As in canon, Lorian is dutiful to a fault, and works hard to assure that the prime timeline’s Enterprise can get through and complete its mission in the Delphic Expanse.
Lorian marries the daughter of Mario Lattimer and Susie Money. Their daughter is Jolene Tucker. Their grandchildren are Stephanie and Steven Hodgkins. Their great-grandson is Jay Hodgkins.
Because Vulcan hybrids live longer than humans, Lorian is widowed and remarries. He and Hanna (the daughter of Joshua Rosen and Karin Bernstein) do not have children. It is her second marriage, too.
By definition, Lorian cannot exist in the Mirror Universe.
“We were hoping to reveal some of these in a more private manner. There were some men who never wed, and died young. You were one. So were Daniel Chang, Christian Harris, Jay Hayes, Brooks Haynem and Malcolm Reed.”
Portrait of a Character – Charles IV (Charlie) Tucker
Because, in canon, Tripp Tucker has somewhat odd experiences with offspring and, in the prime timeline and prime universe, dies childless, a lot of people like to give him offspring. As a result, I gave him both a prime universe and a Mirror Universe version of Charles IV, although they are not counterparts.
In the prime universe, Charlie is a part of the first kick back in time during the E2 timeline, and his mother is T’Pol. He has a twin named T’Les Elizabeth (that name has been used by other fanfiction writers). In the MU, Charlie’s mother is Beth Cutler, and his sister, Betsy, is younger and is not his twin.
As a teenager, Charlie is played by actor Noel Fisher. As an adult, in keeping with the canon portrayal of Charles Tucker III, he is played by Connor Trinneer.
I like the teen’s look. He seems to be a reasonable mix of Tripp and T’Pol for the E2 storyline, and a mix of Tucker and Cutler for the MU storyline.
Both fellows are pretty easy-going, although the interphased Charlie ends up as the captain of the Enterprise after Jonathan Archer‘s death.
In the first kick back in time, Charlie marries Ethan‘s daughter with the Ikaaran, Bithara. Their daughter is Daphne Tucker, and their granddaughters are T’Mir Ryan and Yoshiko Tucker. Their great-grandsons are Aidan and Steven Khan (sons of Yoshiko).
Takara Masterson Sato
In the MU timeline, with few options, Charlie and Takara end up being thrown together, and they end up becoming the grandparents of the heir to the Terran Empire, Charles VI, AKA The Emperor Charles I.
In the Mirror, Charlie’s theme song is Warren Zevon’s Trouble Waiting to Happen.
Charlie exists in the Mirror Universe in the prime timeline, and in the prime universe in the E2 timeline (first kick back in time only). However, the two men are not counterparts to each other.
“Captain, we didn’t make this. And neither did you. Or, rather, the other version of you. But it happened all the same. We did not think you would believe us. So we put together the notes that Charlotte has just sent you. Please, please, just open them and read them. And you will see that we are sincere.”
For a guy who isn’t supposed to exist at all, I like that Charlie gets some screen time. But I doubt I’ll write him much more unless it’s in the MU.
Shapiro was written specifically for the Tripp Tucker end of life story, Day of the Dead.
Herbie is played by Jesse Eisenberg (although Herbie would be wearing glasses, this is how I see him).
It’s important to me that Herbie be played by a Jewish actor. Further, I think Eisenberg could convincingly be the voice of reason during a lot of the weirder changes that occur during Day of the Dead.
Intelligent and compassionate, when Herbie sees Milena Chelenska, her sister Noemy, and Mrs. Klinghofer while liberating Dachau, he immediately decides to try to help them. It’s possible that Herbie’s actions help Milena to survive long enough to meet Richard Daniels, thereby making him vital to the integrity of the timeline.
Herbie says he has a girl, but she is never actually mentioned by name. But he marries someone (and not necessarily her), as he is an ancestor to Ethan – and, by definition, Rebecca.
There are no impediments to Herbie existing in the Mirror Universe. For the Mirror, prior to First Contact, life had to be even shorter, more brutal, and nastier. For Jews in the Mirror, as I write them, if Herbie was to practice his faith at all, he would have to do so in secret, much like the Mirror Universe version of Leah Benson. I doubt he would be called Herbie, either. He might even change his first name in order to fit in better (but not his last name, as he is an ancestor to the Mirror Ethan, who is one of Doug‘s kills). Perhaps he’d be Henry.
“No, that’s not true. I got a letter from my mother. She saw on the newsreel when Auschwitz was liberated, back in January. …
“Nothing much, Tony. But we had heard rumors, you know? I got a cousin who got out in ’37 and he said he heard they was burning bodies in these places. My mother just wrote that it was, it was confirmed, y’see. Arbeit macht frei. I bet that’s a big old Nazi laugh.”
