startrek fan fiction

Portrait of a Character – Ethan Shapiro

Portrait of a Character – Ethan Shapiro

Ethan Shapiro grew out of, in part, a desire to show Jewish crew members on the NX-01. But along the way, he became a lot more. I really like this Star Trek: Enterprise fanfiction character.

Origins

For The Light, I wanted a character who was facing a circumstance where he would need a minyan. That is, a quorum of Jews for the express purpose of prayers. Having to say Kaddish, due to a death in the family, was the ideal scenario. Ethan was created to be the bereaved crew member.

Portrayal

Portrait of a Character – Ethan Shapiro

Jesse Eisenberg as Ethan Shapiro (image is for educational purposes)

As is true with a lot of the more ethnically obvious characters, I wanted an actor who would also be a member of that ethnic group. Therefore, I chose Jesse Eisenberg. Ethan isn’t meant to be the greatest-looking guy ever. He isn’t meant to be nebbishy either. This is not Woody Allen on the NX-01. Rather, the idea was to have someone who is not only convincingly Jewish but also is someone who, to be loved, maybe the girl needs to go beyond looks and see what’s really inside.

Personality

A little self-effacing, but extremely loyal to his friends, Ethan even defers to Andy Miller when, during The Light, Andrew comments that he’s going to ask out the only Jewish woman on the ship, Karin Bernstein. However, in Waiting, it’s revealed that Ethan is kicking himself for having done that, for he wants Karin.

In the E2 stories I am writing as of the posting of this blog entry, Ethan is even more lovesick and upset.

Mirror Universe

Ethan doesn’t, truly, have a mirror universe counterpart. In Fortune, it’s revealed that his parents’ counterparts delayed relations for a night, and, instead, Erin Shapiro was conceived. However, there is an earlier Ethan, an older relative, who is likely the person who Erin was named for. Doug reveals to Lili, in Reversal, that that is the name of the second man he’s killed. Furthermore, it is our universe’s Ethan who brings forth this confession from Doug.

Relationships

Ethan’s relationship with Karin drives some of his behind the scenes activities in Reversal and then in Fortune. In the E2 stories, things go differently for Ethan, and he attempts suicide when he cannot have Karin. When he recovers, in the first kick back, he weds an Ikaaran woman named Bithara; in the second kick back, his Ikaaran bride is named Timinka.

Quote

“My Great-Aunt Rachel saw a lot in her long life. She went from an Earth where people could barely get it together to seeing us go out here into the unknown. She used to tell me it was a little like wandering in the desert for forty years. You know, you’re not sure where you’re going, but you trust that wherever you get is going to be good. And I think it’s been good. And I’m glad she got a chance to see that. She was like a link to the past. And now it’s time to, to say good-bye and look to the new.”

Upshot

As Azar Hamidi says in Waiting, things might have to run their course. But then you might just see that Ethan, he just might be the one.

Posted by jespah in Fan fiction, In Between Days series, Interphases series, Portrait, 16 comments

Spotlight on Original Plant Species – Olowa

Spotlight on Original Plant Species – Olowa

Olowa serves a lot of purposes. Aliens have to eat, and they don’t just eat meat. At least, not my aliens.

The Calafans needed something to chow down on. But what?

History and Use in Plots

I first put it – and it didn’t have a name yet – into a dining table scene of Calafans, in Reversal. The idea was not to showcase the food. I just called it a large purple vegetable. Rather, I wanted to show the Calafans were familiar with knives and forks. This is to counter an earlier scene, where Treve and Chawev are dinner guests on the NX-01. In that scene, Treve expresses an unfamiliarity with forks. So Lili shows him how to use one. Yet in the later scene, his younger sister, Yimar, uses a knife and fork to cut some up for her younger brother, Chelben. This alerts the reader to the aliens’ deception.

It isn’t until Together that humans actually taste it and refer to it by name. Olowa (pronounced: OH-luh-wah or OH-luh-wuh) grows in the Lafa System. Lili describes it as follows –

Spotlight on Original Plant Species – Olowa

This slightly underripe eggplant is how I envision a spicy-tasting olowa would look

That is an olowa. Or, rather, it’s bits of a bunch of them. It’s a vegetable that grows on Lafa IV. Now, the interesting thing about olowa is, as it matures, it petrifies and turns to stone. It also lightens from deep purple to, eventually, kind of an ash grey. You can’t eat it then; you’ll break a tooth. So what you’ve got here is a salad made from olowa at different stages of maturity. If anything feels too hard, all I can say is, don’t eat it. I won’t be offended.”

