See the Stats page for individual read and review counts.
I continued preparing The Enigman Cave for this years’ NaNoWriMo in November. I also kept perfecting the last two books in the Obolonk series, The Polymer Beat and The Badge of Humanity. I finished the first draft of the Barnstorming book, Time Out, and began the final book in that series, Overtime.
I spent time on Wattpad getting future postings together in draft form.
This Month’s Productivity Killers
I had plenty to do at school. Plus I became a Wattpad Ambassador, and that took up a lot of my time.
In retrospect, the Nokarid are precursors to the colony alien (or Var-gi-yeh, if you are in the Mirror Universe) species of which Branch Borodin is the sole member. They are a colony, to be sure, but there is really nothing known about them. Richard Daniels refers to them as being somewhat endangered although that might be more a function of their overall size.
By accident, Jonathan Archer swallows the entire colony. How they get into his meatball is never explained. But they are pretty hardy little things if they survived the cooking process. Once inside, they attempt to colonize their new quarters – his brain. As Daniels works to remove the colonists and not kill them (or tell Phlox that they are there, for first contact is supposed to happen later), the effects on Archer’s brain become apparent as the man loosens up and starts to become a bit of a comedian.
I only used them once, and so they are the epitome of a one-shot “Alien of the Week”. I think I would like to bring them back, although I am unsure as to how.
In addition to Star Trek: Enterprise, she has also been on soaps. The Memory Alpha image in particular does not do her justice (the garage mechanic-style unis were not flattering to a lot of the actors). In Reflections Down a Corridor, I have Chang lump her with other women he considers to be ugly – Patti, Susie, and Lili. Hence it was a bit of an unexpected twist to put her into the first marriage on the ship after the first kick back in time.
Friendly and approachable, Judy is reliable but mainly stays out of the spotlight. I do not give her promotions, commendations, or any sort of authority. But not everyone becomes captain, or even ensign. There are those who quietly serve, and Judy is one of those people.
In canon, they are friends. In the E2 timeline, I wanted them to be a lot more than that. In Reflections Down a Corridor, they are the first new couple to get together (technically, Tripp and T’Pol predate them).
There are no impediments to Judy existing in the Mirror Universe. Empress Hoshi will only hold onto female crew members if they are very competent or are not serious sexual competition, preferably both. Judy fits the first criterion but not really the second.
But Goldsberry, for real, is a singer. In the Mirror Universe, singing would be a viable career even for the oppressed women of the other side of the pond. Because I write artistic Mirror Universe denizens as being elites, Judy could even be wealthy.
“I don’t need other prospects.”
Minor characters, with nearly no screen time, can still have rather rich lives in fan fiction. Judy is one such character.
In canon, there is virtually nothing shown about anyone’s recovery from Tucker’s untimely demise.
It is as if it never mattered in the first place.
In response to a Star Trek fan fiction prompt about entertainment, I decided to go dark and most decidedly not fluffy.
The story begins with Travis feeling a little lost. Very briefly, it is mentioned that the final movie night has been held on the NX-01 prior to its being decommissioned, and that the film chosen by Chip was the first James Bond movie, Dr. No.
He has little to do or think about, and his family is on the freighter, anyway. With no one to visit and just a little bit doubtful as to whether Captain Archer wants him back for the DC-1500 USS Zefram Cochrane, Travis goes to a nearby station and visits a ticket agent. He gives her an undisclosed amount of cash and just asks, “Where can this take me?” She gives him a few options and he chooses Philadelphia.
I did not choose Philly for any particular reason. I just like the city (I lived outside it for a few years as a child) and it is a readily recognizable place which would still exist during that time period. But Travis has no ties to it whatsoever. For him, it’s just a means of getting away from it all.
I have written any number of criminals and prisoners. They have crept into all of my series, except for Mixing It Up (and D’Storlin is possibly telling his story from custody, anyway). Their fates have varied rather dramatically.
In the Eriecho series, as is explained in Release, she is born on a prison transport as Saddik and her parents (who are both killed on that transport) are framed for crimes they did not commit. In Double Helix, H’Shema’s mother, L’Culturra, reveals that her daughter was a drug addict and likely was in Canamar Prison for good reason.
