully realized, and the easiest to write. I had tons of it in my head even before pen went to paper (and then was transcribed to pixels). I wish all storytelling was like this!
The story begins with Malcolm providing a little news and ship’s gossip to the still-injured Ethan Shapiro. Malcolm speaks a little about the remaining single women on board the Enterprise, but he mainly discusses an upcoming baseball game between the MACOs and Starfleet. The action shifts as Lili tries out for the Starfleet team and then Shelby and Andrew talk about why she won’t be playing. The first chapter is rounded out with Judy Kelly Rostov going into labor, the mark of the second child to be born on the generational ship (Valleri Rostov, so-named because Davy Jones of the Monkees had recently died when I was writing that part of the story).
As the book continues, more and more of the single women are snapped up, until two are left ….
As stated above, I had a lot of this storyline in my head as I was writing and even beforehand. From the weddings to the aliens to the spirituality to the triumphs and tragedies, the love and the nastiness, this is one of my absolute favorites of my works.
The idea was to go straight from Reflections Down a Corridor to The Three of Us. But Reflections proved to be way too long. I like where and how it was split, though, as it serves the title themes moving from individuals to couples to a threesome.
Entanglements is mainly about coupling, both romantic/erotic and the tangling of fighting and also getting involved – for better or for worse. Just as Reflections is about individual exploration, Entanglements begins to show people colliding with each other. Naturally, there is a great deal of collateral damage from these collisions.
The story opens with Captain Archer announcing the wedding of Tripp Tucker to T’Pol. As the announcement is made, the single men in particular are beginning to notice that they are affected. Part of it may be some desire specifically for T’Pol, but it is also because this is the second wedding on the Enterprise. This generational ship is starting to slowly, inexorably, convert itself into the equivalent of a flying small town.
But the real crisis arises from a different relationship. When Josh Rosen proposes to and, eventually, marries Karin Bernstein, it puts fellow Jewish crew member Ethan Shapiro onto a steep downward spiral. That sequence was one of the first parts of the story that I knew I wanted to write and, once I got to it in the plot, it flowed quickly and smoothly.
This story is more transitional and so the beginning and the end are a tad more abrupt than for the other three in the E2 series. But I like the bookending of the Tucker/T’Pol announcement with the Jenny/Aidan wedding, and was particularly pleased to be able to use Jenny’s wedding song again – and to denote that Aidan isn’t quite the right partner (in the prime timeline, she marries Francisco).
I had wanted to explore the E2 timeline for quite some time.
The first of four Star Trek fan fiction books covering that era was this one. The title refers to not only the subspace corridor where the Enterprise was hit by a Kovaalan particle wake (and thereby thrown back in time over a century); it also refers to personal reflections.
Personal reflections include the mirrors that we hold up to ourselves (this is, for once, not a reference to the Mirror Universe), the relationship a person has with himself or herself, and reflection in the pure sense of thought. As the NX-01 can no longer perform too many exploratory duties, it’s too early to be defensive and go after the Xindi, and going to Earth is out of the question, exploration begins to come from within.
For the crew of the USS Enterprise, the stars are all in the wrong places. The story opens with beginning to understand just what happened. This includes learning just what the date really is, as they can’t just up and ask the Vulcans. Immediately, Captain Archer figures out that there are going to be some uncomfortable restrictions on movement and communications. He enlists the help of not only the regular senior staff (e. g. the other canon characters), but also begins to lean on some heads of the smaller departments, such as Chef Slocum in Food Service, and Shelby Pike in Botany.
A focus (unlike a spotlight) is an in-depth look at a Star Trek fanfiction canon item and my twist(s) on it.
Of course, all of fan fiction is like that, but the idea here is to provide a window into how a single canon concept can be used in fan fiction.
With almost nothing to go on, Ikaarans were ripe for reinvention. The only person of even partial Ikaaran blood who is ever seen in canon is Karyn Archer.
The only alien characteristic that can be seen is the rather pronounced ridge running from her forehead to her nose. Her nose is also wider than most humans‘, although she might have had human ancestry providing that look. She also has crow’s feet, but those are more likely to be signs of aging and stress. Furthermore, she is apparently of Asian descent, which seems to indicate a kinship with Hoshi Sato or Dan Chang or any other Asian crew members rather than any Ikaaran features.
For the Ikaarans, my idea is that they would be speaking in clicks by choice, rather than necessity. But names would be spoken and, therefore, would be intoned more slowly.
There is no information on Ikaaran culture so all of this has been created by me. I decided to make their society completely against birth control, not even bothering to invent it. Therefore, their planet, Ikaaria, would be grossly overpopulated. In order to alleviate the burdens of a huge population, two things would happen to their society.
First, they would send their young people out to work, in single-sex work gangs. They would farm or mine, mostly, as a form of community service to their race. These work groups would go out every four years during one festival, and would be returned in another. By staying offworld, they would not consume as many resources. Plus they would create or obtain more resources, and bring them back at the end of their work commitments. In addition, they would be separate from the other gender during peak fertility years.
The other means of controlling the population would be more sinister. Instead of birth control, their genome would be altered by their scientists and, as a result, they would all have a kind of self-destruct sequence in their genes. They refer to the disease as the decline, and it is uniformly fatal, and kills Ikaarans before they turn 50. As a result, they don’t trust scientists much, and they don’t trust doctors. But they don’t need doctors.
