The first story was prompted by a ‘Now What?’ prompt. Then the second was a POV shift. Since I loved the first one so much (and had never really written Yilta’s point of view before anyway), I added the second. Hence they are shown together as I practically tackled the two at once.
During the ceremony, any number of odd things happen. Best man Levi Cavendish drops the rings. Twice. Then Maid of honor Deirdre Katzman bends down to look for them and nearly loses her flowers. And then half-WitannenOtra D’Angelo‘s floral-like chavecoi point where the rings are on the ground. And officiant Branch Borodin, the colony alien, interrupts the ceremony asking if the happy couple want to take a survey.
So these shenanigans are nearly enough to drive Admiral Carmen Calavicci back to drink. But at least she can refrain, for the moment. However, I cannot promise she won’t fall off the wagon at some later date. And I like that idea.
So I really loved how both of these came together. Sometimes, writing is a lot like taking dictations. The characters simply speak, and then I transcribe whatever it is that they are relating to me. And that happened both times. Furthermore, I loved writing Yilta’s point of view, because she is an interesting character. However, I had neglected her inner life until these little stories. Let’s say I do again! And again!
Victims. For every conqueror, some gets the short end of the stick. Hence a victim needs to exist, and often more than one does. Because they can be such great plot drivers, a common trope is to create a superior style of person, organization, or species, and pit it against whoever it has victimized.
Furthermore, look at the subjects and you will understand their rulers.
Victims and Their Appearances
I’ll only go with the highlights here as the list stretches rather long.
Dovetailing with canon, Loomis ends up in a psychiatric facility after claiming he saw a bunch of lizard people and a ‘chick with a ray gun’. While he maintains his sanity to the ancestor of the Dr. Morgan known best in my universe, Morgan still doesn’t see fit to release the guy. Loomis will live and probably die in custody, a prisoner in every way but the name of the holding facility.
Originally, Aidan‘s comeuppance was supposed to be complete. However, after a while, I realized I had really hurt the character, and I kind of liked him, particularly as a pal to Chip Masterson in both universes. Hence babysitter Aidan, disgraced in Reversal, eventually gets his due in He Stays a Stranger.
Travis Mayweather (AU and MU)
In the nasty AU story, The Black Widow, Travis‘s death occurs off-screen and even before the action starts (spoiler alert: T’Pol has killed him). However, in Temper, MU Travis is fragged by his own troops.
While both the original Inta and her son are both victims of Arnis’s wrath, it’s Inta who perhaps suffered more, as she could see what was happening to her. Furthermore, truthfully, all Daranaean women are victims in some fashion.
Finally, in the deep future, Anthony loses his life because the Perfectionists no longer have a use for him as an assassin and time traveler.
Finally, whether they rise above it or get their revenge, die, or sink into oblivion, victims have their place in the Star Trek universe, too.
Hub of the Universe was written as a gift to a Star Trek fan fiction writer who goes by the moniker of funngunner. Boston is often called that. So I played on the title and the imagery. The character was described as being from Boston but little else. He did not even really have a look to me. Seth McClusky was mainly described as barrel chested and nothing more. He was the kind of forgotten third of a love triangle as well. Hence I decided I would shake that up. Seth would get a back story. And he would get a friend and a rough family life. I wanted to give him a personality and a history.
Just after World War III, Seth McClusky thinks about leaving Southie and hitches a ride with Jennie from the block, AKA Jennie O’Connor. Sharp-eyed readers will pick up on Jennie’s surname. Because she is a consanguineous ancestor of deep future engineer Kevin O’Connor.
And even sharper-eyed readers will notice her widow, Milagros Torres. Because Torres is a consanguineous ancestor of José Torres. Furthermore, in both cases, the characters are linked to future engineers, as is fitting, for Jennie herself is an engineering apprentice when she dies in Brazil in the Xindi attack on Florida and South America. As a result, Jennie’s little story is almost a harbinger of future In Between Days events.
I love this title so much, I am more or less reusing it. But this time, for the 2016 NaNoWriMo novel, the circumstances are rather different. Hence that novel is called The Real Hub of the Universe.
However, the accents are admittedly a little difficult and may be hard for some readers to get used to. But I wanted Seth and Jennie to be real Southie people, and that meant more than just the occasionally dropped R.
As for the story, Seth’s original creator loved it.
Charlotte Hayes – necessary character, and the driver of the Malcolm Reed-centric story, Concord.Malcolm needed a place to sleep and a hostess. Enter Charlotte Lilienne O’Day Hayes. Furthermore, this story responds directly to the canon letters Malcolm writes during the Shuttlepod One episode. I had always felt those letters signified a person who had trouble letting himself go with anyone. Furthermore, Malcolm, I felt (and still feel) begins his dating life attracted to either inappropriate women (such as Ruby Brannagh, and that is a canon relationship) or are unattainable (Talas, and that is a canon flirtation).
As a result, Charlotte is certainly unattainable, but Malcolm’s experiences in Concord change him, even though technically the whole trip is supposed to have been reset.
