I wanted a kind of strange means of controlling time travel.
The means would be the antithesis of canon. Therefore, I decided, the best and clearest way to accomplish this feat would be by making almost a biological means of traveling in time.
For time traveler Helen Walker, it is a three-step process. First, she puts on the cuff. Then a separate controller selects the time and place. Then the enzyme, Trichronium, is swallowed by the subject (in this case, Helen), and the process of traveling in time begins. The physical transference process is somewhat similar to the canon act of beaming from one place to another. Helen even reports that the enzyme tastes a little bit like cantaloupe.
As for the invention and the process, I am somewhat mixed in my assessment of it. I think it is a decent idea but not necessarily with the greatest of executions. For one thing, the name of the enzyme is far too close to the name I had already created for a nerve toxin, Tricoulamine. With rather different purposes for both of these chemical compounds, the all too similar names could potentially prove confusing. In addition, the use of numerical prefixes for nearly all originally-created chemical compounds (e. g. bicoulamine and quatromenaline) made for a far too predictable naming convention.
As noted above, I believe that the idea was a decent one. It was most assuredly a unique one. However, the execution left far too much to be desired. What could have been a great invention turned out to just be okay.
I conducted a thought experiment, thinking about what it would be like if someone’s cells were sentient. They would almost be a pocket-sized version of the Borg, but without the cybernetics and without the nasty assimilation issues. Instead, they would be more of a colony of like-minded microscopic individuals. Unlike canon shape shifters, they would have no real central consciousness, and would have to find some way to agree on whatever it was that they wanted to do. Hence they would also be overly committed to democracy.
The character is quite a bit like a walking, talking coral reef, except the individuals in the colony are a lot smarter. Polls and straw votes are taken, and the individuals sometimes hold caucuses. Furthermore, just like in real-life voting, there is no guarantee of 100% participation. In fact, it’s rare. After all, the cells have other jobs to do. Much like in you or me, the cells are also conducting respiration, etc. They don’t always have the time to just drop everything and vote.
I love how this actor can seem at sea at sometimes, and thoughtful at others.
Yes, there is a bit of a stoner look and feel, and a wooden air. But that’s the idea; Branch isn’t exactly Mr. Personality. He is meant to be very, very alien. Excuse me, they.
Found by the Temporal Integrity Commission during a meeting, the entity touches Deirdre Katzman, and picks up her memory of her first boyfriend, Anatoly Borodin. Since the entity needs a name, and it had just been a branched tree, Deirdre dubs the colony Branch Borodin. The name sticks, and it also evoke’s Borodin’s Polovtsian Dances (“A Stranger in Paradise”). A fitting reference for someone who is more of a stranger than other aliens.
Branch’s personality is whatever is convenient and reasonable at the time, more or less. For an entity that has been a tree, a coat of paint, and a chair, that would more or less tend to follow.
Branch just is. Er, are.
The colony is not exactly capable of a relationship like you or I would have. Every decision, every argument, every expression of affection – these would all require a vote. But Branch might be related to the Var-gi-yeh, who I envision to be more or less a female version of the same species.
Branch reminds me of jazzy, funky, weird rhythms and things that sound off and strange.
In a way, the Var-gi-yeh are the mirror version of Branch. They’ll get their own blog post, some time in the future.
“The cuff of Lo passed to the descendants of Thomas Grant and Eleanor Daniels Grant. The family eventually donated it here. The key charm and Xindi initiation medal passed to the children of Richard Daniels and Milena Chelenska Daniels.The museum has facsimiles as that family is retaining those pieces. This sword is Ironblaze, once owned by the Empress Hoshi Sato. It passed to her descendants, and the descendants of Charles Tucker VI, and was kept in trust by the adopted descendants of mirror High Priestess Yimar and her consort, Joshua Rosen. The original is in the mirror’s version of this museum – what is being shown to you is a facsimile. The wedding rings worn by Douglas Jay Hayes Beckett and his wife, Lili, passed to, eventually, the descendants of Henry Desmond Avery IV and Sheilagh Bernstein, who retain them. The wedding rings worn by Lili O’Day Reed and Malcolm Reed passed to their descendants, who are with us today – the Ishikawa family of Dawitan. That family also retains the rings although we do have facsimiles. As Deirdre Katzman Ishikawa had said, ’Wedding rings are to be worn.’”
Branch is the oddest character I have ever created. I really like them.
