Friendly and approachable, Seppa is another homebody female Daranaean character.
This was not always the case. As a young child, Seppa is shown as being shy and scared, likely a function of being the absolute lowest on the totem pole while Arnis was still free. In Some Assembly Required, she is terrified that everyone will become angry with her, despite the fact that she has done absolutely nothing wrong. But after seeing Mistra falsely accused, that makes sense to a preschooler, that there would be guilt by proximity and association.
There are no real impediments to Seppa existing in the Mirror Universe.
I see Mirror Daranaeans as being more vicious, somewhat more like wolves than dogs.
With power would come more confidence and assertiveness. I doubt she would just be what is essentially the equivalent of a stay at home mom.
“Vidam made sure I was sold to the man who would treat me the best. And you are, most assuredly, that man. But let us not speak of euthanasia. Instead, let us talk about our visit. Jonathan has never met you before! My own father is as good as gone. And I have known Jonathan Archer for a good fifteen years.”
It was wonderful to be able to raise this character up from what would have been rather depressing depths. She has powerful friends, and deserves them.
During the Star Trek fan fiction story Take Back the Night, I wanted for there to be a believable witness who would be able to refute Arnis’s accusations against Mistra. But this person would have to be a little afraid of Arnis although ultimately they would do the right thing. Given the sexist nature of Daranaean society, this person would have to be male. In order to put him into the right position, I made him the Prime Wife, Dratha‘s, eldest son. Enter Vidam.
As with nearly all Daranaeans, I do not have anyone in mind to play Vidam.
This is an altered image of a Golden Retriever. As always, readers are encouraged to use their imaginations when thinking about the look and sound of most Daranaeans.
I actually envision Vidam as being more fox-like in appearance, so the snout would be thinner and more pointed.
The name is Hungarian for “cheerful”, but Vidam is usually far from cheerful. Instead, much like the Calafan, Treve, he is an elder son with a great weight of responsibility on his shoulders. At the end of Take Back the Night, with Arnis taken away in the futuristic equivalent of handcuffs, the teenaged Vidam is suddenly responsible for his family. He insists that Dratha in particular help him, but it is he who makes the decision to allow Seppa to learn to read and write.
When he gets older, he becomes a politician, and is the standard bearer for the liberals in the Daranaean government, in his role as a Beta councilor.
Like all wealthy Daranaean men, Vidam takes three wives, one from each caste.
Unlike other Prime Wives, Ethara is more of an equal partner to Vidam. Like many human political spouses, she attends functions with him and is otherwise a part of a charm offensive.
The jokester secondary, as is seen in Temptation, is one of the daughters of the war hero (and eventual Alpha), Acreon. Morza is also a close friend to Vidam’s half-sister, Cria.
The least known of Vidam’s wives, Kela is a member of the third caste (and is named for one of my great-grandmothers, actually).
The Daranaeans exist in the Mirror (Empress Hoshi refers to their planet as “always smelling like wet dog”).
I see them as more like wolves than dogs, and being rather vicious indeed. I doubt that Vidam would be so cultured and congenial in the Mirror Universe.
“Thylacine Paramyxovirus has devastated our population, yet we devastate it even more with compulsory euthanasia. Doctors, I know, are working around the clock to try to cure that horrible malady. My brother, the doctor, Trinning – he says that they are close to a true breakthrough. What will we do when they have finally cured it? Will we, then, decide to make a law to euthanize our secondaries? Where does it end? I say it ends now. It ends here! Third caste females who are menopausal can do all manner of things. They can still cook and keep house. They can still care for children. They could, I dare say, do more if we gave them the opportunity. A vote for, for me, that is a vote against the euthanasia law. I say we end it now!”
It was very important to me for the Daranaean men to not necessarily be bad guys. At least not all the time. Vidam is one of the first male Daranaean heroes that I wrote. I will bring him back at some point.
As my Emergence Star Trek fan fiction stories were going to be ‘published’ on Issuu, I didn’t like the fact that I really didn’t have an ending to the series. While this story doesn’t really end the series, it does bring it to a somewhat satisfactory point. But I will definitely write more in this series, as I just enjoy it so much.