Of the villains in The Times of the HG Wells series, only Anthony Parker is at all decent, and that’s only in an alternate timeline, when he has a chance to help Otra get out of Milton Walker’s prison. As for Marisol, she’s a psychopath, eager to kill whoever she can.
Arnis and Rechal
In Take Back the Night, Arnis blames Mistra for the death of the elder Inta. Rechal, a physician, takes a bribe and helps him frame her in exchange for research funding. In Flight of the Bluebird, because Rechal’s ideas have assisted Trinning and the other researchers find a cure for thylacine paramyxovirus, he is allowed out of jail and is released into Trinning’s observational custody. Arnis (who I wasn’t sure whether I wanted him to be alive or not) complains to his second son, Trinning, and is told that it’s a good thing he’s staying in prison as Daranaea is changing and he won’t fit in anymore.
Planted with Etrotherium against her will while on Keto-Enol, Mack is framed for the drug problem on that planet.
Without villains and criminals, stories have few drivers and little to recommend them. Prisons provide great fodder for storytelling and drama. I know that I will go back to these themes again.
I like the idea of getting a good-looking guy into a big rubber suit and having an actor (and the audience) rely on voice and physical presence, rather than looks or basic makeup.
Skrol is like about half or so of all teenaged boys I knew from High School. He’s a horndog.
But he’s also funny and kind when he wants to be. He and Bron are extremely good friends, and he does care about Tr’Dorna in his own way, although he also really, really wants her to flip her tail for him.
He also, sometimes, is a rat. In Losin’ It, he lies to Tr’Dorna and the others in order to try to get her to flip tail.
Will they stay together? It’s hard to say. It’s a High School romance and, as such, the odds are not great. Plus he has not always been straight with her. As for him being true, that might be due more to a lack of appropriate opportunities than any sense of loyalty. After all, Etrina and Tr’Dorna are the only Xindi Reptilian girls at Picard High School, and they’re roommates. Even a potential player like Skrol would be hard-pressed to justify going after both of them.
I don’t suppose there’s any reason why Skrol can’t exist in the Mirror Universe.
A lot of people write the Mirror as being the complete opposite of our universe, and so they would write sneering villains as angels and vice versa. I’m not so sure what would happen although I see that entire universe as being tougher. Even as a teenager, Skrol would have to be. He’d probably be pushed into a military school, much like Doug is at that age.
“Listen, the warmies don’t have tails. At least, not the kinds I know about. And lemme tell ya, there is nothing like a scaly tail.”
I like writing the fun, silly teenaged reptiles. They’ll be back at some point.
All You Need is Love is about the aftermath of a very special first birthday party, in October of 2162.
For Malcolm Reed who, in canon, never had a family and was never close to anyone, I wanted to fix that in my Star Trek fan fiction. In Temper, and then again in Fortune, I had already established that Lili O’Day Beckett would have his only child, Declan.
Declan, who is born on Halloween, lives on Lafa II with his mother and her husband, Doug Beckett. But Doug is generous (it is an open marriage) and so Malcolm, when he is on three years of paternity leave (and afterwards, as he purchases the place) lives in a house up a little rise from the Beckett house. There are a lot of visits as such a little baby needs to nurse. The arrangement is such that Doug and Lili will have Declan live with them and their two children together, Joss and Marie Patrice. Malcolm is well aware of just how much he owes them, particularly Doug. Doug is pretty gracious about things, particularly considering the violent and jealous history between the two men. But Malcolm in particular understands he has got to keep the peace as a gesture to Lili.
He is also abundantly aware of how his life has suddenly and irrevocably changed. As a person who had been utterly devoted to duty, the idea of living an emotionally open life starts off as a somewhat foreign concept. But by this time he’s getting used to opening up and showing what’s inside of him.
Of course, the theme music for this little story is the Beatles’ All You Need is Love.