Doctors aren’t needed because Ikaarans can heal themselves, and each other. They can heal members of other species, too, so long as the organs are more or less equivalent. In The Three of Us, the Ikaarans Jeris and Jobiram are able to heal Lili and Jay, but Jay has internal injuries that they cannot do anything about. In Everybody Knows This is Nowhere, a weapon is devised by the Imvari and the Xindi Insectoids, and that weapon is specifically designed to counteract Ikaaran empathic healing. When that weapon, which uses percussive shock, is used, the victim must be attended to very quickly for doctors to be able to do anything at all.
In The All-Stars, the team’s trainer is an Ikaaran, thereby opening up the possibility of having many on-field injuries more or less instantly cured without rehabilitation. No more disabled list!
Romance and Family Life
Ikaarans are generally monogamous and enjoy humans’ company. The gift of a living thing is the equivalent of a marriage proposal. Ethan Shapiro gives Bithara a perfectly ripe orange as his proposal gift in The Three of Us. In Everybody Knows This is Nowhere, Jonathan gives Esilia his dog, Daisy, as his proposal gift.
With the help of scientific information from Jobiram and Jeris, Phlox is able to perfect human-Ikaaran interbreeding, and hybrid children are born, including Karyn’s ancestor, Aaron Gregory Archer, named after Jonathan Archer‘s old friend, AG Robinson.
This species could have been fascinating in canon, but they are never really seen and the viewers don’t get to really know anyone. As a tabula rasa, they’ve been a lot of fun to create. I’ll try to find other occasions to show them, in addition to the upcoming sports series.
Books, of course, are canon. Even paper books are seen on some sets. But what are people really reading? In the canon Shuttlepod One episode, Malcolm reveals that he’s brought along a copy of James Joyce’sUlysses for diversion. But I’m with Tripp Tucker on that one – it’s just too dense for my tastes.
For my characters, one of the most important works of literature is Jane Eyre. It crops up in all sorts of places. In Together, the paper book is given as a belated wedding gift to Lili and Doug, by Hoshi and Chip. The book even has an inscription – “One good love story deserves another.”– Hoshi and Chandler. This is also the first time that Chip’s full name is revealed. Doug reveals that the work most likely does not exist in the mirror.
However, in Temper, it is Malcolm and Lili who are reading the book together, and are discussing it. It’s probably not a terribly scholarly discussion, but it is more than just “I liked the book. Did you?”
In Fortune, the book passes as a cherished inheritance. First, Lili mentions it to Q, as an evidence of being civilized. Then it is passed from Malcolm to Neil when Malcolm passes. But that’s just the electronic version. When Leonora passes, the paper book is again transferred, and it is given to Marie Patrice, in recognition of Empy as being “… the strong, independent heroine of [her] own life.”
Trek mentionings of Shakespeare are canon; the movies are littered with them.
Mainly, it’s Julius Caesar andMacBeth that are mentioned in my stories. Julius Caesar is evoked as Lili recalls to Q that she had to memorize Portia’s speech to Brutus, about the relationship between a true husband and a true wife. She uses this memory to bring Doug full circle and receive his confession.
References to MacBeth are more fleeting, except as regards to the
meaning of Malcolm Reed‘s first name. Names are important to Calafans and to the Empress Hoshi Sato, so Malcolm’s name’s meaning crops up from time to time. Since Malcolm is a character from “the Scottish play”, there’s the oblique reference. Furthermore, in The Mess, Lili briefly thinks of the line, “Out, out, damned spot!”
There is also the writing of original Shakespearean sonnets, written by both Malcolm (in Intolerance, Fortune and the E2 stories) and Bron (in The Reptile Speaks).
Biblical references abound in the E2 stories in particular. Many of the wedding ceremonies involve short sermons with passages from various Bible stories. The stories of Solomon choosing not to slice an infant in half (to illustrate the choice that the Muslim bride Maryam Haroun made between two suitors, with the help of Doctor Phlox), Adam and Eve (used in Andrew and Shelby‘s wedding), and Ruth (to illustrate a point about the bride, Karin Bernstein, following the groom, Joshua Rosen) are all a part of various ceremonies.
Furthermore, when Jay and Lili wed, Jay refers to a biblical admonition to marry a dead brother’s widow, as this is right after Malcolm’s death.
In Concord, because Charlotte and Jacob are getting on in years and have not had any children, Jacob writes to her, expressing the hope that she could “be the Sarah to my Abraham“. That is, that she would have their first child far later than expected.
Alice in Wonderland/Through the Looking Glass
To be sure, the mirror universe is an obvious analog to Through the Looking Glass. In particular, in Reversal, when Doug passes from the mirror to our universe, he is passing through the looking glass and life is, in many ways, reversed for him.
Furthermore, in the old Interphases story, The Puzzle, Travis Mayweather has an experience that involves a bottle with “Drink me” written on it and unchecked growth and a pool of water (although it is water, and not tears) around a table. When that adventure is over, he locates the book and has electronic copies sent to two people he has met, hoping that they’ll enjoy the gifts.
Intelligent characters enjoy reading just about as much as real people do. I’m sure I’ll revisit this topic as more books are cracked open and read by my characters.