Tag Archives: Mary

Portrait of a Character – Mary Reed

Portrait of a Character – Mary Reed

Origins

The character, of course, is canon, and is Malcolm‘s mother.

Portrait of a Character – Mary Reed
Jane Carr as Mary Reed

I give her the maiden name of Dunphy, which comes from a gravestone I saw in Newton, Massachusetts, where a Wilbur Reed (mentioned in Concord) is buried, for real, near a stone that just says Dunphy.

Portrayal

As in canon, Mary is portrayed by actress Jane Carr.

Personality

Reserved and sometimes a little cowed by Stuart, Mary quietly holds her own, but only when she needs to. I wanted to make her a little more than the knitting grandmother I made her in Fortune, so I added a war effort-style job in Gainful and The Tribe, and the need for her to begin caring for Stuart (and sometimes telling him the occasional little white lie) in Saturn Rise. When Malcolm is in serious legal trouble in Shell Shock, she asks if they should call the family lawyer, and tells him to be strong.

Her personality comes out best in Gainful/The Tribe and Saturn Rise, where she gets more lines and a bit of assertiveness about her desire to work outside the home and, later, her desire to accept at least Lili‘s other children and have them call her Nan. It’s a bit unclear as to whether she accepts Melissa‘s sons as her grandsons. That’s an area I might explore in the future.

Relationships

Stuart Reed

Mary’s only known relationship is with Malcolm’s father, Stuart. They have two children; I write their daughter, Madeleine, as being younger than Malcolm although that’s not confirmed in canon.

Mirror Universe

Portrait of a Character – Mary Reed
Mirror Mary

Mary has to exist in the Mirror Universe, because Malcolm’s counterpart, Ian, does.

I like the idea of her being much more of a career woman, and not the homebody that she seems to be in canon. She’s not necessarily an overly sexed-up Mirror Universe woman, but I do see her as at least attempting to be much more independent.

Quote

“Long ago, when humans were barely even human, the birth of a child was an occasion. The men would leave on a hunt, or some such. … Perhaps there were a few exceptions. And the women, they all gathered ‘round. It was the entire tribe. They came together, in order to celebrate such a grand occasion and welcome the new tribe member.”

Upshot

This character was barely mentioned in canon, although that dovetails rather neatly with the canon situation that Malcolm was in. He quite simply kept out of his own family’s way, and they didn’t pursue him, either. For Malcolm, it was likely a rather lonely existence. I’ve tried to keep Mary like that. A decent mother, but a better grandmother, and kind of not too sure of what to do with Malcolm half the time.

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Review – The Tribe

Review – The Tribe

Background

I wanted to cover a moment where unlikely allies would work together.

Review – The Tribe
In Between Days – The Tribe

The end of Mary Reed’s first day at work proved a great backdrop. I also had wanted to revisit her new job, and so this prompt  made for a great opportunity to do just that.

Mary would be needed – and that can sometimes be an issue for people with grown children. How do you find a new purpose so that you can feel needed again? For this little story, Mary was absolutely indispensable.

Plot

Review – The Tribe

As Mary takes the maglev train home to Kota Baru after a long day at work, the train suddenly stops. Briefly, the lights go out, which is a little scary but not a lot. This is her first day on the job, and she was asked to start on the day of her interview, so the whole thing has been even more unexpected. Nearly as importantly, her husband, Stuart, has not been fully supportive of her working outside the home, even as a part of the Earth-Romulan War effort. And now she is going to be late, and his supper will be delayed. It is hardly an auspicious beginning to her working career.

When the power comes back on, a heavily pregnant woman sitting across the aisle from her looks mighty uncomfortable.

Review – The Tribe

A young Tellarite male comments, and it becomes obvious very quickly that the pregnant woman’s water has broken. Except for the young Tellarite, all of the men in the train car leave.  Two Vulcans come over and begin timing the contractions. A few women donate sweaters or the like to create an impromptu pillow. Mary’s job is to talk to the woman, whose name is Penda (this is a reference to a possible canon name for Uhura).

When the train finally starts moving again, the people are not friends. But  they have shared something all the same. And Mary, like the pair of Vulcans and the young Tellarite and others, returns to her life.

Story Postings

Rating

The story is Rated K.

Upshot

I liked this little slice of her life, and how even in the future something like a birth could have the potential to truly go wrong, or at the very least get messy.

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