Details

The fruit goes through various flavors as it changes in color, from a sweet pear-like flavor, to a spicy flavor, then eventually to a fatty texture and flavor somewhat like peanuts.

In Temperperrazin will eat it and, while hunting, Melissa climbs such a tree in order to escape a herd of charging perrazin. To distract them from going after Doug, she plucks a fruit and throws it as far away from him as possible, and a few of the animals run that way.

It is even served in the Mirror Universe, to the Empress Hoshi Sato and her family.

In another scene, a very young child, beginning to get an introduction to solid foods, gets a little sweet immature olowa in a mix with other soft foods.

In Fortune, it appears in a lot of off-handed ways. The paste is sent aboard Malcolm‘s ship as a treat, to be used by the Chef in pies. Declan also paints and draws it. It’s a part of still life studies for his art classes. At Lili and Doug’s home, there is a spreading olowa tree. It’s comfortable to sit under there and nap during a warm afternoon.

It even crossed over to my first story taking place in the JJ Abrams universe. In Release, Eriecho and Saddik are tempted by the Commandant with pieces of it. But Saddik notices its artificial ripening. Still, it’s better than what they’ve been eating for years. So he practically swallows his portion whole. Their olowa is going spicy in flavor.

Upshot

Someday, when we have made friends with other species, we’ll find ourselves eating their local foods. Plants will probably be a lot easier for us to take than meats. A vegetable like it would be particularly pleasant. So long as it wasn’t petrified.

Posted by jespah in Fan fiction, In Between Days series, Spotlight, 1 comment

Inspiration – Education

Education

Education matters.

Background

I actually have a bit of training in creative writing, and I like to call upon it as I write, in particular when I write longer pieces.

My two sources of creative writing education were my 12th grade AP English teacher, Kitty Lindsay and the poet George Starbuck, who I studied under while I was a student at

education

Myles Standish Hall at Boston University in Boston, MA (Photo credit: Wikipedia)

Boston University. My undergraduate degree is in Philosophy. I did not take more than the one creative writing class although I do wish I had.

But let’s get down to brass tacks, shall we?

I’ll start with Kitty’s biggest and best mantra for writing, which was, simply, characters-conflict-crisis-change.

What does it all mean?

Characters

I don’t think you’ll find anyone who disputes the need for good, solid, memorable characters. However, there are those who would rather see (mainly) Star Trek canon characters in fanfiction stories. I disagree but do not begrudge these people their opinions.

Don’t get me wrong. I like the canon characters in pretty much all of the series (I am even okay with Wesley). But this does not mean that other characters and other situations don’t appeal.

For example, the Reversal storyline hinges, to a large extent, upon the fact that Lili and Doug are pretty much down to their last chances. I needed for Lili to be an original character, as there was no one else aboard the NX-01 who would have fit the bill. The character had to be human (so T’Pol was out), had to be older (so Hoshi was out) and had to be someone who would normally be underestimated (so Erika Hernandez and Amanda Cole were out).

Making People

Character creation is an ongoing process. Generally, for me, a character springs up but then changes as more back story is added. Shelby Pike, for example, arose as a former ballerina but she didn’t originally have some issues with confidence. Declan Reed wasn’t originally an artist. And Aidan MacKenzie was originally just a pretty face. He didn’t get any depth until later.

education

Travis Mayweather (Photo credit: Wikipedia)

For canon characters, I don’t change anything that’s already been defined. Hence Captain Archer is still Scott Bakula, Charles Tucker still has a Florida accent and Travis Mayweather remains a space boomer. But there are all sorts of other things that I was able to add and define and then refine.

For example, as I write Malcolm Reed, he has a knack for giving exceptionally good presents, for children and adults. The Travis I write is not interested in parenthood, although his Mirror Universe counterpart is. The Phlox that I write tells bad jokes that often backfire.

Without characters, stories aren’t worth reading.

