As I wrote The Light, I wanted Ethan Shapiro to contact his mother as a part of discussing his Aunt Rachel’s death. Rachel is also Linda’s aunt. Linda is named after two of my aunts.
Linda is played by actress Valerie Harper. I like the idea of a semi-wisecracking woman in this role. She is a fairly clichéd role, so to my mind that makes some sense.
Funny, though, the actress is actually not Jewish. But I still see her in the role.
A bit of a worrier, and deeply religious, Linda is seen only twice. Once is in the context of Rachel’s death. The other time is in a fevered coma dream during Entanglements. Ethan asks if he will ever fall in love. Linda responds, “I think that will happen. Just be patient, Ethan. And remember – she might not look like what you think she should. But that doesn’t matter. Look with your heart, and see with your soul.”
Linda’s only known relationship is with Ethan’s father, who I don’t believe I have ever actually named.
It is possible that Linda exists in the Mirror Universe.
Ethan (at least, the Ethan who is her son) does not. But that does not preclude her own existence there.
Women in the Mirror Universe need to remain attractive longer (at least, as I write them), so she would possibly have surgery or at least be a serious user of makeup.
“It’s a shonda, so few Jews on board. Andrew; you’ll call your mother for Chanukah, right?”
I particularly loved bringing Linda back for another round, to comfort a comatose Ethan and give him some hope for the future. In a way, much like Ian does for Lili, Linda predicts the future for Ethan, and shows him that the path might be somewhat crooked, but it will all work out in the end.
A rite can be anything although it’s often religious in nature.
In 2183, Lili, Malcolm and Declan attend Alia Shapiro’s Bat Mitzvah and there’s a little misbehaving going on.
For a Star Trek fan fiction prompt about misbehaving, I wanted to write about an older yet still frisky Malcolm Reed.
It was also a great occasion to get Declan to meet Rebecca, an event that is foretold in Fortune and holds great significance in the family’s later history.
As the story begins, Malcolm Lili, and Declan are coming in, late, to Alia’s Bat Mitzvah service. They sit in the back and everyone is utterly lost.
Unable to follow what is going on, they whisper amongst themselves. But mostly this consists of Malcolm whispering to Lili about how he would prefer that she leave the service with him. In the meantime, poor Declan is embarrassed at his parents behaving this way. All along, a woman sitting in front of them keeps turning around and shushing them.
Eventually, Lili relents and they leave Declan there (he is over eighteen and can entertain himself). Keep in mind that Lili is over seventy in this story. I just adore the idea that they would still be active and would still be interested, and would behave just like newlyweds. But the truth is, they more or less are at this point in the timeline.
I really love this humorous little story. I particularly love the line that I gave to Malcolm, and I can just imagine actor Dominic Keating saying it in that plummy Leicester accent, “I want to go back to the hotel.”
Because I had wanted to contradict canon and give Malcolm Reed a family and long-term descendants, Malcolm’s son, Declan, would need a wife or at least a girlfriend or even a baby mama.
Rebecca is played by actress Rachel Weisz. I wanted a Jewish actress for this role, as Rebecca is somewhat traditional and is Karin and Ethan‘s younger daughter. Furthermore, I wanted Declan’s decision to convert to her faith to be believable. I also like this actress; I think she’s smart, and her choices are interesting ones.
Caring and up for anything, Rebecca is the true companion that Declan has been waiting for his entire life. His first marriage was horrific, as he explains in Faith. Rebecca is the person who heals him. In gratitude, although she never asks him to, he embraces her faith and converts to Judaism.
Rebecca’s only relationship is with Declan, who is about twelve years her senior. They meet at her elder sister, Alia’s, Bat Mitzvah, which is partly shown in The Rite and referred to in Fortune. At that point, he is a young man; it’s before he marries his first wife, Louise Schiller.
After the last death in the preceding generation (Norri), Declan goes to Europe, partly to return to Oxford, where he is an artist in residence. He takes a side trip to Giverny to look at and paint Monet‘s water lilies. While there, he sees Rebecca and they become reacquainted.
It’s impossible for Rebecca to exist in the Mirror Universe, as Ethan does not.