For Captain Malcolm Reed and his new ship, the DC-1505 USS Bluebird, they’ve left space dock and gone to Andoria. But now it’s time for their first true mission. And that’s to observe the elections on Daranaea. Complicating matters is the fact that the two leading candidates seem to be polar opposites. Boestus, the conservative standard-bearer, would keep the Daranaeans traditional. Vidam, the son of the legendary Dratha, is the liberal candidate. But his earlier attempt, to introduce a bill to give Prime Wives the right to vote in Daranaean elections, was laughed out of the Beta Council chamber.
Meanwhile, his half-sister, Seppa (she’s on the cover of the book) is traveling with her husband, Brantus, and their family. But Seppa is a third caste female. Eventually, she’ll be euthanized, a fact that doesn’t sit well with Reed, or with Jonathan Archer, who has maintained a correspondence with the young woman and is rather fond of her.
At the same time, Dr. Trinning, half-brother to both Seppa and Vidam, is fighting to cure Thylacine Paramyxovirus. His test subjects are third caste females, a fate that’s not much better than mandatory euthanization after menopause.
This warp-capable culture is in a strategic area, near Klingon space. Will they be allowed into the Federation? Do they even want to join it?
I was pleased to be able to continue the Daranaeans’ story and try to give it some happiness, and to follow Seppa, Vidam, and the others. Boestus even gets to return later, in Bread. I also liked that not everything is a triumph. Some things work out, but there’s still a lot more to do. And that’s reality.
So many of the Daranaean women I had been writing were utterly passive, accepting of their fates and not questioning. But Dratha wasn’t going to be like that at all.
She would be glamorous and sassy, the Daranaean version of a legendary beauty.
As with all Daranaean characters, there is no actress chosen to play Dratha.
Instead, I suggest her as looking quite a bit like a greyhound, although I do see her as darker than this image. But she is regal and beautiful, a model of sleek perfection.
Tough and assertive, Dratha is the most expensive Daranaean woman – ever – at the time of her life. When she’s questioned under oath, she’s asked what her price was. After evading the question, and insisting on revealing her name before her purchase price, she finally reveals the shockingly high figure. Arnis, the Alpha of Daranaea, clearly desires her, as do all Daranaean men.
The Alpha of Daranaea, like all of the men of their world, has the hots for Dratha. But she’s a Prime Wife, so she can (and often does) refuse relations. They have at least one son together, Vidam, so she has fulfilled her marital obligations to him. After Arnis is arrested, it is unclear whether Dratha takes up with anyone else, but she probably doesn’t. She may be a trendsetter, but she’s not a revolutionary, like Mistra quietly is.
The existence of Daranaeans in the mirror seems a certainty.
Such a beautiful female would still be quite the object of desire but, like a human woman, she might be even more oppressed. I see her as vainer, as someone who enjoys her luxuries because she’s got nothing else. In the mirror, even more so than in our universe, I see the Daranaean women as being without rights, almost stateless.
“You couldn’t afford me, anyway. I was purchased for four thousand, eight hundred and twenty-three Stonds.”
This tough old gal has a lot of life left in her. She’ll be back.
For the Daranaean, the elder Inta, this would be a form of marital rape that would spark the powder keg of a plot. I had already established that third caste women had no right to refuse sexual relations, and so the beginning is her refusing to sleep with her husband, Arnis. In fact, the first word of the story is simply her saying, “No!”
For her refusal, she is hit, hard, and she falls to the floor, hitting her head. This causes her death and, just as importantly, the death of her unborn fetus.
While her death is not actionable, the first legal question is whether the death of the unborn child is. This is, of course, distasteful to most of us, but I figure that alien cultures may very well have rather alien ideas about justice and mercy.
As the story unfolds, someone other than Arnis is accused, and the Cochrane and the Columbia both play a part in helping that person be exonerated, and having the real killer charged with the crime.
I think this is one of the better stories I have written, as the action moves from Daranaean home to both starships, a space battle, and eventually a courtroom and even the Beta Council chamber on Daranaea. Perhaps the best part about the story is that, while it resolves the immediate issue, it doesn’t fix all of the Daranaeans’ problems overnight. There’s plenty more story fodder, and the injustices aren’t all gone. But at least there are a few less of them. I’m very proud of this story.
There had been enough somber stories in the Star Trek: EnterprisefanfictionDaranaean arc, so I wanted something a lot more lighthearted. After having written Temptation, I then added the Christmas story, Some Assembly Required, which takes place not too long afterwards.