For a somewhat throwaway character, I feel Herbie packs a punch. He’s memorable, and not just for his place within the overall timeline.
After leaving Empress Hoshi far behind, Beth and Tripp (she calls him Charles) want a new life. They’ve already married, and they have a son, Charlie. Their life on Lafa II isn’t an easy one. After all, they’re living in a cave, and are only doing odd jobs in order to survive. When things are really bad, they’re poachers.
Therefore, when they get a chance to attain full citizenship, they take it. Since they owe the Empress absolutely nothing, they want to declare their allegiance to the leader of the government, the new High Priestess, Yimar. In a low-level bureaucrat’s office, their lives are changed, as they swear to defend the Calafan government and its people, and denounce the Terran Empire.
The character is, of course, Star Trek: Enterprise canon. Her role on the Enterprise was as a Science crewman, often assisting Doctor Phlox. The actress, unfortunately, died during the first run of the series.
With Waymire deceased, I’m not so sure who I would get to replace her. I imagine the same was true for the writers of the show. They ended up indicating that people had died in some of the Xindi attacks and some bodies were never found. While that’s a horrifying thought, perhaps Cutler is one of those persons. All too sadly, that will happen when we finally, truly, venture into space.
Pleasant and intelligent, Liz Cutler is alien-curious about Phlox. Even learning that he’s married to three Denobulan women does not faze her. But nothing happens; the actress died before the writers could really do anything with her character. She also never makes it to the Mirror Universe episodes. A pity, as I think she would have made a dandy Mirror Universe character.
As I write Cutler, in the Mirror, she and Tucker have a history. During Reversal, when the opportunity presents itself, they get together. By the time that story is finished, they have left together, for a new life on Lafa II. In marked contrast to the canon end of Tucker, they end up founding a dynasty, with two children, Betsy and Charlie (Charles Tucker IV). Their great-grandson, Charles Tucker VI, is a success to Empress Hoshi, and becomes the Emperor Charles I, as is noted in Temper and Who Shall Wear the Robe and Crown?
Known as Beth, the Mirror Universe version of Crewman Cutler leads a hard life. Much like I write other female denizens of the other side of the pond, she lives her life at the whims of men. This becomes an existence lived at the whims of the Empress.
In Throwing Rocks at Looking Glass Houses, Beth is given a syringe full of tricoulamine and is told to fatally inject either Phlox or Malcolm‘s counterpart, Ian. She chooses Ian, knowing full well that Phlox will also get a lethal injection, but that the Denobulan’s injection will be far more painful. It’s a final act of mercy for her fellow human. I’ve even been asked if she and Ian had a history, and it’s an intriguing idea that I have not yet explored.
After the events of First Born, Empress Hoshi selects Beth to be the babysitter for her first born child, Jun. The horribly bratty Jun even gives her a black eye during Reversal. When it becomes possible to leave the ISS Defiant, Beth jumps at the chance, and leaves with Charles. They meet Jennifer and Treve on the surface of Lafa II, and blend into the forest. She even stands by him as he recovers from delta radiation poisoning, although his facial scarring never goes away.
“Charles! I get the feeling we won’t always be able to do it in the captain’s chair! Think of all the people who are on the Bridge.”
This actress’s life was cut short, which of course is tragic. And it’s unfortunate, too, that the character was never expanded. I hope this alternate life story has done her some justice.
Radio. It can bring back a memory in a snap. A friend passed away earlier in 2013, and I was having some trouble processing it. I decided to attempt to process it through art.
As a result, I worked in my own feelings by trying to tease out Hoshi and T’Pol‘s feelings about Tripp‘s passing.
And, the reason why I call this canon character Tripp instead of Trip is because of this very man who, in real life, is no more.
As Tucker has died, the two women who knew him best mourn him in different ways. T’Pol’s canon relationship is well-known. She ends up breaking down in front of Jay Hayes‘s replacement, Major Strong Bear Dawson, who everybody calls Bud. Bud is the sole eyewitness to her breakdown, and he tells her he won’t say anything to anyone. She asks how she can repay his kindness and he tells her to just go and have a good life.
Hoshi’s relationship with Tripp is outlined in Together. But the song that is the title of the piece, and is woven throughout this songfic, was played during the party outlined in More, More, More! Hoshi reveals that she and Tripp danced to it. She comes to the realization that it served as a prelude to their time together, and that Tucker may have liked her before then. For her, the music, and a dance with Travis, are how she feels she can cope.
