Eriecho

Portrait of a Character – L’Cultura

Portrait of a Character – L’Cultura

L’Cultura is a Suliban.

Origins

Portrait of a Character – L’Cultura

Dame Judi Dench as L’Cultura

With readers asking for a sequel to Eriecho‘s origins story (Release), I wanted to explore the Suliban side of her family. Enter L’Cultura, whose name is Italian for ‘culture’.

Portrayal

L’Cultura is played by Dame Judi Dench. This smart and legendary actress seems perfect for the role of a newly created matriarch of a suddenly larger and more complicated family.

Personality

Frail and perhaps a bit defeated, L’Cultura knows that her daughter, H’Shema, was untrustworthy and prone to addictions. The news of H’Shema’s imprisonment in Canamar is not unexpected. The news of her death in prison isn’t much of a shock, either.

Relationships

L’Cultura has no known relationships.

Mirror Universe

There are no impediments to L’Cultura existing in the Mirror.

Portrait of a Character – L’Cultura

Dame Judi Dench as Mirror L’Cultura

There have never been Mirror Suliban shown in canon.

I like to think she’d be tougher, as a lot of women on the other side of the pond have to be.

Quote

“I can see, a bit, why your kind would like to suppress emotions. The hard ones can be very hard indeed. I, I mourned my own eriecho many years ago, a girl lost to addiction and then to imprisonment. But as I said, the bitter comes with the sweet. And we can celebrate today, my ta-eriecho.”

Upshot

While L’Cultura’s acceptance is important to Eriecho, the truth is that some of it works the other way around. As her son, Enkir, explains, L’Cultura had been hoarding medications and probably considering suicide. But the existence of the unknown and unexpected granddaughter turns that around, and L’Cultura has a reason to live.

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Posted by jespah in Eriecho series, Fan fiction, Portrait, 2 comments

Review – Release

. Review – Release

Release constitutes another play on words. Hence it represents both an end to bondage and a sexual act. And Saddik himself considers the latter before the former.

Background

With the destruction of Vulcan, Vulcans are sought in all sorts of remote places. And this includes prisons.

Plot

This was in response to a prompt requiring that we write in the Kelvin timeline (sometimes also called nuTrek or the JJ  Abrams universe). I made a decision to write about how the creation of a sentient endangered species would be handled.

Barking Up the Muse Tree | jespah | Janet Gershen-Siegel | Release

Eriecho and Saddik’s Release from Canamar Prison

Hence the story opens with a pair of Vulcan convicts. They are being called into a commandant’s office at Canamar Prison, a canon institution.

They are about to be freed, yet they scarcely know why. All that Commandant Kerig will tell them is that Vulcans are endangered, and the home world is no more. This unsettles Saddik, the elder of the two.

But not so Eriecho, who  barely knows anything about Vulcans, or what it means to be one.  So as the story continues, her backstory comes to the fore, of her birth on a prison transport. Hence this is the only life she has ever known. Furthermore, the only mother she has ever known was a deceased Suliban woman, H’Shema.

The action follows Eriecho and Saddik off Canamar and to their new home, a sanctuary on Mars. Colonel Jack Shaw is in charge, and he’s ecstatic. Partly it’s because it was his idea to try to find Vulcans in prisons. But it’s also because the rebuilding of the population involves surrogate mothers and as much genetic diversity as possible with the limited remnants of a once-thriving species. Therefore, taking note of the Law of Supply and Demand, Shaw has something that others want. Hence he (and the administrators of the other sanctuaries, on places like Andoria) engages in a barely legal practice – gamete trading.

Story Postings

Rating

The story has a K rating.

Upshot

I loved being able to introduce these new characters. People love Eriecho, and it’s been a joy to find her voice and follow her life as she adjusts to life on the outside.

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Posted by jespah in Eriecho series, Fan fiction, Review, 5 comments

Portrait of a Character – Sollastek

Portrait of a Character – Sollastek

Sollastek is more than just a love interest in the Kelvin timeline.

Origins

I wanted Eriecho to eventually have a love  interest, so that she could have a silver lining from the horrible tragedy that is the destruction of Vulcan in the new timeline.  This man would be markedly younger than her, and not too terribly well-educated. Enter Sollastek.

Portrayal

Sollastek is a purely romantic character so I have him played by Justin Timberlake.