At first, in the older time travel series I had created on my own, Dan was a survivalist and had something of a romance with Alice Trent. As I moved that series to Star Trek fanfiction, and it became Times of the HG Wells, I decided that Alice would only be brought on during an alternate timeline.
I like this actor’s fussiness and nervousness in portrayals. I feel this works well with Dan, who is a mass of inconsistencies and tics, as would befit someone living more than one life. He’s an employee of the Temporal Integrity Commission. He’s an operative for Section 31.
And he’s a member of the rogue group altering time for its own purposes, the Perfectionists.
Twitchy, nervous and jumpy, Dan has ample reason to feel like everyone’s out to get him.
That’s because they are.
He is not just double crossing; he’s triple crossing.
It cannot be easy, living a life like Dan’s. He is constantly on the lookout, and he can trust no one. In Shake Your Body, it all points to one end, and one alone.
In the Mirror universe, I can see Dan as being much more of a survivalist, without the corruption and double dealings he has resorted to in the prime universe.
He is not necessarily more moral; I think it’s more that he would be separated from society. Perhaps he’s even a hermit of some sort.
“Get a hold of yourself, Beauchaine. No one’s going to fault you for any grammatical errors in your damned suicide note.”
I don’t know how well I showed Dan’s motivations; this feels like a character I did not serve well. I kind of fell out of love with him, and that seems to show in the writing of him. I should rectify that at some point in the future.
While writing the HG Wells Star Trek fanfiction stories, I decided I wanted someone who was more or less together, but would be rather young. Furthermore, this person would be a protegé to Kevin O’Connor and would have a mischievous sense of humor. Hence they’d be responsible for naming the time ships. I also loved the idea of a Jewish-Japanese character, and so Deirdre was born.
I like this lovely, petite woman. The actress has actually been in horror pictures. I don’t know too much about her.
Friendly, albeit a little quirky, Deirdre is probably the most well-adjusted of the engineers at the Temporal Integrity Commission. Kevin is in mourning when the series starts. As for Levi, well, he’s just plain weird.
Because she’s pleasant, Kevin leans on her more than he leans on Levi, but Levi is too oblivious to notice most of the time.
DuringA Long, Long Time Ago, Deirdre is set up by family members and goes out on a more or less blind date with a fellow Jewish-Japanese person, Bruce, who is a dog trainer. They hit it off and begin dating in earnest immediately, and by Ohio, he is referred to as her boyfriend.
It is the epitome of a sweet, youthful romance. They talk baby talk to each other on their communicators, often saying things like, “No, you hang up first.” She cooks for him. They are inseparable. Their parents push for a wedding.
When, in The Point is Probably Moot, the time change ensures that she’s forgotten him, he sticks it out, and attempts to woo and win her again.
There is no canon evidence that it exists in the following centuries, or that time traveler Daniels belongs to such an agency.
But canon doesn’t give Daniels a first name, either. Canon is maddeningly incomplete in a lot of areas.
So why not here?
As a result, I have decided that Daniels, who I name Richard, works for the Commission.
Canon and Fanfiction Intertwine
The Commission, to me, would have to be a fairly secretive organization. Otherwise, they could very well find themselves with people selfishly trying to use time travel for their own ends. They could be, maybe, seeking to make their ancestors more wealthy, or have them survive wars or plagues in order to, presumably, reproduce more, in order to make a family larger. Or they might go about things in a more sinister fashion, by trying to ensure that the ancestors of their enemies never reproduce.
Therefore, I have decided that their workings would be pretty secret, including the location of headquarters. Rather than put them on a planet, they’re on a ship. In order to not give things away too much, the ship’s name is wholly unrelated to time travel. It’s called the USS Adrenaline.
Given the fact that this is the very deep future, I don’t expect people to behave precisely the way that we do now (after all, we engage in behaviors that are absolutely alien to people from a millennium ago). This is how it should be. Dress, language, religion (if any) and education will all be radically different, just to mention a few dissimilarities. And lest we think we are so modern, consider this – less than ten years ago, there was no need to refer to home telephones as ‘land lines’. Phones were phones, and you rarely carried them around.
