Stocking Stuffers 2013! In 2013, Star Trek fanfiction writers got together. Hence we traded a bit of fun in each others’ universes. And this was my contribution.
In order to follow along with the holiday theme (and Christmas isn’t even my holiday!), I thought outside the proverbial box and tried to pull in various aspects of the holiday, everything from children believing in Santa Claus, to a long distance relationship at that time of year, to decorating a tree or even making it snow.
However, for my own fanfiction, I selected Richard Daniels, right around New Year’s Eve, for the changeover to the new millennium. And Daniels also appears on the cover. This is because his portion of the story predates canon. However, for him, as it is for a lot of real people, the holidays are a time for reflection, for taking stock, and maybe even for some melancholy. And due to the switch from 1999 to 2000, Rick is also feeling the weight of everything changing. Because after all, in canon, World War III is supposed to start soon.
Fortunately, in reality, we are still waiting for that. And hopefully, we will be waiting forever.
Yet only Daniels really has music in his story (apart from Icheb playing and singing ‘Good King Wenceslas’). However, Daniels hears the music of the time, as he often does during his temporal meanderings.
The Stranger is, of course any time traveler. No one is allowed to get too close. But it is also a reference back to an earlier story (I wrote it earlier, but it takes place later in the timeline), He Stays a Stranger.
The challenge was to write seven days of flash fiction. Hence I decided to provide sketches of seven women bedded by Richard Daniels.
Rick Daniels spends the beginning of the 3100s bedding women in time, to try to ease his guilt at witnessing some of the worst moments of the prime timeline.
Irene of Castile had already been covered in Marvels. Empress Hoshi had been hinted at in Reversal. Lucretia Crossman and Betty Tyler had been mentioned a few times, including in A Long, Long Time Ago. Some of these women were also mentioned in Souvenirs.
I was in the middle of writing the Barnstorming series, so Dana MacKenzie was on my mind. I also needed a seventh woman (for right before Hoshi), so I created Octavia Caecilia of Pompeii. She went along well with a passing reference to Rick having witnessed the eruption of Vesuvius, plus it was an homage to Dr. Who and, more specifically, actor Peter Capaldi.
Music runs throughout the piece. The main theme is, of course, Billy Joel’s The Stranger.
I like Octavia, and I might write more about her at some point. The same is true of Betty; I finally really pictured her. The story, I feel, does its job well, which is to prepare the reader for what is really going on in A Long, Long Time Ago and later. The mood changes and this story turns it rather downbeat, which is what I was going for.
Since I had wanted to write a quick drabble, I pulled Rick Daniels into the Temporal Integrity Commission. However I also, potentially, wanted to attract another group of readers. Unfortunately, this did not really work. Hence I did not get the new readers I wanted.
In 3096, Richard Daniels joins the Temporal Integrity Commission as a Temporal Agent.
But in order to get him ready, he gets a bit of a background on his mission. And so the story introduces the commission. As a result, I included a smidgen of world building. The temporal agent gets a support team.
After all, who would have watched Enterprise and thought he wouldn’t have one? Consider the scene where Daniels and Jonathan Archer see a ruined deep future skyscraper? Daniels says he ate lunch in there. An enormous building, by definition, means there would have been people in it. And those people – at least some of them, at any rate – should have been supporting the temporal agent. Otherwise, how could he accomplish his missions, or even select them?
The story is understandably short. But I feel that is fair to middling. Since it’s not bad, but not great, either. And certainly more time could have and should have been spent on this particular event. Perhaps, at some point, I will write more about this and will flesh out the details better. But for now, it feels like more of a snack than a meal.
For a Weekly Free Write called ‘berth of a career’, I got the idea of a messy bunk in my head, and could not get it out.
Adding to this idea was the Star Trek: Enterprise canon tidbit that Daniels had roomed with a slob. In order to anchor between In Between Days and Times of the HG Wells, it made sense to have a younger character.
That younger character would be connected to Daniels, hence bridging the gap between In Between Days and the deep future of The Times of the HG Wells.
Craig Willets, now an older man, would be dictating his memoirs, when he’d remember something quirky from his past.
The date is what triggers it for Craig. He remembers a very specific, yet puzzling, event.