“There is a saying in Judaism, let’s see if I can get it right. It, um, it’s that when Moses brought down the law from Mount Sinai, all of the Jews were there. Even the dead. Even the unborn. Even the completely unknown and unfathomable, like Vulcan converts, and Jews from the Mirror Universe, all stretching, in a chain, through all of time. And you know something? I saw you there.”
I really liked the idea of redeeming Declan in the same way that Lili redeems Malcolm, albeit sooner. I particularly enjoyed creating yet another reason why our universe and the Mirror are different – with no Ethan Shapiro on the other side of the pond, there is no Rebecca and, as a result, their deep future descendants don’t exist, including Eleanor and Richard Daniels. Rebecca is the linchpin of all of that.
I wanted to follow up on The Light, and continue to follow the original characters who had been introduced in that work. Hence, Waiting was born. It was also a response to a prompt of the same name.
At the end of The Light, Ethan Shapiro has just seen his friend, Andrew Miller, get the girl – Karin Bernstein. By all accounts, Ethan approves of the match and, certainly, has taken no steps to prevent it and has raised no objections. But all is not as it seems.
In addition, their friend Azar Hamidi has watched the exchange, a kind of little dance among the participants.
Together with Shelby Pike, they wait on the chow line as Lili O’Day serves dinner. Shelby notices Andy and Karin acting strange and, perhaps, overly anxiously. She sits down with Hoshi Sato and Maryam Haroun. Shelby comments knowingly that it’s likely Karin and Andrew’s third date. Hoshi agrees. Maryam doesn’t know what that means, so one of her friends whispers to her. Maryam, a little shocked, mentions that she won’t do that until she’s married. That is, this is going to be the date where Andrew and Karin go all the way.
When they have departed, Azar and Ethan commiserate. Azar notices that Ethan is bothered by this, but vows to keep the secret, so long as Ethan keeps his (Azar’s) own secret about harboring a bit of a crush on Maryam. For Azar, it would not be proper to go on dates until he was introduced to her family.
As Shiite Muslims, Azar Hamidi and Maryam Haroun are of one sect. Another Muslim character, Ramih Azar, is Sunni (he is not in this story). But Maryam and Azar are the more religious two of the three Muslim crew members. The question of which sect is more observant is a complicated one, and I don’t pretend to answer it. All I go with is that Maryam has lived in a Western city (Winnipeg) whereas Azar is from Iran. Ramih, on the other hand, is Indonesian. I settle the matter by making it so that Maryam wears a hijab and is very strict about who to marry and how far to go before marriage. In the E2 stories, it’s revealed that she was only kissed twice before marriage, whereas Azar has had some sexual relationships. But for Azar during Waiting, all he wants to do is get closer. He may be thinking of other things, but is not prepared to push them at that moment in time.
As for Ethan, he is finding that he is very interested in Karin and, having allowed Andrew to get there first, he’s kicking himself. He’ll have to wait for everything to play out over time.
I think the story came out pretty well. I didn’t want to make it too clichéd in terms of who retains their virginity, who is shocked, who is aggressive, etc. However, I also wanted to handle the diverse religious elements respectfully.
I have been working in the corporate world, in some capacity or another since 1986. Frankly, it was even before that, as I would temp as a college and Law School student in order to make some summer spending money.
One of the things I have perfected over the years is what’s called an Elevator Pitch. The gist of an elevator pitch is that you have the time of an elevator ride (e. g. thirty seconds to two minutes, tops) to make your pitch to a prospect employer who you, presumably, meet serendipitously in an elevator.
This means that you need to strip your resumé and work history down to bare bones. A doctor, for example, can’t go into the details of some operation she performed last year. Instead, she says something like, “I’m an orthopedic surgeon specializing in sports medicine. The Boston Celtics call on me when their medical staff is stumped.” In a very short amount of time, you get a very good idea of what this woman can do, and how trusted she is in the medical establishment.
For Star Trek fanfiction writing, I think there is a need for what is essentially the equivalent of an elevator pitch. That is, it should be a short piece which accurately gives the reader a taste of your universe, your ideas and what you can do. The Light is one such story.