Furthermore, behavior might seem odd to us. After all, we currently live in a far less formal society than we did even five years ago. Hence the TIC in my fanfiction has become a rather informal place. No one is called by their title unless they are being introduced. Admiral Calavicci, who is in charge of the Human Unit, often calls her employees children (out of affection and not malice). And people are dressed in all sorts of ways, rarely wearing uniforms unless they are expected to stay in. However, that last part is to be expected, as travelers would need to be suited up for the specific time periods they were visiting.
The Commission and its dealings are, of course, at the center of the doings in the Times of the HG Wells series, but the reader’s first glimpse of my vision of the TIC is in Temper.
At some point, Star Trek might broadcast a series covering pretty much only time travel. The trick is to make it different from the myriad of other series on the same subject. It is a compelling subject, to be able to either get a sneak peek ahead at the future, or fix the past. I don’t delude myself into thinking that such a series would be a lot like I handle the Commission, but I like to think I’m on the right track with my thinking.
Carmen is played by Annabella Sciorra. I wanted someone in my Star Trek fanfiction who would be younger than your standard admiral, and who would potentially be unconventional.
After all, a lot of what the Temporal Integrity Commission does is off the books and not perfectly organized. I wanted the deep future to be somewhat like that, not so easily recognizable to both us and canon characters of earlier time periods. This is not wholly at odds with Star Trek canon, as Daniels does often seem to be flying a bit by the seat of his pants.
I wanted everyone to be doing that, and so Carmen, the ultimate improviser, was born.
No-nonsense and efficient, Carmen calls her charges ‘children’ much of the time, and truly cares about whether they’re all right. After all, despite the many physical enhancements they have been given, and the technology they possess, it’s still a dangerous business to travel in time. I hear a British accent when I hear Carmen’s voice; she just strikes me as someone who’s mid-level posh but also more than willing to street fight if it comes to that.
Carmen battles both migraines and alcoholism, but she has both more or less under control. Most of the time.
As of the writing of this blog post, Carmen has no known relationships. The only bit is a short, drunken hookup with Rick, which they both regretted in the morning.
There are no impediments to Carmen having a mirror counterpart.
Maybe she does. It’s highly doubtful that she would be an Admiral, even that late in history, long after the fall of the Mirror Empire.
Like most Mirror Universe women, she would likely not be treated well, and would use her body to gain privileges. However, as a woman aging, she would be losing her advantages.
FalseBill has written a version of an MU Carmen and has named her Genofeva. She and Carmen are both in Dishing It Out.
“I, God, this is an awful day and I don’t expect any of you to be unaffected. Three deaths in one day! I’d be shocked if any of you truly were unaffected. But we have some sort of issue, so I’m afraid we don’t have the time or the luxury allowing us to mourn even a little bit. I suppose we’ll all collapse later and become raving basket cases. As for the change, no one can pinpoint it yet.”
Carmen is very nearly cigar-chomping, and does not suffer fools gladly. But she needs more back story, which I will write for her one of these days.
Of course, time travel is canon in Star Trek. And by the time of Daniels, it’s not only semi-routine, it’s even got a department devoted to it. This is first called the Department of Temporal Investigations, but it settles into, eventually, the Temporal Integrity Commission, which is what I call it for my 31st and 32nd century characters.
With the Times of the HG Wells series of eight stories, plus a few extras thrown in, I’ve got thousands of words written about time travel, both voluntary and involuntary.
But this post will just be about people who travel in time because they want to, and they mean to, rather than are pulled there unwittingly, or against their will.
While there are other time travelers in this series of stories, these are the main ones seen.
A music and arts specialist is particularly helpful during various side missions that have to do with music, but he’s being separated from the other time travelers in order to keep him from talking about what he’s seen during A Long, Long Time Ago.
This half-Witannen agent can see temporal alternatives. Her childhood is briefly shown in Desperation.
The only canon character in the group, this melancholy agent beds women in time in order to assuage his grief, tamp down his guilt and mask his loneliness. In November 13th, he meets Lucretia Crossman. In Marvels, he meets Irene of Castile. In Souvenirs, he remembers them, and others, and Milena Chelenska.
In Temper, and in Fortune, it’s established that he is at least a descendant of Lili and Malcolm, but he’s apparently also at least a descendant of Chip and Deb, as his mother’s maiden name is Masterson.
The department’s doctor rarely travels, mainly because he’s a hybrid of human, Klingon and Xindi sloth. Boris is also having an affair with Marisol.
This engineer for the Calafan unit is romanced by Kevin O’Connor after his wife’s death.
