Daring, impulsive, and intelligent, the TOS version is easier to take as a leader. The JJ Abrams version often seems bratty and out of control. While the TOS version is sometimes overly sure of himself, he never really seems to be cocky.
One thing to remember is that TOS was written for Kirk. Every episode revolves around him and it is always his POV, even when a storyline centers around Spock, McCoy, or even Scotty or Nurse Chapel.
TOS Kirk has numerous relationships, too many to list here.
In canon, they fall in love and she has his child (prime timeline only).
This is the only ‘relationship’ (it’s more like a hookup) I have written for him.
Mirror Universe James T. Kirk is canon.
We do not really see the MU Jim. As I write him, much like other men with the Y Chromosome Skew, he’s always looking for sexual conquests.
About all we really see is him arguing, but we see all of the denizens of the Mirror Universe complaining and threatening. He does not seem like anyone special, a fact that is played up for Jonathan Archer in the Enterprise MU episodes.
“Starfleet is looking to us, to go exploring. Everybody wants peace, and I’m all for that, but you gotta understand something. That means actually doing something with our time. We are supposed to be getting all of the things done that we couldn’t, while we were dealing with the likes of Nero and Khan. We’re all glad that they’re gone, and I can understand the interest, but Starfleet can send one of their slower ships for that, right?”
I was so sick of him at the end of TOS that I didn’t really want to write about him or watch him much. The truth is, I tend to watch TOS with an eye toward McCoy, Scotty, Uhura, or Chapel more than Kirk. The JJ Abrams version is often kind of whiny. At some point, I hope I can come to peace with this character, as he is, as Spock would say, fascinating.
I have always loved this character’s quiet competence. She was perhaps the first actress I ever saw who worked under the hood of a display, with a screwdriver, as wires sparked. It meant, to me, that she was not just another pretty face and she had more going on. She was an important and valuable member of the crew and not just some eye candy.
I was particularly thrilled when, in the JJ Abrams films, she showed her competence by making it clear she could speak Romulan. This was a great check back to Hoshi and to what communications people really should be in space.
In the Original Series, she was always the calming presence on the ship. If you heard her voice, you knew that, no matter what, everything was going to be all right. For young girls growing up in the 1960s and 1970s, she proved that you can be young and beautiful and feminine, but also powerful, intelligent, and adventurous. I hope Ms. Nichols knows just how many people she inspired.
Friendly and kind, Nyota is almost the mother hen of the ship in either timeline. She is its heartbeat.
Like a lot of fans, this relationship seems a bit odd but maybe it can work. In the Eriecho series, I give their relationship some play.
Mirror Universe Nyota is canon.
“It is, and maybe I’m not helping things by calling you sir. Still, uh, I want you to know that, in this timeline, there’s something between us. And I was wondering, in your timeline, was there ever anything?”
I do not write enough of her, and I mainly write her in the context of the JJ Abrams timeline. I should revisit her.
A lot of fans are not too impressed with the portrayal of Vulcans in Enterprise. For me, I loved it. I always found them to be far too perfect, and when the Original Series was running, I was a lot more likely to side with McCoy or Kirk than Spock. This may have carried over a bit, but either way, it was a refreshing change, to me, to see Vulcans with feet of clay and less than stellar motives.
As in canon, the character is played by actor Gary Graham. The actor embodies the character well and it is difficult to think of another inhabiting him so well.
Standoffish like most Vulcans, he seems to be genuinely moved when Admiral Forrest sacrifices his own life to save a, perhaps, friend.
His relationships are not really known. In Biases, I bring a human woman into his household, but Bridie Kelly is not intended to be a love interest at all. I really hope nobody ‘ships them.
Mirror Universe Soval is canon. Intelligent and resourceful, he is one of many Mirror Universe characters who is just plain stuck. As I write the Mirror, it boasts a violent military dictatorship. Not an easy place for an unemotional person.