Portrait of a Character – Sollastek

Justin Timberlake as Sollastek

I think Timberlake (who is a better actor than a lot of people seem to give him credit for) would make a pretty interesting Vulcan.

I like the idea of him being a bit guilt-ridden, partly with survivor guilt, but also because he is a witness to a canon event, when Amanda Grayson, Spock’s mother, is killed.

Personality

A bit troubled but trying very hard, Sollastek is attempting to make the best of a bad situation. But the truth is, if Eriecho and Saddik had not arrived at the Martian Sanctuary, it’s likely that he would have been the subject of the matrons’ none too subtle shunning. He is working class and barely on their side of logical and meditative. After all, even on Vulcan, someone has to be a day laborer.

Relationships

Eriecho

Sollastek’s sole known relationship is with Eriecho. In Across the Universe, she learns that he made a deal with Colonel Shaw to change his space in the community garden so that he could be closer to her. He is a calming influence on Eriecho, and grounds her. He’s patient with her when she runs off to Earth with Sybok, too.

Mirror Universe

Portrait of a Character – Sollastek

Justin Timberlake as Mirror Sollastek

There are no impediments to Sollastek existing in the Mirror Universe.

I do not feel that he would be any brighter, but he would probably have more confidence. As for survivor guilt, much like a lot of denizens of the Mirror, he just wouldn’t care all that much.

Quote

“Many of us have seen truly horrible things. I was there when our home world was destroyed, as was Valeris. It was a day I will never forget. Many of the others, I am certain, have suffered their own personal traumas.”

Upshot

As Eriecho goes, so goes Sollastek. He will return.

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Posted by jespah in Eriecho series, Fan fiction, Portrait, 5 comments

Portrait of a Character – Sybok

Portrait of a Character – Sybok

Sybok is a great character to toss into the Kelvin timeline.

Barking Up the Muse Tree | jespah | Janet Gershen-Siegel | Laurence Luckinbill (Sybok) (image is for educational purposes only)

Laurence Luckinbill (Sybok) (image is for educational purposes only)

Origins

Portrait of a Character – Sybok

The new Kelvin timeline, as depicted by the JJ Abrams films like Star Trek Into Darkness, has a lot of things, but it does not seem to have Spock’s canon half-brother.

Sybok’s canon appearance is rather problematic, as Star Trek V: The Final Frontier is a pretty bad flick. I am, though, trying not to blame the actor. I’m not so sure that it’s his fault. It’s just an odd premise, that Spock would suddenly have a half-sibling, the guy would essentially be nuts, and that he would be searching for a mythological heaven-type of place but, alas, would instead be the victim of a malevolent alien. About the best thing about the film is Shatner’s line, “What does God need with a starship?

It rather neatly sums up nearly every instance, in Star Trek and in other types of fiction, where there is an entity that is supposed  to be omnipotent yet that entity, when it’s convenient for the plot, suddenly isn’t.

Are you listening, Q?

Portrayal

As in canon, Sybok is played by actor Laurence Luckinbill. Like I said, I don’t blame him for it being a bad film. I get the feeling that Luckinbill did what he could with the material he was given. He has been interviewed, and he revealed that Nimoy had wanted the role to be one of twins. Nimoy had wanted to play both characters, an act that I feel would have been far more of an exercise in ego-stroking than in nearly anything else. At least someone had the foresight to nix that idea.

Personality

Just like in the canon film, I make him a somewhat larger than life character. He is what is called, in canon, V’tosh ka’tur. That is, he does not suppress his emotions. Eriecho doesn’t because she was never taught to, and Saddik generally doesn’t because he was in Canamar Prison for so long that he decided it didn’t matter quite so much anymore.

However, I give him a reason for his behaviors. I give him the canon affliction, Pa’Nar Syndrome, which is something that T’Pol suffers from during the run of Star Trek: Enterprise. Hers was cured by a correctly-performed mind meld, and so I have Spock Prime perform one on Sybok.  This rather neatly ties the two timelines together and it reserves a place for Sybok, who I will probably find a place to use again.

Relationships

I have written no relationships for him, although he leers at the women, young and old, at the Martian Sanctuary. If Saddik isn’t careful, he’ll make a pass at Valeris, and not just to request her professional assistance as a Pon Farr comforter.

