A lot of fans are not too impressed with the portrayal of Vulcans in Enterprise. For me, I loved it. I always found them to be far too perfect, and when the Original Series was running, I was a lot more likely to side with McCoy or Kirk than Spock. This may have carried over a bit, but either way, it was a refreshing change, to me, to see Vulcans with feet of clay and less than stellar motives.
As in canon, the character is played by actor Gary Graham. The actor embodies the character well and it is difficult to think of another inhabiting him so well.
Standoffish like most Vulcans, he seems to be genuinely moved when Admiral Forrest sacrifices his own life to save a, perhaps, friend.
His relationships are not really known. In Biases, I bring a human woman into his household, but Bridie Kelly is not intended to be a love interest at all. I really hope nobody ‘ships them.
Mirror Universe Soval is canon. Intelligent and resourceful, he is one of many Mirror Universe characters who is just plain stuck. As I write the Mirror, it boasts a violent military dictatorship. Not an easy place for an unemotional person.
There isn’t a lot on him in canon except that Archer became xenophobic. This would make life even more difficult even if Jonathan Archer had lived (the way I write the Mirror Universe, Hoshi Sato is successful in murdering Archer).
“I am one hundred and forty-two years old. That is almost a logical observation.”
I have never written Mirror Universe Soval, and maybe it’s time I should.
It is hardly anything, and the canon episode is something of a joke, but I like the idea of Threshold. In particular, I love the inevitable aftermath that had to have occurred. You can’t make whoopie with the captain without there being at least a few consequences.
There are no known impediments to Kathryn existing in the Mirror Universe.
Of course the women are tough. Being older, she would be a survivor. I love the idea of chefs and cooks trying to deal with what I feel have to be the inevitable scarcities that go along with living under a dictatorship.
A smart, fierce woman could make a decent living and maybe even stand out if she could be creative, frugal, and able to fix the replicators.
“Actually, this drink is called a Siberian. It’s four parts milk, two parts coffee liqueur, one part vodka and one part real vanilla extract. The mug is rimmed with vanilla extract and bitter cocoa powder.”
I have seen very little of Voyager, and maybe I don’t know what I’m talking about (it would not be the first time). I’m sure there is a lot more I could do with this character. If I had the time, I would do some binge watching!
Lili needed a way and a reason to stay in the Lafa System at the end of Reversal.
Treve I is played by actor Jude Law. I like this handsome actor, and I feel he would make an interesting, high class alien.
Pushed to succeed at a young age, Treve knows something horrible is happening to his mother, Yipran, but he is powerless to stop it. Because he cannot protect her, he instead concentrates on protecting his two younger siblings – his sister, Yimar; and his brother, Chelben.
Treve and Pamela get together at the end of Fortune. They date during Saturn Rise, and eventually marry. He is the anchor of her life.
Just as posh in the Mirror, Treve is caught between a rock and a hard place and is pushed to kill Jennifer. He refuses and they become outlaws, eventually camping with Tripp, Beth, Chip, and Lucy, and their children. Even as a poacher dressed in rags, he still has the clipped accent of a failed diplomat.
“I — Polloria — I was a child when you, you came into our lives and Mother became ill. I have done my best to accept you. And I am, I am glad that Mother will not actually be killed, although if she were at all conscious it might be something she’d wish. But killing this alien? Cannot we put her back as we usually do?”
Determined to do the right thing even when others around him are note, Treve is a good guy who, in our universe, dies fairly young, and is childless on both sides of the pond. But that doesn’t stop him from doing good for people.
This lovely and bright actress got a raw deal. Why? Because Kirk was supposed to be the bachelor captain with a girl in every port. And Whitney’s fatal flaw was having chemistry with him that was a little too good.
She was unceremoniously let go from a job that she loved and, by all accounts, was good at. I wish that hadn’t happened. I think Whitney could have stayed with the show throughout its run.
Subservient but also smart, Yeoman Rand could have gone further.
James T. Kirk
As I write her in the Mirror, she and Kirk have a real relationship, pre-Marlene Moreau.
