Tag Archives: Alternate Timeline

Focus – Time Ships (Fan fiction)

Focus on Time Ships

Time Ships are fascinating, and exist within canon.
Time Ships

Focus

A focus Barking up the Muse Tree | Janet Gershen-Siegel | jespah | Focus Magnifying Glass Time Ships (unlike a spotlight) provides an in-depth look at a Star Trek fan fiction canon item and my twist(s) on it.

Of course, all of fan fiction is like that, but the idea here is to provide a window into how a single canon concept can exist within in fan fiction.

Background

Instantaneous temporal transportation generally does not make for good drama. And this also points out the problems with transporters: when it’s easy to save someone’s bacon, the drama suffers. Furthermore, it’s possible that writers just plain didn’t want to go in that direction. And they don’t, until Enterprise and Crewman Daniels with his time portals.

Occurrences

To add some fun to the HG Wells series, I had engineer Deirdre Katzman name all the ships after old time travel fiction. Hence the ships are as follows:

    • Audrey Niffenegger

– the first of the ships is manhandled by Rick; the name comes from the author of The Time Traveler’s Wife.

    • HG Wells

– this ship replaces Audrey.

    • Jack Finney

Tom Grant gets this one. Jack Finney wrote Time and Again.

    • Flux Capacitor

Sheilagh Bernstein gets this ship.

    • Elise McKenna/Simon Morley

– these ships are counterparts in our and the mirror universes. The Elise McKenna never gets built. Both get their names from character in Time And Again.

    • Audrey II

– Deirdre has a wicked sense of humor and, while this ship is intended to replace Audrey, the name refers to Little Shop of Horrors.

Upshot

Ships mean drama, as fuel can run out, they can suffer attacks or breakdowns, and enemies can steal them. Hence I rarely use time portals in my fan fiction.

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Portrait of a Character – Alice Trent

Portrait of a Character – Alice Trent

Origins

This character was originally going to be a regular cast member but I didn’t really have room for her. So she showed up during The Point is Probably Moot in an alternate timeline.

Portrayal

Portrait of a Character – Alice Trent
English: The actress Alice Eve at San Diego Comic-Con International 2011 Italiano: L’attrice Alice Eve al San Diego Comic-Con International 2011 (Photo credit: Wikipedia)

Alice is played by Star Trek: Into Darkness actress Alice Eve. Of course she has Star Trek cred from that.

Personality

Personable and polite, Alice in the regular timeline is a manners and protocols specialist. She is interviewed by the Temporal Integrity Commission as a possible companion agent for Rick Daniels. Paired together, they could conceivably cover historic state dinners, which is exactly what they end up doing.

In the alternate timeline, she is an Islamophobe.

Relationships

Alice has no known relationships. Rick does not hit on her as he is already realizing that he’s in love with Milena Chelenska.

Mirror Universe

There are no impediments to a Mirror Alice existing, except that all true counterparts have smaller chances of existing.

Portrait of a Character – Alice Trent
Portrait of a Character – Alice Trent

This is due to the passage of time and the addition of more generations (and, therefore, more variables).

Regardless of what she’d be doing in the Mirror Universe, it would have nothing to do with manners and fish forks.

Quote

“Why would you want to help those infidels? Are you all nonbelievers?”

Upshot

I have no place for this character, and I wish I did, as she could potentially be compelling. Maybe Carmen hires her after the events of He Stays a Stranger.

Now there’s an idea.

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Portrait of a Character – Rellie

Portrait of a Character – Rellie

Origins

During Temper, the only intelligent way to get Lili onto the Defiant was for her to be disguised as a Calafan slave and work in a kitchen. This meant creating a kitchen manager (the position would not really be that of a head chef). Enter the Xindi humanoid Rellie.

Portrayal

Portrait of a Character – Rellie
Mia Sara as Rellie (image courtesy IMDB)

Rellie is played by actress Mia Sara. This lovely actress has a long history and has science fiction cred.