On that day, back in 2151, he was just minding his own business, but was remembering his old roommate, who had left in a hurry. It had been explained to Craig that Daniels had been a time traveler. Craig wasn’t sure how he felt about that. As a slob, he has no idea, but a pair of his boots are missing.
The action then shifts to 1699, where Daniels is preparing to bed Jennifer Crossman‘s ancestor, the widow Lucretia Crossman, in Penn’s Woods. This is to be Rick’s first temporal conquest. He’s eager to get going, and then realizes that he forgot something back in 2151.
He excuses himself and goes to the only private place – the outhouse. While in there, he taps out a quick message to Craig and has the boots sent to November 13th, 2151. Why that date? That’s what date it is in 1699. But it does not match the date when Daniels departed from the NX-01. Craig realizes, much later, that his old roommate made a mistake with the date.
Ohio. Richard Daniels‘s second Star Trek: Enterprise adventure in time was put together fairly early and fairly quickly. I loved the idea of a bullet’s changing its trajectory and, as a result, significantly altering history.
I also loved the idea of showing the time period, everything from protesting to drug abuse to even free love. The music was another draw, and the discovery that Chrissie Hynde of the Pretenders really had been at Kent State at the time sealed the deal for me.
It was an irresistible combination, and the story was relatively easy to write.
First of all, as the Temporal Integrity Commission begins hiring new travelers, the first one brought in is a specialist in ancient computer systems, Sheilagh Bernstein. Sheilagh tries to decide whether to take the job, and the first part of the book deals with some of her doubts as it provides exposition. In addition, the military expert, Thomas Grant, is brought in, plus a traveling doctor, Marisol Castillo. All three receive various physical enhancements in order to make it possible for them to perform their jobs at all.
First of all, he ditches Sheilagh and hooks up with Annette Bradley, a student, who calls herself Windy. He behaves more or less despicably, whereas Sheiligh just tries to blend in on campus. However, the party stops when the shooting starts, and Sheilagh’s screams of terror cause a National Guardsman to change the angle of his aim slightly. As a result, instead of Allison B. Krause dying, it’s Chrissie Hynde.
Hence this, and a small incident at the start of the Third World War, throws history into a tizzy. Everything must be fixed, and Sheilagh makes the biggest mistake any professional time traveler can make. She falls in love with the alternate timeline and the good it seems to have done for some people.
Music defines the entire HG Wells series, and very much so in Ohio as the new victim is, of course, a singer. Hence these songs weave throughout the story as follows:
Crosby, Stills, Nash & Young – Ohio
Shocking Blue – Venus
John Lennon – Instant Karma
Freda Payne – Band of Gold
The Jackson Five – The Love You Save
Chrissie Hynde and the Pretenders – Kid
Chrissie Hynde and the Pretenders – Talk of the Town
Overall, some areas could have used better exposition. In addition, the look and feel of the campus should have been better explored. Furthermore, some things, for sure, happened too quickly. At some point, I’ll probably expand it. It’s on my radar of things to do/fix.
Do you like writing alternate universes? Branching your characters off and seeing where a different path goes? Where do you start, and how do you go about it?
When I got back to writing, after a hiatus of a few years, I found that the strictures of canon made it hard to get some of my points across. I also had a time travel series that had stalled but was, I thought, salvageable. But changes needed to be made in it.
I hit upon the idea of using Daniels as a kind of anchor character, to give people something to hang onto, when reading the stories. While I had already written some alternate or expanded types of universes, including Gina Nolan‘s world, things came together a lot better and with a lot more detail and finesse when I began to construct the HG Wells universe.
Beyond the old time travel series, things also began with Temper. After some of the initial reintroduction of the arrangement and the five people in it, the action quickly shifted to 3109. Daniels would be witnessing something that could easily and undoubtedly show that time had been changed. I hit upon the idea of making his sister, Eleanor, the docent at a museum. She holds in her hands a sword, Ironblaze, and explains that it belonged to the Empress Hoshi Sato. Eleanor also performs a few more expository tasks and then the sword begins to disintegrate.