The character is technically canon although the scene of his introduction ended up on the cutting room floor. In the ‘lost’ footage, William Riker plays a nasty, passive-aggressive prank and Madden is the butt of the joke. I disliked the scene so much that I felt Madden needed a measure of justice. He is the reason that Melissa has her last name, as she is his forebear, via her middle son, Neil.
Because Marty is also Doug‘s descendant, his radiation band is slightly less than it should be, betraying a partial origin in the Mirror Universe. As the Barnstorming series unfolds, the family’s importance increases. Doug’s descendants hold a key in their DNA that could alter the fate of both universes.
As in canon, Madden is played by actor Steven Culp. I like this actor a great deal. He was also exceptionally gracious when I wrote to him, asking for an autographed photograph and the answer to a few questions as I was writing The Three of Us and looking to add some verisimilitude to my details about Jay Hayes. Culp wrote back, said my questions were interesting (I asked things like what is his favorite story to read to a child) but whatever I came up with would be fine. He also wished me luck with my writing. His framed picture is hanging in the room where I do my writing and it helps provide some inspiration.
Lonely, brilliant, and bored, Marty is near the top of his profession but wants something more. He is only close to one person, and that is not only hurting him in his career, it’s also, in general, making him miserable. Furthermore, the incident with Riker got him off on the wrong foot with Captain Picard. A bit of a perfectionist, Martin is appalled by what happened and scrambling to make it right.
With one disastrous date, this is really not a relationship. Tamsin likes him, but he can’t stand her; he had only asked her out in order to get his mind off Dana. Tamsin takes it the wrong way and tries to get him to sleep with her. When he refuses, she stretches the truth to its breaking point, and files a sexual harassment charge against him. The charge is groundless and is quickly dropped. But it gets worse, as she is distantly related to him. As a part of the family (through Joss), Tamsin is not so close to Marty to prevent a relationship, plus she’s somewhat aggressive. It’s a complete turnoff to him, but she is family and so, in some ways, he’s stuck with her. But he doesn’t have to date her.
With a language all their own, Martin Douglas Madden and Misty Dana MacKenzie – the MDM Twins – are made for each other. There’s just one small problem. She’s his second cousin.
That would not seem like much of an issue, but I write an unjust Second Cousin Marriage law, forbidding such marriages where the parties share at least one great-grandparent. The purpose behind the law is to prevent too much Daranaean inbreeding and the introduction of younger and younger child brides. But the law fails miserably as it is mainly just a bad political compromise.
When Dana is imprisoned at Canamar, it is only Marty who continues writing to her after her parents die. With the letters kept from her as a part of her unjust punishment, her reading of those letters is one of her first acts after getting out.
His love for her is one of the few things that sustains him. It is one of the underlying themes of the series, along with the concept that the Digiorno-Madden-Hayes-Beckett-O’Day–Reed family endures forever. There is power in this love, and it cannot be denied.
I’m not so sure that Marty can exist in the Mirror Universe.
As a descendant of Doug, who left the Mirror and had never fathered a child on that side before he did, then Marty’s existence in the Mirror is technically impossible. However, I write a Mirror Tamsin (called Jennifer), explaining that the analogue is imperfect but very close. After all, if most other forebears fall into place, or close relatives such as siblings or first or even second cousins take the place of the originals, after a time span of a few centuries, the differences become negligible. This isn’t a bad theory for why there are so many MU counterparts, and I might explore it at some time.
But if the same incident occurs, he wouldn’t just be miffed at Riker and embarrassed by him – Marty would have knifed the man.
“I can’t exactly get away when everyone else can. Understand something, all right? Whatever Riker did, whatever he could do, whatever he tried or got away with and however he acted, that was him, all right? He probably got himself here for lunch somewhere between 1200 and 1330 hours nearly every day, am I right? … But that’s not me. But, uh, I get the feeling there’s one more item on your list of Things Keeping Martin Madden from Making Friends on the Enterprise-E. Am I right? Care to share it with me if I am?”
I am really enjoying writing this character, a kind of combination of Jay’s discipline and Doug’s zest for life, with a bit of Malcolm’s pre-Lili tortured loneliness. The Barnstorming series is not done yet, and Martin Madden is a huge part of it.
