The idea of crossing Dr. Sam Beckett to Captain Jonathan Archer has been done by others before. That much is for certain. I had wanted to do this for a while, and then the opportunity suddenly presented itself.
The story opens with Beckett materializing onto the NX-01, and meeting Jennifer Crossman. The time period for Quantum Leap is after the end of the series, so Sam has been leaping about in time under all sorts of odd circumstances and those include going past the beginning and end of his natural life span. The show’s creators had said that, if the series had continued, the leaps would have gotten odder, and so going to ancient Rome or even to the taming of fire by primitives would certainly fit the bill there.
As Beckett meets Crossman, he seems (she still thinks he’s Captain Archer) a bit faint. She gets him to Sick Bay, where he yells in alarm when he sees Dr. Phlox. It’s explained to him, eventually, that Archer was in the midst of early negotiations with the Xindi, Degra. Beckett, feeling this is his reason for being on board the Enterprise, asks to be debriefed and vows to attempt the mission.
Meanwhile, on Earth, and a good century previously, Admiral Al Calavicci is trying to work with a somewhat agitated Jonathan Archer. As Tina, Gooshie, Verbena Beeks, and Sammy Jo Fuller all help Jonathan figure out what he needs to do, Donna Eleese stays back. Eventually, Jonathan realizes that the reciprocal leap is a lot less about Degra (although Sam does confront the Xindi) than it is about Donna.
Then something turned in my head, and I came up with this odd character, a kind of Klingon Valley Girl.
I like Amanda Seyfried for Rayna, particularly without heavy makeup.
But the truth is, Rayna could be played by a lot of young actresses. Certainly Kaley Cuoco or Holly Marie Combs would have been fine in their earlier days.
Gawky and out of place, Rayna is as unsure of herself as many teenaged girls are. The difference is that Rayna, being half-Klingon, can do some serious damage if she becomes angered. Failing in school, she is taken out by her concerned parents and is moved from Connecticut to the Archer Academy on Oberon, where troubled hybrid teens can go as a kind of last stop before Juvenile Hall.
But Rayna is also smart, and her poor grades are more a reflection on her not fitting in than on any lack of ability. Once she gets to the Archer Academy, she begins to blossom, particularly in English. But she still can’t quite get the hang of advanced Math. But that’s okay; she’s about to get a tutor.
I haven’t decided whether this will actually go anywhere, but I like the idea of Rayna having a fellow in class who she can relate to, or at least strive for. Because not only does she want to fit in; she also wants to get the guy and, at the same time, defeat her arch-rival, Tellifa.
There are really no impediments to Rayna existing in the Mirror Universe.
I like to think she’d be more graceful, and maybe even beautiful.
But she’d still be crafty.
“If I had more Klingon in me, I guess I’d be more intimidating, but most of the time I’m just a creampuff with cranial ridges. I swear I have never told anybody that before. Group is useless, but I feel I can at least mention it here.”
I love this character but I really haven’t done enough with her. After Freak School, she was mainly forgotten, which is a shame. I’ll have to find something to do with her one of these days.
I have no idea why this number became my go-to number. I just like it. It’s easy to type on a keypad, as the 4 and the 2 are typed diagonally from left to right, and then the 7, 5, and 3 are typed diagonally in the same way, but from one row higher.
It’s a zip code in central Kentucky and really has no significance in my life whatsoever.
When Travis is kidnapped for an alien experiment, he meets several people, including a ‘defective’ (not overwhelmingly alluring) Orion slave girl who has no name, and is only known as a number. And that number is 42753.
This storyincludes a scene of reading Porthos’s microchip. The number is 2149-42753.
In The Tribe, when Mary Reed is trapped in a transport that isn’t working, the number of the car she’s in is 42753.
In Multiverse II, 42753 is the panel number for where Branch Borodin has to place the pulse shot collector.
Later, the number also refers to the last message Levi sends to Maren O’Connor before his PADD dies.
Untrustworthy (Original Fiction)
One rather long designation includes this particular string of numbers.
Things to come
Play contains 42753 in two places. First, it’s the number of a secure channel used by Admiral Alynna Nechayev. The second time, it’s at the end of a string of numbers denoting Dana MacKenzie’s radiation band, which proves that she has some Mirror Universe ancestry.