There isn’t a lot on him in canon except that Archer became xenophobic. This would make life even more difficult even if Jonathan Archer had lived (the way I write the Mirror Universe, Hoshi Sato is successful in murdering Archer).
“I am one hundred and forty-two years old. That is almost a logical observation.”
I have never written Mirror Universe Soval, and maybe it’s time I should.
It is hardly anything, and the canon episode is something of a joke, but I like the idea of Threshold. In particular, I love the inevitable aftermath that had to have occurred. You can’t make whoopie with the captain without there being at least a few consequences.
There are no known impediments to Kathryn existing in the Mirror Universe.
Of course the women are tough. Being older, she would be a survivor. I love the idea of chefs and cooks trying to deal with what I feel have to be the inevitable scarcities that go along with living under a dictatorship.
A smart, fierce woman could make a decent living and maybe even stand out if she could be creative, frugal, and able to fix the replicators.
“Actually, this drink is called a Siberian. It’s four parts milk, two parts coffee liqueur, one part vodka and one part real vanilla extract. The mug is rimmed with vanilla extract and bitter cocoa powder.”
I have seen very little of Voyager, and maybe I don’t know what I’m talking about (it would not be the first time). I’m sure there is a lot more I could do with this character. If I had the time, I would do some binge watching!
Lili needed a way and a reason to stay in the Lafa System at the end of Reversal.
Treve I is played by actor Jude Law. I like this handsome actor, and I feel he would make an interesting, high class alien.
Pushed to succeed at a young age, Treve knows something horrible is happening to his mother, Yipran, but he is powerless to stop it. Because he cannot protect her, he instead concentrates on protecting his two younger siblings – his sister, Yimar; and his brother, Chelben.
Treve and Pamela get together at the end of Fortune. They date during Saturn Rise, and eventually marry. He is the anchor of her life.
Just as posh in the Mirror, Treve is caught between a rock and a hard place and is pushed to kill Jennifer. He refuses and they become outlaws, eventually camping with Tripp, Beth, Chip, and Lucy, and their children. Even as a poacher dressed in rags, he still has the clipped accent of a failed diplomat.
“I — Polloria — I was a child when you, you came into our lives and Mother became ill. I have done my best to accept you. And I am, I am glad that Mother will not actually be killed, although if she were at all conscious it might be something she’d wish. But killing this alien? Cannot we put her back as we usually do?”
Determined to do the right thing even when others around him are note, Treve is a good guy who, in our universe, dies fairly young, and is childless on both sides of the pond. But that doesn’t stop him from doing good for people.
This lovely and bright actress got a raw deal. Why? Because Kirk was supposed to be the bachelor captain with a girl in every port. And Whitney’s fatal flaw was having chemistry with him that was a little too good.
She was unceremoniously let go from a job that she loved and, by all accounts, was good at. I wish that hadn’t happened. I think Whitney could have stayed with the show throughout its run.
Subservient but also smart, Yeoman Rand could have gone further.
James T. Kirk
As I write her in the Mirror, she and Kirk have a real relationship, pre-Marlene Moreau.
The character is technically canon although the scene of his introduction ended up on the cutting room floor. In the ‘lost’ footage, William Riker plays a nasty, passive-aggressive prank and Madden is the butt of the joke. I disliked the scene so much that I felt Madden needed a measure of justice. He is the reason that Melissa has her last name, as she is his forebear, via her middle son, Neil.
Because Marty is also Doug‘s descendant, his radiation band is slightly less than it should be, betraying a partial origin in the Mirror Universe. As the Barnstorming series unfolds, the family’s importance increases. Doug’s descendants hold a key in their DNA that could alter the fate of both universes.
As in canon, Madden is played by actor Steven Culp. I like this actor a great deal. He was also exceptionally gracious when I wrote to him, asking for an autographed photograph and the answer to a few questions as I was writing The Three of Us and looking to add some verisimilitude to my details about Jay Hayes. Culp wrote back, said my questions were interesting (I asked things like what is his favorite story to read to a child) but whatever I came up with would be fine. He also wished me luck with my writing. His framed picture is hanging in the room where I do my writing and it helps provide some inspiration.