Conflict

For longer works, conflict is key (for very short slices of life, a writer can skip this). Otherwise, stories meander and seem to have little point. In Reversal, the conflict between the Enterprise (in our universe) and the Defiant (in the Mirror) with the Calafans is a big driver of the piece. Without these conflicts, the story is mainly a bunch of dreams, and so is (I hope) interesting but, ultimately, somewhat soulless.

Crisis

Also known as climax, this is what the story is moving toward. In Reversal, I actually played on the synonym and then that led me (because my mind is in the gutter) to the idea of physical climax. And so I decided that, instead of one large climax (which would be male), I would go with a number of small climaxes, which is more female in nature. The smaller climaxes included the rescue, the movement of personnel off the Defiant and the aftermath of getting to the Enterprise.

Change

Characters and situations that do not change a unsatisfactory. They leave a reader, when a work is finished, with a feeling of “what was the point of all that?” I agree – and I despise when that happens. In Reversal, Lili ends up with a boatload of changes, but one of the biggest ones is that she begins the story essentially alone in the dark and ends it, again in the dark or at least semi-darkness, but she is no longer alone.

Edit It. Cut that story until it bleeds!

That is the other education mantra that Kitty had for me (and my fellow classmates). What it means, simply, is – don’t waste the readers’ time and good faith.

I have seen plenty of stories out there that seem to have extra stuffing in them. And one of the issues with Reversal is that, toward the end, I had some trouble letting it go. It wasn’t until I began to seriously think of a sequel that I was able to finally wrap things up. But if I were writing the story today, I would likely trim some of the chapters. As it is, between its initial posting on Trek United, then its addition to Issuu and then to its archiving on Ad Astra, the story has undergone some changes. Most are fairly cosmetic in nature. But I have attempted to tighten up the prose, which I feel makes for a better story.

Whimsy

Professor Starbuck was a different teacher and so he had different ideas of what made for good creative writing education. I well recall a number of exercises – one was to write about a far older relative and then to write about that person as a fourteen-year-old. Plus we wrote quite a bit of poetry.

One of the main things I learned from him was an appreciation for whimsy. There are plenty of ways to not take things quite so seriously, even when they are incredibly serious.

In the Times of the HG Wells series, I made it a point to give the time ships silly names. They are all named after something to do with time travel pop culture, such as the Flux Capacitor and the Audrey Niffenegger (she wrote The Time Traveler’s Wife). There is even whimsy on top of whimsy, as there is one outlier. One of the time ships is a successor vessel to the original Audrey Niffenegger. Its name is simply Audrey II, after the man-eating plant in Little Shop of Horrors.

Sports are another occasion for whimsy. A MACO is named Rex Ryan, after the current coach of the New York Jets. Gina Nolan‘s maiden name is Righetti, and she confirms to Kittris (who was named after Kitty Lindsay) that she is a descendant of 1981 American League Rookie of the Year Dave Righetti. Baseball player Ty Janeway has a fairly obvious origin, as do Mirror Universe baseball announcers Ted Trinneer and Jeff Blalock. Mirror Universe baseball is one big joke, with twelve team members instead of nine, twin pitchers and catchers and four bases. Even in a highly charged romantic moment, Doug dons one of Lili’s baseball caps and says, “Hey, I could play fourth base.”

Word Choice

Another thing I learned from George was the importance of word choice. For the story Paving Stones Made From Good Intentions, the title was changed twice. And it really was about education! It evolved as follows:

  • The first title was Paving Stones Made of Bad Intentions, as it is a Mirror Universe story. However, I didn’t like the idea of going with a straightforward opposite. Instead, I wanted for it to be a lot clearer that the centerpiece scene was an act of love. But it would be somewhat misguided love.
  • The second iteration was Paving Stones Made of Good Intentions. This corrected the idiom and better evoked the undercurrent of it being the road to hell. But I didn’t love how it flowed.
  • So the final title was Paving Stones Made From Good Intentions. This title brings together not only the fact that the centerpiece scene is happening because people mean well but also because this is the road to hell. Furthermore, I wanted the title to effectively denote that the road to hell is actually deliberately and actively fashioned from these good intentions. This is rather than somewhat more passively being made of them. A subtle difference, to be sure, but the idea was that the intentions are in a somewhat more refined form. It is – there are good intentions but they are perverted and shaped into the paving stones, as opposed to just laid down in the roadbed.