This quirky number will be back. I guarantee it. Like this post? Tweet it!
The actor is well-cast and it’s hard to think of anyone else in the role. Much like Leonard Nimoy and Vulcans, Billingsley essential defines what it means to be a Denobulan.
Personable, cheerful, and kind, Phlox is also, at times, a bit baffled by humans. For starters, at the beginning of the series, he can’t quite figure out the idea behind pets.
This canon relationship is with Phlox’s second wife, of three. The other two are never named in canon. I’ve never written her except in the context of Phlox missing her after the Enterprise is kicked back in time, during E2.
At the end of the pair of canon ENT Mirror Universe episodes, his fate is unknown. But I figure it’s got to be that his days are numbered. Hence, in Throwing Rocks at Looking Glass Houses, I have Empress Hoshi order his death. When Beth Cutler is given two syringes, one with the proven fast nerve toxin, tricoulamine, and the other with replicated orange juice, the Science technician knows that both shots will kill whoever receives them. She hesitates until Hoshi tells her that she’ll be next if she takes any longer. The choice is to inject either Phlox, or Ian Reed, Malcolm‘s counterpart. With a small sympathy to her fellow Terran, Beth gives Ian the proven fast killing agent. Phlox, unfortunately, suffers at the end.
“Your mating rituals do fascinate me. Always a complicated minuet of sorts. Mind if I observe?”
I don’t write Phlox that much, except in the context of E2 stories and Intolerance. Part of that is to pave the way for other physician characters, such as Blair Claymore, Pamela Hudson, and Cyril Morgan. It’s also because, until Reflections Down a Corridor, I wasn’t really all that comfortable writing him. He’s absent from a lot of my main timeline, and nearly all of my Mirror Universe timeline. Will he return? Yes, although many storylines shut him out completely.
The character is, of course, Star Trek: Enterprise canon. Her role on the Enterprise was as a Science crewman, often assisting Doctor Phlox. The actress, unfortunately, died during the first run of the series.
With Waymire deceased, I’m not so sure who I would get to replace her. I imagine the same was true for the writers of the show. They ended up indicating that people had died in some of the Xindi attacks and some bodies were never found. While that’s a horrifying thought, perhaps Cutler is one of those persons. All too sadly, that will happen when we finally, truly, venture into space.
Pleasant and intelligent, Liz Cutler is alien-curious about Phlox. Even learning that he’s married to three Denobulan women does not faze her. But nothing happens; the actress died before the writers could really do anything with her character. She also never makes it to the Mirror Universe episodes. A pity, as I think she would have made a dandy Mirror Universe character.
As I write Cutler, in the Mirror, she and Tucker have a history. During Reversal, when the opportunity presents itself, they get together. By the time that story is finished, they have left together, for a new life on Lafa II. In marked contrast to the canon end of Tucker, they end up founding a dynasty, with two children, Betsy and Charlie (Charles Tucker IV). Their great-grandson, Charles Tucker VI, is a success to Empress Hoshi, and becomes the Emperor Charles I, as is noted in Temper and Who Shall Wear the Robe and Crown?
Known as Beth, the Mirror Universe version of Crewman Cutler leads a hard life. Much like I write other female denizens of the other side of the pond, she lives her life at the whims of men. This becomes an existence lived at the whims of the Empress.
In Throwing Rocks at Looking Glass Houses, Beth is given a syringe full of tricoulamine and is told to fatally inject either Phlox or Malcolm‘s counterpart, Ian. She chooses Ian, knowing full well that Phlox will also get a lethal injection, but that the Denobulan’s injection will be far more painful. It’s a final act of mercy for her fellow human. I’ve even been asked if she and Ian had a history, and it’s an intriguing idea that I have not yet explored.
After the events of First Born, Empress Hoshi selects Beth to be the babysitter for her first born child, Jun. The horribly bratty Jun even gives her a black eye during Reversal. When it becomes possible to leave the ISS Defiant, Beth jumps at the chance, and leaves with Charles. They meet Jennifer and Treve on the surface of Lafa II, and blend into the forest. She even stands by him as he recovers from delta radiation poisoning, although his facial scarring never goes away.
