I don’t write Star Trek fanfiction in a vacuum. Like anyone else, life gets in the way, it meanders around or my writing does, and the two collide. For what is writing without a connection to real life events?
Dating, Love, Wedding and Marriage
My own marriage and wedding are a bit of fiction fodder, I admit it, and back into dating, too, of course. These are major life events, and the lead up to them as well. A Kind of Blue absolutely evokes the excitement of my own wedding (I was not pregnant) and also a little bit of the uncertainty about the future. You wonder if everything is going to be all right. So far, so good.
Dating in a lot of ways informs Reversal, as Lili first goes on a disastrous blind date with Brian Delacroix (as Jenny Crossman pushes away a grabby Aidan MacKenzie) and then goes on a number of memorable (literal) dream dates with Doug. Her E2 experiences with Jay Hayes and Malcolm Reed are also very date-centric.
Birth of Nephews
I have no children of my own, so my nephews stand in for the kids I write about. Stories such as Tumult give life to the sense of waiting around – seemingly forever – in hospital rooms. Small children are seen there, and in Together, Temper, and Fortune, among other places, including The Facts.
Life at Work
I’ve had any number of work experiences, much like anyone of my age does. In particular, the HG Wells stories evoke work and working conditions. I’ve had bosses like Carmen Calavicci. She’s a bit brassy but she gets the job done. In A Long, Long Time Ago, potential employees are put through a group interviewing process – and I have been through such interviews, too. As the series progresses and the time travelers learn to work together, that also evokes various work experiences. People do not immediately have chemistry. Sometimes you need to really try in order to make things work.
Justice and Mercy
I’ve practiced law (that was a long, long time ago!), and so I’ve seen trials and I’ve been behind the scenes. I wanted Shell Shock to bring a lot of that knowledge to the fore. A pair of trials are also conducted in the E2 stories. I wanted very much for the concept of people trying to do the right thing, even if they don’t necessarily have the means or knowledge with which to do so, to be understood by the reader.
Medical Care and Crises
I have seen people who were very sick and, truly, dying. Of course I don’t just witness such things and take notes for my writing or anything. I am not outside of the moment. But these things do happen, and they are, indeed, remembered. In the E2 stories, and in Shell Shock, characters emerge from comas (in the former, the emergence is overtly included, in the latter, only the aftermath is seen).
For experiences of death, and characters’ reactions thereto, I tend to rely rather heavily on Elisabeth Kubler-Ross. Her five stages of grief, in particular, informed the Hold Your Dominion/Gina Nolan stories. Mourning is evoked in Fortune, but also in Equinox, A Hazy Shade and Remembrance.
For Star Trek to be Star Trek, there are any number of ships, aliens and whiz-bang effects. But, more importantly, there are people. And those people tend to have experiences that are a lot like our own, or at least their experiences should be similar to ours. Otherwise, it’s just a lot of ships whooshing by and a lot of explosions, and not much else. Fine in the moment, but not memorable, and certainly nothing that has survived for over four and a half decades. It’s the stories about people that survive. By placing my own experiences into my writing, I am hoping, if not for immortal stories, then at least for tales with more depth. I hope I’ve achieved a small measure of that.