Inspiration – Childhood
The mechanics of creation
Either it is Shakespearean-level difficult, like in the JJ Abrams films, where the alternate timeline version of James T. Kirk is mistreated by his stepfather; or the child is some sort of super genius, like Wesley Crusher. There does not appear to be a place for anyone who is in between.
And that is a crying shame, as nearly everyone has a childhood that is somewhere in the middle.
My own childhood was in the middle. I was not mistreated and, while I am an intelligent person and was as a child, I was not so incredibly off the charts that I would have been considered a Mozart-style prodigy.
As the younger of two, I am more than familiar with sibling rivalry, and so I made Marie Patrice Beckett a big time proponent of it. Empy is not the youngest in the clan, but she is the only daughter and so she is a little spoiled. Hence her younger behaviors continue a bit into adulthood.
Teenaged behaviors such as getting into mild trouble and then getting out of it are reflected in Lili O’Day‘s teen years, mainly showcased in Flip. Lili is given a chance to turn her life around and she leaps at it. But, at the same time, she is overly annoyed at her hovering grandparents and their reminders, which feel like nagging to her.
Doug‘s childhood is somewhat different, but that is the essence of the Mirror Universe. In Paving Stones, Doug’s early life is rather Dickensian, but that is in keeping with my vision of the other side of the pond. Doug’s life also somewhat parallels what life was like for the young in ancient Sparta.
Childhood is a part of everyone’s life. For those of us lucky enough to live far beyond its end, it can often serve as a prelude to our own personal futures. But Star Trek canon rarely seems to show anything other than extremes. It has been my mission to show what’s in the middle.
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