In addition, I wanted Charlotte to connect directly to Lili, not only in temperament, but also in looks.
Dutiful, compassionate, and somewhat intelligent, Charlotte keeps home and hearth while her husband, Jacob, goes off to war. She relies rather heavily on Benjamin, Jim, and Dorcas Warren. However, Charlotte is still very much her own person. Furthermore, while she and Malcolm ponder existence, she holds her own in the conversation.
Charlotte’s only known relationship is with her husband, Jacob, although she flirts a bit with Malcolm.
Much like Jacob is a necessary component of the Mirror Universe, so is Charlotte, as she is also a direct ancestor of Doug. Furthermore, she is a consanguineous relative of Lili.
In the Mirror, a woman such as Charlotte would be beholden to a man. Due to the existence of their counterpart descendants, Jacob Hayes must be that man. And he could potentially offer her a decent life. Because agriculture is not favored on the other side of the pond, though, they could potentially be somewhat impoverished. So they would depend on any salary he would get as a soldier.
“The following summer, I was fifteen and we spent the summer together here, but mainly apart as he realized he needed to begin to understand how the farm truly worked, and how to manage it. That was always the plan, for it to be his, and he attended college in order to be better with finances and the like. But he had little practical experience with actually running the place. His vacation was not much of a vacation. And on his last day at home before he returned for his final year of school, we talked together and we agreed that he would graduate and return in the spring and he would bring a ring then, for me.”
I really loved Charlotte’s fiestiness. She is, in a way, a colonial version of Lili. However, I have no idea how these characters could ever possibly return for a sequel.
Hearts in Time was born from a collaboration between me and trekfan. We decided his character, Hank Harrison, would go on a blind date with one of my characters. Being the silly gal that I am, I paired him up with a Daranaean, Inta II.
Hank is looking for love and to start a family. Inta is looking mainly for someone ‘to be kind’. She is a secondary Daranaean female, so she has some privileges, but they are just not enough. Since this story ends up taking place before she is admitted to Oxford, her art is a kind of unrequited love in her life.
Hank is taken aback at the look of his blind date. At least she is humanoid, but otherwise he just plain cannot wrap his head around dating her. But they have a good chat and manage to enjoy each other’s brief company. They even give each other a little advice before they part.
Along with determining that Inta is an artist, I also learned, for the first time, what a Daranaean kiss is like. It’s the tiniest of licks, much like we would get from a real live puppy.
This was the first time I had ever written Inta II as an adult. And it was also the first time she had revealed herself to me as an artist. It was a great find, and that led directly to her attending Oxford with Declan Reed.
This story was written in a chat, and it all went down rather quickly. If I were writing it again, I would probably spend some time outside of chat. Furthermore, I think we would have done better to have allowed for some time to elapse and for some editing. But it is a decent story, and it is certainly, on balance, a rather sweet one.
Jacob Hayes, first of all, is an absolutely necessary character in Concord and even in the overall IBD/HGW timeline. However, Jacob is never ‘seen on camera’ in the story, although his voice comes through in a letter. Furthermore, his wife, Charlotte, talks about him all the time.
Jacob Hayes is played by actor Steven Culp and is yet another link to that character. I wanted this actor in order to demonstrate the connection, through time, of Lili and Jay, and Lili and Doug, but also, in general, of the people who would eventually populate the NX-01.
Most noteworthy, Jacob is one of the few characters I have ever written whose personality is generally unknown. While Charlotte is ever faithful and certainly loves him, she also confides to Malcolm that he (Jacob) does not always help with the dishes. He is one of the first people in Concord to volunteer and join the militia,. His patriotism is never in question. And he is utterly committed to, if necessary, dying for American independence. Fortunately, he doesn’t have to, although he is wounded in action.
And then after the war, when Charlotte finally conceives and their son, Patrick Laurent is born, I see him as a devoted father. However, given the average life expectancy of that era, an older father would not be expected to live to see his only child marry.
Jacob’s only known relationship is with his wife, Charlotte. He clearly loves her a great deal and wants very much to return to her as quickly as possible. While he volunteers for the sake of patriotism, he makes it clear that he misses her. Furthermore, he trusts her with Malcolm, even though he does not know Malcolm at all (and Malcolm is ostensibly the enemy, a somewhat neat prefiguring of Harbinger).
There are no impediments to Jacob existing in the Mirror. And in fact, he is a necessary part of both the Mirror and Prime Universe timelines, as he is a direct ancestor of Jay in our universe. And his counterpart is Doug’s direct ancestor.
Because I write so many MU soldiers, Jacob most likely would be one on a regular basis, just as Jeremiah (Doug’s father) is. That is, beyond being a volunteer in the militia, an MU Jacob would most likely take up arms as his formal profession.
“War is brutal, and I am glad to be done with it. Our cause is just, but too many youth have perished already. I cannot wait to return to your faithful arms, and pray you will be the Sarah to my Abraham.
