Empress

Review – Escape

Escape Background

Escape has irony on its side.

Barking Up the Muse Tree | jespah | Janet Gershen-Siegel | Hall of Mirrors | Escape

Hall of Mirrors

For a weekly prompt about escapes, I chose what would be, to some, the only way out of the mirror.

Suicide.

For Andrew Miller, who has become the Empress‘s toy, and has been so for years, life is too much of a burden, and he wants it all to end, and end soon.

And so he goes about figuring out how to end it all.

Plot

Sick of everything, and sick of the Empress, Andy sets about putting together the means and opportunity to kill himself. He obtains a tricoulamine capsule but the later investigation shows it’s from Crossman Pharmaceuticals and is of an older design, so it was possibly from the earlier doctor, Cyril Morgan.

English: Catherine Bell, star of television's ...

It’s all because of the death of Melissa Madden, a fact disclosed in Fortune. After Andy and Melissa meet (during The Play at the Plate), a sexual relationship develops between them. When Melissa becomes pregnant, Andrew will have to get her off the ship without the Empress finding out, as Hoshi will kill both of them. Because he can never see his child, he at least wants to try to support the baby, who they have agreed to name Tommy.

Andrew asks his friend, Josh Rosen, to help set up a dummy fund to help support Tommy and Melissa. Josh agrees to launder the funds and make it appear as if it’s an account comprised of the payment of old gambling debts from Game Night. Melissa’s death, in a shuttle crash, moots all of that work.

Several years later, Andrew has the nerve, the means, and the privacy. He write a short note and takes the drug, thereby finally getting away from Hoshi.

Story Postings

Rating

The story is Rated K.

Upshot

I like this neat and tidy little story, and reprised it in The Point is Probably Moot, where I cover the aftermath.

Posted by jespah in Hall of Mirrors, In Between Days series, Review, 6 comments

Review – The Play at the Plate

Review – The Play at the Plate

The Play at the Plate – In response to a prompt about obstacles, I immediately visualized a catcher blocking the plate in baseball.

Background

Barking Up the Muse Tree | jespah | Janet Gershen-Siegel | Hall of Mirrors | The Play at the Plate

Hall of Mirrors

That led my thoughts to mirror baseball, and I also thought of Game Night, which is my Star Trek: Enterprise fanfiction Mirror Universe counterpart to Movie Night. Hence the story began to fall into place.

Plot

It’s 2162, not too long after the events of Temper and Fortune, and Andrew Miller is calling for bets for a mirror baseball game as catcher David Constantine seeks to block runner Ty Janeway from scoring. Andrew is the Empress’s current toy. But in walks the new pilot, Melissa Madden.

Review – The Play at the Plate

Dumbstruck and more than a little smitten, Andy takes Melissa’s bet. And, when she loses, she offers to allow him to come to her quarters and collect. But Frank Ramirez reminds Andrew that it is just not a good idea. Andy, to his detriment, eventually ignores that sage advice. And that is a very bad idea indeed. Because, essentially, Andy is sealing his own fate. This is not a happy fate at all.

Story Postings

Rating

The Story is Rated K+.

Upshot

I like the little inklings in here, that there is something that could potentially be between them, but the Empress Hoshi Sato will never let Andrew break free. Furthermore, when the principals conspire, and later when Andrew makes his escape, these decisions haunt him. Andrew Miller is very much a tragic figure in the Mirror Universe. He is the person who, amidst an environment where everyone takes whatever they want, he cannot have just what – who – he wants the most.


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Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Review, 6 comments

Portrait of a Character – Kirin (Kira) Sato

Portrait of a Character – Kirin (Kira) Sato

Kirin has a changing destiny.

Origins

At the end of Reversal, Empress Hoshi is looking for a little brother for her son, Jun. But Jun’s father, Ritchie Daniels, is dead – or, at least, that’s what the Empress believes. Plus she wants a different father for her second-born. Her strategy is to have a lot of children, all from different fathers. This is to cement her partnerships with as many of the men on her senior staff as possible. Aidan MacKenzie is a more logical choice than might seem on the surface. He has just been disgraced and busted to babysitter. But he is someone who is going to harbor growing resentment. Therefore, she needs to shield herself somehow. Because Aidan could become a serious threat. Plus, despite his low status, Aidan is attractive; this justifies Hoshi’s interest in him.