Upshot

When stories appear to be winding around a bit too much, or seem to be getting too wordy, I try to remember my education. I hope I’m doing my two teachers proud.

Thanks, Kitty and George.

Posted by jespah in Inspiration-Mechanics, 0 comments

Progress Report – March 2012

March 2012 was productive.

March 2012 Posted Works

I began the month by answering a prompt on Ad Astra about seasons. I had thought a bit about all four seasons but I was stuck a little on spring and autumn. But I liked winter, so I posted A Hazy Shade, which is a reference to the old Simon and Garfunkel song,  A Hazy Shade of Winter. That one will go in context at some point. I also added a story about the summer, called And the Livin’ is Easy. That, too, will get some context.

I also started to post A Long, Long Time Ago on Ad Astra. This is really the start of the Times of the HG Wells series, although I had also written a prequel, First Born, which I posted on Ad Astra, Trek BBS and Trek United. On the former two forae, I entered it into their monthly challenges. It did not win either challenge, but did receive some votes. Barking up the Muse Tree | Janet Gershen-Siegel | jespah | Quill | March 2012

Furthermore, I finished Reversal on Trek BBS and also spooled out Intolerance. Reversal and Intolerance have both gotten some very nice comments there, and a lot of views.

More Postings

The same has happened on Fanfiction.net, e. g. I’ve finished Reversal and am beginning Intolerance there. As on Trek BBS, these are the T-rated versions of the stories.

I also created responses to monthly challenges and posted them. These stories are A Kind of Blue (for Ad Astra’s Bring the Sunshine challenge) and The Black Widow (for the Trek BBS What if …? challenge). As is perhaps obvious, the two works took me in rather dissimilar directions.

Furthermore, I joined the Star Trek Logs forum and began adding fan fiction almost immediately. The reception has been good so far. I have added Voracious, Onions, Letters from Home, Paving Stones Made from Good Intentions, The Light , Waiting, There’s Something About Hoshi and Reversal (in progress) this month.

WIP Corner

In addition, I continue to draft the E2 stories. I am in the midst of the third book, and there should be four. It’s threatening to become about the same size as the Wells series. I have had a lot to say, and the characters have taken me in a lot of unexpected directions, for which I am grateful. So I am now beginning to circle back to some of the initial points that I had wanted to cover. But those chapters are rather long, and take a lot of time to write.

Prep Work

Prep work consisted of creating a bowdlerized version of Together and an HTML-coded version of Ohio.

This Month’s Productivity Killers

Looking for work continues to be both a boon to my writing (no real work distractions) and a hindrance (being home all day, I hear every little noise, plus of course I have to look for a job).

I also switched to Internet Explorer 9. While that fixed problems I was having with Flash and Java, it created other problems. So now I can no longer post in the Ad Astra archive, or put reviews there, or respond to reviews. Hence I use Chrome whenever I go to the Ad Astra archive. This eats up time.

Furthermore, my parents visited for a few days, in order to watch my husband and me run the first 5K of the season. Fun but of course, there isn’t a lot of computer time when we’ve got company.

More Distractions

Joining a different forum meant more time spent posting stories (and posting so as to get to know the other people on that board) rather than creating. Plus I overhauled my website a bit in order to better handle links to sites where my work is posted. However, I believe that the changes I’ve made in the website have made it easier to work on when I join more forums. One thing I have to remember is that not every story needs to be posted everywhere.

Posted by jespah in Fan fiction, Progress, 0 comments

Spotlight on Original Species – Daranaeans

Spotlight on Original Species – Daranaeans

Daranaeans are a wholly original sentient marsupial canid species. Pronounced: Da-ra-NAY-un.

What’s a Daranaean?

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Mistra | Daranaeans

Mistra, one of the Daranaeans (secondary female)

Daraneans are residents of Daranaea, a Minshara-class planet located near Klingon space, hence it has a tactical advantage.

As for the Daranaeans themselves, they are sentient marsupials with foxlike triangular faces and fur on most of their bodies. They are very canid in a lot of ways, including packlike behaviors for their social lives, but also their battle plans and even their ship designs.

I tend to use pointy-faced dogs, foxes or bats for pictures. Naturally, the reader will need to use his or her imagination a bit.