Time travel, to my mind, can sometimes require rather specialized knowledge, beyond even engineering and the use of weapons. A balanced, diverse and admittedly quirky team has done the job here, and they have done it with flair. They’ll be back.
Religion is Star Trek canon, and of course it is also a very real and very personal human experience.
While much of Star Trek is rather atheist-friendly, I don’t believe that faith will ever, truly, completely leave us. In particular, the Enterprise era is bound to have characters who still practice religion.
First seen in The Light, Rabbi Benson is the official Starfleet Rabbi. She assists Ethan Shapiro in putting together a short service to commemorate the life of his great-aunt, Rachel Orenstein.
In Bread, she is a part of an official Starfleet set of meetings and banquets where all of the Starfleet chaplains have been brought together as a part of welcoming three new worlds to the nascent Federation – the Caitian home world, Denobula and the Xyrillian home world. Leah is cordial with the Imam, a Buddhist monk and others. Religion is very much alive, and she is a big part of it. While reminiscing with Jonathan Archer, she reports that Ethan would often ask her advice about Karin Bernstein, and she is delighted that they wed.
The role of High Priestess is not too well-defined, but Yimar has the power to summon her fellow Calafans, no matter where they are, and can even telepathically communicate with those in the Mirror Universe, a useful talent for a spiritual leader who, in an alternate timeline, leads her government in exile, too.
In Reversal, she seems to be dying, but Yipran, the High Priestess of the Calafan people, is not going down without a fight. In Fortune, she reveals that she understands far more of the universe and its origins (and its eventual fate) than pretty much anyone.
About half of this order is composed of upstanding men who commit charitable deeds and are true believers. The other half is a front for the Perfectionists, including Walker himself. The legitimate monks are unaware of what is going on under their noses.
Because there are no religious leaders on board, Captain Archer is charged with performing that task. This includes everything from officiating at weddings
to eventually giving funerary orations. It’s not much of a stretch to assume that he also presided over christenings and Bar and Bat Mitzvot.
It is unclear who fills in when Jonathan finally dies, but it is not a stretch to assume that the successor captain would do so. In The Three of Us, that’s Charles Tucker IV; in Everybody Knows This is Nowhere, that’s canon character Lorian Cyrus Tucker.
Faith abides and, in Bread, for the Mirror Universe and the prime, it’s one of the few things that survives. I believe there is a place for religion in Star Trek, even in the later series, and I am not afraid to show it. Faith of the heart, to me, means all hearts and, by definition, all faiths as well.
In order to make some of my Star Trek fanfiction work, I needed a means of stepping from our universe to the Mirror, and vice versa. In Reversal, this is accomplished via shared dreaming, and a crossover is performed by the Calafans by using power from the NX-01, the ISS Defiant, the amplifier dishes on Point Abic, Calafan group meditation and the sodium vapor flares emanating between the two smallest stars in the Lafa System, Fep and Ub. All of this, acting together, brings Doug from there to here, over the course of several hours. The Mirror High Priestess, Yimar (a teenaged girl) decides to leave the doors open in perpetuity. This has the effect of allowing Calafans to pass back and forth between both universes although other species still cannot.
However, the sodium vapor flares in particular were meant to be somewhat uncommon occurrences. Plus I wanted a technological solution.
Having read about dark matter, the truth is that it’s exotic and there’s an awful lot of it. It is ripe for fan fiction treatment, as it’s abundant and mysterious. Hence I decided that it would be used for the purposes of heading from here to the other side of the pond, or back again.
In Temper, the Empress Hoshi Sato has her Science Ensign Lucy Stone, with the help of Vulcan slaves T’Pau and Kefris, devise a means of moving from one universe to the other. In canon, she (Hoshi) is well aware that the Defiant is from another universe. It is an advanced design, with superior firepower, defenses and accommodations. It makes sense that she would be looking for a spare or two or two hundred. And, as a person who wants to be known as a conqueror, she may have realized that it could very well be easier to subjugate our universe, as opposed to going out to hidden corners of the Mirror.
Therefore, in Temper, in 2161 the Defiant‘s main phaser is calibrated to twenty-one centimeters and is initially just fired into seemingly empty space. Because this works, Richard Daniels is summoned to the Temporal Integrity Commission, as he and Eleanor notice the time change immediately (an ornate sword she was lecturing about, Ironblaze, vanishes). This causes the first alternate timeline, and time becomes incoherent.