T’Pau, a canon character, is a part of the Star Trek: Enterprise Vulcan arc.
As in canon, a young T’Pau is played by actress Kara Zediker.
I liked this portrayal a lot more than the one in the Original Series. This T’Pau has passion and fire, even as an allegedly emotion-free Vulcan.
Ruthless and efficient, T’Pau, in canon, is ready to force Captain Archer to submit to a mindmeld if he won’t go willingly. I see no reason for her to be any different in fanfiction.
Thrown together several times, T’Pau and Kefris bond at least a little bit over their shared fates.
In the Mirror, because Vulcans are an oppressed species, I write T’Pau as a slave.
This is the main place where I write T’Pau. In Temper and in He Stays a Stranger, she is referenced as being someone who performs calculations and looks things up for the Empress. Without being named, she is one of the two Vulcans referenced (Kefris is the other) in Escape, as surviving the shuttle crash that kills the Mirror Melissa Madden and leaves Andy Miller bereft.
As of the writing of this blog post, I don’t have a quote from her!
Mentioned peripherally but barely seen, I should do more with this character.
The character is, of course, canon. In canon, he has a lot of trouble with women and never seems to really find anyone. His blindness is established and is basically respected, although eventually, in the films, he gets implants. It probably made for easier storytelling.
This intelligent actor could have usually used better scripts. I would have liked to have seen him confronting prejudice, for one thing. It’s one of the reasons I wrote Crackerjack in the first place.
Very smart and responsible, and uber-nerdy, Geordi is an affable guy who always seems to be in the friendzone.
Geordi has canon relationships but I won’t enumerate them here.
During the events depicted in Crackerjack, Geordi and Rosemary share a brief romance. He pays enough attention to her life to look her up, and he learns that she was arrested with Martin Luther King, Jr. after she married a man with the surname of Warren (which rather neatly makes her an ancestor of the woman I write as becoming Wesley Crusher‘s wife, Lakeisha Warren).
Crackerjack has a ton of period music, but nothing really speaks to me as a theme for Geordi.
It’s hard to say whether a Mirror Universe Geordi could exist at all.
He would be extra-smart, to be sure, but I write the MU as being leery of physical weaknesses and imperfections – and blindness would be right up there as a not so small problem.
If he could easily and seamlessly be fitted with ocular implants, perhaps as an infant, then he could survive and maybe even thrive on the other side of the pond.
“No, that’s all right. But the young lady who is with us, maybe she would like to do that. I can’t figure these people out. Some of them wouldn’t be caught dead being anywhere near me, while others are going out of their way to be kind or even charitable in their own way.”
When I first began to write Yi’imspi (spoiler alert!!!), I did not picture her as being the villain of the piece. She was just another Calafan, although she was a part of the Barnstorming series. The idea was to give this beloved original species a future. But then things took a turn.
Yi’imspi is played by actress Tilda Swinton. I really love this actress’s exotic look, which I feel shows off the Calafans well. I also feel she could convincingly be both an athlete and a model.
And a double-crossing spy.
Secretive, intelligent, and seductive, Yi’imspi is out for only one thing – to promote and improve the life of Yi’imspi. But for Section 31 and other factions trying to use her, she cares little. It doesn’t matter to her who wins this political tug of war.
A quick hookup and nothing more, Yi’imspi and her fellow team member meet unintentionally while the team is on break and he is taking a spiritual pilgrimage to see the Great Plume of Agasoria.
But Tag (Darren) has been hitting on other female team members, including the Caitian, M’Belle. He isn’t looking for anything, and neither is she.
The third sex team member, the Imvari named Grosk, is interested, but they are sexually incompatible. She is kind to him, though. I had not conceived of her as the villain yet, so she’s pleasant there.
By the time the alternate timeline is created by her own actions, the Emperor of the Terran Empire takes a shine. Then again, he is in dire straits at the time. She only wants one thing from him, and that’s information. She doesn’t want to sleep with him.
There are no impediments to Yi’imspi existing in the Mirror.
I write Mirror Universe women as being as ruthless as the men, but often needing protection. After all, the percentage of women is smaller than that of men. But that’s really only true for Terrans. Is it true for Calafans?