Theme Music

The Across the Universe story is full of Beatles songs. Sybok’s is I Am the Walrus, although Nowhere Man would work, too.

Mirror Universe

There are no known impediments to Sybok existing on the other side of the pond.

Portrait of a Character – Sybok

Mirror Sybok

I can see him either as being wholly free of Pa’Nar and therefore much more similar to Mirror Spock in outlook and behavior. Or maybe he’s got it, and it’s far worse. He could be not just a demigod but a rather nasty individual. Perhaps he’s in the Emperor’s inner circle as a henchman. It’s an intriguing idea that I might explore in the future.

Quote

“If I’m going to my tenth, then we should write this day down in history, less than a day – a new record!”

Upshot

For a character who was not treated well in the prime timeline, I like to think I gave him some measure of redemption. Plus at some point Eriecho and Sollastek have to get married! Sybok will have a front-row seat. I guarantee it.

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Posted by jespah in Eriecho series, Fan fiction, Portrait, 4 comments

Portrait of a Character – Saddik

Portrait of a Character – Saddik

Saddik came together quickly.

Origins

Eriecho needed a benefactor in Star Trek fanfiction, a person who could care for her as a child. Her first caregiver is Saddik, who essentially becomes her adoptive father. Like Eriecho, Saddik is a product of the Kelvin timeline, where Vulcan is no more.

He is a falsely accused prisoner at Canamar, with no hope of release until the destruction of Vulcan spurs the Federation to look for Vulcans anywhere they may be in the galaxy. This ends up including prisons.

Portrayal

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Saddik

Saddik (image of Mandy Patinkin is for educational purposes only)

Saddik is portrayed by actor-singer Mandy Patinkin.

For a character whose name comes from the Hebrew word for righteous, but is actually an ex-convict, this actor fits well.

This photo manipulation was done by the terrific ArtItUp! on the STPMA.

Personality

When the reader first sees Saddik, he’s wondering what to do about Pon Farr, as H’Shema is dead and the only other female at Canamar is Eriecho. It feels odd to him (as it should to the reader), but he’s going to have some very real needs. He doesn’t want to fulfill Pon Farr with her, but he recognizes that he might not have much choice when the time comes. But they escape from this fate when the two Vulcans are released from prison and brought to one of the many sanctuaries set up for Vulcans by the Federation. The idea is to protect people who have essentially, overnight, become a sentient endangered species.

Saddik takes it all in stride. Things are far better than they had been at Canamar, so he’s not one to complain. All he really wants is to have his own mate and for Eriecho to have one as well. But he won’t complain about the sanctuary. His life has improved in the extreme. He’s not about to upset the apple cart.

Relationships

H’Shema

This elderly Suliban woman was the only other female in Canamar Prison, and helped to care for Eriecho. The three of them lived as an approximation of a family unit, and H’Shema assisted Saddik during his bouts of Pon Farr. Did they love each other? Eriecho clearly loved H’Shema like a mother. I’m not so sure about how Saddik felt about H’Shema, although he was certainly grateful for her existence, her compassion and her resourcefulness. In Release, he does mourn her a bit, in his own way.

Valeris

In Recessive, as Eriecho is bonding with Sollastek, Saddik looks around at the various single women at the sanctuary. He’s interested in all of them, but the one who really catches his eye is this much younger Pon Farr comforter who has recently been transferred from another sanctuary. As a fellow misfit, she and Saddik have that in common. So as that story ends, the two of them are only beginning to get to know one another.

Mirror Universe

Portrait of a Character – Saddik

Mirror Saddik

There aren’t any impediments to Saddik existing in the Mirror Universe (or even in the prime timeline, for that matter).

He would very likely not be a prisoner and would probably live a more or less normal Vulcan life. In fact, he could very well be one of the few of my characters whose lives would be better in the Mirror Universe than in the prime universe.

Quote

“She is my daughter.”

Upshot

So for a character who starts off as a bit of a horny Vulcan, he turned into someone who could be Eriecho’s true father. He cares for her and listens to her problems, and helps to shield her from the worst of the disapproving glares and statements of the Vulcan matrons who also live at the sanctuary. He’s had to step up again and again, and he has, even if he’s a little skeptical of his own abilities.

He’ll be back.