Lonely, brilliant, and bored, Marty is near the top of his profession but wants something more. He is only close to one person, and that is not only hurting him in his career, it’s also, in general, making him miserable. Furthermore, the incident with Riker got him off on the wrong foot with Captain Picard. A bit of a perfectionist, Martin is appalled by what happened and scrambling to make it right.
With one disastrous date, this is really not a relationship. Tamsin likes him, but he can’t stand her; he had only asked her out in order to get his mind off Dana. Tamsin takes it the wrong way and tries to get him to sleep with her. When he refuses, she stretches the truth to its breaking point, and files a sexual harassment charge against him. The charge is groundless and is quickly dropped. But it gets worse, as she is distantly related to him. As a part of the family (through Joss), Tamsin is not so close to Marty to prevent a relationship, plus she’s somewhat aggressive. It’s a complete turnoff to him, but she is family and so, in some ways, he’s stuck with her. But he doesn’t have to date her.
With a language all their own, Martin Douglas Madden and Misty Dana MacKenzie – the MDM Twins – are made for each other. There’s just one small problem. She’s his second cousin.
That would not seem like much of an issue, but I write an unjust Second Cousin Marriage law, forbidding such marriages where the parties share at least one great-grandparent. The purpose behind the law is to prevent too much Daranaean inbreeding and the introduction of younger and younger child brides. But the law fails miserably as it is mainly just a bad political compromise.
When Dana is imprisoned at Canamar, it is only Marty who continues writing to her after her parents die. With the letters kept from her as a part of her unjust punishment, her reading of those letters is one of her first acts after getting out.
His love for her is one of the few things that sustains him. It is one of the underlying themes of the series, along with the concept that the Digiorno-Madden-Hayes-Beckett-O’Day–Reed family endures forever. There is power in this love, and it cannot be denied.
I’m not so sure that Marty can exist in the Mirror Universe.
As a descendant of Doug, who left the Mirror and had never fathered a child on that side before he did, then Marty’s existence in the Mirror is technically impossible. However, I write a Mirror Tamsin (called Jennifer), explaining that the analogue is imperfect but very close. After all, if most other forebears fall into place, or close relatives such as siblings or first or even second cousins take the place of the originals, after a time span of a few centuries, the differences become negligible. This isn’t a bad theory for why there are so many MU counterparts, and I might explore it at some time.
But if the same incident occurs, he wouldn’t just be miffed at Riker and embarrassed by him – Marty would have knifed the man.
“I can’t exactly get away when everyone else can. Understand something, all right? Whatever Riker did, whatever he could do, whatever he tried or got away with and however he acted, that was him, all right? He probably got himself here for lunch somewhere between 1200 and 1330 hours nearly every day, am I right? … But that’s not me. But, uh, I get the feeling there’s one more item on your list of Things Keeping Martin Madden from Making Friends on the Enterprise-E. Am I right? Care to share it with me if I am?”
I am really enjoying writing this character, a kind of combination of Jay’s discipline and Doug’s zest for life, with a bit of Malcolm’s pre-Lili tortured loneliness. The Barnstorming series is not done yet, and Martin Madden is a huge part of it.
T’Pau, a canon character, is a part of the Star Trek: Enterprise Vulcan arc.
As in canon, a young T’Pau is played by actress Kara Zediker.
I liked this portrayal a lot more than the one in the Original Series. This T’Pau has passion and fire, even as an allegedly emotion-free Vulcan.
Ruthless and efficient, T’Pau, in canon, is ready to force Captain Archer to submit to a mindmeld if he won’t go willingly. I see no reason for her to be any different in fanfiction.
Thrown together several times, T’Pau and Kefris bond at least a little bit over their shared fates.
In the Mirror, because Vulcans are an oppressed species, I write T’Pau as a slave.