In First Born, I make it clear that the existence of Jun is problematic for several reasons, not the least of which being that Kirin should have been the Empress’s sole successor. However, in order that Jun could be suffered to live, Kira must be subordinate. As a result, they rule jointly upon Hoshi’s death, as is indicated in Who Shall Wear the Robe and Crown?

Portrayal

Kira is played by Korean actor Kang-Ho Song.

Portrait of a Character – Kirin (Kira) Sato

Kang-Ho Song as Kira MacKenzie Sato

I like the actor’s look but admittedly I know very little about him. But I believe that Snow Piercer may be his first English film.

I like that he’s decent-looking but not knock-out handsome.

Personality

Tall, a bit awkward and smart, Kira is possibly the most sympathetic of the royal children in Temper. He cares about Marie Patrice, and is her choice. But she is also a social climber and so she flirts with Jun and also threatens to go to Takeo, not knowing that Takeo is gay. She sometimes mentions Arashi and Izo in that way, too. For her, love takes a back seat to what she can get out of a potential mate. Kira’s father has the lowest status on the ship, but at least he’s known, unlike Arashi’s sire. That status counts for a lot in Empy’s world. And so it matters to Kirin as well.

As a teenager, his name embarrasses him. It means dark, but he feels the -a ending sounds feminine. He wants everyone to call him Kirin instead, which means giraffe. In Temper, I reveal that giraffes are extinct in the Mirror Universe.

Relationships

Marie Patrice Beckett

Throughout Temper, Kira chases Empy, but Empy (mainly) resists. They have some moments together, and some heat. But when it comes time for her to consider losing her virginity, she tells him that she’d rather give it to Jun. For Marie Patrice, that’s a way to raise her status. However, by the time the first alternative timeline in the story ends, Kira is the only one who she says good-bye to, and they kiss their farewell.

According to Rick Daniels, Kira marries an unknown woman, but they never have children. Furthermore, Kira predeceases Jun. And so for a while Jun is the sole Emperor once the tandem relationship dissolves with Kira’s demise.

Theme Music

Kira’s own theme is the Fine Young Cannibals’ She Drives Me Crazy.

Prime Universe

It is impossible for Kira to have a Prime Universe counterpart, but his analogue is Declan Reed, as they are both essentially outsiders.

Quote

“Something’s happening. Not just this – but you – something’s happening with you.”

Upshot

This somewhat put-upon character is the most positive portrayal of all of the royal children in the alternate timelines in Temper.  And in the prime timeline, even though he remains on the ship (rather than escaping, like Takara and Takeo do). And he is somewhat under the Empress’s influence. Yet he still turns out to be a fairly decent human being. In Bread, crew members say he’s a bit of a wimp, but in He Stays a Stranger, he is shown to have something of a heart. It’s possibly to have some sympathy for Kirin, a dark giraffe of a man.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Portrait, 14 comments

Portrait of a Character – Takeo Masterson Sato

Portrait of a Character – Takeo Masterson Sato

Takeo Masterson Sato is something of a cypher.

Origins

When dreaming up Empress Hoshi‘s children, I wanted her to have fraternal twins, a boy and the only girl. Takeo is the younger of the two. All of the Empress’s children have meaningful names; Takeo means warrior. Takeo is a child of the Empress and Chip Masterson.

Portrayal

Takeo is played by Rick Yune.

Portrait of a Character – Takeo Masterson Sato

Rick Yune as Takeo Sato

This former Wall Street trader and model turned actor is of Korean descent.

I feel that he is just the right guy to be an Empress’s child, but also, in an alternate timeline, a violent collector of bad gambling debts.

Personality

Portrait of a Character – Takeo Masterson Sato

Called Lefty by his peers, Takeo doesn’t really have a brash personality that stands out. Takara is bratty turned sympathetic, Jun is secretive but with a heightened sense of duty, Kira is almost romantic and is something of an outsider, Arashi is businesslike and greedy and Izo is nasty and impulsive. But Takeo? There just isn’t a lot there, and I blame myself for not giving him more to do.