Castes

Females divide into three separate castes, depending upon the intensity of their smells. Prime Wives have the most privileges and the most education. Secondaries tend to do most of the reproductive heavy lifting. They also act as primary educators. Third caste females are generally relegated to manual labor, and may be illiterate. All females are sold into marriage, but Prime Wife marriages are generally from private arrangements without the need for a public auction. Wealthy Daranaean males, including members of the Beta Council and most higher-ranking military men, have a wife from each caste.

Pregnancy and Pouches

For Daranaean females, pregnancy has two parts, versus our three trimester configuration. There are about six months of a conventional-type pregnancy, and then another six with the infant in the mother’s abdominal pouch. Much like marsupials on Earth, the infant (called a pouchling at birth) is born very small and helpless. Unlike Earth’s marsupials, a Daranaean mother places the baby right inside the pouch, as opposed to requiring that it crawl there on its own.

Pouchlings nurse and sleep most of the time, and it’s important for the mother to keep the top of the pouch clear of obstructions. Therefore the tops that the women wear can be tied. This allows for air passage. The mother also sleeps on her back or her side while pouch feeding. When the pouchling is a good five months old or so, the mother can lift the top of the pouch to peer at the infant, if she wishes. However, the infant can get cold while doing so. This shouldn’t be done too frequently.

During this time, the mother sleeps with a soft baby blanket in order to pass her scent onto it.

Pouch Emergence

After about six months in the pouch, the pouchling is ready to emerge. First, a hand comes up and holds the top of the pouch. Then, the pouchling generally pushes down so as to get leverage, and may even use the front tied piece of its mother’s top in order to pull up and out.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Baby Inta | Daranaeans

Baby Inta, one of the Daranaeans (secondary female)

Once out, the mother cleans the infant and swaddles it, and wraps it in the blanket. Newly-emerged pouchlings can be called infants. They don’t hear or see very well, as a parallel to what newborn puppies are like.

After a few weeks, the infant attempts crawling, and soon will begin cruising and walking, much like a human infant. The baby still nurses, but solid foods can be introduced at a young age, as slightly pointed teeth erupt not too long after emergence. Because Daranaean women have four breasts (two inside the pouch, and two where we would normally see them), the emerged infant can still nurse for a while.

Childhood

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Seppa | Daranaeans

Seppa, one of the Daranaeans, a third caste female, as a child

Very young Daranaean children are kept at home and cared for by the older females. For a very young child, life at home is filled with basic learning such as getting along with others. The family may visit other families or go on trips, which can be educational or just for recreation. Seppa, at right, is only four years old in this picture. A somewhat typical day for Seppa is a part of Some Assembly Required.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Cria | Daranaeans

Cria, a tween secondary female Daranaean

Young Daranaean children are home schooled. After several years, the males are sent to a big school, as are the Prime Wife females. This is for more advanced learning, such as is necessary for space travel. The other female children remain at home and can continue to be home schooled.

A Daranaean tween or teenager becomes interested in marriage and all that it entails, but marriages generally don’t occur until about ages eighteen to twenty or so. A young Daranean tween girl such as Cria, right, continues her home schooling and helps with chores and the care of her younger siblings, but also has time for some fun and for learning the household skills she will need as a wife. A fairly typical day for Cria is a part of Temptation.

Young Adulthood

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Seppa | Daranaeans

A Young Adult, Seppa

Young married Daranaeans are much like young marrieds in any culture or species, enjoying their new lives and working toward the future.

For young Daranaean wives, this means pregnancy or preparing for pregnancy, as the species suffers from Thylacine Paramixovirus and, as a result, big familes are needed in order to replenish the population. A young wife such as Seppa, aged eighteen here, might become pregnant very quickly, and be expected to begin raising a household full of children.

Daranean women of wealth do not work outside the home, as the care of children is paramount.

Daranaean men hold jobs, and there is still a monetary system in place. Doctors include Varelle and Trinning, reporters include Craethe, and Beta Councilors include Boestus and Elemus.

Later Adult Life

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Dratha | Daranaeans

Dratha, one of the Daranaeans (legendary Prime Wife)

For Daranaeans, later life changes, depending upon caste. Prime Wives, such as Dratha, pictured here, can live fairly long lives. For wealthy families, the Prime Wife is treated like a queen and is not expected to help with child care, although she can if she wishes.