As a double-crossing spy, she is already a lot like a Mirror Universe denizen. There might not be too much of a difference.
“I thought I saw you hitting on M’Belle. I believe I have also seen you hitting on Cilla and maybe also Adeel.”
Villain characters are always fun to write, but this series was not well thought out when it was started. Hence her behavior has to change, almost in the middle of things. I am sure there are better ways I could have handled this character.
For the first-ever game played by The Black Sheep barnstorming team, the idea was that the team would play hockey with a team composed of members of a military unit on Andoria. It was to be the place where, if the O’Day–Beckett marriage had ended at the end of Together, Doug would have ended up. Instead, it’s more like a footnote until this story.
Hobie is played by actor Edward Norton. I had used this actor for the HG Wells series and liked him and wanted to revisit him. But instead of being ADHD-addled Levi Cavendish, he would be a decent military guy.
Affable, a little shy, and very formal, Kent is a divorced guy who rarely goes out. Then he meets Dana MacKenzie, and his interest is piqued as she is more aggressive and sporting than he’s used to. But then things go too far, too fast.
Kent’s estranged wife left while still pregnant with their second daughter. I had nothing on her and she is only mentioned, never seen. The idea is that it was a painful, messy divorce. All Hobie cares about is being able to see Katie and Nichole, his children.
With Dana, there isn’t too much of a relationship. They enjoy each other’s company and communicate a little, but that’s it. Neither of them try very hard as she is hung up on Martin Madden and Kent, regardless of what he says, is still mourning his broken marriage.
In an alternate timeline, MU Kent is attached to Darragh, who is an Augment descendant (and is probably an ancestor of both Darragh Stratton and Rick Daniels’s mother, Chloe Masterson). Is Kent also an Augment descendant? I don’t know.
Seen briefly during an iteration where Rick is still trying to repair the timeline, Kent is a survivalist and stuck on a planet in the old Delphic Expanse.
He is also with Darragh Masterson but, when they are in communications with the Enterprise-E, he checks out Dana, much to Darragh’s chagrin.
“I don’t normally go to bed with women so quickly. You can tell I don’t exactly have the smoothest moves out there. But, um, please don’t get dressed and please don’t leave, okay? ‘Cause I, uh, nobody’s stayed here in, God, she left before Nichole was even born. I swear I won’t touch anything or do anything that you don’t wanna do. I just, I want your company. I hope you want mine a little, too.”
For a character I wa originally going to quickly kill off or at least dismiss, Hobie ended up with a fairly complicated and interesting life, I feel.
For Mack MacKenzie‘s pilot, I wanted a character who could not only strongly or subtly suggest emotions or maybe just sense them, I wanted that character to also be able to manipulate them. Enter Daniya, who is part-Orion and part-Betazoid.
Daniya is played by actress Diora Baird, who was briefly seen as an Orion in the 2009 JJ Abrams film.
I don’t see it as a big stretch to see her a hybrid, particularly with the curly red hair.
Outgoing and friendly, Daniya is a good pilot but also a bit of a flirt.
Daniya is desired by many (the guy who sells the Cookie to Dana leers right at her, ignoring Dana and Crita), but I have not yet written any relationships for her.
There are no impediments to Daniya existing in the Mirror. The image is of course of the actress out of makeup, so the reader is encouraged to use some imagination.
Like any halfway-decent-looking Mirror Universe female, Daniya would have to live and die by her looks.
Would she be a pilot? Possibly, as the MU Shelby Pike certainly is. But she might end up supplementing her income the same way Shelby does, by hooking.
“Pilot talk says it’s no good for maintaining your license. It’s too strange. Not like regular shuttle or freighter runs, where you stay in practice with standard Federation designs. But all the same, I like the idea of something different. Regular freighter runs can be pretty run of the mill. Don’t get me wrong; I like to make a few credits as much as anyone else. But the standard fare isn’t too challenging. That ship, though, I bet it would pose a challenge.”
This character has potential, but I know I haven’t done enough with her. In particular, she doesn’t even show up in the alternate timeline, a sure sign that I am a bit stumped as to how to feature her properly.