When she and T’Pol are alone together, she passes the music from the party to the Vulcan, urging her to listen so that she can, in a way, understand another facet of Tripp’s personality, something she may not have already known. It is a final act of generosity between women who were not exactly romantic rivals, but rather were romantic steps or links in the chain that was Tripp’s life.
Apart from the Donna Summer song, the entire playlist from More, More, More! is listed, as follows –
As a story, I think it works pretty well. Reactions have been mixed; some critics have said they thought T’Pol would not act as forcefully as she does, but Star Trek: Enterprise canon dictates that this is a former trellium addict and so her emotions are still not fully under control, even years later.
In this story, I am probably more like the Hoshi character. Removed but mournful, and saddened by the wasted potential more than anything else. I have no problem with Tucker being killed off in canon. People die and they should die in space. Space is far from safe, particularly during that era. But I wanted to see a lot more of the aftermath. I hope this aftermath/afterimage type of story can work for readers.
Deb and Chip are alone in his quarters; it’s her first time staying overnight. Aidan is in Sick Bay, but it’s nothing serious. Chip has a romantic evening in mind, when Deb finds … Stella.
Stella is a stuffed gerbil toy. And so Chip needs to come clean about how and why he’s got Stella (who does not belong to him). And so he begins to tell a story about the early days of the NX program, when there was an engineering competition to perfect an incredibly dull but necessary piece of canon equipment, inertial dampers.
I enjoyed writing this story a great deal, and apparently my peers enjoyed reading it, and I won the monthly challenge. I really like how it turned out, with its dovetailing with canon personnel, its shout outs to Worcester, Massachusetts, and its neat fit into my own fan fiction.
For hybrids, I imagine that life is not easy. Even Worf, who is not a hybrid, but was raised by human adoptive parents, could not fail to get into what we would call trouble. Which is what most Klingon families would simply refer to as defending honor.
I write most hybrids as having some adjustment issues. Adolescence, in particular, has got to be difficult. But adults, particularly talented ones, are going to be a bit better situated.
Consider Spock, the best-known hybrid of them all.
His backstory is loaded with teasing and other evidence of not being accepted. The vaunted tolerant Vulcans aren’t so tolerant when their race is mixed with another’s. This attitude is reflected by a lot of the Vulcans in the earlier seasons of Star Trek: Enterprise. T’Pol, Soval, and others often look down their noses at humans. And in the fourth season, we humans do it right back to them, as John Paxton has a human-Vulcan hybrid created, Elizabeth Tucker, and the intention is to repulse everyone. But the opposite occurs, and Elizabeth’s death is haunting to not only her parents, Tripp and T’Pol, but also to others who will eventually form the Federation.
Like we can see happen in the real world, people who don’t easily fit in can often overcompensate, and try to be better than everyone. Is that what happens with the canon character, K’Ehleyr? Possibly. But she’s also immensely talented.
It’s not overcompensation if you really are that good.
But I can’t help feeling that, sometimes, the writers may have overdone it with her. She can sometimes feel a little bit like the John Prentice character in Guess Who’s Coming to Dinner? and can be a little too good to be true.
Add in a tragic ending and then there’s no way to tarnish her halo, eh?
My Own Hybrid Characters
They run the gamut. And the deeper future should, I feel, have a lot more of them, and in all manner of different combinations. IDIC means embracing a lot that we, today, would find more than a little peculiar. Here are some stand-out examples.
The earliest timeline appearances of hybrids fit rather snugly with the canon ENT episode, E2. Since it’s canon that Archer married an Ikaaran, the idea is that there would be other alien brides. For my own sanity, I went with Ikaarans as being the brides in both iterations, although women of different species could very well have been brought aboard.
Aaron Gregory Archer
In the second kick-back in time, he’s the son of Jonathan and Esilia, and weds Lili and José‘s daughter, Maria Elena Torres.
In the first kick-back in time, he’s the son of Jonathan and Ebrona, and weds Lili and Jay‘s daughter, Madeline Suzette Reed-Hayes.
In the first kick-back in time, he is the first hybrid child born, the eldest of Dr. Phlox and Amanda Cole.
Kevin is half-human and half-Gorn, and weighs almost a quarter of a metric ton, but he’s the sweetest person you’d ever want to know.
Polly is partly-Betazoid, but is mostly human and is missing most of the qualities of Betazoids.
Boris Yarin, MD
Boris is a dangerous combination of human, Xindi sloth and Klingon.
D’Storlin, a human-Xindi Reptilian hybrid has a lot of trouble and takes his frustrations out violently.
Rayna, a human-Klingon hybrid, gets kicked out of her regular school because she can’t get along with her classmates.