I remain, as ever,
While I would love to write a sequel to Concord, I am not so sure there would be too much interest in it. This is because the anchor character (Malcolm Reed) cannot be there. Furthermore, it would not have much of a science fiction bent at all, as the time travel element would already be wrapped up. And that’s a pity, as I love the story and I enjoyed writing that time period.
Free is yet another drabble. For a story where the title is the inspiring word, I decided to go with a rather serendipitous find. I have always loved the meaning of names. And I admit I have used names’ meanings in order to further my own writing agendas. The story is started and a name is chosen, and then I look at the meaning. Hence if the meaning helps me out, I will follow it. But if it does not, I am all right with that.
The human name Charles means ‘free man’ (in fact, when Lili and Doug marry in A Kind of Blue, and she has to reveal the meaning of her name, she says ‘free woman’, as her true first name is Charlotte). Because the idea proved irresistible, I decided to go with T’Pol and Tripp talking about how to name their as-yet unborn child.
For sharp-eyed readers, the three-book E2 series, Reflections Down a Corridor, Entanglements, and The Three of Us allows for one set of circumstances to unfold. In Everybody, another set of circumstances arises. While some situations work out as almost an instant replay, others differ.
Hence for this particular scene, the storyline allows for a scene missing from the original trilogy. In the original trilogy, there is no naming scene. But I wanted there to be a reason the name Lorian was chosen.
April 2017 turned out as yet another quiet month for Star Trek fanfiction writing.
First of all, on the G & T Show forums, I posted nothing. Because at that site, the forums were removed a few months ago, due to the influx of spammers. And at this moment in time, the replacement blogs have not yet been created or started. Hence, still nada!
However, at this time, I still have no replacement, and neither do they. Therefore, I posted very few stories and, as a result, the read counts did not advance too much.
See the Stats page for individual read and review counts.
Because I finished and won NaNoWriMo in 2016, I sent The Real Hub of the Universe our for beta reading. And that has proven more difficult as usual, as people are just plain busy. Furthermore, this wholly original science fiction work takes place in Victorian Boston. As a result, I have mainly outlined the first sequel and as I have tried to get it started (and I even wrote a few chapters, but now I’m stuck again). However, I would like to put off writing the second book until I get at least a modicum of feedback on the first one, and that has proven elusive.
Also, the editing for The Enigman Cave is finished and it is ready for querying. However, it has proven hard to get psyched up to do that. It can sometimes be difficult to be able to mentally handle what can often be a lot of rejection.
I also wrote a short story (which currently has no place for posting) called The Escape Violinist. And I have a pretty well-formed idea for another one which will probably end up the length of a novella.
As always, sometimes the muse just takes a vacation. And that can be extremely frustrating! I ended up working for five separate companies and that, of course, made me rather busy indeed. Furthermore, I wanted to take something of a break. The Real Hub needs editing and beta reading. Hence that means I need to take any changes into consideration before I can really start the sequel. In addition, I must get psyched up to query The Enigman Cave as it is ready and all I just need to pull the trigger.
Fear is one of the most important motivators for any person. Furthermore, in this very short story, it is used to get two rather disparate people to connect.
During the E2 timeline and more specifically during the events of The Three of Us, Lili is required to take a shuttle flight test. While the pretense for this is a need for the characters to cross-train, my true motivation was to get Lili alone for a moment and then get her and Jay alone in order to have the Imvari capture them.
As a result, this little scene is necessary. Travis tests Lili on how to fly a shuttle. And she fails. Hence the scene accomplishes its task. But I wanted more, so I made it about Lili’s fears. Furthermore, I was able to make it about Travis and him missing his family.
Coulamine exists because of a back-formation from my own original drug, tricoulamine.
Furthermore, it also exists because I screwed up the start of a round robin story.
First of all, in order to get soldiers to fight (in real life, even!), ordinary people need training and discipline. However, World War III was supposed to be a time period without even those sorts of niceties. Hence, for Multiverse II, the concept changed and the soldiers would be ordinary people with no training. Hence, like opium addicts and the like before them, they had to be hooked on something or other.
As a result, I created coulamine. When Otra turns evil for the story, I accidentally landed her in Maine. However, the action was supposed to take place in Montana. Therefore, I decided that a drug distribution trail would get her from point A to point B. Furthermore, because the other writers were stretching the story out in some ways, this allows for character development and some truly wicked scene settings.
The common people, therefore, would be coulamine addicts, and the drug would be referred to as ‘candy’. And that proved to be a fascinating and horrific idea.
Hence Otra kills a trucker in one of her first acts in the story, and then takes his truck. The truck’s built-in GPS system contains presets to get her to various fueling stations. And as the trip takes her farther and farther west, the food gets scarcer and poorer, the radiation levels climb, the rubble gets worse, and the addicts become more and more desperate.
When Rita finally arrives, she comes across as a tough soldier type, a kind of a survivalist. However, her arms are loaded with track marks. She’s an ex-candy addict.
Coulamine worked so well that it got an even deadlier version: bicoulamine.