I haven’t written a follow up to this story yet, but I can absolutely see where they fit into my own personal Star Trek fan fiction canon.
I don’t have too much on them. They are gray and furry, and they like it cold. When they board the Enterprise, in an effort to kidnap members of the crew for their scientific experiments, they turn the environmental controls down to -20⁰ C. In Fahrenheit, that’s -4⁰. It is cold, particularly when a person is only wearing a standard uniform.
The only other piece of information I have on them is their use of sulphur-oxylic gas to knock everyone out. Sulphur-oxylic gas is utterly made up by me and the term really doesn’t mean anything.
With no picture, I am going with the gray wolf as inspiration.
Certainly this animal fits the bill in terms of generalized look.
Well, not really descendants, per se, but the idea of the Darvellians has been used again by me, particularly in the creation of the similarly-named and similarly-looking Daranaeans. The difference, of course, is that the Daranaeans are considerably better developed.
The idea of knocking out the entire ship with gas was repeated, to a far greater effect, in Together. In that story, it’s the Witannen, with their Imvari henchmen, who perform the deed. As with the Daranaeans, the second use of this piece of the plot is better realized. The older story certainly shows its seams, but some of the ideas were good ones. I just needed to mature more as a writer in order to be able to show them more effectively.
These aliens were barely shown but the idea of them is, I think, pretty neat. I should figure out a way to trot them out again.
For a villainess character in Reversal, I wanted someone who would be utterly ruthless, but who would also bide her time and be careful about how she’d do the deed. Enter Polloria.
Polloria is played by veteran soap actressGenie Francis. I like how this attractive actress has some versatility.
She’s also got a great Star Trek pedigree – she’s married to TNG actor Jonathan Frakes. I would have loved to have seen her somewhere on Star Trek, and she was evidently being considered for a guest spot during the second season of TNG. But for whatever reason, that didn’t happen.
Ambitious and mean, Polloria is cutthroat. She will do anything to get what she wants, and that means authorizing Dr. Baden to begin injecting Yipran with potassium, which will cut off Yipran’s dreams. Once she is found out, she still doesn’t give up, and tries to become the Mirror Yimar’s regent, and even attempts to turn Doug through a shared dream.
In both universes, they carry on an affair, but it’s really just to get Polloria into position so that she can become the next Calafan High Priestess. She doesn’t care for Chawev at all, only for her naked ambitions.
I haven’t decided, yet, whether she got Baden to help her with any sort of sex or relationship, or whether it was just bribery. Baden’s dream woman is Miva, but there’s nothing yet on what his relationship with Polloria was, if anything, prior to Reversal.
Unlike a lot of other characters, Polloria in the Mirror Universe isn’t much different from her Prime Universe counterpart. They’re both determined, driven, and utterly evil.
In both universes, Polloria is sentenced to potassium injections, which leave her dreamless and comatose. But in the alternate timeline brought about in Temper, the Mirror Polloria is temporarily freed, as Empress Hoshi has essentially opened up the prisons.
“Everyone, remember, any words you say to her, she’ll pick up on. So choose carefully and don’t say much. In fact, just let your father and I do all the talking, all right?”
“This situation cannot be sustained. But dispatching this one in public is not gonna happen; there’s no time. It’ll have to be done today. Then you’ll bring Yimar in front of the people and we’ll, we’ll take her under our wing. Nurture and guide her and tell her what to do.”
I liked creating this villain character, and even redeeming her a bit in Temper. Will she return? Possibly for a prequel story. I’m not sure.
Because the E2 stories were written after the Times of the HG Wells series, there were some characters in the later in time series who I wanted to have ancestors on the NX-01. One of those was Polly Porter. Hence she would have a consanguineous (e. g. not direct) ancestor, Meredith Porter.
I love the fact that she is a beautiful older woman and she’s put on a few pounds. After all, not every person’s body looks the same, forever.
Meredith is over forty in the E2 stories, and should look it.
Cautious and by the book, Meredith is more above board than the others in Where No Gerbil Has Gone Before. However, she is charged with running the prototype transporter for a somewhat delicate procedure, and is then mortified when she thinks she’s broken it.
She does not open up until, in The Three of Us, Jonathan Archer looks for someone to help Victor Brown with the announcing and to sing at the start of the baseball game. She presumably volunteers, and may even have auditioned. The process is not shown, but she is still chosen. She sings Take Me Out to the Ballgame andAmerica the Beautiful. This is when she’s noticed. She has, after all, been overlooked by a lot of the men, who think she’s past her childbearing years. But she isn’t.
When this MACO realizes she can sing, he approaches her and tells her he has a guitar, and offers to play for her in his quarters.
She puts him off, not wanting to go so fast. He hits upon an idea, and tells her that he will bring the guitar to the Observation Lounge, and he’ll play. She can join in, or not, or even mock him, but he figures anything is positive, except for her either leaving or not showing up at all.
“We didn’t think it made any sense to sing an anthem, so instead I’m gonna sing ‘America the Beautiful’, even though not everyone is from there and this place certainly, er, isn’t America. But it is beautiful here.”
By the time I had finished writing the E2 stories, I found myself really rooting for Meredith, and wanting for the character to have a happy ending. I imagine I’ll write that at some point.
Chefs are canon for earlier in the timeline. By the time you get to Voyager, they’re gone.
I enjoy cooking, and so it was easy for me to center my first big story and big series around a chef. The story is Reversal, the series is In Between Days, and the chef is Lili O’Day.