Posted by jespah in Eriecho series, Fan fiction, Portrait, 13 comments

Canon Species

Canon species are kind of why we are here in the first place. Hence Boldly Reading brings forth another interesting prompt!

Writing Canon Species

Some Questions

Do you use canon species in your writing? Do you select a species for any particular purpose? E. g. do you add a Klingon during the TOS time period because of the inherent conflict, or a Trill into a DS9-era story because of respect for the character of Dax? When putting together your cast of characters, is species diversity at issue?

For canon alien species that are not well-known, how have you given more detail to their back stories and characteristics? For those that are better-known,  how have you made them your own?

Is there a canon species that you have not added to your fan fiction, but you are considering adding? How will you do that?

Bonus Questions!

Whose canon alien species characters do you like the most? Do you think the character is true to the species? If the character differs from established species canon, is the difference reasonable? If the character is of a species with only a sketchy background, does the author’s vision work within the limited framework established by canon? Can the author’s changes and coloring within the lines fit with how the species was originally drawn? Would you have taken that mysterious though canon species in a different direction? If so, how?

Canon Favorites

I will use canon species when I feel they serve a particular purpose. Sometimes the purpose is to keep canon characters in canon-extension stories (e. g. the E2 stories). And so I include characters like T’Pol  or Soval. The number of canon species hitting the ENT era has limits. I do enjoy the Xindi in all of their forms but usually the image is fleeting, like that of the dead Insectoid, She Who Almost Didn’t Breed in Time.

One area that I truly enjoy is to bring together canon species in a manner that is different from usual, or to bring more minor canon species to the fore.

Suliban, Vulcans, and Enolians

Only seen in ENT, the Suliban have a somewhat stratified society.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Suliban

Suliban

On the one side, you’ve got the cabal, which was a part of the less than successfully portrayed Temporal Cold War.

On the other, you’ve got prisoners, such as in the Detained episode. That episode, which was relatively similar to the following season’s Canamar episode, was some of the fodder for the Eriecho stories.

Eriecho would be a Vulcan, born on the way to Canamar, and the only other female in the entire prison would be a Suliban, H’Shema. H’Shema would be the only mother that Eriecho would ever know, And Eriecho would mourn her for a long time afterwards. Enough so that Eriecho would seek H’Shema’s family rather than her own Vulcan roots. H’Shema, a former addict and a thief, is only present in the haze of Eriecho and Saddik’s memories. But she was clearly loved, and she equally clearly rose up from her difficult and messy past to become a wonderful mother to a lonely, frightened and isolated child. Eriecho never forgets this.

And, because this is Canamar, the Commandant of the prison is an Enolian.

Ikaarans and Imvari

With nearly nothing to go on,  Ikaarans could be nearly anything. All that was in canon was the look and personality of Karyn Archer. However, she’s a hybrid with humans, and possibly with others. For the E2 stories, it was great fun to be able to give them something of a culture. They would have a click language. Their planet would be grossly overpopulated, but they wouldn’t believe in birth control.

Much like Carthaginian child sacrifices, their youth would be subject to selection. But instead of being chosen for a fire pit, they would be chosen to serve for a few years off the planet. Young Ikaarans would go out to mine or grow crops or otherwise contribute to obtaining resources for their overextended world. Their ships would be single-sex, so as to crudely prevent conception. They were able to fulfill tons of purposes within that set of stories.

Barking up the Muse Tree | Jespah | Janet Gershen-Siegel | Horned Alien | Dennis Ott | Imvari

Horned Alien (Dennis Ott
as an Imvari image is for educational purposes only)

The Imvari were never named, and were only shown once, in Star Trek VI – The Undiscovered Country.

All we know about this alien is that he’s huge and his genitalia are in the vicinity of his knees.

Being able to give the Imvari a background as a mercenary species, with an athlete in the upcoming Barnstorming series, gave them the opportunity to fill some niches and get some love. Hell, I even name them!

Cardassians, Gorn and Xindi Reptilians

Sometimes character species would come together in the context of a romance. For the Bron and Sophra romance, I liked the idea of giving a Gorn feelings and behaviors that no one would unexpect. The Gorn would love the Cardassian. But his friends, including Xindi Reptilian Tr’Dorna, would scorn his selection of a ‘warmie‘, and would instead push him to not date outside of a reptile-like species.