Once that story was finished, I felt there was unfinished business there with the deep future characters, and so I wanted to do more with them. Since I also wanted to incorporate a goodly amount of the old time travel series into the mix, I needed a bigger supporting cast for Daniels. He already had an engineer, Kevin O’Connor, and a boss, Carmen Calavicci. But he needed some more of a supporting cast. I had already created the character of Otra D’Angelo, so I rolled her out, along with a Quartermaster, Crystal Sherwood, and others.
These days, I get an idea for a story or a series and put it into a file called, not so imaginatively, Writing Ideas. That file is updated as I think of new things. Sometimes, the idea is a rather small one indeed, such as smart kangaroos, which was the germ of an idea for the DaranaeanEmergence series. For the Barnstorming series, the idea was sports in space, but it’s evolving, and it also includes the idea of trying to tie together a lot of what’s come before. Hence successor characters for In Between Days and Emergence come together, and prefigure characters in HG Wells. If I can get Eriecho and Gina Nolan and the Mixing it Up alien hybrids in there, then it’ll be so meta I might as well call it a day.
Once the first idea is out there, I generally let it sit for a while. Often, I’m working on something else, or life has gotten busy or whatever. In the meantime, usually, my subconscious starts to work on things. I might dream about a series, or something like it. I also tend to think about such things while exercising. As I go along, I start gathering together what I want to do and what I want to comment on in my story/stories. For a series, I usually don’t confine myself to just plot. Often, there is something I want to say, some sort of philosophy I might wish to impart. Hence I’ll also think about what that is (e. g. for HG Wells, it was about how fate is quickly changed by little changes in time, and that you can’t necessarily trust your memory. For Emergence, it was about a quest for equality. Barnstorming is turning into knowing your heritage and embracing your past, warts and all).
Getting an AU together involves getting organized. I keep a large overall timeline. Currently, it’s on this blog, in two pieces, prehistory to 2099, and 2100 to the end. It will likely be divided into a third and maybe a fourth piece, as the pages are getting rather unwieldy. The virtue of having a timeline is understanding birth and death dates more than anything else. If I know that Lili was born in 2109 and died in 2202, then having her meet Gina Nolan, who is from the 2300s, is impossible unless there’s time travel involved, on either or both ends.
I also create a large Word document, which I refer to as a Wiki but, strictly speaking, isn’t, as I don’t make it available for anyone else to contribute to. These Wikis contain the timeline, and they also contain the names of the characters, both main and bit, and even referenced characters. Even locations are listed. Hence, there are listings (such as in the HG Wells Wiki), like this one –
World War III starts here, in 2026 (Ohio).
I’ve got the name and the information and the reference. There is also an overall Excel spreadsheet of characters, with names, genders, species (for hybrids, I just list them once, usually by their predominant species or whatever isn’t human. Kevin O’Connor is listed as Gorn even though he’s part-Gorn and part-human). This is also where I list who “plays” a character, as that helps me to better understand people, if I can visualize them.
As can be imagined, a lot of this information ends up in blog entries.
I love creating original, alternate universes. If I could not, I imagine I would not find Star Trek fan fiction writing anywhere near as compelling.
There is no canon evidence that it exists in the following centuries, or that time traveler Daniels belongs to such an agency.
But canon doesn’t give Daniels a first name, either. Canon is maddeningly incomplete in a lot of areas.
So why not here?
As a result, I have decided that Daniels, who I name Richard, works for the Commission.
Canon and Fanfiction Intertwine
The Commission, to me, would have to be a fairly secretive organization. Otherwise, they could very well find themselves with people selfishly trying to use time travel for their own ends. They could be, maybe, seeking to make their ancestors more wealthy, or have them survive wars or plagues in order to, presumably, reproduce more, in order to make a family larger. Or they might go about things in a more sinister fashion, by trying to ensure that the ancestors of their enemies never reproduce.
Therefore, I have decided that their workings would be pretty secret, including the location of headquarters. Rather than put them on a planet, they’re on a ship. In order to not give things away too much, the ship’s name is wholly unrelated to time travel. It’s called the USS Adrenaline.
Given the fact that this is the very deep future, I don’t expect people to behave precisely the way that we do now (after all, we engage in behaviors that are absolutely alien to people from a millennium ago). This is how it should be. Dress, language, religion (if any) and education will all be radically different, just to mention a few dissimilarities. And lest we think we are so modern, consider this – less than ten years ago, there was no need to refer to home telephones as ‘land lines’. Phones were phones, and you rarely carried them around.