Hybrid characters should be a large part of most Star Trek fan fiction, unless the time period is ENT or earlier. And even the ENT era can readily accommodate them. After all, not every hybrid is partially human.
These characters can break and bend the molds of characterizations and species types. What about Vulcans with emotions, or Klingons without honor? Hybrids, it is likely, can change the paradigm in all sorts of ways.
When Fortune was originally written, the idea was to tie up the In Between Days series.
I was not tired of the characters or of their situations, but it seemed as if they needed an end point. Furthermore, I was thinking about the canon episode, These Are The Voyages, and trying to make some sense of it. I came to the conclusion that the professional writers wanted some end of series closure and they also wanted some ownership of the fate of what was possibly the most popular character. Therefore, I decided to create some closure for my characters. These would be the main characters only (at the time, Pamela Hudson was still not considered to be a main character), e. g. Doug Beckett, Leonora Digiorno, Melissa Madden, Lili O’Day, and Malcolm Reed. Four of the characters had already had a story more or less assigned (albeit not completely devoted) to them. Lili’s story was in Reversal, Malcolm’s was in Intolerance, Melissa’s was in Together and Doug’s was in Temper. Therefore, this story would be assigned to Leonora.
When Temper ends, Lili has some surprising and wonderfully good news for Malcolm. When Fortune starts, Malcolm is processing it. Jonathan Archer asks him what’s wrong. But nothing is wrong – everything is very, very right, but it’s also rather private. A joyful celebration is held, and the family is then reunited for Declan‘s birth. The family sweetly dreams together, and the relationships are reinforced, between Melissa and Leonora, Doug and Melissa, Lili and Doug, and Malcolm and Lili.
Leonora in particular has a wonderfully vivid dream of Billie Holliday singing “God Bless the Child“.
It seems like everything is right.
But there are storm clouds on the horizon. There is unfinished business, and it needs to be resolved before the family can truly move forward.
Too many specifics will mean revealing too many spoilers. Suffice it to say, the story does not end the series. I am happy to continue these stories, and to give these characters and their overall family their measures of forever, either in this life or in whatever may or may not come beyond.
I am proud of this story and hope it does the characters justice.
Day of the Dead. More than just a holiday, it also references the horrors of a particularly infamous period is history. On Ad Astra, there was a prompt about the burdens of command.
I had been kicking around an idea about Tripp Tucker being caught in a temporal interphase (which is canon in Star Trek) and liberating the Dachau concentration camp. Hence I decided to put that together with the prompt.
The idea about Dachau was to tie into Milena Chelenska, who is Richard Daniels‘s love interest. For her, there would be a bit of a back story, as Tripp would deal with the problems that come along with witnessing just so much horror.
Furthermore, there would be a tie into Wesley Crusher, as I liked the little family and backstory I had created for him in Crackerjack and wanted to revisit some of that as well.
The backdrop to it would be Halloween, and then the Day of the Dead.
As Halloween rolls around – and this is the last Halloween of Tucker’s life, although of course he doesn’t know that – Tripp arranges with Chip Masterson to have a number of classic horror films shown. On the actual day, they show John Carpenter’s Halloween.
But before that, the NX-01 goes about some of its regular business. And the reader should be seeing that life is going on, and they are all moving forward with their lives.
For Movie Night, he can’t ask either T’Pol or Hoshi to join him, as they are both exes of his. These are references to the Star Trek: Enterprise canon relationship with T’Pol and the fanfiction relationship in Together. But he sees MACO Corporal Amanda Cole, and begins to flirt with her rather openly. Phlox is also present, and they talk about the picture.
Meanwhile – well, meanwhile in the story, but not in history – Wesley Crusher is considering the aftermath of a static warp bubble experiment where his mother, Beverly, could have lost her life. But he’s lost the warp bubble, and doesn’t know where it went.
Nope, it’s just another temporal-spatial-somatic interphase, much as happened in Concord.
So, where does Tucker end up? Why, he’s in the Forty-Second Infantry Division, and it’s April 29th of 1945. They are about to liberate the Dachau concentration camp.
The remainder of the story deals with Tucker’s displacement, getting him back, and how both the NX-01 and the Enterprise-D work to solve their own, respective, problems.
As the plot unfolds, classic spooky music shows up, and each chapter begins and ends with lyrics as follows –
I added a number of questions about command and promotions, as characters flirt with garnering more responsibility, and how they will deal with such things. In addition, the changes made during the story have the potential to affect the principals for years to come. The burdens of memory and the horrors of war intersect, as Tucker discards his love of horror, and Wesley thinks outside of his own personal bubble, and they both think and act outside themselves.