During the first alternate timeline in Temper, Marie Patrice takes a passing interest as she is trying to get both Jun and Kira jealous. But apart from being a bit of eye candy for her, there isn’t a lot to recommend Takeo.

Relationships

Ubvelwev

At the end of Temper, Rick Daniels notes for posterity that, in the correct timeline, Takeo had a male Calafan lover, but the man’s name is not known to history. In Who Shall Wear the Robe and Crown? I reveal him to be Ubvelwev. Since this Calafan is silver, he comes from our universe – and was the winner of the 2159 election for First Minister in Voice of the Common Man. But this is a lot later (2245), so it’s unknown whether he and Takeo were together at that time (as a Calafan, Ubvelwev can shuttle between the universes but, since Takeo is a human, he cannot).

Theme Music

Takeo’s theme is Cracker’s Get Off This.

Prime Universe

Takeo does not have a Prime Universe counterpart (that’s impossible), but he does have an analogue – Kevin Madden Beckett, as they both have unknown potential. As I have written him, he is almost as much of a cypher as Kevin.

Quote

He’s hopelessly ugly.”

Upshot

I’m not sure if I will ever have a chance to really develop Takeo Masterson Sato. All mysteries about him are my own doing, for not putting enough out there about him.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Portrait, Times of the HG Wells series, 9 comments

Portrait of a Character – Gary Hodgkins

Portrait of a Character – Gary Hodgkins

Gary Hodgkins starts out with a lot of strikes against him and doesn’t improve much.

Origins

I wanted a MACO who would be, at times, a bad guy, or a guy with some pretty hard luck. Star Trek: Enterprise canon didn’t really cover that, but that didn’t mean that I couldn’t cover it in fanfiction. Enter Gary Hodgkins, who first shows up in Intolerance.

Portrayal

Portrait of a Character – Gary Hodgkins

Gary Hodgkins (Justin Long)

I wanted him to be fairly young and perhaps a decent-looking guy who has a lot of bad things happen to him. He deserves many of these bad things, both in our universe and in the mirror. Bad stuff can happen!

I selected Justin Long for this portrayal.

Personality

Duty-bound but sometimes difficult, Gary follows along in the mischief that Dan Chang often finds himself getting into. It isn’t until the end of his life in the first E2 kick back, and during the second, that he finally becomes a decent person. In the prime universe’s prime timeline, he doesn’t really get a chance. This is because, in Intolerance, he becomes permanently disfigured and disabled. This forces him to leave active Starfleet service. He’s often paired with Tristan Curtis as they are friends and sometimes, quite literally, partners in crime.

Relationships

Sophie Creighton

Because Gary dies young during the first kick back in time (and he has behaved rather badly), he has no relationship then. But in the second kick back, he and Sophie wed. I only give a little about their relationship but there’s a lot on their descendants.

Their grandson Richard marries Jolene Tucker, T’Pol and Tripp‘s (and Susie Money and Mario Lattimer’s) granddaughter. Jolene and Richard’s twins, Stephen and Stephanie, are married (respectively) to Marie Helêne Archer (granddaughter of Jonathan, Esilia, Lili, and José) and Connor Greer IV, who is the father of canon character Greer (although that character did not have a canon first name or even a first initial).

Mirror Universe

Barking Up The Muse Tree | jespah | Janet Gershen-Siegel |  Justin Long as MU Gary Hodgkins (image is for educational purposes only)

Justin Long as MU Gary Hodgkins (image is for educational purposes only)

Gary has numerous issues in the mirror universe. He is seen in Coveted Commodity, loyally guarding the Empress in Sick Bay and spelling trouble for Travis.

In Temper, in the first temporal dislocation, he loses his life with a lot of other people from both universes when the Luna is destroyed in a head-on collision with the Bluebird.

In the second temporal dislocation, he dies during a Calafan slave revolt. And in the correct Mirror Universe timeline, he is falsely accused (as is Tristan Curtis) and is executed for helping Chip and Lucy get away with the Empress’s twin children, Takara and Takeo.

Quote

“The captain, when he told us all about it, he said he hoped it wasn’t due to a lack of trust. I mean, I can see how it could be really upsetting. He married an Ikaaran woman the last time out. To know that she kept something that big from him, I mean, that’s gotta be hard.”

