This smart and interesting actress always seems to be working on fascinating projects.
Wise and feisty, Lily has lived through the worst of the Third World War and come out of it alive. She remains optimistic enough to feel that the Earth has a future, but realistic enough to know that building a Warp One rocket is the best way to fully realize that future.
Semi-canon, semi-non, Lily and Zef marry. It’s later in life for them.
They don’t (I think) have children. Theirs is an affection born of a mature understanding.
In A Single Step, it’s the end of Lily’s life, and Zef is there, calling her Princess and begging her not to die. But lung cancer is going to get her, and there is nothing he can do to stop it. On her deathbed, she tells him to see the stars, and she’ll be hiding out in some nebula.
In response to a prompt about letters from home, I decided to go full throttle in the direction of mail that, most decidedly, is unwelcome.
The idea was to create a small comedy piece that would, as I often do, zig rather than zag.
There is not too much of a plot; this is mainly a collection of obvious spammy messages sent to our intrepid future heroes. Because no one is mentioned by name, the messages could have been sent at any time, to anyone. Hence the story doesn’t really fit into any time period or series, and could cover any or all of them. I am not even certain as to which captain it is referring. It could be any or all of them, I suppose.
When I have absolutely needed to categorize it (a necessity at some fan fiction posting sites), I tend to come down on the side of it being a part of the In Between Days universe, which takes place during Star Trek: Enterprise. This makes some sense, as those people are the closest to use chronologically. They can maybe still be using email, and I write them as doing just that. Hence it all fits together rather nicely.
This was Templar Sora’s great blog prompt. He asked two questions.
What kind of crossing over do we do as writers?
What kind of crossing over do we want to see?
My Own Crossovers
I’ve done the crossover dance many times. A lot of it is in the context of interphases.
A Single Step
For A Single Step, a story about first contact with the Caitians, I pulled together elements from TAS, the Star Trek: First Contact film and even a smidgen of ENT, as an elderly Zefram Cochrane and his wife entertain the first Caitian that any humans ever meet.
Another Piece of the Action
For this collaboration with thebluesman, we crossed together a bit of ENT (the Daniels character) with TOS, as Kirk and company meet the Iotians again, in Another Piece of the Action.
This enormous Round Robin story, Multiverse II, is a crossover by definition, as canon and original characters mix genres and eras.
These Are the Destinations
This work in progress will cross between ENT and a very specific TOS episode, and a little bit with the JJ Abrams universe as well.
Crossovers I’d Like to See
I’m not sure. I think one kind of crossover that I don’t want to see is anything relying too heavily on deus ex machina. That generally means anything with supernatural elements like vampires, or comic books. I don’t mind characters making contact with spiritual-type elements (Lili does a lot of this, particularly in Everybody Knows This is Nowhere, but it’s in the context of conversations and nothing really out there happens, like characters rising from the dead, for example), but flat-out characters being bitten by radioactive spiders and suddenly getting superpowers? I just don’t want to see it. I don’t want to have to cross stories that are pretty close to being realistic with those that are so far away from realism as all that. Maybe I’m just not adventurous enough.
Because I enjoy history very much, I think what I would really like to see is more of a stylistic crossover than an actual character and scene mashup. Has anyone ever written Star Trek in the style of Ernest Hemingway, or Miguel de Cervantes?
Trek United Adult Trek Anthology – From Quadrant to Quadrant and Person to Person
It’s been a labor of love as well as a bit of lust. The Trek United Adult Trek Anthology is finally out! Travel with us, From Quadrant to Quadrant and Person to Person, and prepare to be seduced by Star Trek.
With 315 pages of content, punctuated with beautiful sketches and gorgeous screen captures, not to mention a breathtaking photo manipulated cover, the Anthology is a feast for the eyes and can put you, the reader, right into the action. Let’s look at the individual contributions.
The Alabax 9 Affair
Madison Bruffy‘s newest contribution asks a question about the Prime Directive. Does it cover a, shall we say, delicate diplomatic situation? Or has Captain James T. Kirk really overstepped his bounds this time?
Last Full Measure
For Lil Black Dog, when does duty end? In the face of impossible adversity, what more can a First Officer do, but show the last full measure of his devotion to his captain?