Andorians and Aenar

Turning the idea of a delicate Aenar to a different purpose, Jhasi Tantharis was always intended as a tragic figure. And before her, the infant Andorian Erell is another tragic figure, destined to never see the end of her first day, as an act of defiance and possibly a bit of perverse love by her enslaved parents.

Klingons and Breen

For both of these rather hostile species, I was looking to have them play against type. Hence the most stable relationship in Intolerance is a Klingon marriage. And teenage Breen actor, Desh, is a sensitive leading man – forget that you can’t see his face. This is a Phantom of the Opera if you must.

Xyrillians, Tellarites and Trill

Often seen in passing, all three species get a little extra exposure, including the sight of a female Tellarite, Cympia Triff.

Xindi

In addition to Reptilians, above, Xindi hit most of my series. And they get some extra detail. This includes the Insectoids being referred to in a genderless fashion until they breed, and then being referred to as female (e. g. The One Who Fires a Weapon Very Fast versus She Who Listens Well). The sloth (primates) get a matronymic naming convention. Hence Aranda Chara is daughter to her mother, Chara Sika.

The humanoids get certain jobs and highlights, including working in Food Service in the Mirror Universe. There’s even an Aquatic, working for Section 31, in Day of the Dead.

The Kitchen Sink

Denobulans mainly show up in the context of Phlox. Caitians, on the other hand, show up as a part of the ramping up of the Federation.

Ferengi and Betazoids currently only show up in the deep future, as a part of HG Wells. Q, Tau Alphans and Orions are pretty much only in cameos, but an Orion-Betazoid hybrid will show up in the Barnstorming series.

Who to Add?

I don’t honestly know. I’ve added most of the main species that I know of, and to add others would be either for the sake of novelty or to branch out into another area entirely, e. g. Voyager.  Adding Ocampan characters is all well and good, but if I don’t really know how the character should behave, it’s difficult to draw a convincing portrait. And this is so even when the individual is apparently playing against type.

Others’ Canon Species Work

I particularly like how Jean-Luc Picard handles Vorta. From their devotion to the Founders, to their loyalty to the Dominion, to their sometimes wondering if things are as rosy as the Founders say, Eris and Liska pursue and promote Vorta ideals. But it’s in their personal lives that these characters shine, particularly as they often play against type.

Upshot

One of the ways you know it’s Star Trek is in the presence of canon species. Even an OC-rich environment like the HG Wells stories is loaded with canon species and hybrid canon species.

Otherwise, it’s just another time travel montage. But with Ferengi and the like, it becomes Star Trek.

Posted by jespah in Boldly Reading, Fan fiction, Meta, 21 comments

Scenes, Settings and World Building

World Building for Fan fiction

Does world building matter in fan fiction?

The fourth Boldly Reading blog prompt for Star Trek fanfiction asked the following questions –

For your fourth blog prompt I am going to ask you to consider the setting. I’ve written a post touching on this before where I find that settings/locations often shape a story. So tell me, how do you choose your settings – be it planet, ship, ship class, heck Trek era even? How does the setting shape your story? What world building lengths do you seek as a writer / as a reader? Do you like descriptions and to paint the scene or do you leave it to the imagination of the reader. However you choose to interpret this prompt, have at it.

A Sense of Place

The location of a story is, easily, just as vital as its characters. After all, the characters interact with it as much as they interact with each other. Do they duck their heads as they walk? Are they breathless because the locations are far-flung? Is it cold in there?

Sensory Perception

When we go to various places, we experience them in manners that are not purely visual. Hence I’d like to talk about five rather dissimilar story scenes in the context of the five senses.

Vision

Eriecho‘s life is a jumble of various visuals.

Compass | World Building

Compass

In Release, she goes from Canamar Prison to a transport and then, eventually, to a Martian Sanctuary. Putting together the look and feel of Canamar involved describing elliptical things, such as a reference to hanging up laundry, or her adoptive mother H’Shema’s fondness for the color green.

The sanctuary has its own visuals, like the temporary-style buildings that look like quonset huts, to the benches and rough-hewn tables at the community dinner (a reference back to the eating area when I attended a small summer camp in Maine in the 1970s).

The people are also indirectly described, including Colonel Shaw referring to a female Vulcan who looks like a runner and a guy with great teeth (her adoptive father, Saddik). The reader should get a sense of place and people, but not a perfect one. There’s still a little mystery. The characters still get a little privacy.