Upshot

I’m not so sure where I can go with Gary, as he’s got to be off the ship (the nature of his disability means that he’s got to fly a desk). But there’s no reason why I can’t show him before Intolerance, or in an office or civilian capacity otherwise.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Interphases series, Portrait, 6 comments

Portrait of a Character – Lucy Stone

Portrait of a Character – Lucy Stone

Lucy Stone serves a lot of purposes.

Origins

The Mirror Defiant needed a Science Officer after T’Pol‘s death. And the Prime Universe NX-01 needed someone who could fill in at Science during the evening shift. Plus Jennifer Crossman needed a bridesmaid in Together. And so Lucy was born.

Portrayal

I wanted a strong but very lovely woman, so went with Alyssa Milano. Lucy is smart but she is also quite the looker.

Lucy StoneAt the start of Day of the Dead, Chip Masterson in particular is checking her out, until Tripp Tucker reminds him that he (Chip) is now married to Deb Haddon. And she is liable to take action if she feels their relationship is at all under threat.

But Chip has only a mild interest. This is because – unbeknownst to any of them – his and Lucy’s counterparts have a future together. But that doesn’t happen on our side of the proverbial pond.

Personality

Smart but serious, Lucy also is, at times, a bit careless. Neither of her two pregnancies are planned.

Relationships

Ben Collins

Portrait of a Character – Lucy Stone

He’s only seen on a communications screen during Take Back the Night, when she contacts him in order to speak with their daughter, Gina. Lucy reveals that they haven’t been in love for years, but she appreciates Ben, who makes it possible for her to be out there at all. If Ben did not want to be essentially a stay at home father to Gina, it’s likely that Lucy would not have gone into space at all.

Andrew Miller

Their relationship takes flight during Take Back the Night, when she finds out she’s pregnant. He vows to her that he will stand by her decision – whatever it is – with respect to her pregnancy. She decides to keep the baby, who is a daughter. They name her Vanessa. By the time of Fortune, I reveal that they are still together.

Mirror Universe

In Throwing Rocks at Looking Glass Houses, Andrew Miller ends up working to get Lucy on board the Defiant. He refers to her as the top of his science class, so Empress Hoshi is interested. Normally, the Empress doesn’t like to have any female competition on board.

Portrait of a Character – Lucy Stone

Mirror Lucy

Unlike Pamela Hudson, Blair Claymore, and Karin Bernstein, Lucy isn’t a man’s plaything. And unlike Melissa Madden, she isn’t carrying on a betrayal of the Empress.

However, the Empress makes it clear that Andrew is off-limits.

Chip Masterson

In the Mirror, Lucy ends up with Chip (Chip cannot be with Deb Haddon, as she is dead). First shown as a couple in Temper, they conspire in order to get away. As the first alternate timeline plays out to its end, Chip proposes via communicator, in front of everyone. In the second alternate timeline, and in the prime timeline, they escape together, with his children, Takara and Takeo. And in Fortune, she breaks her leg. In order to make contact with a doctor, Chip sleeps with his arm on rocks that are embedded with callidium, the ore that allows for psionic amplification. He thereby makes contact with Lili, who in turn contacts Miva, who takes care of Lucy.

Quote

“She’s actually a little less peeved when she’s pregnant. Usually.”

Upshot

I think Lucy needs a bit more detail to her, and more depth. She is instrumental in a lot of ways, but I don’t really feel like I know her yet.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Portrait, 16 comments

Recurrent Themes – Femmes Fatales

Recurrent Themes – Femmes Fatales

Femme fatales can really make a story take off.
Barking up the Muse Tree | Janet Gershen-Siegel | jespah | DNA | Femmes Fatales

A lot of my Star Trek fanfiction writing contains recurrent themes, characters and situations. Here is an effort to put some of that together and make some sense of it all.

Background for Femmes Fatales

Femme fatales are a fairly classic archetype. It’s the bad girl, the sexy girl and, often, the dangerous one.

Appearances

Empress Hoshi Sato

The Empress is, of course, canon. But the second mirror universe Enterprise story ends with the beginning of her power grab. It doesn’t tell you whether she was successful and, if she was, what happened next.