Due to temporal incoherence, a few years later, in 2166, a second passageway is opened up with another pulse shot, but this time it’s fired near the amplifier dishes. This shot opens things up more widely and it’s not just Calafans who can pass back and forth. Now humans and all other species can as well. At this stage, four people pass from our universe to the Mirror. This act changes history enough, and that triggers Daniels sensing the change but not the specifics.
Then a third instance occurs in 2178, but it’s not a new shot at all. Rather, it’s vestiges of incoherent time. It’s from this time period that the first repairs to the timeline need to be accomplished. This instance is well-known to Richard as it coincides with a major, independently verified historical event in that alternate timeline. After 2178 is repaired, 2166 is fixed and, once that is all done, Richard himself repairs 2161.
Beyond the temporal incoherence, the other effect happens later. Some of the pulse shot is, simply, “lost”. But energy can be neither created nor can it be destroyed, according to the Law of Conservation of Energy (Thermodynamics). So where does it go?
The correct question isn’t where it goes. It’s when it goes. And when does it land? 2366, and it hits Wesley and Geordi‘s shuttle, thereby causing the toss back in time in Crackerjack.
Further aftereffects are yet to be written. I might use this plot device again.
This character is, of course, Star Trek: Enterprise canon, but he does not have a given name in canon, or even a first initial. Nothing is known of his inner life or personality. In the series, he’s just a time traveler and does not seem to have emotional reactions to much of what happens, except when his own time period is threatened.
Smarter than anyone else in the room, Rick is a natural for time travel. But he’s also a bit bored, and is jaded by constantly putting things back. This includes allowing people to die who seem to be innocents. In order to comfort himself, and to keep himself occupied, he begins bedding women in time.
All goes along fine until one of the women ends up pregnant. This would not matter so much to history (although it matters to Richard), except that the pregnant woman is the Empress Hoshi Sato.
He has a good relationship with his sister, Eleanor. For a long time, she is the only person he confides in.
Rick is a womanizer at the start of A Long, Long Time Ago. Here are his known conquests, in the order of the conquests (his perspective in time):
Unlike his temporal conquests, Tina is a real-live girlfriend for Richard. They check each other out in A Lesson and then are introduced at the start of Temper. But at the end of A Long, Long Time Ago, he ends it, although he contacts her a few times, during both Ohio and The Point is Probably Moot.
They meet during the events of Spring Thaw. They enjoy each other’s company and are intellectual equals. They’re also both suffering from some melancholy. Hers is more significant than his, as she is a Holocaust survivor. Perhaps in part because he isn’t supposed to have her, Richard finds himself falling for her. It isn’t until He Stays a Stranger that he does anything about it.
Richard goes on several missions for the Temporal Integrity Commission. He isn’t just fooling around. Here are his only known missions (so far) –
As is explained in the HG Wells series, a lot of temporal alterations are minor (otric), and don’t affect the overall timeline. In the E2 stories, Richard’s cabin is opened up more than once, as the displaced NX-01 attempts to reach him so that they can be restored to their correct time period. While it’s difficult for him, Rick ends up having to ignore them as the Enterprise, in two separate iterations, is meant to be in the 2030s and beyond.
In Temper, his music is The Records’ Your Starry Eyes. But in the HG Wells stories, his themes are Andrew Gold’s Lonely Boy and then, finally, Secret Agent Man by Johnny Rivers, which was the original inspirational music for the series itself.
Rick does not have a Mirror Universe counterpart, and explains the reason for that to Sheilagh Bernstein during Ohio. In First Born, because Rick has fathered a temporally incompatible child, he and his boss, Carmen Calavicci, have to negotiate in order to allow Rick’s son, Jun, to live. One of the conditions of Jun being allowed to survive is that Rick is not permitted to return to the Mirror Universe during the Empress’s lifetime. However, he can go to the Mirror during other time periods and, when he does, in a kind of salute to her, he calls himself Ritchie as she called him that (the nickname is a reference to Ritchie Valens, and A Long, Long Time Ago). An earlier Mirror Universe mission is shown in Pat the Bunny.
“I’m sorry, but no, though I have never forgotten you, either of you. And I love my, my child, but I know that I have never been a father to you. I wish I had been.”
For a guy who doesn’t even have a first name in canon, I think I’ve given him a pretty wild life. Hopefully, readers find him as fascinating as I have.