It’s the holidays, and the Enterprise has exchanged gifts with the most prominent Daranaean family. For the little alien children, it’s three boxes of toys. Little Seppa, in particular, is excited to not only play with the new toys (particularly with her half-sister, Minna, who is nearly the same age as her), but also to thank Captain Archer and CommanderReed. It’s Reed who selected the toys.
But things are off, and Seppa begins to cry. Why? The toys all seem to be broken, and she is afraid that the adults will get angry with her, and will blame her for that. As a third caste Daranaean female, whose mother is dead and father is in the prison, she knows she has very little status. Even at age four, she realizes that her comfortable existence is facilitated by people who could just as easily throw her out on the streets. She knows how lucky she truly is.
In the meantime, the Daranaeans have sent a large serving platter, and they all signed their names to it. And they imparted a new saying, ‘We have a new saying on Daranaea: When human friends come, happiness is sure to follow.’
Although Seppa and the other children play together, and learn together, there is still some separation. The story ends on a wistful note, as Seppa gazes longingly at images of Earth, dreaming of visiting someday.
I liked the family feel of this one and, as always, language matters when it comes to the Daranaeans. When Trinning refers to Dratha respectfully, it’s a sign of huge progress. When Seppa is comforted and included, it’s another positive sign. Things are changing.
Portrait of a Character – Charlotte Lilienne O’Day
Every author needs a character surrogate. I have a few – Sheilagh Bernstein, Eriecho, Gina Nolan, Ethan Shapiro, Seppa, and HD Avery come to mind. But none are as attuned to me, or as similar to me, as Lili O’Day.
I was thinking about writing Reversal for a while before I started, and I needed a name for my heroine. I decided on her full name for a few reasons. First, the name flows and is pretty. But – bringing her down to earth – her initials are CLO’D. Did her parents really mean to refer to her as a clod? Perhaps, but not in a negative manner. Lili reveals, in Fortune, that her mother was a potter, so perhaps the backhanded reference to clod refers to a moldable clod of earth.
I also liked the short name, Lili, as it’s casual yet feminine, but also feels more youthful than Lili really is (Lili started off, in Reversal, as being 48 years old, just like I was at the time).
It took me several months to come up with a real face for Lili, who is described as having eyes that are the lightest blue – nearly white in appearance, although she is not blind – and hair that is straight and platinum blonde. Her body is a little chunky although not too much, with a decent albeit not a knockout figure. Her lower teeth are a little crooked. She is self-conscious about her belly.
After kicking around and, ultimately, rejecting the idea of the actress Jessica Tuck, I went with actress Naomi Watts. Watts is lovely, to be sure, but is also fighting some signs of aging like parentheses lines around her mouth, much like Lili is. Her eyes aren’t light enough; contact lenses would have to fix that. But she also, to my mind, carries some emotional heft. I like it that she’s not an Angelina Jolie.
Personality and Background
Smart yet not overly so, Lili’s talent is in cooking. But she never would have gotten there if it had not been for some seemingly unrelated events, plus sheer determination. At age nine, her parents die in a house fire at their home on Titan, in New France. Lili, at the time, was visiting her mother’s parents, the Ducasses. This photograph was taken a few weeks before. Lili describes it as one of her best and most enduring memories of her mother. Ironically, this picture is first seen in the Mirror Universe. Lili remembers the events leading up to the fire in her dreams, in the E2 stories, and then her subconscious supplies additional, unseen information, such as her father, Peter, shoving her mother to the floor and laying on top of her, one last act of protection.
Initially afraid of fire, her maternal grandmother, Lilienne, makes her cook. Lili explains to Malcolm, in Together, that she was a difficult teenager, getting into minor trouble such as joyriding. She loses her virginity to her High School boyfriend, Paul Mayer – that act is also recalled in a dream. She is close to leading a dull life when she gets a chance to cook for the head of the Mars Culinary Institute. She makes lobster en croute, which is a kind of strained bisque in puff pastry. On the strength of that dish, she is admitted to the MCI and graduates. Her first job out of school is at the Tethys Tavern, where she not only cooks, but also tends bar on occasion.
