Christopher Pike is a terrific character in any timeline.
I am still trying to figure out if I want Shelby Pike to be related to him. But why the hell not?
Hell, maybe she should be.
Christopher Pike Origins
In the Original Series, he is a handsome, intelligent captain . He is just as impulsive as Kirk. But Pike has a tragic accident yet gets a kind of illusory happy ending. In the JJ Abrams universe, he dies heroically.
Like most of us, Pike does not consider what might happen if the unthinkable were to occur. But it does.
So in the prime universe, he is rather badly injured. Just how conscious and aware is he? I write him as being heartbreakingly conscious of the world around him. Plus this is so much so that he flashes Morse code. And it is better than any therapy when Nyota Uhura understands him.
Pike’s only known canon relationship is with Vina, from The Cage and The Menagerie. However, given the illusory nature of the setting, that ‘relationship’ seems a bit unreal, too.
There are no impediments to Christopher existing in the Mirror Universe.
Like many Mirror Universe men, I would have him sporting the Y Chromosome Skew. Hence this would make him more powerful . Furthermore, he would be much more interested in women, but also a much better father.
There was a series of beeps. “He says,” Nyota explained, “that’s he’s very happy to have such beautiful company.”
Isn’t the cover just fantastic? Justin made it. I have a copy (signed by him) hanging in my computer room.
As a means of getting back to the story, we decided on time travel. The Temporal Integrity Commission would have to fix the problems which Kirk and company had compounded at the end of the canon episode, when someone left a communicator behind.
I decided to use Richard Daniels, Sheilagh Bernstein, and Deirdre Katzman as my part of the cast. These characters would have the specialties needed, e. g. a jack of all trades like Rick, a computers person like Sheilagh, and then Deirdre would be the engineer.
Justin (the bluesman) opted to mainly handle the canon characters as we wrote the story. Together, we weaved a story whereby the plot would be fixed, our characters would happily cross over and work together for a common cause, and we even got to throw in a little humor and flirting along the way. Plus Sheilagh tells Spock his computers are primitive.
We had a blast with this collaboration. I would have loved to have done it again. But sadly, Justin passed on, on December 22, 2016. He was a dear friend and a kind, talented, patient, and generous collaborator. I miss him.
Pike is the best-realized of my botany and plant-loving characters. Her talents range from growing food crops to keeping everyone sane with flowers, colorful fruits, and other pleasant reminders of home.
A true gardener and homebody at heart, Eriecho grows yellow peppers. It’s at her garden patch that she and Sollastek first scandalously hold hands.
A Ferengi engineer at the Temporal Integrity Commission, Von is also an amateur gardener, and gives Sheilagh Bernstein a yellow tulip while she’s deciding whether to join the commission.
Gina Nolan‘s late husband is in his Beijing lab, studying Bajoran dicotyledons, when he’s killed during the Breen attack on Earth.
The Hayes family and the Warren family farm during Concord, but that’s more a matter of survival and economics rather than study. Many of the Daranaean women also garden, and in particular they will grow Krivian weed, which is shaped into a type of boxwood-style hedge. But that’s not just for beauty’s sake; Krivian weed can be chewed in order to determine the gender of a fetus a pregnant woman is carrying. In the E2 timeline, Esilia and the other Ikaaran women farm as a part of their obligation to their government.
They may have their heads in the stars, but their feet are on the ground; they’re the gardeners, Botanists, farmers, and plant lovers of Star Trek.
This smart and interesting actress always seems to be working on fascinating projects.
Wise and feisty, Lily has lived through the worst of the Third World War and come out of it alive. She remains optimistic enough to feel that the Earth has a future, but realistic enough to know that building a Warp One rocket is the best way to fully realize that future.
Semi-canon, semi-non, Lily and Zef marry. It’s later in life for them.
They don’t (I think) have children. Theirs is an affection born of a mature understanding.
In A Single Step, it’s the end of Lily’s life, and Zef is there, calling her Princess and begging her not to die. But lung cancer is going to get her, and there is nothing he can do to stop it. On her deathbed, she tells him to see the stars, and she’ll be hiding out in some nebula.
In response to a prompt about letters from home, I decided to go full throttle in the direction of mail that, most decidedly, is unwelcome.
The idea was to create a small comedy piece that would, as I often do, zig rather than zag.
There is not too much of a plot; this is mainly a collection of obvious spammy messages sent to our intrepid future heroes. Because no one is mentioned by name, the messages could have been sent at any time, to anyone. Hence the story doesn’t really fit into any time period or series, and could cover any or all of them. I am not even certain as to which captain it is referring. It could be any or all of them, I suppose.
When I have absolutely needed to categorize it (a necessity at some fan fiction posting sites), I tend to come down on the side of it being a part of the In Between Days universe, which takes place during Star Trek: Enterprise. This makes some sense, as those people are the closest to use chronologically. They can maybe still be using email, and I write them as doing just that. Hence it all fits together rather nicely.
This was Templar Sora’s great blog prompt. He asked two questions.
What kind of crossing over do we do as writers?
What kind of crossing over do we want to see?
My Own Crossovers
I’ve done the crossover dance many times. A lot of it is in the context of interphases.
A Single Step
For A Single Step, a story about first contact with the Caitians, I pulled together elements from TAS, the Star Trek: First Contact film and even a smidgen of ENT, as an elderly Zefram Cochrane and his wife entertain the first Caitian that any humans ever meet.
Another Piece of the Action
For this collaboration with thebluesman, we crossed together a bit of ENT (the Daniels character) with TOS, as Kirk and company meet the Iotians again, in Another Piece of the Action.
This enormous Round Robin story, Multiverse II, is a crossover by definition, as canon and original characters mix genres and eras.
These Are the Destinations
This work in progress will cross between ENT and a very specific TOS episode, and a little bit with the JJ Abrams universe as well.
Crossovers I’d Like to See
I’m not sure. I think one kind of crossover that I don’t want to see is anything relying too heavily on deus ex machina. That generally means anything with supernatural elements like vampires, or comic books. I don’t mind characters making contact with spiritual-type elements (Lili does a lot of this, particularly in Everybody Knows This is Nowhere, but it’s in the context of conversations and nothing really out there happens, like characters rising from the dead, for example), but flat-out characters being bitten by radioactive spiders and suddenly getting superpowers? I just don’t want to see it. I don’t want to have to cross stories that are pretty close to being realistic with those that are so far away from realism as all that. Maybe I’m just not adventurous enough.
Because I enjoy history very much, I think what I would really like to see is more of a stylistic crossover than an actual character and scene mashup. Has anyone ever written Star Trek in the style of Ernest Hemingway, or Miguel de Cervantes?