Secondaries, such as Mistra and Cria, above, have children on a regular basis until menopause. The expectation is they will continue helping the young adult children prepare for life in their own households.

Third caste females, like Seppa, above, have children until menopause, when they are either euthanised or are donated or sold for medical experiments.

Daranaean men live out their lives and have the longest life expectancy of all.

Politics, Government and Justice

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Vidam

Adult Vidam, one of the Daranaens and son of Prime Wife Dratha

Daranaens have a government composed of an elected Alpha who is advised by an elected Beta Council, which meets regularly and is very open to the press. None of the women can vote, not even Prime Wives.

As a member of the Beta Council, Vidam (right) is expected to present bills, debate on them and vote. Voting in the Council Chamber is open and is accomplished by all of the representatives standing. Then the opponents of a bill sit. Anyone left standing is then counted as supporting the bill in question. A simple majority rules, but the Alpha can break ties. Abstentions are rare – much like dogs on Earth, Daranaeans mainly see their issues in black and white. A debate about granting Prime Wives the right to vote is part of Debate.

Trials are public, and the trial of a wealthy Daranaean, even a Secondary, is fodder for the press. There are no juries, rather, an accused is judged by a judicial panel. A trial is part of Take Back the Night.

Medicine

Aside from the generally fatal Thylacine Paramixovirus, most Daranaeans are usually in good health. Prenatal care is available for Prime Wives only. The other two castes are expected to care for each other. Their infants are delivered at home. Prime Wives deliver in hospitals.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Young Trinning | Daranaeans

Trinning, one of the Daranaeans, as a child (son of a secondary)

Researchers, such as Trinning, at about age six here, work diligently to try to find a cure for the virus. Research is limited by budgets, training and time. The virus is somewhat similar to canine distemper and Newcastle Disease on Earth.

Daranaean Third Caste wives who are menopausal are sometimes sold for medical experiments,  as doctors need them to test vaccines.

First Contact, Friendships and Relationship with The Federation

First Contact was between the NX-02 Columbia and a pleasure craft owned by a wealthy Daranaean man, Elemus. It occurred in February of 2160, and did not go too well. First contact is a part of The Cure is Worse than the Disease.

Second contact went considerably better, and is a part of Take Back the Night. This generated some friendships between Daranaeans and humans, including Jonathan Archer and Seppa, and Malcolm Reed and Mistra.

In 2191, a young Inta went on a blind date with a human, Hank Harrison. While things did not work out romantically, the two became friends. Their date is a part of Hearts in Time.

Daranaeans became allies with the Federation, and called upon them later, and made themselves available as well.

Daranaean Future

Such a sexist society will need to change in order to continue to grow. Stay tuned. Big things are in store for the galaxy’s only sentient marsupials. I will post more insights!

Posted by jespah in Emergence series, Fan fiction, In Between Days series, Spotlight, 39 comments

Portrait of a Character – Gabrielle Nolan

Portrait of a Character – Gabrielle Nolan

Gabrielle Nolan comes from real events.

Origins

Gabby started off as almost a plot device. I had been working on a series of ficlets surrounding the Breen attack on Earth, and I was analogizing them to the Five Stages of Grief. The Breen attack also felt a lot like 9/11, so I wanted to tell the story from the perspective of a pregnant widow. Gabrielle is not the widow (Gina is); she’s the daughter. So she doesn’t show up until the sixth stage, which is healing.

While I wanted to move the story beyond grief, I also wrote the healing aspect in order to introduce Gabby. This was done as the response to a weekly free write prompt about art. When I saw the prompt, the first thing I thought of was art therapy, and I immediately got the image of a child’s red-colored rounded scrawl into my head, and that would not go away.

Art Therapy

As a part of the commemoration of the fifth anniversary of the Breen attack, Gabby’s school has its students draw, paint or sculpt their impressions of that day. Gabrielle isn’t the only bereft child, as she learns. For Gabby, it’s a day to make a friend, as it is for her  mother, Gina. A part of healing is, I feel, to go outside yourself, and see that others might be in the same boat as you. Art brings it all together, as Gabby’s piece and another piece bring them close to people with a similar bereavement.

Quote

“It’s a tomato.”

(when asked about the red scrawl on her drawing).

Appearance

Gabby is shown as both a child and a teenager. For her time as a small child, I see MacKenzie Foy.