“Charles! I get the feeling we won’t always be able to do it in the captain’s chair! Think of all the people who are on the Bridge.”
This actress’s life was cut short, which of course is tragic. And it’s unfortunate, too, that the character was never expanded. I hope this alternate life story has done her some justice.
Eriecho needed a benefactor in Star Trek fanfiction, a person who could care for her as a child. Her first caregiver is Saddik, who essentially becomes her adoptive father. Like Eriecho, Saddik is a product of the JJ Abrams NuTrek timeline, where Vulcan is destroyed.
He is a falsely accused prisoner at Canamar, with no hope of release until the destruction of Vulcan spurs the Federation to look for Vulcans anywhere they can be found in the galaxy. This ends up including prisons.
When Saddik is first seen, he’s wondering what to do about Pon Farr, as H’Shema is dead and the only other female at Canamar is Eriecho. It feels odd to him (as it should to the reader), but he’s going to have some very real needs. He doesn’t want to fulfill Pon Farr with her, but he recognizes that he might not have much choice when the time comes. But they are saved from this fate when the two Vulcans are released from prison and brought to one of the many sanctuaries set up for Vulcans by the Federation. The idea is to protect people who have essentially, overnight, become a sentient endangered species.
Saddik takes it all in stride. Things are far better than they had been at Canamar, so he’s not one to complain. All he really wants is to have his own mate and for Eriecho to have one as well. But he won’t complain about the sanctuary. His life has improved in the extreme. He’s not about to upset the apple cart.
This elderly Suliban woman was the only other female in Canamar Prison, and helped to care for Eriecho. The three of them lived as an approximation of a family unit, and H’Shema assisted Saddik during his bouts of Pon Farr. Did they love each other? Eriecho clearly loved H’Shema like a mother. I’m not so sure about how Saddik felt about H’Shema, although he was certainly grateful for her existence, her compassion and her resourcefulness. In Release, he does mourn her a bit, in his own way.
In Recessive, as Eriecho is bonding with Sollastek, Saddik looks around at the various single women at the sanctuary. He’s interested in all of them, but the one who really catches his eye is this much younger Pon Farr comforter who has recently been transferred from another sanctuary. As a fellow misfit, she and Saddik have that in common. As that story ends, the two of them are only beginning to get acquainted.
There aren’t any impediments to Saddik existing in the Mirror Universe (or even in the prime timeline, for that matter).
He would very likely not be a prisoner and would probably live a more or less normal Vulcan life. In fact, he could very well be one of the few of my characters whose lives would be better in the Mirror Universe than in the prime universe.
“She is my daughter.”
For a character who starts off as a bit of a horny Vulcan, he turned into someone who could be Eriecho’s true father. He cares for her and listens to her problems, and helps to shield her from the worst of the disapproving glares and statements of the Vulcan matrons who also live at the sanctuary. He’s had to step up again and again, and he’s been able to do so, even if he’s a little skeptical of his own abilities.
Now, now, Darlin’, my name is Kevin O’Connor and I have no idea why I’m here, but I’m a-gonna try to do this right, even though there’s a buncha stories in the Times of the HG Wells collection that I am not in. So you might see a story and I’m not there, but that’s all right ’cause other characters, they need to get their due, too.
Now that that’s outta the way, uh, where were we? Yeah. I’m takin’ over this blog, even though God knows I’m not much of a writer. That’s a soft skill, yanno, like public speakin’ or sales. But gimme a time ship any day, or even a replicator.
The Commission sent me to pre-Warp a few times – I had to keep long sleeves and long pants on, and a high collar, all on account o’ my scales – you know my Mama was a Gorn, right? And I swear it was like them old coffee makers was speakin’ to me.
So in case you’re unsure, I am an engineer.
Anyway, damn your eyes, or maybe damn mine, but there are questions to answer, and here I am, wastin’ time even though time is my business, Darlin’.
So I’ll tell you about my biggest transition, which was when Josie went from bein’ her beautiful, vibrant, funny, sweet self to, well, you don’t wanna know. Damn Piaris Syndrome. Dammit all to hell. It just takes ever’thin’. It rips it out and it stomps on it and all it does it hurt ya.