Furthermore, behavior might seem odd to us. After all, we currently live in a far less formal society than we did even five years ago. Hence the TIC in my fanfiction has become a rather informal place. No one is called by their title unless they are being introduced. Admiral Calavicci, who is in charge of the Human Unit, often calls her employees children (out of affection and not malice). And people are dressed in all sorts of ways, rarely wearing uniforms unless they are expected to stay in. However, that last part is to be expected, as travelers would need to be suited up for the specific time periods they were visiting.
The Commission and its dealings are, of course, at the center of the doings in the Times of the HG Wells series, but the reader’s first glimpse of my vision of the TIC is in Temper.
At some point, Star Trek might broadcast a series covering pretty much only time travel. The trick is to make it different from the myriad of other series on the same subject. It is a compelling subject, to be able to either get a sneak peek ahead at the future, or fix the past. I don’t delude myself into thinking that such a series would be a lot like I handle the Commission, but I like to think I’m on the right track with my thinking.
Of course, time travel is canon in Star Trek. And by the time of Daniels, it’s not only semi-routine, it’s even got a department devoted to it. This is first called the Department of Temporal Investigations, but it settles into, eventually, the Temporal Integrity Commission, which is what I call it for my 31st and 32nd century characters.
With the Times of the HG Wells series of eight stories, plus a few extras thrown in, I’ve got thousands of words written about time travel, both voluntary and involuntary.
But this post will just be about people who travel in time because they want to, and they mean to, rather than are pulled there unwittingly, or against their will.
While there are other time travelers in this series of stories, these are the main ones seen.
A music and arts specialist is particularly helpful during various side missions that have to do with music, but he’s being separated from the other time travelers in order to keep him from talking about what he’s seen during A Long, Long Time Ago.
This half-Witannen agent can see temporal alternatives. Her childhood is briefly shown in Desperation.
The only canon character in the group, this melancholy agent beds women in time in order to assuage his grief, tamp down his guilt and mask his loneliness. In November 13th, he meets Lucretia Crossman. In Marvels, he meets Irene of Castile. In Souvenirs, he remembers them, and others, and Milena Chelenska.
In Temper, and in Fortune, it’s established that he is at least a descendant of Lili and Malcolm, but he’s apparently also at least a descendant of Chip and Deb, as his mother’s maiden name is Masterson.
The department’s doctor rarely travels, mainly because he’s a hybrid of human, Klingon and Xindi sloth. Boris is also having an affair with Marisol.
This engineer for the Calafan unit is romanced by Kevin O’Connor after his wife’s death.
Time travel, to my mind, can sometimes require rather specialized knowledge, beyond even engineering and the use of weapons. A balanced, diverse and admittedly quirky team has done the job here, and they have done it with flair. They’ll be back.
The story ended up as a bridge between In Between Days and Times of the HG Wells.
In Reversal, I established that the Empress had given birth to Daniels’s child, but she thought him (the elder Daniels) to be dead. But Daniels isn’t dead.
Therefore, there had to be another side to the story.
First Born explores the fallout at the Temporal Integrity Commission, and in time itself. Eleanor Daniels, Rick’s sister, is a docent at the Temporal Museum on Lafa II. She begins by lecturing about Empress Hoshi’s five children, but suddenly she shakes very, very slightly and ends her sentence talking about Hoshi’s six children.
Rick is hauled into his boss, Carmen Calavicci‘s, office. She is, understandably, livid. She has been looking the other way for a while as he’s been bedding women in time. She has been figuring that it’s a way for him to cope with the fact that there are often deaths, or he has to restore deaths. She has been kind or, at least, indifferent. But this is something else entirely, as the Mirror government is breathing down her neck. They demand that Jun Sato‘s existence be wiped out, thereby restoring Aidan MacKenzie‘s son, Kira, to his rightful position as first born heir.
Rick and Carmen meet with a Mirror government representative and begin to sort everything out. Rick wants Jun to live, but how much of a pound of flesh with the other side of the pond extract in order to make that happen?