Portrait of a Character – Gabrielle Nolan

As a teenager, I don’t really have a visual for her yet. She’s a child of the twenty-fourth century, and a child of tragedy. So she is much like any of the children of 9/11 victims, whether they extant or in utero on 9/11/01. As a teenager, she is a lot like a typical human teenager. She’s engrossed in her PADD, bored with slow-moving adult things, and intent on fixing up her friends with each other, a little like Jane Austen’s Emma.

In her eyes, her mother sees her lost father, Michael Nolan, much as I expect 9/11 widows see their husbands in the eyes of their children.

Posted by jespah in Fan fiction, Portrait, 5 comments

Inspiration – Films

Roll it, Aidan!

Films creep into my Star Trek fanfiction in a lot of different ways.

Screenshot of the title screen of the trailer. | Films

In the most obvious manner, they have been the subject of the stories Movie Night and Broken Seal. I love the idea that Enterprise had a Movie Night. Canon puts it during a weeknight. But I have changed that to the weekends so that it can be the centerpiece of date night.

I have also added a Master of Ceremonies, Chip Masterson, and a projectionist, Aidan MacKenzie. Chip even holds a discussion of the film afterwards if anyone has an interest. But the talks only get sparse attendance. Every film in my stories, on the NX-01, begins with, “Roll it, Aidan!”

Films also, often, reflect a plot or inspire a character name or even something else. Here are a few films, and how they inspired.

Gaslight

In Reversal, Lili goes on a disastrous blind date for Movie Night, but the film is important because it’s about a man trying to drive his wife mad with untruths. It’s an oblique reference to plot points to come.

Dirty Dancing

In Intolerance, Pamela uses the film as a way to determine who’s been sending her sonnets. The film also pushes in some music that’s germane to the plot, such as The Ronettes’ Be My Baby.

The King of Hearts

In Together, Malcolm attends this foreign film – even though, in canon, he’d prefer films with a lot of explosions in them – in the hopes of seeing someone.

Grease

This film comes up twice. Once, as a quickie Shakespearean reference to Arden (Eve Arden, invoking the Forest of Arden from As You Like It) in Intolerance, and again in Fortune, where it works to essentially babysit an ailing elderly character who is losing memory.

Casablanca

This film is the subject of a future date in Fortune. The reference is to it as one of the most romantic films of all time.

Rashomon

This film, with its differing perspectives, is to help determine whether any portions of several conflicting stories make sense, in Fortune.

Back to the Future

The time ships in the HG Wells series are all named for various bits of time travel pop culture ephemera. This includes the Flux Capacitor, often called Fluxy.

The Graduate

Even though he’s about her age, in Ohio, when Sheilagh Bernstein says, “Agent Daniels, are you trying to seduce me?” that’s a reference to The Graduate.

Stalag 17

In Movie Night, Malcolm and Melissa make plans to watch this film. And it’s one of the few times I have Malcolm going to a movie that he may have picked out. This film also gets a reference in Day of the Dead and characters Herbie Shapiro and Stanislaus Kuzawa.

The Seventh Seal

In Broken Seal, Chip Masterson hypes this highbrow film, but not too many people show up. T’Pol does, though, as it’s intended to be a film that would probably be more likely to appeal to her than to anyone. Phlox talks throughout the picture as he and Malcolm try to figure out the symbolism, and then Malcolm talks to his girl about it, and asks a bit more about the symbolism.

Films"

Little movie references also abound – Claire Crossman is a reference to Molly Ringwald’s character in The Breakfast Club. Jeremiah Logan Beckett is, in part, named for Logan’s Run. There’s even a small shout out to The Wizard of Oz in Reversal.

In a small way, too, the Terminator films are also an influence, as the temporally paradoxical character of John Connor is referenced a bit by the equally temporally paradoxical character of Jun Sato.

Undoubtedly, more films will creep in and I’ll have to revisit this topic. Why, I haven’t even mentioned Kramer vs. Kramer!

Posted by jespah in Fan fiction, Inspiration-Mechanics, 0 comments

Progress Report – January 2012

January 2012! This is the first progress report, but I will only cover this month. Going into the gory details of everything that I’ve posted or drafted up until now would just be tedious. It can always be found through my own site.