This is the main place where I write T’Pau. In Temper and in He Stays a Stranger, she is referenced as being someone who performs calculations and looks things up for the Empress. Without being named, she is one of the two Vulcans referenced (Kefris is the other) in Escape, as surviving the shuttle crash that kills the Mirror Melissa Madden and leaves Andy Miller bereft.
As of the writing of this blog post, I don’t have a quote from her!
Mentioned peripherally but barely seen, I should do more with this character.
The character is, of course, canon. In canon, he has a lot of trouble with women and never seems to really find anyone. His blindness is established and is basically respected, although eventually, in the films, he gets implants. It probably made for easier storytelling.
This intelligent actor could have usually used better scripts. I would have liked to have seen him confronting prejudice, for one thing. It’s one of the reasons I wrote Crackerjack in the first place.
Very smart and responsible, and uber-nerdy, Geordi is an affable guy who always seems to be in the friendzone.
Geordi has canon relationships but I won’t enumerate them here.
During the events depicted in Crackerjack, Geordi and Rosemary share a brief romance. He pays enough attention to her life to look her up, and he learns that she was arrested with Martin Luther King, Jr. after she married a man with the surname of Warren (which rather neatly makes her an ancestor of the woman I write as becoming Wesley Crusher‘s wife, Lakeisha Warren).
Crackerjack has a ton of period music, but nothing really speaks to me as a theme for Geordi.
It’s hard to say whether a Mirror Universe Geordi could exist at all.
He would be extra-smart, to be sure, but I write the MU as being leery of physical weaknesses and imperfections – and blindness would be right up there as a not so small problem.
If he could easily and seamlessly be fitted with ocular implants, perhaps as an infant, then he could survive and maybe even thrive on the other side of the pond.
“No, that’s all right. But the young lady who is with us, maybe she would like to do that. I can’t figure these people out. Some of them wouldn’t be caught dead being anywhere near me, while others are going out of their way to be kind or even charitable in their own way.”
When I first began to write Yi’imspi (spoiler alert!!!), I did not picture her as being the villain of the piece. She was just another Calafan, although she was a part of the Barnstorming series. The idea was to give this beloved original species a future. But then things took a turn.
Yi’imspi is played by actress Tilda Swinton. I really love this actress’s exotic look, which I feel shows off the Calafans well. I also feel she could convincingly be both an athlete and a model.
And a double-crossing spy.
Secretive, intelligent, and seductive, Yi’imspi is out for only one thing – to promote and improve the life of Yi’imspi. But for Section 31 and other factions trying to use her, she cares little. It doesn’t matter to her who wins this political tug of war.
A quick hookup and nothing more, Yi’imspi and her fellow team member meet unintentionally while the team is on break and he is taking a spiritual pilgrimage to see the Great Plume of Agasoria.
But Tag (Darren) has been hitting on other female team members, including the Caitian, M’Belle. He isn’t looking for anything, and neither is she.
The third sex team member, the Imvari named Grosk, is interested, but they are sexually incompatible. She is kind to him, though. I had not conceived of her as the villain yet, so she’s pleasant there.
By the time the alternate timeline is created by her own actions, the Emperor of the Terran Empire takes a shine. Then again, he is in dire straits at the time. She only wants one thing from him, and that’s information. She doesn’t want to sleep with him.
There are no impediments to Yi’imspi existing in the Mirror.
I write Mirror Universe women as being as ruthless as the men, but often needing protection. After all, the percentage of women is smaller than that of men. But that’s really only true for Terrans. Is it true for Calafans?
As a double-crossing spy, she is already a lot like a Mirror Universe denizen. There might not be too much of a difference.
“I thought I saw you hitting on M’Belle. I believe I have also seen you hitting on Cilla and maybe also Adeel.”
Villain characters are always fun to write, but this series was not well thought out when it was started. Hence her behavior has to change, almost in the middle of things. I am sure there are better ways I could have handled this character.