Sound

Shrapnel | World Building

Shrapnel

In the Multiverse II storyline, the best use of sound is in a collaborative post with Templar Sora, called Spin.

Templar Sora’s character, Seymour Sonia, is injured, badly, the bones of his left arm shattered by an exploded grenade. He is pulled out of the war zone by the head of Resistance Cell #4, one Rita Spinelli.

Rita is tough and angry and more than a little damaged. But she needs good soldiers and, even with wounds, Sonia is probably a better bet than most others. She brings him to a small, rough cabin. And begins to remove the shrapnel from his arm.

Every now and then, as the two characters talk, the sounds clink or thunk punctuate their statements. The reader does not have to be told what’s going on, or at least not that much. Instead, the reader can almost hear it.

I write plenty of musical fiction, where character actions reflect song lyrics, but I believe that Spin gets across the sounds of an unfamiliar scene better than just about anything.

Smell

For Daranaeans, scent is so much more of an indicator of feminine attractiveness than anything else. So much so that the females are divided into three castes, and it’s based on smell rather than visuals.

Barking up the Muse Tree | jespah | Janet Gershen-Siegel | Cria | World Building

Cria, a tween secondary female Daranaean

In Take Back the Night, the legendary beauty, Dratha, is described by the panting popular press as having an extraordinary aroma. They are far less concerned about what she says than about the air about her. This is in line with the overall sexism of the Emergence series – women are second-class citizens.

What’s their planet like? I like to think that it’s got a great deal of what we would call natural beauty. Part of that would be to promote Daranaean health (and the lower caste females practice some forms of folk medicine in The Cure is Worse Than the Disease and Flight of the Bluebird, so hedges and whatnot are necessary), but also for Daranaean comfort. I cannot see this world as having any sort of pollution – Daranaeans would notice.

Taste

Chicken soup | World Building

Chicken soup

For Penicillin, the premise was, to me, irresistible. Major Hayes is sick, and he doesn’t want anyone to know. Lili, of course, figures it out when she hears him coughing. And so she vows to make him something that will help him feel a little better, and keep quiet about his minor illness, but extracts a return promise from him. He’s got to smile more.

The story ends with a spread of chicken soup (and vegetarian vegetable soup for the vegan characters) with all sorts of trimmings. Hayes is last in the chow line and thanks her for her thoughtfulness and discretion. I revisit this scene at the end of Everybody Knows This is Nowhere, when Hayes wills her his lucky nickel, in payment for his outstanding chicken soup debt.

Touch

Touch can be thrilling, and it can also be awkward. For Treve and Pamela Hudson, in  Complications, it’s both.

Touch | World Building

Touch

For their first time making love (which may very well be the first time that any human and Calafan ever had sex), Treve and Pamela become, well, there’s no good way to say this.

Stuck.

Without becoming pornographic, the reader gets inklings of this, as Pamela talks about normally getting up afterwards for various reasons, and Treve letting her know that it’s just not going to happen in this case. At least, not anytime soon.

The reader, again, does not need to have a perfectly clear picture painted in order to have an idea of what is going on.

Upshot

Where it all happens is as vital as when, and what happens, and who it happens to. Before even starting a fiction, the world building is one of the first things I think of. If I can’t work world building out to my satisfaction, I’ve found, that can often hamper my creative efforts considerably.

Location matters.

Posted by jespah in Boldly Reading, Fan fiction, Meta, 2 comments

Progress Report – July 2013

Progress Report – July 2013

July 2013 was busy.

Posted Works

I began the month by posting a weekly free write on dreaming Barking up the Muse Tree | Janet Gershen-Siegel | jespah | Quill | July 2013 about Eriecho, called Beats.  In addition, I added an IDIC gay first kiss story, called Detached Curiosity & Idle Speculation. I finished spinning out Everybody Knows This is Nowhere. Plus I contributed to the Multiverse II Round Robin story. I added a story for SL Walker’s Arc of the Wolf series, a short humor piece called Victory in Maine.

Also, I added the following stories to In Between Days context: Detached Curiosity & Idle Speculation, Bribery, Equilibrium, Complications and Consider the Lilies of the Field.