I like the little domestic scene, and I particularly enjoy how Malcolm feels comfortable enough to break down at any time. He knows that Lili will never make fun of him or otherwise belittle or cheapen his emotions. All he has ever needed is love.
Portrait of a Character – Misty (Mack, Mystic) Dana MacKenzie
While writing about Richard Daniels‘s conquests, one name that came up a few times was Dana MacKenzie. I liked the idea of a descendant for Aidan and Susan, who get together fairly late in life. As I started to write her, I also decided that she would be actually named Misty, thereby cementing another pair of her ancestors as being Doug and Melissa. Continuing along with this idea, I hit upon the notion of having her be related to canon character Martin Madden. When I started to put together the Barnstorming series, I decided to include her, and make her the star.
I picture Mack as being pretty toughened by her life, but also feminine, which Bell can certainly pull off convincingly.
There are a lot of bikini images of Bell online, but the truth is, I don’t see Mack that way at all. Rather, she is someone damaged by her earlier life.
Mack’s background is in sports; she played second base and shortstop professionally for the perpetual cellar dwelling team, the Titan Bluebirds. But a visit to Keto-Enol results in Etrotherium being placed into her bag while the team is visiting an open-air market. She’s arrested and thrown into Canamar Prison. She’s been framed for drug-running.
Her appeal takes nearly two decades, with her parents dying during the interim. The only person who sticks by her is Martin Madden.
They have cared for each other since childhood, referring to themselves as ‘The MDM Twins‘. But the law says that they cannot marry.
Emmett Kent (Hobie) Hoberman
Mack and Hobie meet at the end of The All-Stars, and are actually coaches on opposing teams in ice hockey. The long distance relationship isn’t really what Mack needs, but they part amicably after Play when Hobie decides to try to reconcile with his ex-wife for the sake of their two young daughters.
At the end of Play, time is altered, and Rick is sent to investigate. In Time Out, they get together. I have an idea of the circumstances but have not written them yet.
The sketchy idea is to finally get them together during the fourth, as yet unnamed, book in the series. They will have a descendant who will connect them even more intimately with the Times of the HG Wells, but I haven’t decided on that yet. It’s possible that that person would be Tom Grant.
I have not yet decided whether Mack exists in the Mirror Universe.
If she does, then I doubt she would call herself Mack. She might go by her first name. She might not have a sports background. I don’t honestly know, but I probably won’t explore this until I finish the series.
“I’m going to tell you who I am. And what I’m thinking of doing. And then you can decide if you want to work with me. And if you do, then I’m happy to have our friend below decks spill his guts in front of you. But if not, it stays a mystery to you. I gotta protect myself. Fair enough?”
Because this series is on hold as I work on wholly original fiction, Mystic (only Marty calls her that) has had to take a back seat. A pity, as I like this character and her journey. I will get to her at some point!
On May fifth of 2160, Lili and Doug arrive on Ceres for Tommy’s birth, on May sixth.
As a direct sequel to Together, I wanted to begin to show the Beckett-O’Day-Reed-Digiorno-Madden arrangement and how it would work.
Hence much like with Equilibrium, this story would show some of the adjustments that would need to be made in order to get an open marriage to run smoothly.
Tommy is one of the pieces that holds the whole mad scheme together and got it kicked off in the first place. Because if Melissa had not been pregnant, Doug might not have bonded with her as well or as closely or as quickly. Furthermore, it is not likely that Norri would have been so forgiving of allowing Doug into their lives and sharing Melissa with him.
So the story opens with Lili and Doug on their way to Ceres. And they are taking Joss and Marie Patrice with them, as Tommy will be their half-brother. But Empy is just an infant. When they arrive, Norri comes to greet them and explains that Melissa went into labor earlier than expected. Hence the Digiornos and the Maddens have already arrived.
When Dino and Belinda Digiorno see Doug and Lili with their children, the introductions are made quickly (I never actually named the Maddens). Dino, as a call back to An Announcement, asks to hold Marie Patrice but also asks Lili who is related to whom. He cannot figure it out and it all seems too strange to him. The whole arrangement is hard for him to follow and piece together.