But lemme start from the beginnin’, see? I met her, it was at this party, it was, uh, it’s all in a story called The Point is Probably Moot. And she was, well, here’s a pitcher of her.
Wasn’t she a peach?
She was Aenar, yanno. Blind as a bat. And I took her to a ballgame for our first date, and I messed up and I called her Josie even though her real name was Jhasi. But she laughed at that but she did grab a cap from the wrong team. I think that was a joke on her part, way back when. It’s all in The Honky Tonk Angel. That is, if you wanna look. I don’t mind waitin’, Darlin’.
But it all went bad, when she got sick. It was, see, in your time period, it looks kinda like lupus to start, and then it gets a lot like Lou Gehrig’s disease and then it just eats away ever’thin’. And then in the end, y’see, you lose your thoughts and your mind and your memories. Hardest part was when she didn’t know me.
‘Scuse me, I gotta take a break, okay?
Okay, I’m okay now. It’s, see, there’s a story called Candy and it’s about when we renewed our vows. We did that on account that, well, she was a few months from, man, it was a few months before she died.
So how did I handle that? Rick Daniels says I was brave. I guess; I dunno. I like to think that bravery is runnin’ and dodgin’ phasers or stuff like that. I just did what, you know, any husband would do, I think. I have to think that.
Do they frighten you? Inspire you? Sicken you? Amuse you?
So what did this transition do? Well, it scared the crap outta me to start, of course. I mean, you fall in love, you marry, and you make plans, yanno? And we wasn’t gonna have kids, but we still figured it would be, like my family motto says, it would be forever.
Whatever forever means, when there’s cruel mortality, I suppose.
It’s a joke, or at least that’s how I saw it at the time. It just hurt like you wouldn’t believe. It was as if I’d been stabbed with a sword.
It was terrible until I met Yilta. She’s a Calafan, see? And they’re really open and kind, and they seem to, in some ways, it’s like they love us better than we love ourselves. I dunno how else I can describe it. But they do. I, uh, I should get a pitcher; I don’t have one right now. She’ll give me a playful punch on the arm when she learns I don’t have a pitcher to show you. But she’s a silver one, so she’s from our universe. She’s got hair and pretty well-developed calloo – that’s the pattern on their arms ‘n legs – so she’s, yanno, she’s been around the block a few times. She’s from Lafa V and her accent, it sounds like an Irish brogue. Very understanding about Josie, and very cute, she is, see. She’s made that transition so much easier.
And it gets me to wond’rin’, even though it’s not one o’ the questions, but I wonder what I’d’a done if I knew Yilta while me and Josie was married. Yilta, I know, she wouldn’t be a home-wrecker, but what happens when it’s all falling apart, anyway? Anyway, you didn’t ask that so I’m left to just wonder.
Tell us about a memorable transition. Maybe one that went well.
Anyway, so that’s the biggest ole transition in my life, or maybe it’s a buncha ’em. It’s going from lonely bachelor to husband to caregiver to widower to, now, heh, boyfriend.
I am over seventy years old in human years and I am a boyfriend.
Yeah, it makes me laugh, too.
Or, if you dare, one that didn’t go so well.
But it’s also, at the same time, it’s the transition that didn’t go so well. ‘Course poor Josie never asked for none o’ that. She was, I mean, she was a kindergarten teacher. She was unselfish and lovely and, man oh man they say God takes people like that young because he needs ’em but I still can’t help but wonder why sometimes.
Let’s say you meet a character. It could be a canon person, or not. They might be from your universe, or not. What would you tell them about a transition that they might be going through? How could you help them with it? Would you help them?
I think ever’body goes through transitions, ’cause otherwise they’re not really characters, see? They’re just flat on a page. If they’re gonna live, they gotta have changes.
So I’ll look at somebody outside my time frame. See, I’m a time guy, so’s I can do that. And I’ll spin the big wheel and will ya look at that? I came up with Eriecho. This is my lucky day; I should play the Ferengi lottery next, I think.