I added the following stories to Times of the HG Wells context: Briefing, One Last Gift, Shake Your Body, He Stays a Stranger, The Sweetest Universe, Another Piece of the Action and Happy Stuff 3111.

On Fanfiction.net, I added Equilibrium; Detached Curiosity & Idle Speculation; Saturn Rise; The Play at the Plate, All You Need is Love, The Best Things Come in Pairs and Complications.

On Archer’s Angels, I added Where No Gerbil Has Gone Before.

Milestones

Individual Read Counts

For individual read counts, the following stories have 10,000 or more on one URL –

All of these come from Ad Astra.

More Accomplishments

The following stories have between 5,000 and 9,999 reads on one URL –

Again, these numbers are all coming from Ad Astra. More than a Will to Live is closest to 10,000 of this group.

Combined Read Counts

The following had combined read counts of 10,000 or more, in addition to the three above which did that on just one URL –

  • Fortune
  • Intolerance

Apart from the two others at over 5,000 reads for just one URL, the following combine to 5,000 – 9,999 reads when you consider all the postings’ URLs –

WIP Corner

I continued working on The All-Stars.

Prep Work

I shared the first chapter of These Are the Destinations, in an effort to unblock the writer’s block I have been suffering with regards to that particular story for the past – no exaggeration – 18 months. So I was able to draft a second chapter, and both were well-received. I have the semblance of a skeleton of an outline, but it has been difficult to make any more headway on that story.

And I also found out that there was fan information on some of my work, at a wiki, including on Lili. I began to work on filling in the blanks there as much as I could, as it is clearly a good way to attract more of a readership.

This Month’s Productivity Killers

Finally, there were more family issues, and they often curtailed productivity and creativity. I also had to really throw myself into looking for work. Working on the wiki, too, would at times derail my other creative efforts.

Posted by jespah in Fan fiction, Progress, 1 comment

Portrait of a Character – Eriecho

Portrait of a Character – Eriecho

Eriecho comes from a place I did not expect.

Origin

I originally didn’t want to write Vulcans. I had had a lot of trouble making T’Pol more than a cardboard character with comments about logic or fascination. Vulcans were, to me, a difficult species to flesh out.

But then the challenge: write about the JJ Abrams Universe. But all you need to care about are three things:

  1. The destruction of Vulcan.
  2. There is no more USS Kelvin.
  3. The destruction of Romulus .

After that, it didn’t matter. And so I chose the first piece as the focus for my story. And so Eriecho – a name I had originally thought I would use for a Klingon woman – began to take shape.

Personality

Portrait of a Character – Eriecho

Born on a transport to Cannamar Prison, Eriecho starts out, in Release, as a person who has never known freedom.  I wanted her to be tough, too, as she would have to have been. There is nothing soft about Cannamar, a location that is canon but never on screen. My descriptions of Cannamar are similar to those of a Tandaran prison.

As a tough prison broad, Eriecho has survived by her wits. But the only Vulcan she has ever known, Saddik, who isn’t even related to her, has not taught her emotional suppression. Hence she was an emotional Vulcan, and she was a lot easier to write. The sole mother figure in her life is the only other female in Cannamar, the Suliban, H’Shema. When Release begins, H’Shema is already dead. And Saddik and Eriecho get their release from Cannamar, but they’re on their way to Mars.

Portrayal

Portrait of a Character – Eriecho
For Eriecho, I wanted a tough woman who was not unattractive. I hit upon Mariel Hemingway in Personal Best. Hemingway just struck me as being a good mix of tough but vulnerable, and also pretty, e. g. someone who was redeemable, despite her background, and lovable, despite her history. The idea of Personal Best (which is a film about a lesbian athlete)  is not a statement about Eriecho’s sexuality.

Quote

“I have never had free time, unrestricted and unfettered before. I am afraid I will not know what to do with myself.”

Life After Prison

Release is, of course, about their release from prison. But after getting out, what happens? This is partly explored at the end of Release but also in the sequel, Double Helix. For Eriecho, who is a Vulcan without actually being too Vulcanesque, the answer lies with the Suliban.

Upshot

At the end of Star Trek XI (Star Trek 2009), Vulcans’ lives have been diminished considerably. But for Eriecho, her life has been expanded and enriched in ways she could not have dreamed.

Posted by jespah in Eriecho series, Portrait, 34 comments