Eventually, Lili becomes skilled enough, and is in enough demand, that she opens her own restaurant, Voracious, in San Mateo. The restaurant is described in Reversal (again, this is a memory seen through the prism of dreaming) and Voracious, where the NX-01‘s Chef, William Slocum, goes to dinner. He enjoys her Harvest Salad so much that he talks to her about joining up. The Xindi war is raging, and Lili remembers the attack. The city is still in aftershock mode. Slocum brings in Archer (I have not written that part yet) and Lili sells Voracious and comes aboard the NX-01. Her first day is chronicled in Harvest. She has been hired to act as sous-chef, pastry chef and saucier. Her duties include making desserts and birthday cakes, such as is shown in Protocols, plus she cleans up quite a bit. It isn’t until the E2 stories that she gets any help.
Depending upon the story or the series, Lili experiences deep and abiding love, in a way that most of us can only dream of. While she has had boyfriends and lovers, at least twelve before the start of Reversal, she doesn’t really begin to have love until then.
Lili meets Doug as a part of shared dreaming with the Mirror Universe, as is shown in Reversal. Her relationship with Doug is earthy and very physical, but she essentially tames him. When it comes time to exchange I love yous, they are both indirect. He tells her, “It would be really stupid if we were to fall in love.” And she replies, “It’s too late.”
With Doug, her life settles into a domestic routine quickly. In A Kind of Blue, she finds out she’s pregnant, and they quickly wed. In Pacing, and thenThe Gift, she receives a truly meaningful gift from Doug, meant to sustain her for their life together. InLocal Flavor andFriday Visit, their relationships with friends are shown.
In Together, their relationship is challenged, and it finally comes to an understanding in Temper and then in Fortune. Doug and Lili have two children, Jeremiah Logan (known as Joss) and Marie Patrice (often called Empy).
With Malcolm, Lili is different. Their relationship is somewhat freer, but that’s at least partly because, not until much later in life, they don’t live together. Their meeting in Harvest is meant to be a foreshadowing of things to come, as they shake hands for too long, he looks her squarely in the eye and she drops a teacup. Because they are not together (Malcolm is her other fellow in her open marriage with Doug; Melissa Madden is Doug’s side girl in that same arrangement), there are a lot of good-byes and hellos. The homecoming in Temper is meant to be particularly sweet, and their time together at a hotel for a few days after that is meant to almost feel like a honeymoon, as is a shared dream during Fortune. With Malcolm, who is also a factor in the E2 stories, she can trade intellectual quips and insights. They read and talk about Jane Eyre. They play Scrabble and chess together. There is more highbrow business going on than with Doug, who often has trouble expressing himself.
Jay is only a factor in the E2 stories, but the events of Harvest, Penicillin and Demotion foreshadow some of that.
In Harvest, she notices Jay’s eyes when they are introduced, and he tells her that he likes blueberries when she asks about a favorite. In Penicillin, he is coughing and so she makes him (and the rest of the crew) a little Jewish Penicillin, chicken soup with matzoh balls. In Demotion, Hayes disciplines Daniel Chang in front of Lili and her roommate, Jennifer Crossman. He looks and nods at them but doesn’t address them, a prelude to the E2 stories.
In the E2 stories, Jay and Lili circle each other warily (she also circles Malcolm) and do not get together for a few years. He needs to get over Susan Cheshire, she needs to see him as a potential mate. Things are good between them. He is a bit better at expressing himself than Doug, and develops a meaningful pet name for her – Sparrow. In Equinox, after his death, he accidentally refers to her that way, which alarms her. This is because, in Equinox, she doesn’t know about the first iteration in the E2 stories. She only knows about the second E2 iteration.
In Together, Lili reveals to Malcolm that, when they met an NX-01 manned by their descendants, she learned that she had married José Torres. Malcolm reveals that he had not had anyone. His revelation is canon, so this, the second E2 iteration, is the one currently being written so as to dovetail with Star Trek: Enterprise canon.
As an Engineering crewman, José is far from being a romantic guy, which is what Lili craves. But he’s practical, and he cares for her a great deal. Her feelings about him are a lot more mixed, and there is less of the deep and abiding love as is seen with the others. Lili is settling, and she and the reader know it, but there is no one else.
They never actually meet in life. But, as he explains in a dream in Equinox, counterpart to counterpart, he cannot help but be taken by her. In the third of the E2 stories, he meets her on the last night of her life, in a dream, and they dance. And in the fourth, Ian reveals that he has been tasked with guiding her and keeping her company, comforting her in her darkest hours.