See, Eriecho really had a big transition when she was let outta jail. She had never, ever been free before, and it was strange to her. I think it even kinda scared her, even at the same time as it thrilled her. So she was, you see, she was at a loss as to what to do. And I think she still is. Sure, she loves Sollastek and they’ll get married. And hey, maybe I’ll refurbish one o’ them ole coffee makers and send ’em one but I bet Yilta would tell me we should send somethin’ nicer, too. But she’ll pick out the doilies or whatever. You know how women like to do that.
I think I’d let Eriecho know that it’s not so scary, bein’ free. And you gotta fill up yer time, otherwise you just get bored. But it doesn’t have to be structured, and it doesn’t have to be other people’s ideas of what ya should do. See, we know the alternatives, and Otra sees ’em, and she tells me that that other timeline, you know the one you all call nuTrek or JJ Abrams Trek or whatever? She tells me it’ll resolve itself, and it’ll be better. And it won’t send Eriecho back to jail or anythin’ like that, so that’s good.
So all’s Eriecho’s gotta do – all any of us has gotta do – is just hang in there. And do what we think is right and best. What we feel is honorable or lovin’ or kind or artistic or well-engineered or even just interestin’. We can ride out the transitions, and let ’em wash off our backs.
And lemme tell ya, I weigh nearly a quarter of a metric ton and I got a pretty damn broad back, Darlin’. But Eriecho, see, and anyone else readin’ this? Just roll with them changes, and do whatever it is that you’re doin’ that feels right. ‘Cause I bet it is. You prolly know better ‘n you think.
Hey, mebbe I do, too.
Nice talkin’ to ya, Darlin’. Okay, I’ll give the blog back, now. Thanks for the soap box.
A focus (unlike a spotlight) is an in-depth look at a Star Trek fanfiction canon item and my twist(s) on it.
Of course, all of fan fiction is like that, but the idea here is to provide a window into how a single canon concept can be used in fan fiction.
The Earth-Romulan War is talked about in canon but it has never actually been shown on screen. For a lot of fans, it is an opportunity that was sorely missed in Star Trek: Enterprise. If the series had gone onto seven seasons instead of just four, undoubtedly the war would have finally been shown.
Dispatches from the Romulan War
A few years ago, I became part of a project called Dispatches from the Romulan War. Dispatches has been posted in a lot of locations. My two contributions are Soldiers’ Marriage Project, which introduced character Rona Moran, and Prison Break, which was intended to give some hope that some people thought dead at the start of the war were actually alive. Further, it showcased a prison called Gemara, at Berren Five, which I have used on several occasions and was first mentioned in The Puzzle.
After some more leisurely exploratory moments, such as are in The Light, Intolerance and Reversal, things begin to get down to business in Together. While the ship speeds toward Earth to deliver Jennifer Crossman to her wedding to Frank Ramirez, things are at a bit of a lull. But when ten people are kidnapped off the ship, T’Pol needs to work with her allies in order to find them again. There isn’t a lot of time to spend diverted in this manner, but she still needs to try.
Achieving Peace shows the last of the treaty negotiations, as Laura Hayes is there. And in Shell Shock, protesters are angered by Starfleet’s involvement in two wars in such a short period of time. A part of Malcolm’s problems during that story are his memories of the war, including the particularly brutal death of an unnamed crew member.
For this huge gap in canon, into which a truck could be driven through, there was no reason to not cover it. Hell, it’s the elephant in the room, when it comes to the ENT era.
To go along with this month’s AOS selection, here are some questions to chew on, since so many people feel that the JJ Abrams universe somehow is not Star Trek.
What does it mean to you when a story is described as being Star Trek? What are the characteristics? Is there a bright line between Trek and not-Trek?
What Does it Mean When We Call It Star Trek?
I think it’s mainly about Roddenberry’s general values. It isn’t ships, because people get off the ships (and who’s the say that they won’t stay off the ships for a while longer than just a quickie mission?). It isn’t just phasers and Vulcans and shuttles, because the time of Colonel Green could easily fit into Trek (hell, it’s canon!) and none of those things exist yet.
But maybe not … too much. After all, Roddenberry also, at times, had some ridiculous notions, such as that humanity would somehow be ‘advanced’ enough that mourning the dead wouldn’t happen, or at least not for long, and that trauma would be minimized.