You Make Me Want to Scream
Who’s got a secret powerhouse lover at home? jespah reminds us that sometimes our expectations are unfounded.
One Night on Terok Nor
Rush Limborg follows Garak as he and Ezri Dax work through some difficult memories and, along the way, a state of grace is achieved.
What Lies Within Lies Between
For Jonathan Archer and Trip Tucker, lost memory means that something else bubbles to the surface. How can T’Pol make sense of it all? Pauline Mac explores this fascinating dynamic.
When a hybrid child is pushed to the limit, a careless mistake, made in a fit of rage, changes his and his tormentor’s lives forever. jespah brings the ugliness of bullying to the Trek universe.
A Drone’s New Life
When 7 of 9 and the rest of the crew of Voyager make it to Earth, life changes. And, for her, as writer Laura McBride shows, those changes are for the better.
What if the events of Amok Time didn’t go the way we all know they did? Lil Black Dog returns with an exploration of how things would unfold if Dr. McCoy had not been there.
Scotty’s got a date. And, according to jespah, it’s going really, really well.
Anvil of the Gods
Jean-Luc Picard makes the Dominion War come alive as a Vorta learns what some true believers do – that sometimes heroes have feet of clay.
In the E2 universe, a widowed T’Pol finds herself with a visitor who shares her grief. Honeybee gives readers something to think about.
Fantastic artwork graces the Anthology. Bluetiger has captured the true essence of characters, from T’Pol to Scotty. Madison has added a number of promotional materials which have helped to round out this issue and create even more visual appeal. And then there’s the cover. ENTAllat‘s lovely photo manipulated cover brings together disparate elements and conveys the overall theme of the Anthology.
We are writers and we are artists and we do it all for your feedback. Did we succeed in our mission? Is there something we missed? We would love to hear from you! Feel free to comment here, or on Issuu itself.
Looking to the Future
Will we do the Trek United Adult Anthology again? I don’t know. A lot of that will depend upon the reception that this, the first edition, garners. But if we do, would you like to write for us? Take a look at our selection criteria. If you’d like to try for a spot – and inclusion is not guaranteed – follow our submission guide. Plus I can be reached here if you have any questions. Onward, to the stars, and the stars in your eyes, from quadrant to quadrant, and person to person!
Imvari (the same word is used for both the singular and the plural) were originally brought into Together as a kind of beefy muscle. They were meant to be very tall (over two meters, which is more than six and a half feet) and ruthless in my Star Trek fanfiction.
I realized after a while – after I had written The Reptile Speaks and had decided that the Imvari did not keep their genitals where most of us do – that this concept had been covered before, in the Star Trek: Original Series film, The Undiscovered Country. It took a while to find the image, but I did.
Hence, this unnamed alien male is – tada! – an Imvari.
Language and Culture
Unlike the Calafans, I didn’t bother writing a language for these folks. However, I did need writing, as a plot point in Together is an escape on an Imvari ship. Hence the Imvari (like the Daranaeans would also get) were given pictograph writing.
Pictographs were meant to be somewhat similar to European road signs, with basic circles, arrows, triangles, squares, rectangles and squiggles denoting things like warp factors, weapons, clothing storage, etc.
As a species that’s considerably taller than most others, Imvari tend to stay away from the rest of us. In Together, Lili and Deb learn that the Imvari are not a threat when it comes to sexual assault as they are simply incapable of pairing with human women.
Weaponry and Duties
In the E2 stories, and in Together, it’s established that they keep prisoners in line with what I’m calling shocking sticks. These types of implements are somewhat akin to the canon Klingon pain sticks.
In both the E2 stories and in Together, the Imvari work as guards, slave catchers and the like but are generally not seen to be the brains of any operation. That honor belongs to, respectively, the Orion Syndicate and the non-humanoid Andromeda galaxy species, the Zetal.
Apart from Together, Imvari are mentioned a bit in the HG Wells stories, but really only in passing as being yet another galactic species that is at peace with and a part of the successor entity to the Federation.
In the E2 stories, they get a lot more air time, as I needed a villain species that would not be the Xindi. In the E2 stories, the Imvari are responsible for gathering up vulnerable individuals for sale to the Orion Syndicate and processing into slavery. Many of these processed individuals are Ikaarans, and it is on an Imvari slaver ship that Lili and Jay first spend any real time with Ikaarans (although there is an earlier communication which is more formal, but the Ikaaran captain, Jeris, declines Captain Archer‘s offer to share in their Christmas dinner).