History of the Story
This Star Trek:Enterprise fanfiction story did not set out to be that way. Instead, I was in the middle of spinning out Reversal (pretty close to the end) when in late 2010 I was asked to provide a story for a project called the Trek Twelve Days of Christmas. The only catch was that the story had to be fairly short – that is, it could not be a full-fledged book like Reversal.
I hit upon an idea. There would be some characters from Reversal, but really only minor ones, and the story would revolve around them. It ended up being just one of the minor characters from that story. And, the kicker, because you can find scads of Star Trek holiday stories about Christmas, this one would, instead, be about Chanukah.
I am, as they say, a nice Jewish gal. And people like William Shatner and Leonard Nimoy, but also Armin Shimerman, connect to Star Trek and are Jewish. Plus there are things like the Vulcan salute, and various space episodes centering around World War II, such as TOS’s Patterns of Force. Judaism is a part of Star Trek. But how to add it in, particularly without being overly preachy?
I hit upon the idea of Jews who are somewhat religious but not so much that they cannot function on a starship. That is, they have to, for example, be able to travel on the Sabbath. This means Orthodox Jews are out of the question. But Conservative Jews (which is my background; this references a sect and not a political affiliation) would work just fine for my purposes.
Chanukah was a natural introduction as a lot of people are familiar with it. The celebration, a festival of lights, also includes foods made with oil, such as potato latkes (pancakes), spinning a top called a dreidel and exchanging presents. The candelabra is called a menorah.
In order to add a little emotional heft to the story, and to explain why Captain Archer and the senior staff would be interested in the Jewish contingent on the ship, the story begins with a death. This link to the past also links us, the people of the present day, to the people on the NX-01.
The story begins with an Admiral telling Captain Archer than Crewman Ethan Shapiro‘s great-aunt, Rachel Orenstein, has died. Jonathan wonders why the crewman’s family wouldn’t just tell him and the Admiral says they won’t communicate during the Sabbath. Jonathan presses the matter, still not convinced that he’s the best man for the job when the Admiral tells him to act quickly, as this is a major news story. Why? Because Rachel lived for one hundred and twenty-seven years (which places her birth in 2029). She broke all previous records and, therefore, the press has an interest in her family.
As Jonathan informs Ethan of the death, Ethan asks for leave for the unveiling of the head stone, explaining that the funeral will be too quick for him to ever get back to Earth in time. He also asks to be connected to the Starfleet Rabbi, Leah Benson.
He returns to his quarters and waits for his friends. Lieutenant Reed comes by briefly, in order to offer his condolences as he is Ethan’s boss. The other three Jewish crew members arrive – Josh Rosen, who is in Engineering; Karin Bernstein, who works with Ethan in the Tactical Department; and Andrew Miller, who works in the Biology Lab and is half-Jewish. Andy is perhaps a year older than the others.
When they speak with the Rabbi, they ask how they are ever going to get a minyan together. In order to say Kaddish (the prayer over the dead), ten Jews must be present. Karin’s presence counts (that wasn’t the case when I was a child), but then what? There are only four Jews on the ship. The Rabbi tells them that they can temporarily deputize some non-Jewish friends.
When the time comes for mourning, Captain Archer brings along some friends to help. These include Hoshi who, when asked if she can read Hebrew jokes, “I’ll muddle through”, Malcolm, Phlox, T’Pol and a Security Crewman, Azar Hamidi. Azar notes that Hebrew can’t be too far off from Arabic. They say the prayers.
Ethan’s mother – who tells him to talk to that nice girl Karin a bit – insists that he celebrate Chanukah. So he invites all of the attendees at the service to a little party on the next night. The party is in the Observation Lounge. Like all good parties, there’s a little dancing, a gift, good food to eat, and there’s a little bit of romance.
For the most part, I like it. There is a bit of shtick, though, particularly when Ethan and his mother talk. I could have probably trimmed that a bit, as Linda Shapiro comes across as a bit of a stereotype. But I do like using this story – which only contains a little over 3200 words – as one possible elevator pitch when people ask me how they can get an inkling of how I write. For a positive, K-rated peek at my world, read The Light.