She Who Almost Didn’t Breed in Time
This is not only the name of the Xindi Insectoid that Lili kills during an episode of Fortune and feels the aftermath of in The Mess. This is also, in a way, what Lili herself could be called. But she has a total of (as of the time of this writing) seven children, depending upon which stories and series you read.
Joss Beckett and Joss Reed-Hayes
These sons are meant to be nearly identical, with Beckett as the son of the Mirror Universe husband and Reed-Hayes the son of the Prime Universe E2 first iteration husband. Joss is the one she depends upon to keep things together.
Marie Patrice Beckett and Madeline Reed-Hayes
Much like the two versions of Joss, these daughters are, respectively, children of the Mirror or the Prime Universe. However, their personalities diverge more. Marie Patrice is a bit of a materialistic person whereas Madeline grows up to become a Tactical Officer.
Declan Reed and Pamela Reed-Hayes
Both the children of Malcolm Reed, they are in the Prime Universe timeline and the E2 first iteration timeline, respectively. These children diverge the most. Declan is one of my visual artist characters whereas Pamela becomes a doctor, much like Pamela Hudson, who she is meant to evoke but not be named after, as the E2 denizens could not possibly have known about Dr. Hudson.
Maria Elena Torres
As Lili’s only child during the E2 second iteration, Maria Elena (named for Marie Helêne) is a bit of a wild card. As of the writing of this post, I have not yet determined how I want her to be. But the second iteration is meant to be more somber. Maria Elena will be one of the few bright spots in that version of Lili’s life.
Lili is more defined by her subconscious than any of my characters, even the Calafans. When I first wrote her, that first moment, she is in the middle of a dream, and it turns out to be a shared dream with Doug, in Reversal. Her ability to share dreams is enhanced by being in Calafan space and, eventually, she gets dream amplifier alloy to put on her person, in the form of her wedding ring from Doug (A Kind of Blue) and the key charm from Malcolm (Temper). In addition, the Calafans paint her with calloo-like tattoos made from the same material, callidium (Reversal). She is a dream collector and a dream projector in a lot of ways. She interacts in her dreams and utterly believes them.
In the E2 stories, she has no such amplifications. But Ian explains to her that she has some psionic abilities. She’s just not able to really focus them well. Hence, when he is with her in her dreams, she can hear him, and can feel him to hold her while they dance, but she generally can’t see him.
The main characters in In Between Days, except for Pamela Hudson, are all related to some sort of ancient element. Doug is air, Malcolm is water, Melissa is the earth, and Leonora is communication. Lili, because of how her parents died, and because of her skills at cooking, is fire. Doug and Malcolm both refer to her, at various times, as “the white-hot flame”. Jay even mentions that, while on his deathbed.
The Mirror Lili (called Charlotte) is at home during the house fire at the O’Day home on June 12th, 2118. She and her younger brother, Declan, die along with their parents. Jay does refer to seeing her in the afterlife during a dream in Equinox, and he reports that one of the pleasant things about heaven is that you can be any age you like, even ones you never attained in life. It’s a comfort to the grieving Lili (she has just lost Doug) to know that her counterpart can be old enough for real love, and can experience it. Given that Ian reveals that the counterparts are also taken with each other, he could very well be a part of the love that Charlotte might be finally experiencing.
“I figured I didn’t deserve to have survived, like I wasn’t good enough and I hadn’t done anything to be allowed to be the sole repository of my family’s memories and their love and their talents and everything else. I got into trouble and I didn’t face it much. I know now what a difficult child I must have been. It wasn’t until I became a master of fire that I began to process it. I began to have a handle on what had destroyed my family, and I could turn it to something that was almost good. And I began to slowly realize that my hopelessly old-fashioned, ancient and unhip grandparents were doing the very best they could for me, and that I should try and, and make it so that things wouldn’t be so hardfor them.”
I love this character. I cannot describe quite how much I do. But that’s to be expected, as so much of me is in her. Of course I know where the lines are drawn. I have no children; I have a conventional marriage. I am not a professional chef; my parents (as of the writing of this post) are alive and well. But there is something about Lili – from her vulnerability to her superficial fretting about her less than perfect stomach to her sass to her whacking the hell out of She Who Almost Didn’t Breed In Time to how she sings to Joss to how she brings Jay out of his shell and gets Malcolm to loosen up and feel that even he can cry sometimes – all of this, and more, make her, to me, an utterly irresistible character who I cannot stop writing about. I am all characters, and all characters are me, but Lili hits the most marks.