Review – Marvels
Marvels are, a bit, relative.
Background
For a prompt about the marvels of technology, I again decided to go in a somewhat different direction and write, instead, about the marvels of a far simpler age. In this case, it was 1417. In this case, I wanted an era that was thoroughly unfamiliar and would not be tainted by thoughts of knowing about Christopher Columbus or Ferdinand and Isabella or anyone else from our history books.
Plot
In 3102, Temporal Agent Richard Daniels and a historian are accidentally sent to 1417 Cordoba instead of 1616 Padua, and Rick meets Irene of Castile.
The original time period chosen, 1616 Padua, was to observe Galileo. Instead, the time portal malfunctions, and Rick and the historian are instead sent almost two hundred years earlier and some 1800 or so kilometers to the southwest.
However, they are in luck. There’s a small acting troupe. Even more amazing is the fact that there is an actress (I did not realize, until after I had released the story, that an actress during this time period and in this particular place would be nigh well impossible).
The troupe performs a kind of pastiche of play acting, slapstick, and singing. And then the townspeople pay them with food, including a chicken, that they roast over a campfire. Afterwards, Rick wastes no time in seducing the troupe’s sole actress, Irene, who tells them all about the most incredible piece of technology she has ever seen – a horizontal grinding wheel pulled by a pair of oxen. It’s a far cry from the time portal. Irene, too, is more enchanted by the tech she’s seen, whereas Rick is more blasé.
Story Postings
- Marvels on the Ad Astra forums
- Marvels in Clockworks on Fanfiction.net
- and Marvels in Clockworks on Fictionpad
- Marvels in Clockworks on Wattpad
- Marvels in Times of the HG Wells context
Rating
The story is Rated K+.
Upshot
I liked the idea of making the grinding wheel, for Irene, to be the most incredible thing, ever. Furthermore, I think we take our technology for granted at times. I revisited Irene, in The Stranger.
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