January 2012 Posted Works

On Ad Astra, I posted nearly all of Fortune (except for the Afterword, plus a few chapters from before the start of the new year).

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel |  Paving Stones Made From Good Intentions | January 2012

Paving Stones Made From Good Intentions

Plus I posted the response to the Pathways challenge, Paving Stones Made from Good Intentions. I was pleasantly shocked to eke out a come from behind victory. This is my first win (and the fourth challenge I had entered on Ad Astra). The story will be featured and I get to choose the February challenge topic. I was particularly proud of this because (a) it was a difficult group of entries and (b) it features my original character, Doug, at an early stage of his life. The story works as a prequel to Reversal.

Prompt Responses

In addition, I responded to some weekly free writes. For the TGIF prompt, I released Friday Visit, which is a kind of prequel to Together. For the AWOL prompt, I wrote Demotion, which is a prequel to three works that are still in rather early stages, and are based on the E2 episode. This ficlet is also a missing scene from the Hatchery episode. The Politics prompt brought forth a ficlet called Debate, which is a prequel to the next Daranaean story, currently in progress.

More Postings

Meanwhile, on TrekBBS, I added several pieces. Currently, I am posting Reversal (the PG-13 version). I also responded to their New Beginning challenge, with Coveted Commodity. Voting is up; I have voted there, too. Thanks to all voters.

On Fanfiction.net, I added Waiting and am currently spinning out the PG-13 rated version of Reversal. On that site, because I can upload documents, I am posting small uploads of three chapters at a time, so the posting there of Reversal is often behind what’s happening on TrekBBS.

I did not add any long works to Trek Empire, as I am waiting to see if the word limit for posts can be increased. Right now, it’s rather low, and this would make it difficult to post a story like Reversal, which is over 30 chapters long. I added It Had to Be You, as it’s a short one-off, and it takes place in the mirror universe.

Finally, I got TrekUnited a bit caught up with some of my one-offs and smaller stories. Dear Captain was very well received. I also posted Apple.

WIP Corner

Right now, I am working on E2 stories. There are going to be three books, and I have a good 90% or more drafted of the first one. The second one has a few chapters but is stalling a little. I’ll play with it more when inspiration strikes.

I also have a Daranaean story which, unfortunately, has also stalled. I wrote Debate as a prequel to it, hoping that it would nudge me to do more. So far, nothing yet. I also have an Interphases story which I haven’t touched in a while. That’s one of these stories where I roared through the beginning, know the ending, more or less, and can’t figure out how to connect the two. I’ve found that sometimes it helps to just go ahead and write the ending or at least draft it and then fill in the middle. That may be what I do with the Daranaean story as well.

I’m also drafting blog posts, and that’s interfering just a little bit with writing fiction. But I’ve also found that writing begets writing. Something will push through this little blockage and I’ll be typing away madly soon enough.

Prep Work

There are some things that I do that aren’t writing but relate to it. I converted A Long, Long Time Ago to HTML formatting and created an Ad Astra series called Times of the HG Wells. Plus I played around with Gimp to see if I could make a slideshow about In Between Days. I think it was all right for a first go, but it was a large file and the slides went by a bit too quickly. In addition, I need to adjust placement a bit. I’m really not a visual artist, so everything I do with visuals ends up being a struggle, but I try.

This Month’s Productivity Killers

My contract was not renewed in January 2012, so I’m hunting for work again. There’s always a big push so I am actively doing that. I’m also laying the groundwork for my taxes, but I don’t have all the materials yet. I’ll probably finish them in February or March. The filing date will depend upon whether a refund is in store (doubtful) or we have to pay.

Another thing about being at home is the phone/outside noises. Even with a space heater going (and providing white noise) and the windows and storm windows all closed, I can still hear occasional jackhammering outside. This, plus a ringing phone (and I have to get up to answer it, as it could be career stuff) tends to make me lose my train of thought.

Walking helps to get it back, and then I need to transcribe it. This process tends to work for me, where I think and type, then go out walking, come up with some more ideas and then record them later in the day. I don’t measure progress by number of words, as I place a value on economy of words, but I do try to crank out some pages, at least in draft form, mainly to see where I am with things. Currently, page production is down a bit. I am also working out plot ideas in my head, so some things are not being written, but that doesn’t mean I am not working on them.

Posted by jespah in Progress, 1 comment