Recurrent Themes – Femmes Fatales

Empress Hoshi

In Reversal, the Empress’s power is well-established and has been consolidated. Doug offhandedly tells Lili that the Empress took about a year or so to get it all together and, in the meantime, had a child as well. That child turns out to be Jun Daniels Sato.

But the Empress is dissatisfied (and sexually voracious). She is looking for younger siblings for Jun. She understands Machiavelli enough to know that she needs a multitude of potential successors in order to keep herself in power (and healthy) as long as possible. Plus she needs to keep producing heirs as long as possible for, if a faction prefers her youngest child, that faction might just wait until the youngest one’s age of majority before becoming a physical threat to her. It’s a chance, but she’s got to take it.

Pamela Hudson

The second femme fatale I wrote was Pamela.

Recurrent Themes – Femmes Fatales

Pamela Hudson

Pamela is as intelligent as Hoshi (if not more so) but, ultimately, she turns out to not be ruthless. Instead, her motivations are her own damaged past and her hopes for the future. For Pamela, finding love brings her full circle and gives her what she truly needs. She is able to hang up the femme fatale act and enjoy life.

Marisol Castillo

Marisol, on the other hand, is not motivated by anything positive whatsoever. As a much more classic femme fatale, Marisol is downright hazardous.

Recurrent Themes – Femmes Fatales

Marisol Castillo

She is an assassin and a blackmailer, and treats Borin Yarin badly enough that she pays the ultimate price for her ruthlessness.

Upshot

Two of my main femme fatales are doctors. Perhaps there is something to that, the feeling that, when other characters are vulnerable, a femme fatale can do the most damage. The trick, I feel, is to write the archetype without writing a cliché.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Themes, Times of the HG Wells series, 3 comments

Review – Coveted Commodity

Review – Coveted Commodity

Coveted commodity?

Background

I originally wrote Coveted Commodity as a response to a Trek BBS challenge about a new day dawning. I decided to put a mirror universe spin on it, and so I went with the mirror Travis making a turning point type of decision in his life.

Story Highlights

Mirror Travis Coveted Commodity

Mirror Travis

The tale begins with Travis Mayweather sitting in Sick Bay, waiting for … something. The Derellian bat makes another appearance; its loud shriek causes Travis to unsheathe his sidearm, “ready to shoot that damned bat”. But who or what is Travis waiting for?

The exposition brings it together, that he is waiting on Empress Hoshi. She is pregnant with his child. And there are complications.

For people in the mirror universe, particularly men, signs of weakness are not only degrading, they’re downright dangerous. Hence what is happening to Travis’s son could not only harm the child at that time and later, it could also harm Travis’s own standing.

Plus, this is not the Empress’s first child. That honor is reserved for Jun Daniels Sato. This is, instead, Hoshi’s sixth.

Travis begins the story indifferent as to outcomes. But he becomes mightily interested once it becomes clear that the fetus has issues. Furthermore, Doctor Morgan gives him a choice – allow the surgery (the fetus has a hole in his heart that must be repaired in utero), but also allow the doctor to kill off Hoshi. The doctor’s tempting offer is a corker – end Hoshi’s reign of terror, but also kill off your own son; kill off your son due to inaction on your part; or allow the surgery and allow Hoshi to live.

Travis’s Choice

Travis chooses the latter option. His new day dawning is that he decides he wants to be a father. This is in keeping with the way I have written mirror universe men. The way I write them, they are violent but they are also good fathers. They want their children to survive, and will do anything to assure that (including violence). Hence Travis’s sole option is to permit the surgery but not allow the doctor to kill (or fail to resuscitate) Hoshi on the table.

In Temper, it is revealed that the choice works for the child (Izo) but Travis is not allowed to enjoy the fruits of his choice. Time is somewhat incoherent in Temper, but the events occur after the surgery and, in the alternate timelines and in the restored proper timeline, Travis meets his end.

Story Postings

Rating

Although the story does have some adult elements (Hoshi is a woman with children from multiple fathers), the rating is K.

Upshot

I think execution was pretty good on this one. Once again, much like in First Born, a mirror child’s life hangs in the balance, and the father must make the right choice so that the child may survive.

Posted by jespah in Fan fiction, Hall of Mirrors, In Between Days series, Review, 11 comments