So I think there are some limits there. I think repairing older and antiquated ideas, too – I have no problem with doing that and still calling it Trek. For example, our current smartphones and tablets are far more sophisticated than they ever dreamed of in the 1960s. Why not have the technology reflect that? I have characters sending and receiving email, and performing what are essentially Google-style searches. I do not imagine those behaviors ending any time soon, and I do not believe that Star Trek loses anything by slipping those bits of reality into the mix. Hell, I think it makes the stories stronger.
What are some of your favorite explorations of AOS on Ad Astra? How do you think these stories would change if they took place in TOS or one of the other series?
I like Niobium‘s take on the AOS, and I also enjoyed ErinJean‘s take. I’d love for her to continue in her explorations.
I believe many of us also grab bits and pieces of AOS and dovetail them into ENT or TOS
I find questions of what is and isn’t Star Trek to sometimes be a bit disingenuous. People said that ENT wasn’t Trek. They said that DS9 wasn’t. I think a lot of them will come around to AOS being Trek. As for me, the distinction is fairly clear albeit not perfectly. I know, for a fact, that Jane Eyre is not Star Trek. After that, though, sometimes, I’m not so sure.
When a friend with this exact same name passed away, I wanted to commemorate our friendship in fiction. That was back when I was first writing original time travel fiction and so the character was originally created for that set of stories although the personality was virtually identical to how he ended up in the end and in my Star Trek fanfiction.
Kevin is played by actor John Goodman. I love this actor’s versatility and his chops.
Plus I wanted a fellow who would be larger than life in all respects.
Goodman isn’t just a big guy; he also convincingly portrays sensitive men, and jokesters and I can see him in an engineering and inventive type of role.
Loving and sentimental, but also with a wicked sense of humor, Kevin is the kind of guy who people love to underestimate. He does not look like a scholar. He does not appear to be creative. How could this big galoot ever be romantic?
Yet he is all of those things.
He is, much like the original, the kind of guy who can go on and on about the Abrahamic mythopaedia. While driving a snow plow.
Mostly human, but part-Gorn on his mother’s side, Kevin weighs about a quarter of a metric ton, but is the most likely, of all of the characters I have ever created, to rescue a baby robin that has fallen out of its nest, and nurse it back to health. Kevin, always, is one of the good guys. He is a remote descendant of Melissa and Doug.
Kevin is also the inventor of the dark matter drive for time ships. Carmen trusts him implicitly. Rick is pals with him. He mentors Deirdre Katzman. And he, along with Otra D’Angelo, is one of the few people who can get through to Levi. Therefore, he is Levi’s direct supervisor.
From the moment Kevin meets Jhasi, that’s it. There is no one else in the universe. Never mind that she’s Aenar, she’s tiny and she’s beautiful. She loves him, too.
In the fullest act of love, Kevin cares for her, even as she becomes sicker and sicker with Piaris Syndrome, which eventually kills her. The worst part is when she fails to recognize him, in the final weeks of her life.
Despairing, he vows he will never love again. And he almost doesn’t.
This Calafan engineer pursues him doggedly. She senses that he’s in mourning and he is hurting, but he has essentially written off life. She reminds him that he’s got a lot of time left. It’s an awfully long time to be alone, and to close himself off from everyone.
Gently and patiently, she works on him. Eventually, he asks her if she would mind if they went to dinner and he talked, a bit, about Josie. Yilta has had her own bereavements, so she is all right with this.
There are no impediments to Kevin existing in the Mirror Universe.
What would he be like?
Unlike his prime universe counterpart, I think he could be a ruthless killer, perhaps a bounty hunter or an outlaw of some sort. As someone who is mechanically inclined, he might even be a saboteur.
Would he have met Josie? Hard to say. I tend to keep the same people together in both universes, if that’s at all possible, as that helps to ensure that there can be future generations of counterparts.
“If, um, strictly hypothetically speaking, if we were to, uh, to, um, have a meal somewhere outside of the Commission ….”
I love this character, and he’s been to a lot of places. He will crop up in more, no doubt.