Before you judge the Imvari as being mere brutes, the species has a writing that is intended to be almost like a modern, stylized version of Egyptian hieroglyphics. By the time of Richard Daniels (31st and 32nd centuries), the species is at peace with nearly all the others in the galaxy. Not bad for a bunch of interstellar thugs.
This blog is going to be about fan fiction, of the Star Trek kind, mostly Enterprise although I do branch out into the other series’ and the films’ universes on occasion. But my main focus is ENT.
If you don’t like fanfiction, you might want to turn back now. But if you aren’t sure, or if you think it’s just for those who can’t be creative, I urge you to consider a few things.
Fan fiction, in essence, is like an “adapted by” or “based on” credit in the movies or on television. Sure, it’s not 100%, absolutely, completely, utterly, blisteringly, breathtakingly original. But that “adapted by” credit? Let’s see where else it is, or where it should be, shall we?
How about West Side Story, for starters? And they didn’t even credit the original author! Instead, playwright Jerome Robbins and writers Ernest Lehman and Arthur Laurents are shown. Funny how William Shakespeare isn’t listed, eh? Well, I guess the Bard didn’t have a very good agent. Take a look here if you don’t believe me.
Or what about Ten Things I Hate About You? Oh, there’s another one with no credit for poor ole Will. Instead, Karen McCullah Lutz and Kirsten Smith get the nod. Check ‘em out here.
Willie the Shake isn’t the only writer who gets short shrift with adaptations. What about Clueless? Amy Heckerling is the only writer with a credit. If I were Jane Austen, I’d be a little upset, seeing as its basis is Emma. Don’t believe me? Take a gander here.
There are countless vampire film and television adaptations, copies and suggestions – they don’t all mention Bram Stoker. Twilight certainly doesn’t mention the father of the vampire genre, although it does give credit to Melissa Rosenberg and Stephenie Meyer. Check it out.
At least Charles Dickens gets a “suggestion” credit for Scrooged, but the real billing is left for Mitch Glazer and Michael O’Donoghue. See the list of Scrooged writers.
Adaptations Outside of English
Of course English writers are not the only ones out there who are hit up for adaptations, suggestions and the like, and English language films aren’t the only adapters, but at least Shakespeare gets a mention in Ran, along with Akira Kurosawa, Hideo Oguni and Masato Ide. Perhaps it’s the Eastern cultural imperative to respect one’s ancestors at work here.
Here’s a film based on a Spanish poem – El Cid. And, you may have guessed it, no credit for the original author, believed to be Per Abbad, but plenty of credit for Fredric M. Frank, Philip Yordan and Ben Barzman. Take a look at the list of El Cid writers.
And then there’s The Wind Done Gone and other parallel novels, which use other books’ scenarios as their own. See Wikipedia for a list.
What’s the point of all of this research?
The bottom line is that fan fiction isn’t significantly different. It’s a cousin, if you will, to adapted screenplays, suggested stories and parallel novelizations. Plenty of perfectly wonderful and respected works of art, from the play Rosencrantz and Guildenstern are Dead to the book Grendel are all, truly, based on someone else’s universe.
Do you accept those other works? Do you eagerly stand in line for tickets to Wicked, or watch the Clueless TV program in reruns, or read Jean Rhys’s Wide Sargasso Sea? Then, my friend, you are a consumer of art that is quite similar to fan fiction. Why embrace one and find fault with the other?
Come with me, and explore, what it means to be human – or Vulcan, or Denobulan or even an original species like Daranaean, or Calafan or Witannen or others – in a vast, unfamiliar place, where death can haunt every light-year or love and friendship might just be around the next bend in the corridor or a lift or transport ride away. Come and explore the outer, the other and the new and strange, but also the familiar and homelike part we all have in us.
Writing is not an activity solely the province of those who are paid any more than imagination solely belongs to those who create for a living. Come and see what I made, and where I am taking things and, frankly, where characters and planets and storylines and events are taking me.
I welcome and open my door to you, and am turning on the light, for you to see into my worlds.