Personality

Efficient and smart, Rellie will only go so far to look out for her charges. They are (Lili, Polloria, and Aliwev) adults and are not really her responsibility. She just wants to save her own skin, or at least make her job easier. When Lili arrives, and knows how to cook, it’s as if a dream has come true for the oppressed slave kitchen manager.

Relationships

Rellie has no known relationships.

Mirror Universe

Rellie is only seen in the Mirror.

Portrait of a Character – Rellie
Mia Sara as the prime universe Rellie (image is courtesy of the DC Comics wiki)

Does she exist in the prime universe?

It’s an interesting question.

I sometimes confuse her a bit with Dayah, who is also a Xindi humanoid, and is of a similar vintage.

But their fates are rather different, even though they are both oppressed women. Rellie, like a lot of Mirror Universe women, has to be ruthless and self-serving. In our universe, those personality traits would be looked upon as flaws.

Quote

“We must always tell them that we can do anything they ask. No matter if it seems at all impossible or difficult. You have been doing this for years. Surely you know that by now. Never show any weakness.”

Upshot

This character was created for a specific purpose, and I think she fulfilled it fairly well. Since her placement was the result of the second alternate timeline in Temper, there are any number of other Mirror Universe niches she could fill. Maybe I’ll pick her up again.

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Review – The Black Widow

Review – The Black Widow

A black widow spider represents Pon Farr gone wrong, wrong, wrong.

Background

For a Star Trek fan fiction challenge about “what if”, I decided to take a canon episode into a far different extreme direction.

Plot

In the canon episode, Bounty, T’Pol prematurely goes into Pon Farr because of a medical issue (she and Phlox are affected by a microbe).

Barking Up the Muse Tree | jespah | Janet Gershen-Siegel | The Black Widow
The Black Widow, a horror story from an alternate timeline.

As a part of the episode, she comes onto Phlox, who rebuffs her, and then tries for Malcolm, who is in a pressure suit, and he rejects her as well, eventually shooting her in the back with a phase pistol and stunning her. Archer comes back (he escapes Tellarite captivity) and all is more or less well.

I decided there would be two major differences. Phlox would succumb to her charms, and Malcolm would miss.

As a result, this changes the dynamic dramatically.

The New Plot

In the new plot, once both of these events occur, T’Pol goes after the first man who can (she hopes) satisfy her urges. And that turns out to be Travis.

When the story opens, Jonathan has just returned. Malcolm greets him at the transporter and tells him that there will be a staff meeting immediately. He informs him of Travis‘s death, and also Brian Delacroix‘s, and that Deb Haddon has been gravely injured.  Archer, a bit disoriented and very confused, goes along with this. He sees Malcolm, Hoshi, and Tripp at the meeting. Phlox speaks from Sick Bay.

Archer learns that, after seducing Phlox, T’Pol escaped from decon (the escape is canon, but the seduction failed in canon). Malcolm was there with his team – Brian and Deb. T’Pol came onto Malcolm who rejects her and then, in a rage, she snapped Brian’s neck and shattered Deb’s helmet. A fragment lodges in Deb’s eye, and she is permanently blinded.

And then there’s the matter of Travis. After escaping from that scene, and Malcolm shooting after her but missing, T’Pol confronts Travis in his quarters. She essentially sexually assaults him, and her appetite kills him.

The story continues with Archer confronting her in the Brig, but she is barely competent, and relations with Travis have not satisfied Pon Farr. Hence she will die in a few days if they don’t get her to Vulcan on time.

Story Postings

Rating

The story is rated T.

Upshot

I really liked the way this one worked out, as I moved from a bewildered Archer to Hoshi with a measure of PTSD, to Malcolm’s disgust and emotional detachment, to T’Pol’s frenzied mania, to Phlox’s shamed confession, to Deb’s acceptance of her fate, to finally communicating with Admiral Forrest and informing him of this big, bad Vulcan secret. I don’t write horror too often, but I think this story turned out well.

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