Furthermore, I needed to have characters who readers could more readily relate to. When you watch Star Trek, or you read about it, some of the characters and their jobs and scenarios are just, well, alien. How many of us are Science Officers? Who pilots, if not a star ship, then at least an airplane? Who is a linguist? These jobs – and jobs like them – do exist, but cooking is close to being universal. Everybody’s got to eat.
Before Chef was revealed to be Jonathan Frakes, I had thought of what it would be like to have someone like Emeril Lagasse in the role. I still think he would have made a better Chef character. Plus maybe it would finally get the bitter taste of the series finale out of my mouth.
Naah. Nothing will.
Appearances of Chefs
Lili is not just a chef.
She’s a lot of things, too – a wife (twice in the prime timeline and twice in the E2 alternate), a mother, an operative for Richard Daniels, an informal good will ambassador to the Calafan people, an officer (in the prime timeline, she retires as an Ensign. In the E2 alternate, she has a different outcome) and a friend to people such as Jenny Crossman and, eventually, Pamela Hudson.
Lili also works out well as an expository character. She doesn’t always know what’s going on (after all, she spends most of her time below decks), so she asks the questions that the audience needs to ask.
Because Frakes is Star Trek: Enterprise canon as Chef, I don’t mess with that.
However, the man had neither a first nor a last name so I have provided him with both. I just liked how the name William Slocum sounded, plus it pays homage to the actor’s much better canon character, Will Riker.
Further to that, he needed a bit of a backstory, so he got an Italian mother and, as a result, an affinity for Italian cooking (his chicken marsala is canon). He also engages in a lot of bluster and his relationships do not work out well at all.
Brian starts out in Security, but moves into Food Service by the end of Reversal.
By the time of Together, he’s working full-time as a sous-chef. And by the time of Fortune, he has become the chef for Malcolm Reed‘s ship, the USS Bluebird. He’s even seen in Equinox; Malcolm confides in him a bit. After all, Malcolm likes chefs.
Brian and Lili also help to prepare a special meal for the Federation’s founding species. The Vulcans prepare the soup course (plomeek broth), the Tellarites prepare a main dish and the Andorians provide the dessert. Brian and Lili prepare her Harvest Salad, which she made for Will during the events of Voracious and for Jonathan, Hoshi, T’Pol, Travis, Malcolm, Tripp, Jay, and Dr. Phlox in Harvest.
While this Daranaean is an amateur, she is known as a good cook. In Temptation, she’s the one who suggests making cookies (the Daranaeans refer to them as “little cakes”), and in Flight of the Bluebird, her husband, Trinning, singles her out and compliments her as being “the best cook”.
Harvest Salad Recipe
The Harvest Salad doesn’t really have a set list of ingredients. It’s more like a refrigerator salad, e. g. you make it with whatever you’ve got on hand. But the main ideas are as follows:
It should be colorful. In Fortune, the lettuces are several different colors, and the entire spectrum of the rainbow is evoked.
It should contain fruits and nuts. These can be anything that goes together. Because, in canon, Malcolm loves pineapple, that fruit is always included.
It should be vegan. For Malcolm, who has lactose intolerance, and T’Pol, who is a vegan, this is a must. However, the dressings need not be vegan although a vegan option should be provided.
It can contain a cooked item. In Fortune, the salad contains beets.
For hungry travelers, chefs do more than nourish the body. They are important when it comes to crew morale. In Reflections Down a Corridor, in particular, because morale is slipping, having good food is a must. But chefs are more than purveyors of food. They nourish the spirit.
The character is canon, but rarely seen until the abysmal finale to ENT. He is seen extremely briefly in an episode called The Catwalk and that’s about it, although he’s mentioned a few times. The character has neither a first nor a last name in canon. I selected William Slocum as the first name is homage to Jonathan Frakes‘s Will Riker character (in a much older story, If You Can’t Stand the Heat, the character is named Paul Miller, and he has a nascent romance with another abandoned character, Botanist Naomi Curtis). The surname was just one that I liked.
While I despised TATV (like any good ENT fan, I suppose), I did like the idea of Frakes as Chef. Or, at least, of someone like him. I had always figured that the Chef character would be an older man and, up until the series finale, I had thought of Chef Emeril Lagasse in that role.
In Voracious, he recruits Lili O’Day to come to the NX-01 and work in Food Service. They share some New York style cheesecake which she provides as a professional courtesy. They banter together fairly well, and the feeling should be collegial. In Harvest, he introduces her to the senior staff, including Hoshi Sato, Jay Hayes (it’s also his first day) and Malcolm Reed.
Protocols shows him as being a bit passive-aggressive in his dealings with Lili. And in The Mess, he scolds her a bit when she tries to discard the cast iron skillet, until he figures out why it’s dirty. By the time of Onions, though, Will has shown that he can sometimes be truly insensitive.
In the first three E2 stories (the first of two kicks back in time), Will is somewhat arrogant and pushy. He makes a play for Lili and she rejects him. He is stunned by this and tells her that no one will love her (he’s wrong, of course). He ends up with Patti Socorro, the only other unclaimed woman, but he’s dissatisfied. By the time of the fourth E2 story, he’s looking for an upgrade. But he remains arrogant, and suffers a terrible end which particularly shocks Lili and, to a lesser extent, Patti.
This is not really a love match despite Will’s best efforts. But Will’s best isn’t much. He simply does not want to try too hard. They never have children, and the Will of the second kick back in time never marries so, for him, both instances of E2 are reproductive dead ends.
“Now you wait just a cotton-pickin’ minute! For the most part, you’ve done nothing but act like a spoiled brat! It makes me wonder how or why they even bothered to take you in the MACOs!”
Perhaps it’s residual resentment about TATV, but I suppose I’ve given this character more than his fair share of bad times and poor decisions.